{"title":"In Stock LGBTQ+","description":"\u003cp\u003e\u003ca href=\"https:\/\/videomatica.com\/collections\/lgbtq\"\u003e\u003cstrong\u003eClick here to see our complete catalogue of LGBTQ+ titles.\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c!----\u003e","products":[{"product_id":"aba-dvd-coffee005-79865","title":"Coffee Shop, The (DVD)","description":"\u003cp\u003e\u003cspan\u003eThe Cup coffee house, a gay hot spot, its workers, its regulars, and the drama it has to deal with every day. There's the owner of the shop, the fabulous Bea Reasonable and the flamboyant boy-crazy gay waiter, Jamie. There's also the slimy creeper looking for some fun. And then there's Helen, a straight girl with a penchant for drama. The drama unfolds when Helen meets her bisexual boyfriend at The Cup for a date. Hilarity ensues when their date goes awry and a water fight breaks out. And it only gets funnier from there. The Cup becomes the place for awkward coming out stories, hook-ups in the bathroom, and vampire meetings. The drama culminates when Helen enters the coffee house again to take down the man who stole her man from her.\u003c\/span\u003e\u003c\/p\u003e","brand":"Unobstructed View","offers":[{"title":"Default Title","offer_id":41280891846856,"sku":"798657804835","price":9.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/coffeeshop.jpg?v=1673823530"},{"product_id":"aba-dvd-desper026-88857","title":"Desperate Living (US Import DVD)","description":"\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThings get rocky at the Gravel household when paranoid Peggy Gravel (Mink Stole) and her murderous maid, Grizelda (jean Hill), kill Peggy's husband. They escape from the law, only to wind up in the crazy town of Mortville, where Queen Carlotta (Edith Massey) presides over a sleazy collection of misfits, including the vivacious Muffy St. Jacques (Liz Renay). When the queen disinherits her daughter, Princess Coo-Coo (Mary Vivian Pearce), the citizens of Mortville decide that it's time for a few changes.\u003c\/p\u003e\n\u003cp\u003eSpecial Feature:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCommentary by John Waters and Liz Renay\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warner Archive","offers":[{"title":"Default Title","offer_id":41280898564296,"sku":"888574535346","price":32.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/desperateliving.jpg?v=1659665180"},{"product_id":"aba-dvd-divine001-76013","title":"Divine Divas (DVD)","description":"\u003cdiv data-cel-widget=\"productDescription_feature_div\" data-csa-c-id=\"gm4zpj-yrb9go-d3jgha-a60jys\" data-feature-name=\"productDescription\" class=\"celwidget\" id=\"productDescription_feature_div\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-cel-widget=\"productDescription_feature_div\" class=\"a-row feature\" id=\"productDescription_feature_div\" data-template-name=\"productDescription\" data-feature-name=\"productDescription\"\u003e\n\u003cdiv class=\"a-section a-spacing-small\" id=\"productDescription\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Divine Divas are icons of the first generation of Brazilian transvestite artists of the 1960s. One of the first stages to host men dressed as women was the Rival Theatre, then run by Americo Leal, the director's grandfather. The film explores the intimacy, the talent and the stories of a generation that revolutionized sexual behavior and defied the moral of the time.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Unobstructed View","offers":[{"title":"Default Title","offer_id":41280900497608,"sku":"MUSMVD1114D","price":24.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/divinedivasdvd.jpg?v=1664314816"},{"product_id":"aba-blu-poison005-73832","title":"Poison (BLU-RAY)","description":"\u003cp\u003e\u003cspan\u003eThe second feature directed by Haynes—the Oscar-nominated filmmaker of \u003c\/span\u003e\u003cem\u003eFar from Heaven\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eI’m Not There\u003c\/em\u003e\u003cspan\u003e and the upcoming HBO mini-series \u003c\/span\u003e\u003cem\u003eMildred Pierce\u003c\/em\u003e\u003cspan\u003e—this groundbreaking American Indie was the most fervently debated film of the 1990s and a trailblazing landmark of queer cinema. A work of immense visual invention, Haynes’ spectacular follow-up to his legendary \u003c\/span\u003e\u003cem\u003eSuperstar: The Karen Carpenter Story\u003c\/em\u003e\u003cspan\u003e is audacious, disturbing and thrillingly cinematic.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eInspired by the writings of Jean Genet, \u003c\/span\u003e\u003cem\u003ePoison\u003c\/em\u003e\u003cspan\u003e deftly interweaves trio of transgressive tales-“Hero,” “Horror” and “Homo”-that build toward a devastating climax. “Hero,” shot in mock TV-documentary style, tells a bizarre story of suburban patricide and a miraculous flight from justice; “Horror,” filmed like a delirious ’50s B-movie melodrama, is a gothic tale of a mad sex experiment which unleashes a disfiguring plague; while “Homo” explores the obsessive sexual relationship between two prison inmates.