{"title":"Czechoslovakia","description":"","products":[{"product_id":"all-the-haunts-be-ours-a-compendium-of-folk-horror-blu-ray-release-jan-25-22","title":"All The Haunts Be Ours: A Compendium Of Folk Horror (BLU-RAY)","description":"\u003ch3 data-mce-fragment=\"1\" itemprop=\"description\"\u003eA Box set collection of 19 of the best-known, least-known, rarely-seen and thought-lost classics of folk horror from around the world.\u003c\/h3\u003e\n\u003cp\u003e12 BLU-RAYS, 3 CDs, 20 FEATURE FILMS, PLUS 15+ HOURS OF SPECIAL FEATURES \u0026amp; MORE\u003c\/p\u003e\n\u003cp\u003eThe most comprehensive collection of its kind. Experience 19 of the best-known, least-known, rarely-seen and thought-lost classics of folk horror from around the world, all restored from the best available vault elements.\u003c\/p\u003e\n\u003cp\u003eSpecial Features include short films, audio commentaries and exclusive featurettes. The ultimate genre exploration continues with the original WOODLANDS DARK AND DAYS BEWITCHED soundtrack by Jim Williams, a 2-disc reading of the classic short story 'The White People' by actress Linda Hayden with a new score by composer Timothy Fife, as well as a 156-page book curated by Kier-La Janisse, featuring new writings by renowned film scholars, authors and historians alongside a selection of archival writings, poems and folk tales.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 1:\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003eWOODLANDS DARK AND DAYS BEWITCHED\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eKier-La Janisse, USA, 2021\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e192 mins | 1.85 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eEnglish and Portuguese with English subtitles\u003cbr data-mce-fragment=\"1\"\u003eStereo\u003cbr data-mce-fragment=\"1\"\u003eHD Digital Master\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003eWOODLANDS DARK AND DAYS BEWITCHED explores the folk horror phenomenon and its culturally specific manifestations in international horror, from its first wave in the 1970s to today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eVideo Introduction By Writer\/Director\/Producer Kier-La Janisse\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e(9 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eAnimating Folk Horror\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e— A Conversation with Ashley Thorpe\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e(12 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnimator Ashley Thorpe discusses his processes and inspirations for the animated sequences he created for the film.\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eOuttake:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eWhat is Folk Horror?\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e(2 mins)\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eExpanded definitions of folk horror cut from the film’s introductory sequence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eOuttake:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eHarvest Hymns\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e— The Sounds and Signals of Folk Horror\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e(22 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eHistorians and Composers—including Marc Wilkinson, John Cameron, Jim Williams, Pentagram Home Video and more—weigh in on the sounds of folk horror from trad to electronica.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eOuttake:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eTerra Assombrada\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e— Expressions of Folk Horror in Brazil\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e(7 mins)\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eFilmmaker Dennison Ramalho and Scholars Carlos Primati and\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLaura Loguercio Cánepa\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003ediscuss the impact of Brazilian folk literature and songs on folk horror.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eFolk Poetry\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e(5 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eWITCHFINDER GENERAL star Ian Ogilvy and BLOOD ON SATAN’S CLAW’s Linda Hayden recite classic folk poems set to Super 8 footage.\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTrailer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 2:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEYES OF FIRE\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAvery Crounse, USA, 1983\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e86 mins | 1.85:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eEnglish Mono | Closed Captions\u003cbr data-mce-fragment=\"1\"\u003e4K restoration from the original negative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe seminal American folk horror film, unavailable on home video for decades, now debuts in a new 4K restoration. A rogue 18\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eth\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003ecentury preacher and his followers make their way downriver to establish a new settlement beyond the western frontier and encounter a forest enchanted by strange spirits that will bring an apocalyptic madness upon them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary With Colin Dickey, Author of “Ghostland: An American History In Haunted Places”\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Secret Is In The Trees\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e— “Nightmare USA” Author Stephen Thrower Interviews Avery Crounse\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e(29 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eCrying Blue Sky\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlternate Longer Cut restored in 2K from Director's personal 35mm answer print\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlus Bonus Short Films:\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Legend Of Sleepy Hollow\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e(Sam Weiss, USA 1972) (13 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eGenre icon John Carradine narrates this atmospheric animated adaptation of Washington Irving’s classic story, newly scanned from 16mm for this release by educational film archive AV Geeks. Courtesy of Pyramid Films.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eTransformations\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e(Barbara Hirschfeld, USA 1972)\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e(\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e8.5 mins)\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eA fascinating feminist experimental film shot on location in Vermont about a group of witches performing white magic. Courtesy of the Vermont Archive Movie Project (VAMP).\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003evamp.vtiff.org\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eBackwoods\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e(Ryan Mackfall, UK 2018) (15 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA scholar drifts from his path and finds himself in a house he takes for deserted. Based on H.P. Lovecraft's “The Picture In The House.” Courtesy of Myskatonic Films.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 3:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eLEPTIRICA\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDjordje Kadijevic, Serbia, 1973\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e65 mins | 1.33:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eSerbian mono with optional English subtitles\u003cbr data-mce-fragment=\"1\"\u003eHD master from Public Service Media Radio Television of Serbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBased loosely on by Milovan Glišić’s classic 1880 Serbian vampire story\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAfter Ninety Years\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e– which preceded Bram Stoker’s Dracula by nearly two decades – Djordje Kadijevic’s adaptation is a subversive, darkly erotic take on Glišić’s pastoral tale of a group of rural villagers beset upon by the infamous vampire Sava Savanovic, who has taken up residence in their local flour mill.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eRadical Fairy Tales\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e— Interview With Director Djordje Kadijevic\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlus bonus short films newly remastered in HD from archival film elements at Public Service Media Radio Television of Serbia:\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eŠtićenik\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e(\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDjordje Kadijevic\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e,1973) (45 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA terrified young man is being pursued by a mysterious man in black. He hides out in nearby mental hospital, but can he escape his fate?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eDiary Of An Inmate\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e(10 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn interview with\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eŠtićenik\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eactor Milan Mihailovic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eDevičanska Svirka\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e(\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDjordje Kadijevic\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e,1973) (60 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA man travelling through the countryside is drawn to a strange castle, which is reputed by the locals to be haunted. There he meets a beguiling young woman who ensnares him in her world of secrets.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003ePrisoner Of Song\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn interview with Devičanska Svirka actor Goran Sultanovic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 4:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWITCHHAMMER\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eOtakar Vávra, Czechoslovakia, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e107 mins | 2:35:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eCzech mono with optional English subtitles\u003cbr data-mce-fragment=\"1\"\u003eHD restored master supplied by the Czech Film Center\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOtakar Vávra’s film about 17\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eth\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003ecentury witch hunter Jindřich František Boblig and the horrors he visited on the small village of Velké Losiny has been called an Eastern European counterpart to Michael Reeves’ WITCHFINDER GENERAL and Michael Armstrong’s MARK OF THE DEVIL.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWith Czech Film Historian And Curator Irena Kovarova\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003eWomb\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003eOf\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003eWoman\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003eIs The Gateway To Hell\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e(22.5 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA filmed appreciation by essayist and critic Kat Ellinger and film historian Michael Brooke. Courtesy of Second Run Films.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Projection Booth Podcast\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e(62 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe renowned film podcast’s episode on WITCHHAMMER, with host Mike White and guest critics Samm Deighan and Rahne Alexander.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eVIY\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eKonstantin Ershov, Georgiy Kropachyov, Soviet Union, 1967\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e76 mins | 1.33:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eRussian mono with optional English subtitles \/ English mono\u003cbr data-mce-fragment=\"1\"\u003eHD restored master supplied by Mosfilm\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBased on the classic novella by Nikolai Gogol, VIY\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eremains the height of Soviet fantasy cinema\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e.\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003eIn 19th century Russia, a seminary student is forced to spend three nights with the corpse of a beautiful young witch. But when she rises from the dead to test his faith, it will summon a nightmare of fear, desire and the ultimate demonic mayhem.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFrom The Woods To The Cosmos\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e— John Leman Riley On The History Of Soviet Fantasy And Sci-Fi Film\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e(34 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTrailer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlus Bonus Silent Short Films:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cb data-mce-fragment=\"1\"\u003eSatan Exultant\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e(1917, 20 mins)\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Queen of Spades\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e(1916, 16 mins)\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Portrait\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e(1915, 8 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 5:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eLAKE OF THE DEAD\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eKåre Bergstrøm, Norway, 1958\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e77 mins | 2.40:1 | B\/W | Region Free\u003cbr data-mce-fragment=\"1\"\u003eNorwegian mono with optional English subtitles\u003cbr data-mce-fragment=\"1\"\u003eRestored in 2K from the original negative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eConsidered a classic of Norwegian cinema, a group of colleagues venture to a remote cabin to look for a missing friend and are spooked by an old legend: that the cabin had belonged to a man who killed his sister and her lover and then drowned himself in the lake. Since then, it is said that anyone who stays in the cabin will be driven to the same fate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWith Film Historians Jonathan Rigby And Kevin Lyons\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTILBURY\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eViðar Víkingsson, Iceland, 1987\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e57 mins | 1.33:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eIcelandic mono with optional English subtitles\u003cbr data-mce-fragment=\"1\"\u003eRestored in 2K from the original negative at the Film Museum of Iceland\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis made-for-TV film shares the Icelandic lore of the Tilbury, a creature who could be summoned by women in times of financial hardship and starvation. But the gifts of the Tilbury come with their own brand of destruction. Set in 1940, during the British occupation, a country boy discovers his childhood sweetheart is having an affair with a British soldier, but suspects it could be one of the evil creatures.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWith Director Viðar Víkingsson And Screenwriter Þórarinn Eldjárn, Moderated By Film Scholar Gudrun D. Whitehead\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eWith Enough Tilbury Butter, Anything Is Good\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003eInterview With Karl Ágúst Úlfsson\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eA Boy From The Country\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003eInterview With Kristján Franklin Magnúss\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eWhite Spot In The Back Of The Head\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e(Viðar Víkingsson,\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e1979) (33 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis early student film from the director of TILBURY transposes the ghostly Icelandic legend of The Deacon of Dark River to 1970s France.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e“The Moon Fades, Death Rides”\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eViðar Víkingsson discusses the folkloric origins of\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhite Spot In The Back Of The Head\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 6:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTHE DREAMING\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMario Andreacchio, Australia, 1988\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e90 mins | 1.85:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eEnglish mono | Closed Captions\u003cbr data-mce-fragment=\"1\"\u003eRestored in 2K from best surviving 35mm positive print\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhen a group of Indigenous activists attempt to repatriate ancestral artifacts found in a cave on Australia’s Kangaroo Island, one of them is shot evading police and taken to a local hospital. When the patient dies in her care, the doctor attending to her experiences strange visions relating to violent events from the past.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary With Director Mario Andreacchio, Moderated By Film Historian Jarret Gahan\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTrailer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eKADAICHA\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eJames Bogle, Australia 1988\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e88 mins | 1.85:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eEnglish mono | Closed Captions\u003cbr data-mce-fragment=\"1\"\u003eMastered from only surviving broadcast quality video master\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThough conceived as a commercial horror film, this tale of teens being condemned to death in their dreams by an Aboriginal magician as recompense for a housing development having been built on a sacred burial ground also serves as an admission of national guilt.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWith Director James Bogle, Moderated By Veteran Film Journalist Michael Helms (\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFatal Visions\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Final Girl Of KADAICHA\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e(13 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn audio interview with actress Zoe Carides, conducted by film historian Jarret Gahan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eComposing KADAICHA\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e(17.5 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn audio interview with composer Peter Westheimer, conducted by film historian Jarret Gahan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eBehind The Scenes Of KADAICHA\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e(7 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecently-unearthed footage of director James Bogle and the cast and crew in a typical day on set.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTrailer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 7:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eCELIA\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnn Turner, Australia, 1989\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e103 mins | 1.85:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eEnglish mono | Closed Captions\u003cbr data-mce-fragment=\"1\"\u003eRestored in 2K from 35mm original negative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 1950s Australia, after 9-year-old Celia hears the disturbing fairy tale of \"The Hobyahs\" in school, it colors her interpretation of real life conflicts such as her parents' struggling relationship, the threat of communism and the country's plague of rabbits. Ann Turner's award-winning film paints a disquieting picture of innocence trying to make sense of the harsh and complex world around her through escape into dark fantasy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eCELIA And Me\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e(40 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA new interview with director Ann Turner\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFrom Crawfords To CELIA\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e(17 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn interview with veteran editor Ken Sallows\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Rabbit In Australia\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e(24 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis short documentary produced by Australia’s national science agency CSIRO in 1979 traces the introduction of the European rabbit to Australia and subsequent attempts to control its population, which includes the rabbit cull of the 1950s that serves as the backdrop for Ann Turner’s\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eCELIA\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eALISON’S BIRTHDAY\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eIan Coughlan, Australia, 1981\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e97 mins | 1.85:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eEnglish mono | Closed Captions\u003cbr data-mce-fragment=\"1\"\u003eRestored in 2K from 16mm CRI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGetting its first official release since the VHS era, this Australian paranormal cult is unearthed! During a Ouija board session with her teenaged friends, 16-year-old Alison gets a message from beyond the grave not to go home for her 19\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eth\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003ebirthday. Fast forward three years later to the week of her 19\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eth\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e: she gets a call from her mother that they're having a party to celebrate and they want her there... alone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eExtended Interviews\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eFrom NOT QUITE HOLLYWOOD With Producer David Hannay And Cast Members Joanne Samuel And Belinda Giblin\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Devil Down Under\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003eSatanic Panic In Australia From Rosaleen Norton To ALISON’S BIRTHDAY\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA new video essay narrated by film scholar Alexandra Heller-Nicholas, based on her chapter of the same name from the book\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e“Satanic Panic: Pop-Cultural Paranoia in the 1980s\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 8:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWILCZYCA\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarek Piestrak, Poland, 1983\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e103 mins | 1.33:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003ePolish mono with optional English subtitles\u003cbr data-mce-fragment=\"1\"\u003eRestored in HD from original negative by WFDIF in Warsaw\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA domestic hit in Poland on first release, Marek Piestrak’s stunning wintry werewolf film is a sexually-charged folktale that pits a 19\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eth\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003ecentury Polish patriot against the ghost of his unfaithful wife, who haunts him from beyond the grave as a she-wolf.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eUnleashing The She-Wolf\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003eAn Interview With Director Marek Piestrak\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eLOKIS: A MANUSCRIPT OF PROFESSOR WITTEMBACH\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eJanusz Majewski, Poland, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e100 mins | 1:66:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003ePolish mono with optional English subtitles\u003cbr data-mce-fragment=\"1\"\u003eRestored in HD from original negative by WFDIF in Warsaw\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA pastor and ethnographer visits a remote corner of 19\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eth\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003ecentury Lithuania where folk customs associated with the area’s pagan past still have a hold on the population. There he finds himself the guest of a strange old family consisting of a sadistic Count and his mad mother, who—legend has it—was raped by a bear on her wedding night; the Count himself reputed to be the product of this bestial assault.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eWild Country Of The Were-Bear\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003eAn Interview With Director Janusz Majewski\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 9:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eCLEARCUT\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eRyszard Bugajski, Canada, 1991\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e98 mins | 2.35:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eEnglish 5.1 \/ English 2.0 | Closed Captions\u003cbr data-mce-fragment=\"1\"\u003eRestored in 4K from 35mm answer print\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA white lawyer arrives to a remote area in Northern Ontario to defend Indigenous activists who are blocking a logging company’s clearcut of old growth on their land. A pacifist by nature, and perceiving himself as sympathetic to Indigenous concerns, he finds his values shaken when he is paired with an angry, rogue Indigenous activist named Arthur (Graham Greene) who insists on kidnapping the head of the logging company to take him deep into the forest—where he hopes to teach him the price of his destruction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eArchival Video Introduction By Director Ryszard Bugajski\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eCourtesy of Maria Mamona\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWith Scholar And Anthropologist Shaawano Chad Uran (White Earth Anishinaabe)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlus Bonus Short films:\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Ballad Of Crowfoot\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e(Willie Dunn, 1968) (10 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eOften referred to as Canada’s first music video, Mi’kmaq\/Scottish folk singer and activist Willie Dunn’s\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Ballad Of Crowfoot\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003eis a powerful look at colonial betrayals, told through a striking montage of archival images and a ballad composed by Dunn himself about the legendary 19th-century Siksika (Blackfoot) chief who negotiated Treaty 7 on behalf of the Blackfoot Confederacy.\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eFor\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Ballad of Crowfoot\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003eWith Kevin Howes And Lawrence Dunn, Co-Producers Of\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eCreation Never Sleeps, Creation Never Dies: The Willie Dunn Anthology\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eYou Are On Indian\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eLand\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e(\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMichael Kanentakeron Mitchell\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e, 1969) (32 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA landmark film that documents a 1969 protest by the Kanien’kéhaka (Mohawk) of Akwesasne, a territory that straddles the Canada–U.S. border.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYou Are On Indian Land\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003escreened extensively across the continent, helping to mobilize a new wave of Indigenous activism. It notably was shown at the 1970 occupation of Alcatraz.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eConsume\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e(Mike Peterson, 2017) (20 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInspired by true events, residential school survivor Jacob Wematim (Julian Black Antelope) struggles to hang onto his land and Indigenous identity as his personal demons resurface and manifest in the form of the Wendigo spirit.\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 10:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eIL DEMONIO\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eBrunello Rondi, Italy, 1963\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e98 mins | 1.85:1 | B\/W | Region Free\u003cbr data-mce-fragment=\"1\"\u003eItalian mono with optional English subtitles\u003cbr data-mce-fragment=\"1\"\u003eRestored from the original negative at RAI TV in Rome\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA stunning story of obsessive love, set in a rural Southern Italian village where Christianity has integrated many of the old superstitious beliefs. Daliah Lavi (THE WHIP AND THE BODY) plays Purif, who is distraught when her lover is betrothed to another. Her erratic behavior is interpreted as demonic possession—leading the villagers to turn against her with physical and sexual violence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBy Film Historian Kat Ellinger\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e“The Kid From A Kibbutz” —\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003eDaliah Lavi And The Road To IL DEMONIO\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e(27.5 mins)\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eA newly-commissioned video essay written and narrated by film historian Tim Lucas and edited by filmmaker and programmer Chris O’Neill\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eOnce Upon A Time In Basilicata\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eBrunello Rondi biographer Alberto Pezzotta looks at IL DEMONIO and the themes that dominated the director’s eclectic career\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDARK WATERS\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMariano Baino, Russia\/UK\/Ukraine\/Italy, 1993\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e89 minutes | 1.85:1 | Color | Region Free\u003cbr data-mce-fragment=\"1\"\u003eItalian stereo with optional English subtitles\u003cbr data-mce-fragment=\"1\"\u003eMastered in HD from the original negative\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn Mariano Baino’s groundbreaking debut, a young Englishwoman drawn to an island in the Black Sea in an attempt to discover her mysterious connection to a remote convent—a crumbling edifice that has been constructed over a labyrinth of Lovecraftian horrors.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary With Writer\/Director Mariano Baino\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eDeep Into The DARK WATERS\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e(50 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe cast and crew recall the making of DARK WATERS in this archival documentary featurette.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 11:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eA FIELD IN ENGLAND\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eBen Wheatley, UK, 2012\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e90 mins | 2.35:1 | B\/W | Region A\u003cbr data-mce-fragment=\"1\"\u003eEnglish 5.1 \/ English 2.0 | Closed Captions\u003cbr data-mce-fragment=\"1\"\u003eHD Digital Master\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDuring the Civil War in 17th-Century England, a small group of deserters flee from a raging battle and are captured by an alchemist who forces them to help him find a hidden treasure. Crossing a vast mushroom circle, which provides their first meal, the group succumbs to the terrifying energies trapped inside the field.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWith Director Ben Wheatley, Producer Andy Starke And Sound Editor Martin Pavey\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eLetterboxd Magic Hour Episode One: Kier-La Janisse X Ben Wheatley\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e(45 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eBen Wheatley talks folk horror with WOODLANDS DARK AND DAYS BEWITCHED director Kier-La Janisse in this special online interview conducted for the release of Wheatley’s IN THE EARTH.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003ePlease Hear Me\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e—\u003c\/i\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003eThe Music of A FIELD IN ENGLAND\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e(6 mins)\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003eComposer Jim Williams and Ben Wheatley discuss the sounds and musical influences of A FIELD IN ENGLAND.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eBen Wheatley In Conversation With Pete Tombs\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e(23 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA fascinating discussion between Wheatley and film historian\/author (“Immoral Tales,” “Mondo Macabro”) Pete Tombs that gets deep into the DNA of A FIELD IN ENGLAND.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eCamera Tests\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e(10.5 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTrailer\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eANCHORESS\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eChris Newby, UK, 1993\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e108 mins | 1.66:1 | B\/W | Region A\u003cbr data-mce-fragment=\"1\"\u003eClosed Captions\u003cbr data-mce-fragment=\"1\"\u003eMastered in HD by the British Film Institute\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBased on the true story of Christine Carpenter, a 14\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eth\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e-century peasant who becomes transfixed by a statue of the Virgin Mary, and petitions to be walled into a cell attached to the church as a religious hermit. Alone in her cell she receives dark and sensual visions, while in the outside world, her defiant mother (played by musician Toyah Wilcox) is accused of witchcraft.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eLockdown 1329\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e(13.5 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA new video essay by ANCHORESS director Chris Newby that explores parallels between COVID lockdown in the UK and Christine Carpenter’s experience as an anchoress, featuring outtakes from the film.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eA Short Trip To Shere\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e(2.5 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eANCHORESS director Chris Newby documents the location of the real Christine Carpenter’s anchoress cell at St. James’ Church in Shere, England.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDISC 12:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003ePENDA’S FEN\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlan Clarke, UK, 1974\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e90 mins | 1:33:1 | Color | Region A\u003cbr data-mce-fragment=\"1\"\u003eEnglish mono | Closed Captions\u003cbr data-mce-fragment=\"1\"\u003eMastered in HD by the British Film Institute\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAlan Clark (Scum) directs David Rudkin's epic tale of myth and identity whereby a sanctimonious Vicar's son has a spiritual and sexual awakening after being visited by a series of angels, gargoyles, and the ghosts of Edward Elgar and a long-dead Pagan King. Penda's Fen is the most magical of ALL British Folk Horror films, what Scholar Sukhdev Sandhu called \"A lasting vision of heresy and pastoral horror.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAudio Commentary by James Machin and Matthew Hale, Editors of the book \"Of Mud \u0026amp; Flame: The Penda's Fen Sourcebook\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Landscape of Feelings: The Road to Penda's Fen\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(16 mins) A Documentary on the making of Rudkin and Clarke's groundbreaking Drama, featuring interviews with Writer David Rudkin and Producer David Rose as well as contributions from Clarke collaborators such as Writer David Yallop, Actor Sean Chapman and Playwright David Leland. Courtesy of The British Film Institute.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003ePlus Bonus Short Film:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Pledge\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(Digby Rumsey, 1982) (22 mins) Based on the short story by early 20th Century Fantasy Writer Lord Dunsany,\u003cspan\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Pledge\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003econcerns a group of Highwaymen who make a pact to save the should of their hanged partner. A dark, luscious film co-edited by an uncredited Peter Greenaway and featuring music by Michael Nyman. Courtesy of The British Film Institute.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eROBIN REDBREAST\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eJames MacTaggart, UK, 1970\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e76 mins| 1:33:1 | B\/W | Region A\u003cbr data-mce-fragment=\"1\"\u003eEnglish mono | Closed Captions\u003cbr data-mce-fragment=\"1\"\u003eMastered from BBC protection tape master, the only surviving element\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVeteran British chiller writer John Bowen penned this legendarily terrifying BBC teleplay, now considered a precursor to THE WICKER MAN. Nora Palmer moves to a quiet village in England after a break-up. The locals are warm enough at first, but their sinister intentions are gradually revealed. Is Nora paranoid or is she the center of a wicked pagan plot of indescribable horror?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAudio Commentary\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWith William Fowler And Vic Pratt, Curators And Authors Of “The Bodies Beneath: The Flipside of British Film \u0026amp; Television”\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eInterview With John Bowen\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e(12 mins)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe celebrated writer discusses his career and the origins of ROBIN REDBREAST. Courtesy of the British Film Institute.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlus bonus short film:\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Sermon\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(Dean Puckett, 2018) (12 mins) In an isolated church community in the English countryside, a powerful hate preacher prepares to deliver a sermon to his flock, but his daughter has a secret that could destroy them all.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBONUS CDs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWOODLANDS DARK AND DAYS BEWITCHED\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003eORIGINAL MOTION PICTURE SOUNDTRACK\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eComposed by Jim Williams\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTHE WHITE PEOPLE\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eBy Arthur Machen\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eRead by Linda Hayden\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMusic by Timothy Fife and Missionary Work\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArthur Machen’s hugely influential short story, first published in 1904, in which a discussion between two men on the nature of\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/en.wikipedia.org\/wiki\/Evil\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Evil\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eevil\u003c\/span\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003eleads to the revelation of a mysterious Green Book\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e—\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003ethe diary of a young girl, in which she describes her initiation into a secret world of folklore and magic. Here the story is brought vividly to life with an incredible reading by Linda Hayden (BLOOD ON SATAN’S CLAW) and a remarkable original score.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eALL THE HAUNTS BE OURS\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e— 126+ Page Book\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eCurated by\u003cspan\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eKier-La Janisse\u003c\/strong\u003e, this beautifully-illustrated book designed by Luke Insect features new writing by\u003cspan\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAndy Paciorek, Stephen Volk, Mitch Horowitz, Dawn Keetley, Sarah Chavez, Stephen R. Bissette and Dejan Ognjanović\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ealongside a selection of illuminating archival pieces and a breakdown of all the films in the set.\u003c\/span\u003e\u003c\/p\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":41191116243144,"sku":"SEV7672BR","price":299.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/allthehaunts.jpg?v=1635535619"},{"product_id":"aba-blu-alice024-72022","title":"Alice (BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen Alice follows the White Rabbit into Wonderland, so begins this dream expedition into the astonishing landscape of childhood, through many dangerous adventures, and ultimately to Alice's trial before the King and Queen of Hearts.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCzech animator Jan Svankmajer has created a masterpiece of cinema, a strikingly original interpretation of Lewis Carroll's classic tale. 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A game-changing film that profoundly influenced the genre and showed that science-fiction movies weren't only about special effects; they were also high art. Of the hardest and most admirable kind\" - Alex Cox, The Guardian\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\"Finally available in its complete, original form, Polák's groundbreaking celestial saga is every bit as impressive today as it was in 1963. Don't tell me Kubrick missed this one...\" - Joe Dante, filmmaker\u003c\/li\u003e\n\u003cli\u003e\"An absolute treat, offering all the kitsch pleasures of vintage SF while still bearing up remarkably well to modern scrutiny. Anyone brave enough to check it out will be very glad they did\" - Starburst\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\"Immaculately filmed in black-and-white Cinemascope, it is beautiful and austere. 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Gripping and intensely atmospheric, Coach to Vienna is a fearless moral examination of the complexities of war.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCoach to Vienna is presented from a glorious new 4K restoration and makes its world premiere on Blu-ray.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOur edition also contains Karel Kachyňa’s rediscovered 1949 graduation film, It's Not Always Cloudy (Není stále zamračeno), a feature-length, semi-documentary co-directed by Vojtěch Jasný; plus a new Projection Booth audio commentary with film historians Mike White, Samm Deighan and Kat Ellinger - and a booklet featuring a new essay by author and Czechoslovak cinema specialist Jonathan Owen.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCoach to Vienna (Kočár do Vídně, 1966) presented from an HD transfer of the new 4K restoration by the Czech National Film Archive, Prague.\u003c\/li\u003e\n\u003cli\u003eIt's Not Always Cloudy (Není stále zamračeno, 1949): Karel Kachyňa’s rediscovered feature-length semi-documentary graduation film, co-directed by Vojtěch Jasný.\u003c\/li\u003e\n\u003cli\u003eA new Projection Booth audio commentary with film historians Mike White, Samm Deighan and Kat Ellinger.\u003c\/li\u003e\n\u003cli\u003e20-page booklet featuring a new essay on the film by author and Czechoslovak cinema specialist Jonathan Owen.\u003c\/li\u003e\n\u003cli\u003eTrailer.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eImage gallery - a collection of rare Hungarian lobby cards.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNew and improved English subtitle translation.\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"Bold\"\u003eRegion free Blu-ray (A\/B\/C).\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eWorld premiere on Blu-ray.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Second Run","offers":[{"title":"Default Title","offer_id":41810028069064,"sku":"5060114151819","price":36.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/COACHTOVIENNA.jpg?v=1650591851"},{"product_id":"creamator-the-dvd","title":"Creamator, The (DVD)","description":"\u003cp data-mce-fragment=\"1\"\u003eCzechoslovak New Wave iconoclast Juraj Herz’s terrifying, darkly comic vision of the horrors of totalitarian ideologies stars a supremely chilling Rudolf Hrušínský as the pathologically morbid Karel Kopfrkingl, a crematorium manager in 1930s Prague who believes fervently that death offers the only true relief from human suffering. When he is recruited by the Nazis, Kopfrkingl’s increasingly deranged worldview drives him to formulate his own shocking final solution. Blending the blackest of gallows humor with disorienting expressionistic flourishes—queasy point-of-view shots, distorting lenses, jarring quick cuts—the controversial, long-banned masterpiece\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Cremator\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003eis one of cinema’s most trenchant and disturbing portraits of the banality of evil.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThis restoration of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003eThe Cremator\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003ewas made possible by a donation from Mrs. Milada Kučerová and Mr. Eduard Kučera and was realized by Karlovy Vary IFF at the studios of UPP and Soundsquare, in cooperation with the Národní filmový archiv in Prague and the Czech Film Fund.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\"\u003eSPECIAL FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\"\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K digital restoration, with uncompressed monaural soundtrack on the Blu-ray\u003c\/li\u003e\n\u003cli\u003eHigh-definition digital transfer of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Junk Shop,\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003edirector Juraj Herz’s 1965 debut short film\u003c\/li\u003e\n\u003cli\u003eShort documentary from 2011 featuring Herz visiting filming locations and recalling the production of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Cremator\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003eNew interview with film programmer Irena Kovarova about the style of the film\u003c\/li\u003e\n\u003cli\u003eDocumentary from 2017 about composer Zdeněk Liška featuring Herz, filmmakers Jan Švankmajer and the Quay Brothers, and others\u003c\/li\u003e\n\u003cli\u003eInterview with actor Rudolf Hrušínský from 1993\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eNew English subtitle translation\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by film scholar Jonathan Owen\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eNew cover design by La Moutique\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Unobstructed View","offers":[{"title":"Default Title","offer_id":41835416846536,"sku":"CC3136DDVD","price":37.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/crematordvd.jpg?v=1651287338"},{"product_id":"creamator-the-blu-ray","title":"Creamator, The (BLU-RAY)","description":"\u003cp data-mce-fragment=\"1\"\u003eCzechoslovak New Wave iconoclast Juraj Herz’s terrifying, darkly comic vision of the horrors of totalitarian ideologies stars a supremely chilling Rudolf Hrušínský as the pathologically morbid Karel Kopfrkingl, a crematorium manager in 1930s Prague who believes fervently that death offers the only true relief from human suffering. When he is recruited by the Nazis, Kopfrkingl’s increasingly deranged worldview drives him to formulate his own shocking final solution. Blending the blackest of gallows humor with disorienting expressionistic flourishes—queasy point-of-view shots, distorting lenses, jarring quick cuts—the controversial, long-banned masterpiece\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Cremator\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003eis one of cinema’s most trenchant and disturbing portraits of the banality of evil.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThis restoration of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003eThe Cremator\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003ewas made possible by a donation from Mrs. Milada Kučerová and Mr. Eduard Kučera and was realized by Karlovy Vary IFF at the studios of UPP and Soundsquare, in cooperation with the Národní filmový archiv in Prague and the Czech Film Fund.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\"\u003eSPECIAL FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\"\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K digital restoration, with uncompressed monaural soundtrack on the Blu-ray\u003c\/li\u003e\n\u003cli\u003eHigh-definition digital transfer of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Junk Shop,\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003edirector Juraj Herz’s 1965 debut short film\u003c\/li\u003e\n\u003cli\u003eShort documentary from 2011 featuring Herz visiting filming locations and recalling the production of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Cremator\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003eNew interview with film programmer Irena Kovarova about the style of the film\u003c\/li\u003e\n\u003cli\u003eDocumentary from 2017 about composer Zdeněk Liška featuring Herz, filmmakers Jan Švankmajer and the Quay Brothers, and others\u003c\/li\u003e\n\u003cli\u003eInterview with actor Rudolf Hrušínský from 1993\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eNew English subtitle translation\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by film scholar Jonathan Owen\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eNew cover design by La Moutique\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Unobstructed View","offers":[{"title":"Default Title","offer_id":41835417010376,"sku":"CC3135BD","price":49.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/crematorbd.jpg?v=1651287365"},{"product_id":"desire-all-my-good-countrymen-two-films-by-vojtech-jasny-blu-ray","title":"Desire \/ All My Good Countrymen: Two films by Vojtěch Jasný (BLU-RAY)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUK IMPORT     All Region Blu-Ray\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThese two films by Vojtěch Jasný, one of Czechoslovak cinema's most renowned and influential film artists, tell deceptively simple tales of rural life.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDesire (Touha), a lyrical film poem beautifully shot across four seasons, represents the eternal cycle of human life from birth to death.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAll My Good Countrymen (Všichni dobří rodáci) made a decade later, weaves together the stories of a group of friends whose lives reflect the seismic political changes in post-war Czechoslovakia. One of the wonders of the Czech New Wave, this autobiographical masterpiece, made with deep affection for corruptible, flawed humanity, is a potent reminder of the lives, friendships and idealism lost under totalitarian rule.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAll My Good Countrymen is presented from a new 4K restoration, Desire is presented from a new HD transfer - both films make their world premieres on Blu-ray. Our edition also features archival interviews with director Vojtěch Jasný and actor Drahomíra Hofmanová, additional films by Jasný: It’s Not Always Cloudy (1949) and the acclaimed short Bohemian Rhapsody (1969), a booklet with a new essay by Peter Hames... and more!\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"Bold\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwo-disc Blu-ray Special Edition.\u003c\/li\u003e\n\u003cli\u003eAll My Good Countrymen presented from an HD transfer of the new 4K restoration by the Czech National Film Archive.\u003c\/li\u003e\n\u003cli\u003eDesire presented from a new HD transfer by the Czech National Film Archive.\u003c\/li\u003e\n\u003cli\u003eVojtěch Jasný introduces All My Good Countrymen (2015).\u003c\/li\u003e\n\u003cli\u003eIt's Not Always Cloudy (Není stále zamračeno, 1949): Jasný’s rediscovered feature-length semi-documentary graduation film, co-directed by Karel Kachyňa.\u003c\/li\u003e\n\u003cli\u003eBohemian Rhapsody (Česká rapsodie, 1969): Jasný’s acclaimed short film.\u003c\/li\u003e\n\u003cli\u003eInterview with Vojtěch Jasný (1988): an archival interview with the celebrated filmmaker made for the Channel 4 television\u003c\/li\u003e\n\u003cli\u003eseries The Other Europe.\u003c\/li\u003e\n\u003cli\u003eAn interview with actor Drahomíra Hofmanová (2015).\u003c\/li\u003e\n\u003cli\u003ePeter Hames on Vojtěch Jasný (2015).\u003c\/li\u003e\n\u003cli\u003eA Projection Booth audio commentary on All My Good Countrymen with Mike White, Spencer Parsons and Chris Stachiw.\u003c\/li\u003e\n\u003cli\u003e20-page booklet featuring an expansive new essay on Jasný and the films by author Peter Hames.\u003c\/li\u003e\n\u003cli\u003eNew and improved English subtitle translations.\u003c\/li\u003e\n\u003cli\u003eReversible sleeve.\u003c\/li\u003e\n\u003cli\u003eWorld premieres on Blu-ray.\u003c\/li\u003e\n\u003cli\u003eRegion Free (A\/B\/C) Blu-rays.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Second Run","offers":[{"title":"Default Title","offer_id":42161081155784,"sku":"SECONDRUNBD055","price":44.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/desireallmygoodcountrymenbd.jpg?v=1660776615"},{"product_id":"cassandra-cat-blu-ray","title":"Cassandra Cat (BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003eUK Import. 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As the toxin takes hold, Klára begins to lose grip on her sanity...\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePart fairy tale, part Gothic horror, Morgiana is a full-blown hallucinatory experience from the director of the chilling The Cremator, Oil Lamps and Beauty and the Beast.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eNEWLY RESTORED\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eby the Czech National Film Archive\u003c\/li\u003e\n\u003cli\u003eAn exclusive filmed interview with director Juraj Herz (2010)\u003c\/li\u003e\n\u003cli\u003eA Projection Booth audio commentary with Mike White, Kat Ellinger and Ben Buckingham\u003c\/li\u003e\n\u003cli\u003eBooklet featuring essay by Daniel Bird and Dr Ian Conrich.\u003c\/li\u003e\n\u003cli\u003eNew and improved English subtitle translation.\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eREGION-FREE\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Second Run","offers":[{"title":"Default Title","offer_id":42659893608648,"sku":"SECONDRUNBD067","price":32.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/morgianabd.jpg?v=1682300730"},{"product_id":"happy-end-blu-ray","title":"Happy End (BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003eUK Import. Blu-Ray Disc is Region Free. Should play on any Blu-Ray player.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOldřich Lipský's one-of-a-kind Czech black comedy employs an ingenious twist - telling the life story of a philanderer and condemned murderer entirely in reverse: from his 'birth' at the guillotine, to his departure as an infant. Starring the great Vladimír Menšík in a rare leading role, the film is wildly inventive and disarmingly hilarious.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe reverse chronology, with events playing out completely backwards, upends the narrative flow to become a playful, surreal, Dadaist experience unlike anything else in contemporary cinema.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eNEW 4K RESTORATION OF THE FILM\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eby the Czech National Film Archive\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eA Projection Booth audio commentary with Mike White, Kat Ellinger and Ben Buckingham\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCerise Howard on 'Happy End': a video essay by the film critic and Program Director of the Melbourne Queer Film Festival\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBooklet featuring a new essay by Jonathan Owen\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNew and improved English subtitle translation\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eREGION-FREE\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Second Run","offers":[{"title":"Default Title","offer_id":43342882078920,"sku":"SECONDRUNBD077","price":39.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/happyendbd.jpg?v=1710891755"},{"product_id":"alice-blu-ray-pal-dvd-combo","title":"Alice (UK Import BLU-RAY\/Pal DVD Combo)","description":"\u003cp\u003e\u003cstrong\u003eUK Import. Blu-Ray is Region Free. Should play on any Blu-Ray player. DVD is Region Free PAL, some North American DVD players may have trouble playing PAL video format.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJan Svankmajer's \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eAlice\u003c\/span\u003e\u003cspan\u003e is a creepy and disturbing adaptation of Lewis Carroll's original vision. Combining a live-action Alice (Kristýna Kohoutová) with a stop-motion Wonderland filled with threatening, bizarre characters, the film brilliantly marries a sly visual wit with piercing psychological insight.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePresented here fully uncut and in its original Czech-language version for the very first time, this comprehensive release also gathers together a selection of rare and fascinating \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eAlice\u003c\/span\u003e\u003cspan\u003e-related short films.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eSpecial features\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003ePresented in both High Definition and Standard Definition\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eAlternative English-language audio\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-italic\"\u003eAlice in Wonderland\u003c\/span\u003e\u003cspan\u003e (1903, 9 mins): the first film adaptation of \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eAlice\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-italic\"\u003eElsie and the Brown Bunny\u003c\/span\u003e\u003cspan\u003e (1921, 8 mins): Cadbury's advert\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-italic\"\u003eAlice in Label Land\u003c\/span\u003e\u003cspan\u003e (1974, 12 mins): animated COI film\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-italic\"\u003eStille Nacht II: Are We Still Married?\u003c\/span\u003e\u003cspan\u003e (1992, 3 mins): the Quay Brothers' Alice inspired music film\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-italic\"\u003eStille Nacht IV: Can't Go Wrong Without You\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e(1993, 4 mins): the white rabbit returns in the second of the Quay Brothers' music films for His Name Is Alive\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eFully illustrated booklet\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BFI","offers":[{"title":"Default Title","offer_id":43603374735560,"sku":"BFIB1095","price":42.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/alicebd.jpg?v=1714179438"},{"product_id":"valley-of-the-bees-the-uk-import-blu-ray","title":"Valley of the Bees, The (UK Import BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003eUK Import. Blu-Ray is Region Free. Should play on any Blu-Ray player.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSet in 13th-century Europe, František Vláčil’s visionary medieval epic chronicles the tale of a young boy forced to join the Order of the Teutonic Knights. Years later he abandons the Crusaders, only to be pursued by a fanatical comrade and pay a terrible price for his rejection of the Holy Order.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWith dazzling monochrome cinematography and vivid recreation of the period,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Valley of the Bees\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a raw and haunting moral fable about the conflict between human nature and dogmatism – and just as powerful and compelling a film as his more famous work,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMarketa Lazarová\u003c\/em\u003e.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003e\u003cstrong\u003eBlu-ray Special features:\u003c\/strong\u003e\u003cbr\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp\u003e•\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Valley of the Bees\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cem\u003eÚdolí včel\u003c\/em\u003e, 1967) presented from a new HD transfer from the best existing original materials created by the Czech National Film Archive.\u003cbr\u003e• An all-new Projection Booth commentary with Mike White and Robert Bellissimo.\u003cbr\u003e• Two of František Vláčil's acclaimed short documentary films, photographed by František Uldrich with music by Zdeněk Liška:\u003cbr\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe City in White\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cem\u003eMěsto v bílém\u003c\/em\u003e, 1972)\u003cbr\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKarlovy Vary Promenades\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cem\u003eKarlovarské promenády\u003c\/em\u003e, 1972).\u003cbr\u003e• 24-page booklet with writing on the film by author Peter Hames.\u003cbr\u003e• New and improved English subtitle translation.\u003cbr\u003e• Region free Blu-ray (A\/B\/C).\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003e\u003cstrong\u003eTechnical details:\u003c\/strong\u003e\u003cbr\u003e\u003c\/u\u003e• Running time: 101 minutes\u003cbr\u003e• Language: Czech\u003cbr\u003e• Subtitles: English\u003cbr\u003e• Aspect Ratio: 2.35:1\u003cbr\u003e• Black and white\u003cbr\u003e• Video: BD50 \/ 1080p \/ 24fps\u003cbr\u003e• Audio: 2.0 Dual-Mono LPCM (24-bit)\u003cbr\u003e• Region A\/B\/C (Region Free)\u003c\/p\u003e","brand":"Second Run","offers":[{"title":"Default Title","offer_id":44139136221384,"sku":"SECONDRUNBD079","price":49.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/valleyofthebeesbd.jpg?v=1727561907"},{"product_id":"all-the-haunts-be-ours-a-compendium-of-folk-horror-volume-two","title":"All The Haunts Be Ours: A Compendium Of Folk Horror Volume Two (BLU-RAY)","description":"\u003cp style=\"text-align: left;\" class=\"p6\"\u003e\u003cb\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/j5NLJOVVmVc?si=YLiwYHi5amrW8FR6\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p6\"\u003e\u003cb\u003e13 DISCS\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e24 INTERNATIONAL FOLK HORROR CLASSICS \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e55+ COMBINED HOURS OF SPECIAL FEATURES\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e252 PAGE HARDCOVER BOOK\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e…AND MORE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p9\"\u003eUnquiet spirits have gathered once again:\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eALL THE HAUNTS BE OURS – VOLUME TWO\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ebrings together\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e24 films representing 18 countries\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efor more of the best-loved, rarely seen, thought-lost and brand-new classics of folk horror, most making their International and\/or North American disc debuts including the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWorldwide Premieres\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eof the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eSeverin Films\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eproductions\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eTO FIRE YOU COME AT LAST\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003edirected by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eSean Hogan\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eand the documentary\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eSUZZANNA: THE QUEEN OF BLACK MAGIC\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003edirected by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eDavid Gregory\u003c\/b\u003e;\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e55+ combined hours of new and archival Special Features\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eincluding trailers, interviews, audio commentaries, short films, video essays, historical analyses and bonus feature-length films; a\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e252-page hardcover of newly commissioned folk horror fiction\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eby luminaries that include\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eRamsey Campbell\u003c\/b\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eCassandra Khaw\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eEden\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eRoyce\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ewith illustrations by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eDrazen Kozjan\u003c\/b\u003e; and much more, all curated and produced by WOODLANDS DARK AND DAYS BEWITCHED creator\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eKier-La Janisse.\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p9\"\u003eBoxed set design by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eLuke Insect\u003c\/b\u003e.\u003c\/p\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 1:\u003cbr\u003eTO FIRE YOU COME AT LAST (Sean Hogan, UK\/USA, 2023)\u003cbr\u003ePSYCHOMANIA (Don Sharp, UK, 1973)\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For TO FIRE YOU COME AT LAST\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Director Sean Hogan And Co-Producers Paul Goodwin And Nicholas Harwood\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eOn The Lych Way\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Corpse Road Chronicler Dr. Stuart Dunn Discusses The Pathways Of The Dead\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eWE ALWAYS FIND OURSELVES IN THE SEA\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary For WE ALWAYS FIND OURSELVES IN THE SEA With Director Sean Hogan And Co-Producers Paul Goodwin And Nicholas Harwood\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eEPK For WE ALWAYS FIND OURSELVES IN THE SEA\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eOUR SELVES UNKNOWN\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For TO FIRE YOU COME AT LAST\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 45 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.9:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For PSYCHOMANIA\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Film Historian Chris Alexander\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Maria J. Pérez Cuervo, Founding Editor Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHellebore Magazine\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eStone Warnings\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Dr. Diane A. Rodgers On Stone Circles And Standing Stones In Film And Television\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eReturn Of The Living Dead\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interviews With Actors Nicky Henson, Mary Larkin, Denis Gilmore, Roy Holder And Rocky Taylor\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Sound Of PSYCHOMANIA\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Soundtrack Composer John Cameron\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eRiding Free\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With \"Riding Free\" Singer Harvey Andrews\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTheatrical Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For PSYCHOMANIA\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 91 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.66:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 2:\u003cbr\u003eTHE ENCHANTED (Carter Lord, USA, 1984)\u003cbr\u003eWHO FEARS THE DEVIL (John Newland, USA, 1972)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE ENCHANTED\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Director Carter Lord And Camera Assistant Richard Grange, Moderated By Filmmaker\/Author Kier-La Janisse\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Chesya Burke, Author Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLet's Play White\u003c\/i\u003e, And Sheree Renée Thomas, Author Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eNine Bar Blues\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eA Magical Place\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Composer Phil Sawyer\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eHole In The Wall\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Character Notes By Screenwriter Charné Porter\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSWIMMER\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE ENCHANTED\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 90 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For WHO FEARS THE DEVIL\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE LEGEND OF HILLBILLY JOHN Alternate Opening Introduced By Actor Severn Darden\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Television Historian Amanda Reyes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eCrumble Will The Feet Of Clay\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Producer Barney Rosenzweig\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eSilver Strings\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Actor\/Musician Hedges Capers\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eManly Of The Mountains\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Author David Drake Remembers Manly Wade Wellman\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eOccult Appalachia\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Occult Historian Mitch Horowitz On The Arcane Texts Of Wellman's\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eJohn The Balladeer\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eStories\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTheatrical Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For WHO FEARS THE DEVIL\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 98 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 3:\u003cbr\u003eTHE WHITE REINDEER (Erik Blomberg, Finland, 1952)\u003cbr\u003eEDGE OF THE KNIFE (Gwaai Edenshaw \u0026amp;amp; Helen Haig-Brown, Canada, 2018)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE WHITE REINDEER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Projection Booth\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eEpisode On THE WHITE REINDEER Hosted By Mike White And Featuring Kat Ellinger, Author of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eDaughters Of Darkness\u003c\/i\u003e, And\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTalk Without Rhythm\u003c\/i\u003e's El Goro\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eA WITCH DRUM\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE NIGHTSIDE OF THE SKY\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eWITH THE REINDEER\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE WHITE REINDEER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 68 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.33:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Finnish Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For EDGE OF THE KNIFE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Directors Gwaai Edenshaw And Helen Haig-Brown\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRETAKE – Making The World's First Haida-Language Feature Film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eHAIDA CARVER\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eNALUJUK NIGHT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For EDGE OF THE KNIFE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 101 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Haida 5.1, Haida Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 4:\u003cbr\u003eBORN OF FIRE (Jamil Dehlavi, UK, 1987)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For BORN OF FIRE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eIgniting The Fire\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Director Jamil Dehlavi\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Silent One Speaks\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Archival Interview With Actor Nabil Shaban\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eBetween The Sacred And The Profane\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Archival Lecture On The Cinematic World Of Jamil Dehlavi By Dr. Ali Nobil Ahmad\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Djinn Revisited\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Director Dalia Al Kury Examines The Role Of The Djinn In Contemporary Arab Culture\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eBORN OF FIRE And The Roots Of Pakistani Horror\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Scholar Syeda Momina Masood\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTOWERS OF SILENCE\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eQÂF\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For BORN OF FIRE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 84 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 5:\u003cbr\u003eIO ISLAND (Kim Ki-young, South Korea, 1977)\u003cbr\u003eSCALES (Shahad Ameen, Saudi Arabia, 2019)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For IO ISLAND\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Archivist And Korean Film Historian Ariel Schudson\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eShaman's Eyes\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Dr. Hyunseon Lee On Shamanism In Korean Visual Culture\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE PRESENT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For IO ISLAND\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 112 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Korean Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For SCALES\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eTelling Our Stories\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– A Conversation With Director Shahad Ameen And Producer Rula Nasser, Moderated By Filmmaker\/Author Kier-La Janisse\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eKINDIL\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For SCALES\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 76 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Arabic 5.1 Surround\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 6:\u003cbr\u003eBAKENEKO: A VENGEFUL SPIRIT (Yoshihiro Ishikawa, Japan, 1968)\u003cbr\u003eNANG NAK (Nonzee Nimibutr, Thailand, 1999)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For BAKENEKO: A VENGEFUL SPIRIT\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Jasper Sharp, Author Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eBehind the Pink Curtain: The Complete History Of Japanese Sex Cinema\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eScratched\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e– A History Of The Japanese Ghost Cat\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Vampire Cat\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– The Classic Folk Tale Read By Tomoko Komura With Original Music By Timothy Fife\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eMAN-EATER MOUNTAIN\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For BAKENEKO: A VENGEFUL SPIRIT\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 87 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Japanese Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For NANG NAK\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Mattie Do, Director Of THE LONG WALK, And Asian Gothic Scholar Katarzyna Ancuta\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eLove And Impermanence: NANG NAK And The Rebirth Of Thai Cinema\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Director Nonzee Nimibutr\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For NANG NAK\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 101 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Thai 5.1, Thai Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 7:\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3\u003eSUNDELBOLONG (Sisworo Gautama Putra, Indonesia, 1981)\u003cbr\u003eSUZZANNA: THE QUEEN OF BLACK MAGIC Blu-ray (David Gregory, USA, 2024)\u003cb\u003e\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For SUNDELBOLONG\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eHantu Retribution\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Female Ghosts Of The Malay Archipelago\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eWHITE SONG\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For SUNDELBOLONG\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 106 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Indonesian Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For SUZZANNA: THE QUEEN OF BLACK MAGIC\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eA Conversation With Director\/Co-Producer David Gregory And Co-Producer Ekky Imanjaya\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For SUZZANNA: THE QUEEN OF BLACK MAGIC\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 88 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Indonesian Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 8:\u003cbr\u003eBEAUTY AND THE BEAST (Juraj Herz, Czechoslovakia, 1978)\u003cbr\u003eTHE NINTH HEART (Juraj Herz, Czechoslovakia, 1979)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For BEAUTY AND THE BEAST\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Michael Brooke\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Interviews With Director Juraj Herz And Actors Vlastimil Harapes And Zdena Studenková\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eFRANTIŠEK HRUBÍN\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For BEAUTY AND THE BEAST\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 91 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.37:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Czech Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE NINTH HEART\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Kat Ellinger, Author Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eDaughters Of Darkness\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Uncanny Valley Of The Dolls\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– The History And Liminality Of Dolls, Puppets And Mannequins\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Curious Case Of Juraj Herz And The Švankmajers\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Video Essay By Czech Film Programmer Cerise Howard\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE NINTH HEART\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 92 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.33:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Czech Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 9:\u003cbr\u003eDEMON (Marcin Wrona, Poland, 2015)\u003cbr\u003eNOVEMBER (Rainer Sarnet, Estonia\/Poland\/Netherlands, 2017)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For DEMON\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Slavic Horror Scholar Dr. Agnieszka Jeżyk\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Daniel Bird And Film Critic\/Actress Manuela Lazić\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eIn The Shadow Of The Dybbuk\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Video Essay By Peter Bebergal, Author Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eStrange Frequencies: The Extraordinary Story Of The Technological Quest For The Supernatural\u003c\/i\u003e, And Filmmaker Stephen Broomer\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eDIBBUK\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For DEMON\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 94 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Polish 5.1 Surround, Polish Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For NOVEMBER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Supernatural Lore Of NOVEMBER\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Archival Video Essay With Film Critic John DeFore\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eKratt Test Footage\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTheatrical Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eBOUNDARY\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eJOURNEY THROUGH SETOMAA\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eMIDVINTERBLOT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For NOVEMBER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 115 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Estonian, German And Italian 5.1 Surround\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p10\"\u003eEstonian, German And Italian Stereo\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 10:\u003cbr\u003eLITAN (Jean-Pierre Mocky, France, 1982)\u003cbr\u003eBLOOD TEA AND RED STRING (Christiane Cegavske, USA, 2006)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For LITAN\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Frank Lafond\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eUn Tournage LITAN\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Archival Making-Of Made For Antenne 2\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eJean-Pierre Mocky, Un Drôle D'Oiseau\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– 1982 Episode Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTemps X\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For LITAN\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 88 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.66:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: French Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For BLOOD TEA AND RED STRING\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Director Christiane Cegavske\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e2021 Indie Scream Online Film Festival Q\u0026amp;A With Christiane Cegavske\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eProduction Stills And Concept Illustrations\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer For SEED IN THE SAND, Cegavske’s Work-In-Progress\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For BLOOD TEA AND RED STRING\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 70 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.33:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 11:\u003cbr\u003eNAZARENO CRUZ AND THE WOLF (Leonardo Favio, Argentina, 1975)\u003cbr\u003eAKELARRE (Pedro Olea, Spain, 1984)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For NAZARENO CRUZ AND THE WOLF\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Adrian Garcia Bogliano, Director Of HERE COMES THE DEVIL, And Nicanor Loreti, Director Of PUNTO ROJO\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eLOVE FROM MOTHER ONLY\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary For LOVE FROM MOTHER ONLY With Director Dennison Ramalho\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For NAZARENO CRUZ AND THE WOLF\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 88 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Spanish Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For AKELARRE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Realistic Inquisition\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Director Pedro Olea\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eEmpowered Woman\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Actress Silvia Munt\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003ePlaying The Villain\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Actor Iñaki Miramón\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eInvoking The Akelarre\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Dr. Antonio Lázaro-Reboll, Author Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSpanish Horror Film\u003c\/i\u003e, On The Basque Witch Trials\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For AKELARRE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 97 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.66:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Spanish Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 12:\u003cbr\u003eFROM THE OLD EARTH (Wil Aaron, Wales, 1981)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For FROM THE OLD EARTH Blu-ray\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction To FROM THE OLD EARTH By Musician Gruff Rhys\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eGetting A Head In North Wales\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Director Wil Aaron\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eFROM THE OLD EARTH By The Book\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Welsh Folklore And O'R DDAEAR HEN\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eA Sword In The Battle Of Language\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Welsh Film Scholar Dr. Kate Woodward On The Welsh Film Board\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction To BLOOD ON THE STARS By Gruff Rhys\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eBLOOD ON THE STARS\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eReunion Hotel\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– BLOOD ON THE STARS Cast Reunion From\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGwesty Aduniad\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE WYRM OF BWLCH PEN BARRAS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For FROM THE OLD EARTH Blu-ray\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 46 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.33:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Welsh Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 13:\u003cbr\u003eTHE CITY OF THE DEAD (John Llewellyn Moxey, UK, 1960)\u003cbr\u003eTHE RITES OF MAY (Mike De Leon, Philippines, 1976)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE CITY OF THE DEAD\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Kay Lynch, Director Of The Salem Horror Fest\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historians Kim Newman And Barry Forshaw\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Audio Commentary With Film Historian Jonathan Rigby\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Audio Commentary With Actor Christopher Lee\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Audio Commentary With Director John Llewellyn Moxey\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSir Christopher Lee Remembers THE CITY OF THE DEAD\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Interview With John Llewellyn Moxey\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Interview With Actress Venetia Stevenson\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eBurn Witch, Burn! A Tribute To John Llewellyn Moxey\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Video Essay By TV Historian Amanda Reyes And Filmmaker Chris O'Neill\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE CITY OF THE DEAD\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 78 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.66:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE RITES OF MAY\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Filipino Film Historian Andrew Leavold\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eITIM: AN EXPLORATION IN CINEMA – Archival Documentary\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003ePortrayal Of Guilt\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Filipino Film Scholar Anne Frances N. Sangil On The Darkness Of THE RITES OF MAY\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE RITES OF MAY\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 107 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Tagalog Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":44142579056840,"sku":"SEV16428BR","price":334.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/allthehauntsvol2.jpg?v=1727734678"},{"product_id":"adela-has-not-had-supper-yet-blu-ray","title":"Adela Has Not Had Supper Yet (BLU-RAY)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/AJYv8ud6CaM?si=Kzrq907ATyNIXLKH\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e“Within that bizarre flower lies a huge enigma,” muses Nick Carter, America’s Greatest Detective (Michal Dočolomanský), called to Prague to investigate the case of a missing dog and instead winding up in the jaws of a giant carnivorous plant controlled by his old nemesis, The Gardener (Miloš Kopecký), in Czech director Oldřich Lipský’s beloved cult hit. Inspired by the Nick Carter dime novel detective stories created by John R. Coryell, ADELA is an irresistible slapstick combination of 19th century James Bond gadgetry, LITTLE SHOP OF HORRORS, Blake Edwards circa THE PINK PANTHER STRIKES AGAIN and Louis Feuillade silent serials like FANTOMAS and JUDEX. In other words, a sheer delight. The second major comic hit from director Lipský and writer\/animator Jiří Brdečka after their musical western spoof LEMONADE JOE (1966), ADELA features much of the same cast as their third and final satire THE MYSTERIOUS CASTLE IN THE CARPATHIANS (1981) including leads Dočolomanský, Kopecký and the wonderful Rudolf Hrušínský as a Pilsner-drinking sausage-eating police commissar who invariably saves the day. A loving tribute to the bygone days of old-world Prague, the film is literally filled with surreal, poetic moments and machinery – a balloon chase on a flying bicycle, a solar rifle, flowering vines serving tea – with the best by far being the Audrey-like man-eating plant designed and animated by the legendary Jan Švankmajer (who also contributed to MYSTERIOUS CASTLE IN THE CARPATHIANS several years later). Look for famed Czech actress Olga Schoberová (LEMONADE JOE, WHO KILLED JESSIE?, Hammer’s THE VENGEANCE OF SHE) in a brief but memorable role as cabaret dancer Irma the Cat. Beautifully restored by the Národní filmový archiv, Prague, for release by Deaf Crocodile and Comeback Company. In Czech with English subtitles.\u003c\/p\u003e\n\u003cp\u003eBonus Features:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNew restoration from the original camera negative and sound elements by the Národní filmový archiv, Prague.\u003c\/li\u003e\n\u003cli\u003eNew audio commentary by Czech film expert Irena Kovarova of Comeback Company and Czech film critic and screenwriter Tereza Brdečková\u003c\/li\u003e\n\u003cli\u003eFour rare Jiří Brdečka animated shorts\n\u003cul\u003e\n\u003cli\u003eBadly Drawn Hen (Špatně namalovaná slepice \/ Gallina Vogelbirdae) – 1963, 13 min.\u003c\/li\u003e\n\u003cli\u003eForester’s Song \/ To the Forest (Do lesíčka na čekanou) – 1966, 9 min.\u003c\/li\u003e\n\u003cli\u003eWhat Did I Not Tell The Prince (Co jsem princi neřekla) – 1975, 9 min.\u003c\/li\u003e\n\u003cli\u003eThe Miner's Rose (Horníkova růže) – 1974, 8 min.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Deaf Crocodile","offers":[{"title":"Default Title","offer_id":44221771743432,"sku":"DC-025CD","price":34.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/adelahasnothadsupperyetbd.jpg?v=1731206344"},{"product_id":"mysterious-castle-in-the-carpathians-the-blu-ray-1","title":"Mysterious Castle in the Carpathians, The (BLU-RAY)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/zca9nCm8McY?si=iSLc3TqnpFf7-3uU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eA unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.” Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský). Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits. (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003edirected by: Oldřich Lipský\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003estarring: Michal Dočolomanský, Evelyna Steimarová, Miloš Kopecký, Rudolf Hrušínský\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003e1981 \/ 97 min \/ 1.37:1 \/ Czech Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRegion A Blu-ray\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eNew Restoration of MYSTERIOUS CASTLE by Craig Rogers for Deaf Crocodile.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eNew video interview with Czech film critic and screenwriter Tereza Brdečková on her father, Jiří Brdečka, writer of MYSTERIOUS CASTLE. (In English).\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eNew essay by film historian and expert on Central \u0026amp; Eastern European cinema Jonathan Owen.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eNew audio commentary by Tereza Brdečková and Czech film expert Irena Kovarova of Comeback Company.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eTwo eerie and stunningly beautiful Jiří Brdečka animated short films: Vzducholoď a láska (Love and the Zeppelin)(1948, 9 min.) and Třináctá komnata prince Měděnce (Prince Copperslick aka Prince Měděnec’s Thirteenth Chamber)(1980, 9 min.) Both in Czech with English subtitles.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eUNIVERSUM BRDEČKA (2017, 84 min., dir. Miroslav Janek), a feature length documentary on the life and career of filmmaker, animator, screenwriter and illustrator Jiří Brdečka, covering his childhood, his work as a screenwriter with Jiří Trnka, Karel Zeman and Oldřich Lipský, and his own acclaimed work as an animator and director. In Czech with English subtitles.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eBlu-ray authoring by David Mackenzie of Fidelity In Motion.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"A unique and almost indescribable mix of Gothic fiction, steampunk gadgetry (designed by Czech animation wizard Jan Švankmajer), slapstick comedy and romantic opera, director Oldřich Lipský’s wonderfully bonkers delight has elements of THE FEARLESS VAMPIRE KILLERS, Terry Gilliam, Mel Brooks and “The Benny Hill Show.”  Based on an 1892 Jules Verne novel The Carpathian Castle (which partially inspired Bram Stoker to write Dracula), the film follows Count Teleke of Tölökö (Michal Dočolomanský) on the trail of the count’s lost lover, opera singer Salsa Verde (Evelyna Steimarová) – only to discover she’s been abducted by fiendish Baron Gorc of Gorceny (Miloš Kopecký), whose castle home is filled with the bizarre inventions of mad scientist Orfanik (Rudolf Hrušínský).  Littered with puns, sight gags and non-sequiturs – “Later, in Werewolfston”, an invented dialect, a detached golden ear for eavesdropping, a staff topped by an enormous TV eyeball – MYSTERIOUS CASTLE was the third fantastical film from the team of director Lipský and writer Jiří Brdečka after their much-loved musical western spoof LEMONADE JOE (1966) and their detective\/horror satire ADELA HAS NOT HAD SUPPER YET (1977), both major Czech cult hits.  (Note that actor Miloš Kopecký and Jiří Brdečka worked on the supernatural anthology PRAGUE NIGHTS, also released by the Národní filmový archív, Deaf Crocodile and Comeback Company.) \"}' data-sheets-root=\"1\"\u003eEnglish subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Deaf Crocodile","offers":[{"title":"Default Title","offer_id":44221793665224,"sku":"DC-018CD","price":39.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/MysteriousCastlebd.jpg?v=1703366372"},{"product_id":"prague-nights-blu-ray-1","title":"Prague Nights (BLU-RAY)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Q5F4U2jdZVc?si=MiROADHlIAIz0HWb\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA stuffy middle-aged foreigner, a businessman named Fabricius (Miloš Kopecký), lonely and looking for a night’s diversion, finds it in the form of a mysterious blonde, Zuzana (Milena Dvorská). In an abandoned cemetery, she tells him three tales involving black magic and erotic obsession. In director Jiří Brdečka’s stunning “The Last Golem,” a young rabbi (Jan Klusák) struggles to fashion a massive, silent giant out of living clay – until he’s distracted by a mute servant girl (Lucie Novotná). Utterly hypnotic and dreamlike, set to a haunting chorus of ghostly voices, “The Last Golem” ranks with Fellini’s “Toby Dammit” in SPIRITS OF THE DEAD as one of the finest supernatural short tales of the decade. In the second episode, “Bread Slippers,” an 18th-century countess (Teresa Tuszyńska) indulges her passion for sweet cakes, adulterous affairs, and secret kisses with pretty maids – until a mysterious visitor (Josef Somr) whisks her away to an abandoned mansion, where Fate has a different kind of dance in store for her. In the final story, “Poisoned Poisoner,” a ravishing murderess in the Middle Ages dispatches lecherous merchants to the tune of upbeat 60s Czech Pop songs (scored by the renowned Zdeněk Liška). A true rediscovery for horror and fantasy fans and lovers of the occult, PRAGUE NIGHTS has been restored for its first-ever U.S. release by the Národní filmový archiv, Deaf Crocodile Films and Comeback Company. In Czech with English subtitles.\u003c\/p\u003e\n\u003cp\u003edirected by: Miloš Makovec, Jiří Brdečka and Evald Schorm\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e1969 \/ 99 min \/ 1.37:1 \/ Czech DTS-HD Mono\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNew video interview with Czech film critic and screenwriter Tereza Brdečka on her father, Jiří Brdečka (co-director and co-writer of PRAGUE NIGHTS), covering his famed career as a filmmaker, animator \u0026amp; screenwriter\u003c\/li\u003e\n\u003cli\u003eNew audio commentary by Tereza Brdečka and Czech film expert Irena Kovarova of Comeback Company.\u003c\/li\u003e\n\u003cli\u003eTwo superb and haunting Jiří Brdečka animated short films: “Pomsta” (Revenge) (1968, 14 min.) and “Jsouc na řece mlynář jeden” (There Was a Miller On a River) (1971, 11 min.)\u003c\/li\u003e\n\u003cli\u003eNew essay by Tereza Brdečka on the making of PRAGUE NIGHTS\u003c\/li\u003e\n\u003cli\u003eBlu-ray authoring by David Mackenzie of Fidelity In Motion.\u003c\/li\u003e\n\u003cli\u003eNew art by Beth Morris\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Deaf Crocodile","offers":[{"title":"Default Title","offer_id":44221831774408,"sku":"DC-012CD","price":39.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/praguenightsbd.jpg?v=1686355426"},{"product_id":"golden-fern-the-blu-ray","title":"Golden Fern, The (BLU-RAY)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/nfo3TinsL00?si=uyGmIzc8PPKE4XKK\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eCzech director Jiří Weiss's breathtaking B\u0026amp;W fairy tale is one of the most unjustly neglected treasures of 1960s fantasy filmmaking, a hauntingly lyrical work with overtones of Wojciech Has's THE SARAGOSSA MANUSCRIPT, František Vláčil's MARKETA LAZAROVÁ and Cocteau's BEAUTY AND THE BEAST. A handsome young shepherd (Jean Marais lookalike Vít Olmer) stumbles across a magical golden fern in the forest. A stunning, enigmatic forest fairy named Lesanka (Karla Chadimová) is sent to retrieve it but instead falls hopelessly in love with him. When he's forced to join the army and heads off to war, she sews a seed from the fern into his shirt to protect him. While he's away, though, he falls for the icily beautiful daughter of the commanding general (Dana Smutná) who demands he perform a series of Herculean tasks to prove his devotion to her. Director Jiří Weiss (1913 - 2004) was internationally acclaimed for dramas such as WOLF TRAP and ROMEO, JULIET \u0026amp; DARKNESS - here he worked with cinematographer Bedřich Baťka (who also photographed the legendary MARKETA LAZAROVÁ) to craft one of the most visually ravishing and hypnotic B\u0026amp;W wide screen fantasies of the era. Released by Deaf Crocodile, the Národní filmový archív and Comeback Company. In Czech with English subtitles.\u003c\/p\u003e\n\u003ch4\u003eBonus Materials\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eThree rare early Jiří Weiss shorts + new interview with director's son about his father's life \u0026amp; career + new commentary and video essay\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Deaf Crocodile","offers":[{"title":"Default Title","offer_id":44221859299528,"sku":"DC-031CD","price":34.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/goldenfernbd.jpg?v=1731208248"},{"product_id":"three-wishes-for-cinderella-uk-import-blu-ray","title":"Three Wishes for Cinderella (UK Import BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003eUK Import. Blu-Ray discs are Region Free. Should play on any Blu-Ray player.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVáclav Vorlíček's 1973 reworking of the classic\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCinderella\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003estory is one of the most beloved films in all Central European cinema. Delightful and unconventional,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThree Wishes for Cinderella\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eplaces the familiar fairy tale into a wintry setting with down-to-earth characters and a feisty and rebellious Cinderella. Far from being just a passive beauty, she is a spirited rider, a champion hunter and takes every opportunity to challenge - and actively pursue - her handsome Prince.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA perennial favourite on television throughout Europe (including as a dubbed BBC serial in the 1970s),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThree Wishes for Cinderella\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003econtinues to enchant with its magic and beauty.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePresented from a 4K restoration and now available for the first time on Blu-ray in the UK.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eBlu-ray special features:\u003cbr\u003e\u003c\/u\u003e•\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThree Wishes for Cinderella\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cem\u003eTři oříšky pro Popelku\u003c\/em\u003e, 1973) presented from a 4K restoration by the Czech National Film Archive.\u003cbr\u003e• A new and expansive filmed appreciation by writer, producer and Czechoslovak cinema specialist Michael Brooke.\u003cbr\u003e•\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCinderella\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cem\u003ePopelka\u003c\/em\u003e, 1929): An early Czech silent film version of the classic tale directed by Josef Kokeisl.\u003cbr\u003e•\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Little Shoe\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cem\u003eStřevíček\u003c\/em\u003e, 1937): A short animated Czech film by Jiří Fridrich.\u003cbr\u003e• Trailers.\u003cbr\u003e• Booklet featuring an essay by author, film critic and historian Tim Lucas.\u003cbr\u003e• New and improved English subtitle translation.\u003cbr\u003e• UK premiere on Blu-ray.\u003cbr\u003e• Region free Blu-ray (A\/B\/C).\u003c\/p\u003e","brand":"Second Run","offers":[{"title":"Default Title","offer_id":44333923205320,"sku":"SECONDRUNBD087","price":49.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/threewishesforcinderellabd.jpg?v=1736126590"},{"product_id":"bloody-lady-the-blu-ray","title":"Bloody Lady, The (BLU-RAY)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/R7U28ORMy1k?si=2sEPtPyfi5MpEsRS\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eLady Elisabeth Báthory lives a charmed life in a resplendent Romanesque castle, surrounded by Disney-esque wildlife and a colorful cast of obliging servants. Taking ill one day while traveling through the forest, she’s nursed back to health by a handsome woodsman, and in gratitude gifts him with her own heart. But upon returning home, Lady Báthory’s sunny disposition quickly turns murderous and vampiric once she discovers the secret to heart-less eternal youth lies in draining the blood of all the young women and men in her castle.\u003c\/p\u003e\n\u003cp\u003eWidely considered one of Slovak animation’s crown jewels,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Bloody Lady\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis an improbable and bewitching fusion of gothic horror and classic children’s animation, retelling of the infamous Čachtická castle and Báthory folk tale which is often cited as the inspiration for Bram Stoker’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDracula\u003c\/em\u003e. Recently treated to haunting live score by celebrated indie musician claire rousay, this underseen gem is a new cult classic in the making.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Bloody Lady\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the centerpiece of\u003cspan\u003e this deluxe special edition release\u003c\/span\u003e, a retrospective of the landmark Eastern Bloc animator’s pioneering work in much-loved children’s shorts as well as subversive – though no less groundbreaking – feature films.\u003c\/p\u003e\n\u003cdiv class=\"line\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNew restoration from the original 35mm camera negative\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNew restoration of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eJurko the Highwayman\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(1976)\u003cem\u003e \u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eIncluding over 20 restored short films:\u003cbr\u003e\u003cem\u003eThe Mysterious Old Man\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1944),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEarth\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1966),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDita at the Post Office\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1967),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePromotion\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1968),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDita in the Air\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1970),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTwo Good Friends\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1972),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTom Thumb\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1972),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTom Thumb at a Magicians\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1973),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eChess\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1974),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTom Thumb and the Germs\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1974),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Present\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1976),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCinema\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1977),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Ladder\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1978),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eOnly Child\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1979),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Microscope\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1981),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWhat Happened to Johnny on the Road\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1981),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Selection\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1982),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Weatherman\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1983),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Marzipan Comedy\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1987),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHigh Noon\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1988),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Idol\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1989)\u003c\/li\u003e\n\u003cli\u003eU.S. Theatrical Trailer (2024)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNew essay \"A Dot and a Line (Everything is Possible)\" by Rastislav Steranka\u003c\/li\u003e\n\u003cli\u003e12-page booklet\u003c\/li\u003e\n\u003cli\u003eRegion free (A\/B\/C)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Arbelos","offers":[{"title":"Default Title","offer_id":44455590559944,"sku":"CAVARB0012BD","price":56.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/bloodyladybd3d.jpg?v=1739741073"},{"product_id":"oil-lamps-uk-import-blu-ray","title":"Oil Lamps (UK Import BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/qN9FtTjYioo?si=Uqltuk-K31E0U7L8\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUK Import, Blu-Ray is Region Free, should play on any Blu_Ray player.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the director of The Cremator and Morgiana, Juraj Herz’s distinctive, ​decadent film is adapted from the renowned novel by Jaroslav Havlicek.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSet at the turn of the 19th-century in the final years of the Austro-Hungarian Empire, this atmospheric period drama is a bitter ​'romance' which centres on the tragic marriage between two cousins. Stepa (the wonderful Iva Janzurova), is a vivacious, modern-minded, wealthy young woman, but who is desperately seeking love and happiness; Pavel (Petr Cepek), is an arrogant, self-serving retired army officer weighed down by debt, cynicism, and syphilis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHerz’s lavish film evokes a pungent atmosphere of decay and features superb performances by its two leads, gorgeous costume and set design, and stunning cinematography by Dodo Simoncic. An iconic classic of Czech cinema, presented from a new 4K restoration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEXTRAS:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e• Oil Lamps (Petrolejove lampy, 1971) presented from a new 4K restoration by the Czech National Film Archive.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e• Projection Booth commentary with film historians Mike White, Kat Ellinger and Jonathan Owen.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e• A Conversation on a Train (Rozhovor ve vlaku, 1947): An early short Czech public information film on the perils of alcohol and STDs.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e• Trailer.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e• Booklet with new writing on the film by author and Czech cinema expert Peter Hames.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e• New English subtitle translation.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e• World premiere on Blu-ray.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Second Run","offers":[{"title":"Default Title","offer_id":44528625942728,"sku":"SECONDRUNBD089","price":49.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/oillampsbd.jpg?v=1741820006"},{"product_id":"barnabas-kos-case-the-uk-import-blu-ray","title":"Barnabáš Kos Case, The (UK Import BLU-RAY)","description":"\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/0XvU6feR2yc?si=x9RtYpVNvqP2Syb4\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUK Import, Blu-Ray is Region Free, should play on any Blu_Ray player.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBarnabáš Kos, a meek and modest triangle-player in a state orchestra finds himself unfathomably promoted to Musical Director. Now drunk with power, the once timid Kos turns into a poised, commanding peacock and seeks to transform the orchestra to suit his own agenda and inflated vision...\u003c\/p\u003e\n\u003cp\u003ePeter Solan (Before Tonight is Over) crafts an absurdist, darkly funny Kafkaesque satire of a corrupt system that rewards mediocrity and breeds petty dictatorship. Openly criticising the practices of socialist Czechoslovakia at the time, its wry exposure of hypocrisy, sycophancy and the corrupting influence of power remains, unsurprisingly, fresh and relevant even today.\u003c\/p\u003e\n\u003cp\u003eThe Barnabáš Kos Case is presented from a new 2K restoration by the Slovak Film Institute. Our region-free Blu-ray also includes a selection of archival short films, including Peter Solan's powerful 1974 film Nemecka - plus a booklet with new writing on the film by Czechoslovak cinema expert Jonathan Owen and filmmaker Peter Strickland.\u003c\/p\u003e\n\u003cp\u003eExtras:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eThe Barnabáš Kos Case (Prípad Barnabáš Kos, 1964) presented from a new 2K restoration by the Slovak Film Institute.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eInvincibility of Absurdity: An introduction to the film by Rastislav Steranka, Director of National Cinematographic Centre, Slovak Film Institute.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eNemecká (1974): Peter Solan's powerful documentary short, with original music by Zdeněk Liška.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003ePromotion (Postup, 1968): A short film by the renowned Slovak animator and filmmaker Viktor Kubal.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003ePortrait: Jarmila Košťová (1969): A short film on the famous Slovak actor.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e32-page booklet with new writing on the film by author Jonathan Owen and filmmaker Peter Strickland.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eNew English subtitle translation.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRegion Free (A\/B\/C) Blu-ray.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Second Run","offers":[{"title":"Default Title","offer_id":44528631218376,"sku":"SECONDRUNBD083","price":51.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/barnabaskoscasebd.jpg?v=1741820410"},{"product_id":"house-of-psychotic-women-rarities-collection-volume-2-blu-ray","title":"House Of Psychotic Women: Rarities Collection Volume 2 (BLU-RAY)","description":"\u003ch3\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/osoTBchtoGc?si=DJNzJPcDKbokHclQ\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/h3\u003e\n\u003ch3\u003eProducer\/curator Kier-La Janisse presents a new quartet of international classics that explores startling depictions of female neurosis on screen.\u003c\/h3\u003e\n\u003cp class=\"p5\" style=\"text-align: center;\"\u003e\u003cb\u003eRESTORED FROM ORIGINAL SOURCE ELEMENTS\u003cbr\u003e\u003c\/b\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eWITH\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e10+ HOURS OF SPECIAL FEATURES\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p7\"\u003eIn this second collection inspired by her “groundbreaking” (\u003ci\u003eScreen Anarchy\u003c\/i\u003e) book that “forever changed the landscape of film analysis” (\u003ci\u003eBloody Disgusting\u003c\/i\u003e), producer\/curator\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eKier-La Janisse\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003epresents a new quartet of international classics – along with nearly 11 combined hours of Special Features – that explores startling depictions of female neurosis on screen:\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eAmanda Plummer\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003egives a searing performance as a disturbed drifter on a cross-country killing spree in\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBUTTERFLY KISS\u003c\/b\u003e, the breakthrough debut from director\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMichael Winterbottom\u003c\/b\u003e. L\u003c\/span\u003eegendary Czech actress\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eIva Janžurová\u003c\/b\u003e\u003cspan class=\"s2\"\u003e\u003cspan\u003e \u003c\/span\u003eportrays a pair of rival sisters in\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cb\u003eJuraj Herz’\u003c\/b\u003e\u003cspan class=\"s2\"\u003e\u003cspan\u003e \u003c\/span\u003ecrazed gothic melodrama\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMORGIANA\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e.\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eIn\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eBen Maddow\u003c\/b\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eSidney Meyers\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJoseph Strick’s\u003c\/b\u003e\u003cspan class=\"s2\"\u003e\u003cspan\u003e \u003c\/span\u003e‘dramatized documentary’\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eTHE SAVAGE EYE\u003c\/b\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBarbara Baxley\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003estars as a bitter divorcee adrift in Los Angeles’ dark underbelly. And with the landmark Spanish thriller\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eTHE GLASS CEILING\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003estarring\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eCarmen Sevilla\u003c\/b\u003e, writer\/director\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eEloy de la Iglesia\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003ecrafts an unsettling story of paranoia, madness and murder. All 4 films in\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eHOUSE OF PSYCHOTIC WOMEN RARITIES COLLECTION VOLUME 2\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ehave been\u003cspan\u003e \u003c\/span\u003e\u003cb\u003escanned from their original camera negatives\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eand are\u003cspan\u003e \u003c\/span\u003e\u003cb\u003epresented on Blu-ray for the first time ever in North America\u003c\/b\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003e\n\u003cb\u003eDisc 1: BUTTERFLY KISS (1994)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eIn his “breathtakingly original” (\u003ci\u003eVariety\u003c\/i\u003e) debut feature, writer\/director\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMichael Winterbottom\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(24 HOUR PARTY PEOPLE, THE KILLER INSIDE ME) shocked audiences with the startling drama\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe New York Times\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ecalled “a twisted British answer to THELMA \u0026amp; LOUISE”:\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAmanda Plummer\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(PULP FICTION) delivers “a brave performance that\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"s1\"\u003esears itself permanently into the viewer's consciousness” (\u003ci\u003eAustin Chronicle\u003c\/i\u003e) as a disturbed drifter whose seduction of a lonely convenience store clerk\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e(an equally daring\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eSaskia Reeves\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eof\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSlow Horses\u003c\/i\u003e) triggers a cross-country odyssey of obsession, madness and murder.\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eRicky Tomlinson\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e(RIFF-RAFF) co-stars in this “provocative masterpiece” (\u003ci\u003eThe Advocate\u003c\/i\u003e) co-written by 2x BAFTA nominee\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eFrank Cottrell-Boyce\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(WELCOME TO SARAJEVO) and featuring cinematography by 2x Oscar\u003cspan class=\"s2\"\u003e®\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003enominee\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eSeamus McGarvey\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(ATONEMENT),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003enow scanned in 2K from the original camera negative by The British Film Institute\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eand approved by Winterbottom and McGarvey.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRuntime: 88 mins\u003cbr\u003eEnglish Stereo | Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Kier-La Janisse, Author Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHouse Of Psychotic Women\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Writer Frank Cottrell-Boyce\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Kat Ellinger\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eBetween Everyday And The Extreme\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Michael Winterbottom On Directing BUTTERFLY KISS\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eNo Judgement\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e– Amanda Plummer Remembers Portraying Eunice\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eYou're Not Judith\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Saskia Reeves On Portraying Miriam\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003ePestilence Through Petrol\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Julie Baines On Producing BUTTERFLY KISS\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eFront Light And Black Sky\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Seamus McGarvey On Shooting BUTTERFLY KISS\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003e\u003cspan class=\"s4\"\u003eShort Film\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003ePLEASURES OF WAR (Ruth Lingford, 1998)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p1\"\u003e\u003cb\u003eDisc 2: MORGIANA (1972)\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eFrom internationally award-winning filmmaker\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJuraj Herz\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(THE CREMATOR, THE NINTH HEART) comes this “haunting” (\u003ci\u003eSenses Of Cinema\u003c\/i\u003e), “gorgeously baroque” (\u003ci\u003eStarburst\u003c\/i\u003e) and “deliriously exciting cult gem” (\u003ci\u003eCulture Fix\u003c\/i\u003e), considered to be the final film of the Czech New Wave: When their wealthy father dies, cruelly jealous Viktorie will lead her naïvely trusting sister Klára – both portrayed in “a frightening, stellar performance” (\u003ci\u003eAt The Mansion Of Madness\u003c\/i\u003e) by legendary Czech actress\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eIva Janžurová\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e– into a gothic nightmare of deception, blackmail and murder.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJosef Abrhám\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(Václav Havel’s LEAVING) and\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJosef Somr\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(CLOSELY WATCHED TRAINS) co-star in this “terrific chamber piece that horror fans still haven't caught up to”\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e(Mondo Digital),\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003enewly scanned in 4K from the original camera negative by The National Film Archive in Prague. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRuntime: 101 mins\u003cbr\u003eCzech Mono | English Subtitles\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.37:1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Kier-La Janisse, Author Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHouse Of Psychotic Women\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Stranger With My Face Festival Director Briony Kidd And Cerise Howard, Co-Founder Of The Czech And Slovak Film Festival Of Australia\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eLittle Drop Of Poison –\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eActress Iva Janžurová Remembers MORGIANA\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Stone Forest\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Newly Commissioned Short Film On Shooting Location Pobiti Kamani, Animated By Leslie Supnet And Narrated By Kier-La Janisse\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eNIGHTMARES – Juraj Herz' 1970 Vampire Rock Musical Made For Czech TV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003e\u003cspan class=\"s4\"\u003eShort Film\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eREST IN PEACE (Rachel Amodeo, 1998) New 2K Scan Of This Cult Favorite By Rachel Amodeo And Dame Darcy\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p1\"\u003e\u003cb\u003eDisc 3: THE SAVAGE EYE (1959)\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eIn 1959, a trio of outsider filmmakers – formerly blacklisted screenwriter\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBen Maddow\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(THE ASPHALT JUNGLE), Oscar\u003cspan class=\"s2\"\u003e®\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003enominated editor\/director\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eSidney Meyers\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(THE QUIET ONE) and future Oscar\u003cspan class=\"s2\"\u003e®\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003ewinning director\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJoseph Strick\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(INTERVIEWS WITH MY LAI VETERANS) – wrote, produced, edited and directed the ‘dramatized documentary’ that\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSan Francisco Cinematheque\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ecalls “a masterpiece of verité cinema”:\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eAdrift and bitter after her recent divorce, a woman (\u003cb\u003eBarbara Baxley\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eof NORMA RAE and NASHVILLE) confronts the grim realities of existence amongst the poetic grotesqueries of urban Los Angeles. The voice of\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eGary Merrill\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e(ALL ABOUT EVE)\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eco-stars in\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003ethis “unique and unusual must-see” (\u003ci\u003eFilmFanatic\u003c\/i\u003e) – filmed on location by a team of cinematographers that included 2x Academy Award\u003cspan class=\"s2\"\u003e®\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003ewinner\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eHaskell Wexler\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(MEDIUM COOL) –\u003cspan\u003e \u003c\/span\u003e\u003cb\u003enow scanned in 4K by Severin Films from the original camera negative provided by the Academy Film Archive\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRuntime: 67 mins\u003cbr\u003eEnglish Mono | Closed Captions\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Curator\/Historian Elizabeth Purchell\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eJudith X\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Locations Video Essay By\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eEsotouric\u003c\/i\u003e's Kim Cooper\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Interview With Co-Director Joseph Strick\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eTrailers From Hell\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eCommentary By Kier-La Janisse, Author Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHouse Of Psychotic Women\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003e\u003cspan class=\"s4\"\u003eShort Films\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eINTERVIEWS WITH MY LAI VETERANS (Joseph Strick, 1970)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Interview With Director Joseph Strick On INTERVIEWS WITH MY LAI VETERANS\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eMISS CANDACE HILLIGOSS' FLICKERING HALO (Vincenzo Core And Fabio Scacchioli, 2011)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p1\"\u003e\n\u003cb\u003eDisc 4: THE GLASS CEILING (1971)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eIn his landmark 1971 feature, writer\/director\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eEloy de la Iglesia\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e– who would go on to create such subversively disturbing films as CANNIBAL MAN, THE CREATURE and the Quinqui classics NAVAJEROS and EL PICO 1 \u0026amp; 2 – brought an unnerving new perspective to female madness: When her husband leaves on a business trip, a frustrated housewife – an award-winning performance by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eCarmen Sevilla\u003c\/b\u003e, star of CROSS OF THE DEVIL and NO ONE HEARD THE SCREAM – begins to obsess over unfamiliar noises in their apartment building and suspects that an upstairs neighbor has committed murder.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eDean Selmier\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(THE BLOOD SPATTERED BRIDE),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePatty Shepard\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(CRYPT OF THE LIVING DEAD),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eFernando Cebrián\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"s5\"\u003e(TRISTANA) and\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eEmma Cohen\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(HORROR RISES FROM THE TOMB) co-star in this milestone Spanish thriller,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cb\u003enow scanned in 4K from the original camera negative.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRuntime: 95 mins\u003cbr\u003eEnglish Mono, Spanish Mono | Closed Captions, English Subtitles\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Kier-La Janisse, Author Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHouse Of Psychotic Women\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Shelagh Rowan-Legg, Author Of A Forthcoming Monograph On Director Eloy De La Iglesia, And\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eFaculty of Horror\u003c\/i\u003e's Alexandra West\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eConnected At The Soul\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Patty Shepard As Remembered By Her Sister, Judith Chapman\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAlternate Scenes From The TV Version\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003e\u003cspan class=\"s4\"\u003eShort Film\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eANTA MUJER (Agustí Villaronga, 1976)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eBox Set Credits:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCuration, Art Direction and Special Features Production: Kier-La Janisse \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOuter Box Design - Hauntlove\u003cbr\u003eWrap Design - David Levine\u003cbr\u003eSpecial Features Head Editor - Stuart Linver\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eSpecial Thanks\u003c\/strong\u003e\u003cbr\u003eJulie Baines\u003cbr\u003eHarvey Fenton\u003cbr\u003eGil Garagnon\u003cbr\u003eJuraj Machálek\u003cbr\u003eLeoš Morávek\u003cbr\u003eJayne Pilling\u003cbr\u003eAmanda Reyes\u003cbr\u003eAlberto Sedano\u003cbr\u003eBetsy Strick\u003c\/p\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":44559172829384,"sku":"SEV17730BR","price":114.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/houseofpsychoticwomen2bd.jpg?v=1742955175"},{"product_id":"freckled-max-and-the-spooks-blu-ray","title":"Freckled Max And The Spooks (BLU-RAY)","description":"\u003cdiv\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/VybDNWU_SAs?si=d0TK4ad0Qii-ae47\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eFRECKLED MAX AND THE SPOOKS\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(PEHAVÝ MAX A STRAŠIDLÁ) – 1987, Slovak Film Institute, 97 min. Dir. Juraj Jakubisko. \"It all began under the Frankenstein castle. It was my tenth year with this circus troupe, and we were passing through a bleak territory of vampires, will-o'-the-wisps and water sprites,\" observes young orphan Max (Martin Hrebeň), just before he runs away and hides out in the ruins of the nearby castle. There he discovers a rogues’ gallery of lonely monsters who’ve made it their home: gruesome but loveable Alojz (Eddie Constantine, Lemmy Caution from Godard’s ALPHAVILLE); the marvelous Ferdinand Mayne (Polanski’s THE FEARLESS VAMPIRE KILLERS) as Count Dracula; a wonderful, whiskey-voiced Viveca Lindfors (THE DAMNED, STARGATE) as the Countess Frankenstein; Gerhardt Karzel as the irresistibly goofy Frankenstein’s Monster named Albert; along with the ghostly white lady Elizabeth Bathory (Mercedes Sampietro) and other assorted phantoms. A bittersweet, slapstick cross between MONSTER SQUAD, YOUNG FRANKENSTEIN and the Island of Misfit Toys, FRECKLED MAX is a nostalgic Gothic fairytale about broken hearts and monsters who long to be loved for who they are – and a truly delightful discovery for genre fans. Acclaimed for his early role as one of the Czechoslovak New Wave directors (THE PRIME OF LIFE) and later films such as THE MILLENNIAL BEE and THE FEATHER FAIRY (starring Fellini’s muse Giulietta Masina), Slovak director Juraj Jakubisko (1938-2023) adapted his miniseries “Frankenstein’s Aunt” into the feature version FRECKLED MAX. Filled with Jakubisko’s trademark surrealism and haunted poetry – including eerie shots of a bat-winged Dracula flying over a mountain lake straight out of NOSFERATU – the film is also a joyous comic treat. What makes FRECKLED MAX so memorable and heart-tugging, though, are the unexpected moments of sadness with the orphaned monsters and their orphaned human friend: \"When someone ends up alone, he turns into a ghost,\" as Count Dracula sighs. Beautifully restored by the Slovak Film Institute for its first-ever Blu-ray release in the U.S. through Deaf Crocodile Films and Comeback Company. In Slovak with English subtitles.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e“Film about Film” (Film o filme) - 1986, 5 min., dir. Rudolf Ferko. Fascinating behind-the-scenes look at the making of the miniseries and FRECKLED MAX feature.\u003c\/li\u003e\n\u003cli\u003e“Portrait of a Film Director” (Portrét režiséra) - 1989, 42 min.\u003cstrong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003edir. Matej Mináč\u003cstrong\u003e.\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eBeautiful and moving portrait of Jakubisko, shot during the making of his film SITTING ON A BRANCH I AM FINE and featuring interviews with the legendary Federico Fellini.\u003c\/li\u003e\n\u003cli\u003eThree new video interviews:\n\u003cul\u003e\n\u003cli\u003eJán Ďuriš, Director of Photography (27 min.)\u003c\/li\u003e\n\u003cli\u003ePetra Galková, Assistant Director (18 min.)\u003c\/li\u003e\n\u003cli\u003eRastislav Steranka, Director of the National Cinematographic Centre of the Slovak Film Institute (17 min.), all directed by Róbert Šulák.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eAll of the above bonus features in Slovak with English subtitles.\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\"Frankenstein's Faster, or Frankenstein's Aunt: the Novel That Became FRECKLED MAX\" -- new video essay by journalist and physical media expert Ryan Verrill (The Disc Connected) and film professor Dr. Will Dodson (28 min.)\u003c\/li\u003e\n\u003cli\u003eNew commentary track by film historian Samm Deighan.\u003c\/li\u003e\n\u003cli\u003eNew artwork by Beth Morris\u003c\/li\u003e\n\u003cli\u003eBlu-ray authoring by David Mackenzie of Fidelity In Motion\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Deaf Crocodile","offers":[{"title":"Default Title","offer_id":44618736795848,"sku":"DC-035CD","price":34.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/frackledmaxbd.jpg?v=1746580152"},{"product_id":"pied-piper-the-jiri-barta-shorts-blu-ray","title":"Pied Piper, The + Jiří Barta Shorts (BLU-RAY)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/e5RjH1Mp5To\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"padding: 0% 0 0 0; position: relative;\"\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/1089424639?badge=0\u0026amp;autopause=0\u0026amp;player_id=0\u0026amp;app_id=58479\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" title=\"Jiří Barta's short films - trailer\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cspan\u003e\u003cb\u003e\u003cscript src=\"https:\/\/player.vimeo.com\/api\/player.js\"\u003e\u003c\/script\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cb\u003eTHE PIED PIPER\u003c\/b\u003e (KRYSAŘ), 1986, Czechoslovakia, 53 min.  Director Jiří Barta’s stop-motion animated masterpiece, based on The Pied Piper of Hamelin, is set in a dark and twisted medieval village of narrow streets and weird Gothic arches, half-CABINET OF DR. CALIGARI and half-Jan van Eyck.  The money-obsessed citizens, carved out of wood blocks and speaking in an onomatopoeic babble, are like George Grosz caricatures, literally spouting coins from their mouths instead of words.  The rats are far more organic and sympathetic, made of real fur and whiskers, constantly tunneling and burrowing under the towering arches and cobblestone streets above.  Fans of fellow Czech animation legend Jan Švankmajer and the Brothers Quay will adore Barta’s eerie, Expressionist gem, recently restored by Deaf Crocodile for its first-ever U.S. Blu-ray release, in association with Krátký Film Praha and Comeback Company.  This new Deluxe 2-Disc Edition features seven beautifully restored Barta short films, two director interviews, an all-new visual essay and more.\u003cbr\u003e\u003cbr\u003e“Barta’s mastery of all aspects of filmmaking are evident: staging, production design, lighting, animation, editing, sound and music combine into dark worlds of repression and revolt with ironic conclusions.” – Phil Tippett (MAD GOD).  \u003cbr\u003e\u003cbr\u003eSpecial Features\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cu\u003e\u003cspan class=\"gmail_default\"\u003e\u003c\/span\u003eDisc One\u003c\/u\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eTHE PIED PIPER feature, restored by Craig Rogers for Deaf Crocodile\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eJiří Barta’s short film \u003cspan class=\"gmail_default\"\u003e\u003c\/span\u003eTHE VANISHED WORLD OF GLOVES, a marvelous tour through cinema history told through animated gloves (1982, 16 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCHRONICLE OF THE PIED PIPER, a behind-the-scenes documentary on the making of Barta’s masterpiece (1985, 13 min., dir. Miroslava Humplíková) – in Czech with English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eVideo interview with director Jiří Barta, moderated by Dennis Bartok of Deaf Crocodile\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio commentary by Czech film expert Irena Kovarova of Comeback Company and film critic \u0026amp; historian Peter Hames\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"gmail_default\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cu\u003eDisc Two\u003c\/u\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSix Barta short films, newly restored by Deaf Crocodile:\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eRIDDLES FOR A CANDY (1978, 8 min.)  In Barta’s debut short, a fantastical anteater-shaped creature must solve complicated riddles posed by a magical book\u003c\/li\u003e\n\u003cli\u003eDISC JOCKEY (1980, 10 min.).  Everyday life is a world of discs:  plates, ashtrays, buttons, a copy of “Abbey Road,” in Barta’s satire of empty modern life\u003c\/li\u003e\n\u003cli\u003eTHE DESIGN (1981, 6 min.).  An apartment block comes to life on a drafting board, in Barta’s critique of state-socialist housing\u003c\/li\u003e\n\u003cli\u003eA BALLAD ABOUT GREEN WOOD (1983, 11 min.)  A miniature masterpiece about the occult mysteries of earth, sky, stone, wood and snow\u003c\/li\u003e\n\u003cli\u003eTHE LAST THEFT (1987, 21 min.)  Barta’s spectral ghost story follows a thief who breaks into an apparently-abandoned mansion to loot it of its treasures\u003c\/li\u003e\n\u003cli\u003eTHE CLUB OF THE LAID OFF (1989, 25 min.)  Barta’s disturbing stop-motion gem is set in a decrepit apartment where wooden mannequins mimic their almost-human \"lives\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eNew video interview with director Jiří Barta about his short films, moderated by Dennis Bartok\u003c\/li\u003e\n\u003cli\u003eNew visual essay narrated by Czech film expert Irena Kovarova of Comeback Company, film critic \u0026amp; historian Peter Hames and edited by Ryan Verrill of Someone’s Favorite Productions\u003c\/li\u003e\n\u003cli\u003eNew artwork by Beth Morris\u003c\/li\u003e\n\u003cli\u003eBlu-ray authoring by David Mackenzie of Fidelity In Motion\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Deaf Crocodile","offers":[{"title":"Default Title","offer_id":44689059119304,"sku":"DC-042CD","price":37.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/piedpiperbd_fc215e79-f16e-4e90-83ff-394b0c9c363d.jpg?v=1750902750"},{"product_id":"visitors-from-the-arkana-galaxy-blu-ray-1","title":"Visitors from the Arkana Galaxy (BLU-RAY)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/843336969?h=4c2005d027\" title=\"vimeo-player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eImagine if Troma Films had been hired to make a Sid \u0026amp; Marty Krofft Saturday morning kids’ show, and you have some idea of the unspeakable strangeness of VISITORS FROM THE ARKANA GALAXY, a truly gonzo Croatian sci-fi \/ fantasy \/ comedy about a struggling writer, Robert (Zarko Potocnjak), who dreams up a story of gold-skinned alien androids named Andra, Targo and Ulu from a distant planet. Incredibly, his fictional alien creations become reality, causing chaos in his relationship with his girlfriend Biba (Lucie Zulová) and threatening his small seaside village. The alluring lead robot Andra (Ksenia Prohaska) looks like H.R. Giger re-designed the Maschinenmensch from Fritz Lang’s METROPOLIS; watch for the scene where she pours hot coffee and cream out of her fingertips. But for sheer jawdropping insanity, nothing rivals the Mumu Monster -- created for the film by legendary Czech animator Jan Švankmajer --, a rubber-suited, multi-tentacled creation that destroys a wedding party, ripping off heads and spouting plumes of toxic green smoke while a blind accordion player blithely plays his squeezebox. VISITORS was a rare live-action feature from animator Dusan Vukotic (1927-1998), best known for his stunning UPA-style cartoon shorts including “Cow On The Moon” (1959) and the Oscar-winning “The Substitute” (1961). This long-unavailable genre treat has been newly restored by Deaf Crocodile and Zagreb Film for its first-ever Blu-ray release. In Croatian with English subtitles.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Imagine if Troma Films had been hired to make a Sid \u0026amp; Marty Krofft Saturday morning kids’ show, and you have some idea of the unspeakable strangeness of VISITORS FROM THE ARKANA GALAXY, a truly gonzo Croatian sci-fi \/ fantasy \/ comedy about a struggling writer, Robert (Zarko Potocnjak), who dreams up a story of gold-skinned alien androids named Andra, Targo and Ulu from a distant planet.  Incredibly, his fictional alien creations become reality, causing chaos in his relationship with his girlfriend Biba (Lucie Zulová) and threatening his small seaside village.  The alluring lead robot Andra (Ksenia Prohaska) looks like H.R. Giger re-designed the Maschinenmensch from Fritz Lang’s METROPOLIS; watch for the scene where she pours hot coffee and cream out of her fingertips.  But for sheer jawdropping insanity, nothing rivals the Mumu Monster -- created for the film by legendary Czech animator Jan Švankmajer --, a rubber-suited, multi-tentacled creation that destroys a wedding party, ripping off heads and spouting plumes of toxic green smoke while a blind accordion player blithely plays his squeezebox.  VISITORS was a rare live-action feature from animator Dusan Vukotic (1927-1998), best known for his stunning UPA-style cartoon shorts including “Cow On The Moon” (1959) and the Oscar-winning “The Substitute” (1961).  This long-unavailable genre treat has been newly restored by Deaf Crocodile and Zagreb Film for its first-ever Blu-ray release.  In Croatian with English subtitles.\"}' data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eBonus Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Imagine if Troma Films had been hired to make a Sid \u0026amp; Marty Krofft Saturday morning kids’ show, and you have some idea of the unspeakable strangeness of VISITORS FROM THE ARKANA GALAXY, a truly gonzo Croatian sci-fi \/ fantasy \/ comedy about a struggling writer, Robert (Zarko Potocnjak), who dreams up a story of gold-skinned alien androids named Andra, Targo and Ulu from a distant planet.  Incredibly, his fictional alien creations become reality, causing chaos in his relationship with his girlfriend Biba (Lucie Zulová) and threatening his small seaside village.  The alluring lead robot Andra (Ksenia Prohaska) looks like H.R. Giger re-designed the Maschinenmensch from Fritz Lang’s METROPOLIS; watch for the scene where she pours hot coffee and cream out of her fingertips.  But for sheer jawdropping insanity, nothing rivals the Mumu Monster -- created for the film by legendary Czech animator Jan Švankmajer --, a rubber-suited, multi-tentacled creation that destroys a wedding party, ripping off heads and spouting plumes of toxic green smoke while a blind accordion player blithely plays his squeezebox.  VISITORS was a rare live-action feature from animator Dusan Vukotic (1927-1998), best known for his stunning UPA-style cartoon shorts including “Cow On The Moon” (1959) and the Oscar-winning “The Substitute” (1961).  This long-unavailable genre treat has been newly restored by Deaf Crocodile and Zagreb Film for its first-ever Blu-ray release.  In Croatian with English subtitles.\"}' data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Imagine if Troma Films had been hired to make a Sid \u0026amp; Marty Krofft Saturday morning kids’ show, and you have some idea of the unspeakable strangeness of VISITORS FROM THE ARKANA GALAXY, a truly gonzo Croatian sci-fi \/ fantasy \/ comedy about a struggling writer, Robert (Zarko Potocnjak), who dreams up a story of gold-skinned alien androids named Andra, Targo and Ulu from a distant planet.  Incredibly, his fictional alien creations become reality, causing chaos in his relationship with his girlfriend Biba (Lucie Zulová) and threatening his small seaside village.  The alluring lead robot Andra (Ksenia Prohaska) looks like H.R. Giger re-designed the Maschinenmensch from Fritz Lang’s METROPOLIS; watch for the scene where she pours hot coffee and cream out of her fingertips.  But for sheer jawdropping insanity, nothing rivals the Mumu Monster -- created for the film by legendary Czech animator Jan Švankmajer --, a rubber-suited, multi-tentacled creation that destroys a wedding party, ripping off heads and spouting plumes of toxic green smoke while a blind accordion player blithely plays his squeezebox.  VISITORS was a rare live-action feature from animator Dusan Vukotic (1927-1998), best known for his stunning UPA-style cartoon shorts including “Cow On The Moon” (1959) and the Oscar-winning “The Substitute” (1961).  This long-unavailable genre treat has been newly restored by Deaf Crocodile and Zagreb Film for its first-ever Blu-ray release.  In Croatian with English subtitles.\"}' data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eNew scan of VISITORS FROM THE ARKANA GALAXY with restoration by Craig Rogers for Deaf Crocodile\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Imagine if Troma Films had been hired to make a Sid \u0026amp; Marty Krofft Saturday morning kids’ show, and you have some idea of the unspeakable strangeness of VISITORS FROM THE ARKANA GALAXY, a truly gonzo Croatian sci-fi \/ fantasy \/ comedy about a struggling writer, Robert (Zarko Potocnjak), who dreams up a story of gold-skinned alien androids named Andra, Targo and Ulu from a distant planet.  Incredibly, his fictional alien creations become reality, causing chaos in his relationship with his girlfriend Biba (Lucie Zulová) and threatening his small seaside village.  The alluring lead robot Andra (Ksenia Prohaska) looks like H.R. Giger re-designed the Maschinenmensch from Fritz Lang’s METROPOLIS; watch for the scene where she pours hot coffee and cream out of her fingertips.  But for sheer jawdropping insanity, nothing rivals the Mumu Monster -- created for the film by legendary Czech animator Jan Švankmajer --, a rubber-suited, multi-tentacled creation that destroys a wedding party, ripping off heads and spouting plumes of toxic green smoke while a blind accordion player blithely plays his squeezebox.  VISITORS was a rare live-action feature from animator Dusan Vukotic (1927-1998), best known for his stunning UPA-style cartoon shorts including “Cow On The Moon” (1959) and the Oscar-winning “The Substitute” (1961).  This long-unavailable genre treat has been newly restored by Deaf Crocodile and Zagreb Film for its first-ever Blu-ray release.  In Croatian with English subtitles.\"}' data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eNew commentary track by film historian Samm Deighan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Imagine if Troma Films had been hired to make a Sid \u0026amp; Marty Krofft Saturday morning kids’ show, and you have some idea of the unspeakable strangeness of VISITORS FROM THE ARKANA GALAXY, a truly gonzo Croatian sci-fi \/ fantasy \/ comedy about a struggling writer, Robert (Zarko Potocnjak), who dreams up a story of gold-skinned alien androids named Andra, Targo and Ulu from a distant planet.  Incredibly, his fictional alien creations become reality, causing chaos in his relationship with his girlfriend Biba (Lucie Zulová) and threatening his small seaside village.  The alluring lead robot Andra (Ksenia Prohaska) looks like H.R. Giger re-designed the Maschinenmensch from Fritz Lang’s METROPOLIS; watch for the scene where she pours hot coffee and cream out of her fingertips.  But for sheer jawdropping insanity, nothing rivals the Mumu Monster -- created for the film by legendary Czech animator Jan Švankmajer --, a rubber-suited, multi-tentacled creation that destroys a wedding party, ripping off heads and spouting plumes of toxic green smoke while a blind accordion player blithely plays his squeezebox.  VISITORS was a rare live-action feature from animator Dusan Vukotic (1927-1998), best known for his stunning UPA-style cartoon shorts including “Cow On The Moon” (1959) and the Oscar-winning “The Substitute” (1961).  This long-unavailable genre treat has been newly restored by Deaf Crocodile and Zagreb Film for its first-ever Blu-ray release.  In Croatian with English subtitles.\"}' data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eNew essay by film historian and professor Jennifer Lynde Barker\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Imagine if Troma Films had been hired to make a Sid \u0026amp; Marty Krofft Saturday morning kids’ show, and you have some idea of the unspeakable strangeness of VISITORS FROM THE ARKANA GALAXY, a truly gonzo Croatian sci-fi \/ fantasy \/ comedy about a struggling writer, Robert (Zarko Potocnjak), who dreams up a story of gold-skinned alien androids named Andra, Targo and Ulu from a distant planet.  Incredibly, his fictional alien creations become reality, causing chaos in his relationship with his girlfriend Biba (Lucie Zulová) and threatening his small seaside village.  The alluring lead robot Andra (Ksenia Prohaska) looks like H.R. Giger re-designed the Maschinenmensch from Fritz Lang’s METROPOLIS; watch for the scene where she pours hot coffee and cream out of her fingertips.  But for sheer jawdropping insanity, nothing rivals the Mumu Monster -- created for the film by legendary Czech animator Jan Švankmajer --, a rubber-suited, multi-tentacled creation that destroys a wedding party, ripping off heads and spouting plumes of toxic green smoke while a blind accordion player blithely plays his squeezebox.  VISITORS was a rare live-action feature from animator Dusan Vukotic (1927-1998), best known for his stunning UPA-style cartoon shorts including “Cow On The Moon” (1959) and the Oscar-winning “The Substitute” (1961).  This long-unavailable genre treat has been newly restored by Deaf Crocodile and Zagreb Film for its first-ever Blu-ray release.  In Croatian with English subtitles.\"}' data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003e5 rare animated shorts by Dusan Vukotic:\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003cem\u003e-“Krava na mjesecu”\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(Cow On The Moon), 1959, 10 min. – in Vukotic’s delightfully jazzy, beatnik-influenced cartoon, an adorable young girl creates a rocket ship to annoy a hipster teenage boy\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003e-“Piccolo”\u003c\/em\u003e, 1959, 9 min. – two neighbors wage war over a noisy harmonica in Vukotic’s animated short featuring stunning mid-century artwork and design\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003e-“1001 crtez”\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1001 Drawings), 1960, 14 min. A fascinating B\u0026amp;W short mixing live action and animation to reveal how cartoons are drawn (In Croatian with English subtitles)\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003e-“Surogat”\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(The Substitute), 1961, 10 min. – a typical Everyman spends a day at the beach where everything is inflatable, from his tent to the BBQ grill to a toothy shark. Vukotic’s Oscar-winning short is a masterpiece of angular mid-century style\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003e-“Ars Gratia Artis”\u003c\/em\u003e, 1969, 9 min. – in Vukotic’s surreal blend of animation and live action, a man eats a vinyl record, razor blades, thumb tacks and more\u003c\/div\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Imagine if Troma Films had been hired to make a Sid \u0026amp; Marty Krofft Saturday morning kids’ show, and you have some idea of the unspeakable strangeness of VISITORS FROM THE ARKANA GALAXY, a truly gonzo Croatian sci-fi \/ fantasy \/ comedy about a struggling writer, Robert (Zarko Potocnjak), who dreams up a story of gold-skinned alien androids named Andra, Targo and Ulu from a distant planet.  Incredibly, his fictional alien creations become reality, causing chaos in his relationship with his girlfriend Biba (Lucie Zulová) and threatening his small seaside village.  The alluring lead robot Andra (Ksenia Prohaska) looks like H.R. Giger re-designed the Maschinenmensch from Fritz Lang’s METROPOLIS; watch for the scene where she pours hot coffee and cream out of her fingertips.  But for sheer jawdropping insanity, nothing rivals the Mumu Monster -- created for the film by legendary Czech animator Jan Švankmajer --, a rubber-suited, multi-tentacled creation that destroys a wedding party, ripping off heads and spouting plumes of toxic green smoke while a blind accordion player blithely plays his squeezebox.  VISITORS was a rare live-action feature from animator Dusan Vukotic (1927-1998), best known for his stunning UPA-style cartoon shorts including “Cow On The Moon” (1959) and the Oscar-winning “The Substitute” (1961).  This long-unavailable genre treat has been newly restored by Deaf Crocodile and Zagreb Film for its first-ever Blu-ray release.  In Croatian with English subtitles.\"}' data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eBlu-ray authoring by David Mackenzie of Fidelity In Motion\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Imagine if Troma Films had been hired to make a Sid \u0026amp; Marty Krofft Saturday morning kids’ show, and you have some idea of the unspeakable strangeness of VISITORS FROM THE ARKANA GALAXY, a truly gonzo Croatian sci-fi \/ fantasy \/ comedy about a struggling writer, Robert (Zarko Potocnjak), who dreams up a story of gold-skinned alien androids named Andra, Targo and Ulu from a distant planet.  Incredibly, his fictional alien creations become reality, causing chaos in his relationship with his girlfriend Biba (Lucie Zulová) and threatening his small seaside village.  The alluring lead robot Andra (Ksenia Prohaska) looks like H.R. Giger re-designed the Maschinenmensch from Fritz Lang’s METROPOLIS; watch for the scene where she pours hot coffee and cream out of her fingertips.  But for sheer jawdropping insanity, nothing rivals the Mumu Monster -- created for the film by legendary Czech animator Jan Švankmajer --, a rubber-suited, multi-tentacled creation that destroys a wedding party, ripping off heads and spouting plumes of toxic green smoke while a blind accordion player blithely plays his squeezebox.  VISITORS was a rare live-action feature from animator Dusan Vukotic (1927-1998), best known for his stunning UPA-style cartoon shorts including “Cow On The Moon” (1959) and the Oscar-winning “The Substitute” (1961).  This long-unavailable genre treat has been newly restored by Deaf Crocodile and Zagreb Film for its first-ever Blu-ray release.  In Croatian with English subtitles.\"}' data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Deaf Crocodile","offers":[{"title":"Default Title","offer_id":44698977665224,"sku":"DC-015CD","price":34.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/visitorsfromthearkanagalaxybd.jpg?v=1751409595"},{"product_id":"who-wants-to-kill-jessie-kdo-chce-zabit-jessii-uk-import-blu-ray","title":"Who Wants to Kill Jessie? (Kdo chce zabít Jessii?) (UK Import BLU-RAY)","description":"\u003cp\u003eFrom the director of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThree Wishes for Cinderella\u003c\/em\u003e, Václav Vorlíček’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWho Wants to Kill Jessie?\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a delightfully demented, absurdist 1966 comic book fantasy that is unlike anything else in the Czech New Wave - and presages the DC and Marvel comic book franchises by several decades.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA scientist creates a serum designed to calm the dreams of restless cows, but tests it out on her husband who has been dreaming about the adventures of comic book heroine Jessie. Disaster ensues when the drug causes the characters from her husband's dreams to manifest in the real world...\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003eCo-written by Miloš Macourek (\u003cem\u003eHappy End\u003c\/em\u003e),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWho Wants to Kill Jessie?\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a deliriously off-the-wall gem. Exploding with ingenuity and wild ideas, the film audaciously subverts the fledgling superhero genre whilst offering a subtle but healthy dose of satire aimed at communist oppressors.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cu\u003eBlu-ray Special Features\u003c\/u\u003e:\u003cbr\u003e•\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWho Wants to Kill Jessie?\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cem\u003eKdo chce zabít Jessii?\u003c\/em\u003e, 1966) presented from a new HD transfer of best existing materials by the Czech National Film Archive.\u003cbr\u003e•\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDirective\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cem\u003eDirektiva\u003c\/em\u003e, 1956): An early comic short film by Václav Vorlíček presented from a new HD transfer.\u003cbr\u003e• A Projection Booth commentary with Mike White, Jim Laczkowski and Jonathan Owen.\u003cbr\u003e• A video essay by film historian Michael Brooke on crazy Czech comedies.\u003cbr\u003e• Booklet with new writing by author and Czech cinema expert Jonathan Owen.\u003cbr\u003e• New English subtitle translation.\u003cbr\u003e• World premiere on Blu-ray.\u003cbr\u003e• Region free Blu-ray (A\/B\/C).\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eTechnical details:\u003cbr\u003e\u003c\/u\u003e• Language: Czech\u003cbr\u003e• Subtitles: English\u003cbr\u003e• Running time: 80 minutes\u003cbr\u003e• Original aspect ratio: 2.35:1\u003cbr\u003e• Video: BD50 \/ 1080p \/ 24fps\u003cbr\u003e• Audio: 2.0 Dual Mono LPCM\u003cbr\u003e• Discs: 1\u003cbr\u003e• Black and white\u003cbr\u003e• Region A\/B\/C (Region Free)\u003c\/p\u003e","brand":"Second Run","offers":[{"title":"Default Title","offer_id":44712732491976,"sku":"SECONDRUNBD095","price":49.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/whowantstokilljessiebd.jpg?v=1753042863"},{"product_id":"ferat-vampire-9blu-ray","title":"Ferat Vampire (BLU-RAY)","description":"\u003cp class=\"p1\"\u003e\u003cb\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/uZj6CDig98M?si=r2woDKKhNxvELvRh\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eTHE NORTH AMERICAN HOME VIDEO PREMIERE\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eWITH 5+ HOURS OF SPECIAL FEATURES\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJuraj Herz\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e– the award-winning writer\/director of MORGIANA, THE NINTH HEART, THE CREMATOR and subversive genius of the Czech New Wave – comes the disturbing shocker driven by cultural provocation, political paranoia and a supercharged take on the vampire mythos,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003enow on disc for the first time ever in America\u003c\/b\u003e: When Ferat Motors introduces a new high-performance sports car, a trauma doctor investigates a bizarre theory that the vehicle is a biological machine fueled by human blood.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJirí Menzel\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(director of the Oscar®-winning CLOSELY WATCHED TRAINS),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eDagmar Havlová\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(former First Lady of the Czech Republic) and the iconic\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eŠkoda 110 Super Sport\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003estar in this “deeply weird horror thriller with sci-fi overtones and a touch of Cronenberg” (\u003ci\u003eHouse of Self Indulgence\u003c\/i\u003e),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003erestored from the best existing 35mm elements by Národní Filmový Archiv and Severin Films with over 5 hours of new \u0026amp; archival Special Features curated exclusively for this release.\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003e\n\u003cb\u003eDisc 1: \u003c\/b\u003e\u003cb\u003eBlu-ray \u003c\/b\u003e\u003cb\u003e(Film + Special Features)\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Film Historian Michael Brooke\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eArchival Audio Commentary With Film Critic Lars Dreyer-Winkelmann (Revised\/Re-Recorded In English)\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eA Person Undergoing A Strange Sequence Of Events\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e– Actress Jana Brezková Remembers FERAT VAMPIRE\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eVampires Ltd.\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Screenwriter Jan Fleischer On Adapting FERAT VAMPIRE\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eEat Up The Road: UPĺR Z FERATU And The Legend Of The Blood Car\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Video Essay By Filmmaker Stephen Broomer\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eArchival interviews With Director Juraj Herz And Actors Jana Brezková And Vít Olmer\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eThe Iron Vampire\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Archival Interview With Auto\/Prototype Engineer Stanislav Cinkl\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eFerat Vampire: Close-Up\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e– A Look At The Škoda Prototype That Was Used For The Ferat In The Film\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eSTRANGE AIRLINES (59 mins) – 1992 Czech TV Movie Based On\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eVampire Ltd.\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eAuthor Josef Nesvadba's 1966 Short Story\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMordair\u003c\/i\u003e, Starring Czech Actress Jana Brejchová\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eBooklet Featuring The Original Short Story\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eVampire Ltd.\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eBy Josef Nesvadba With A New Introduction By Czech Science Fiction Historian Ivan Adamovič And Illustrations By Drazen Kozjan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRuntime: 94 mins\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio: Czech Mono\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eEnglish Subtitles\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAspect Ratio: 1.37:1\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":44747363582152,"sku":"SEV18725BR","price":37.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/feratvampirebd.jpg?v=1756263312"},{"product_id":"krakatit-4k-uhd-blu-ray-combo","title":"Krakatit (4K UHD\/BLU-RAY Combo) Pre-Order Deadline February 17\/26 Coming to Our Shelves June 2026","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/zlax1HlX6ig?si=J_hccOoxdO6TEO4u\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“Long wandering,” a voice whispers in the brain of a man staggering along a misty riverbank, the night as fog-shrouded as his shattered mind.  Czech director Otakar Vávra’s astonishing KRAKATIT is a literal fever dream of a movie that mixes 1940s Film Noir, paranoid thriller and speculative atomic-bomb Sci-Fi in the story of a chemist named Prokop who hallucinates fragments of how he's invented a proto-nuclear weapon -- and the mystery of what's happened to the formula for it.  The film has overtones of Rudolph Maté's classic Noir D.O.A. (seriously-ill man racing against the clock), 1940s Orson Welles films like THE STRANGER and THE LADY FROM SHANGHAI (stunning deep-focus B\u0026amp;W photography, atmosphere of surreal paranoia), and Hitchcock's SPELLBOUND (distorted dream sequences).  Karel Höger delivers an unforgettable performance in the lead, grasping at his own memories like a walking ghost.  Based on a 1924 novel by famed sci-fi author Karel Čapek (who invented the word “robot” in his play R.U.R.), the film’s unique structure of memories within memories within flashbacks are like Russian nesting dolls -- all shot by DOP Václav Hanuš in some of the most remarkable B\u0026amp;W images since NIGHT OF THE HUNTER.  Long wandering, indeed.  Deaf Crocodile is thrilled to present the first-ever 4K UHD + Blu-ray release for this overlooked classic of Czech cinema and World Noir, beautifully restored in 4K by the Národní filmový archiv (NFA) in Prague and co-presented with the Comeback Company.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"mcePastedContent\"\u003e\u003cstrong\u003e\u003cspan\u003eSpecial Features\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eNew video interview on the film’s restoration with archivist Tereza Frodlová of the Národní\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003efilmový archiv, Prague.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eNew commentary by film historian Peter Hames and Czech film expert Irena Kovarova of\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eComeback Company\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eNew visual essay by film historian Clayton Dillard.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eNew artwork by Beth Morris\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Deaf Crocodile","offers":[{"title":"Default Title","offer_id":44903147503816,"sku":"DC-050CD-R","price":39.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/krakatit4k.jpg?v=1768528590"},{"product_id":"jakob-the-liar-uk-import-limited-edition-region-b-blu-ray","title":"Jakob the Liar (UK Import Limited Edition Region B BLU-RAY)","description":"\u003cp align=\"left\"\u003e\u003cstrong\u003eUK Import. Blu-Ray disc is Region B locked, will only play on All Region Blu-Ray players.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Rzctv12-yNY?si=DLHXyYpEJ6XsZ5aA\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003eDirected for DEFA by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFrank Beyer\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cem\u003eTrace of Stones\u003c\/em\u003e) and adapted from the novel of the same name by Jewish author Jurek Becker, \u003cstrong\u003e\u003cem\u003eJakob the Liar\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e \u003c\/em\u003ewas the only East German film to ever be nominated for an Academy Award. Starring the prolific Czech actor\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eVlastimil Brodsky\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cem\u003eTomorrow I’ll Wake Up and Scald Myself with Tea\u003c\/em\u003e), it follows the members of a Jewish community in German-occupied Poland.\u003c\/p\u003e\n\u003cp align=\"left\"\u003eIn a Jewish ghetto, Jakob Heym (Brodsky) is ordered to report to a police station by a Nazi watchtower guard, where he overhears a radio broadcast suggesting that the Red Army is closing in on Poland. He tells friends and neighbours that the Germans might be losing the war, but they refuse to believe that he could have survived an encounter with Nazi officials. To make his story plausible, he claims to illegally possess a radio – and soon finds himself spreading false reports that he has supposedly heard on the airwaves, if only to give his community hope in the face of unimaginable horror.\u003c\/p\u003e\n\u003cp align=\"left\"\u003eOne of the most powerful Holocaust films ever made, \u003cem\u003eJakob the Liar \u003c\/em\u003eis also one of the finest films DEFA ever produced – and a significant influence on a cycle of prestigious Holocaust films produced by Hollywood in the 1990s, chiefly Peter Kassovitz’s later adaptation of Becker’s novel starring Robin Williams. The\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMasters of Cinema\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eSeries is proud to present \u003cem\u003eJakob the Liar\u003c\/em\u003e from a\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e4K restoration by the DEFA Foundation\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch4\u003eSPECIAL FEATURES\u003c\/h4\u003e\n\u003cul data-sku=\"EKA70614\" data-display=\"true\"\u003e\n\u003cli\u003e\u003cb\u003eLimited edition O-card slipcase featuring new artwork by Carly A-F [2000 copies]\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLimited edition collector’s booklet featuring new writing on Jakob the Liar by Sebastian Heiduschke, author of East German Cinema: DEFA and Film History [2000 copies]\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e1080p HD presentation from a 4K restoration of the original camera negative and interpositive by the DEFA Foundation\u003c\/li\u003e\n\u003cli\u003eOriginal German audio\u003c\/li\u003e\n\u003cli\u003eOptional English subtitles, newly revised for this release\u003c\/li\u003e\n\u003cli\u003eLessons of the Past – new interview with Jewish studies scholar Sue Vice on Holocaust cinema\u003c\/li\u003e\n\u003cli\u003eJurek and Jakob – new video essay by film and literature scholar Mary Going on Jurek Becker and DEFA’s adaptation of Jakob the Liar\u003c\/li\u003e\n\u003cli\u003eA Diary for Anne Frank (Joachim Hellwig, 1958) – DEFA documentary on the story of Anne Frank\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Eureka Entertainment (UK)","offers":[{"title":"Default Title","offer_id":44904751792328,"sku":"EKA70614","price":46.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/jakobtheliardbd.jpg?v=1768716544"},{"product_id":"faust-us-import-blu-ray","title":"Faust (US Import BLU-RAY)","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJan Svankmajer’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFaust\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a rendering of the infamous Dr. Faustus fable of temptation and damnation. Borrowing freely from both Marlowe and Goethe and ancient folktales and timeless myths, the story follows a lonely Czech businessman who sells his soul to the devil in return for 24 years of self-indulgence. A visually fantastic combination of live-action, claymation, puppet theatre, stop-motion animation, and other special effects, Svankmajer creates an unsettling universe presided over by diabolic life-size marionettes and haunted by sinister human messengers from hell.\u003c\/p\u003e\n\u003cp dir=\"auto\" class=\"p-rich_text_block\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003edirected by: Jan Svankmajer\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cbr\u003estarring: Petr Čepek\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cbr\u003e1994 \/ 97 min \/ 1.37:1 \/ Czech DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-root=\"1\"\u003eNew audio commentary with film historian Adrian Martin\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-root=\"1\"\u003eBooklet with new writing by film programmer Irena Kovarova\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-root=\"1\"\u003eEnglish subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"KimStim (US)","offers":[{"title":"Default Title","offer_id":45067590533320,"sku":"810161489657","price":49.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/Faustbd.jpg?v=1777319889"}],"url":"https:\/\/videomatica.com\/collections\/czechoslovakia.oembed?page=2","provider":"Videomatica Ltd (since 1983)","version":"1.0","type":"link"}