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA runaway hit which made national headlines when it was attacked by right-wing figures including Dick Armey, Ralph Reed and minister Donald Wildmon, \u003c\/span\u003e\u003cem\u003ePoison\u003c\/em\u003e\u003cspan\u003e is unsettling, unforgettable and thoroughly entertaining.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eBlu-ray Extras Include:\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":10561,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"11\":4,\"14\":{\"1\":2,\"2\":275199},\"16\":12}' data-sheets-value='{\"1\":2,\"2\":\"• New introduction by director Todd Haynes\\n• Sundance Q\u0026amp;A with Todd Haynes, producer\\nChristine Vachon and executive producer\\nJames Schamus, for the 20th Anniversary\\nof the film’s Grand Jury Prize\\n• Archival 1999 audio commentary by Haynes,\\nVachon, and star\/editor James Lyons\\n• Booklet essay by Dennis Lim, Director of\\nProgramming at Film at Lincoln Center\\n• Last Address, a short film by Ira Sachs (2010)\\n• Original 1991 U.S. theatrical trailer\"}'\u003eNew introduction by director Todd Haynes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":10561,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"11\":4,\"14\":{\"1\":2,\"2\":275199},\"16\":12}' data-sheets-value='{\"1\":2,\"2\":\"• New introduction by director Todd Haynes\\n• Sundance Q\u0026amp;A with Todd Haynes, producer\\nChristine Vachon and executive producer\\nJames Schamus, for the 20th Anniversary\\nof the film’s Grand Jury Prize\\n• Archival 1999 audio commentary by Haynes,\\nVachon, and star\/editor James Lyons\\n• Booklet essay by Dennis Lim, Director of\\nProgramming at Film at Lincoln Center\\n• Last Address, a short film by Ira Sachs (2010)\\n• Original 1991 U.S. theatrical trailer\"}'\u003eSundance Q\u0026amp;A with Todd Haynes, producer Christine Vachon and executive producer James Schamus, for the 20th Anniversary of the film’s Grand Jury Prize\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":10561,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"11\":4,\"14\":{\"1\":2,\"2\":275199},\"16\":12}' data-sheets-value='{\"1\":2,\"2\":\"• New introduction by director Todd Haynes\\n• Sundance Q\u0026amp;A with Todd Haynes, producer\\nChristine Vachon and executive producer\\nJames Schamus, for the 20th Anniversary\\nof the film’s Grand Jury Prize\\n• Archival 1999 audio commentary by Haynes,\\nVachon, and star\/editor James Lyons\\n• Booklet essay by Dennis Lim, Director of\\nProgramming at Film at Lincoln Center\\n• Last Address, a short film by Ira Sachs (2010)\\n• Original 1991 U.S. theatrical trailer\"}'\u003eArchival 1999 audio commentary by Haynes, Vachon, and star\/editor James Lyons\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":10561,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"11\":4,\"14\":{\"1\":2,\"2\":275199},\"16\":12}' data-sheets-value='{\"1\":2,\"2\":\"• New introduction by director Todd Haynes\\n• Sundance Q\u0026amp;A with Todd Haynes, producer\\nChristine Vachon and executive producer\\nJames Schamus, for the 20th Anniversary\\nof the film’s Grand Jury Prize\\n• Archival 1999 audio commentary by Haynes,\\nVachon, and star\/editor James Lyons\\n• Booklet essay by Dennis Lim, Director of\\nProgramming at Film at Lincoln Center\\n• Last Address, a short film by Ira Sachs (2010)\\n• Original 1991 U.S. theatrical trailer\"}'\u003eBooklet essay by Dennis Lim, Director of Programming at Film at Lincoln Center\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":10561,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"11\":4,\"14\":{\"1\":2,\"2\":275199},\"16\":12}' data-sheets-value='{\"1\":2,\"2\":\"• New introduction by director Todd Haynes\\n• Sundance Q\u0026amp;A with Todd Haynes, producer\\nChristine Vachon and executive producer\\nJames Schamus, for the 20th Anniversary\\nof the film’s Grand Jury Prize\\n• Archival 1999 audio commentary by Haynes,\\nVachon, and star\/editor James Lyons\\n• Booklet essay by Dennis Lim, Director of\\nProgramming at Film at Lincoln Center\\n• Last Address, a short film by Ira Sachs (2010)\\n• Original 1991 U.S. theatrical trailer\"}'\u003eLast Address, a short film by Ira Sachs (2010)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":10561,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"11\":4,\"14\":{\"1\":2,\"2\":275199},\"16\":12}' data-sheets-value='{\"1\":2,\"2\":\"• New introduction by director Todd Haynes\\n• Sundance Q\u0026amp;A with Todd Haynes, producer\\nChristine Vachon and executive producer\\nJames Schamus, for the 20th Anniversary\\nof the film’s Grand Jury Prize\\n• Archival 1999 audio commentary by Haynes,\\nVachon, and star\/editor James Lyons\\n• Booklet essay by Dennis Lim, Director of\\nProgramming at Film at Lincoln Center\\n• Last Address, a short film by Ira Sachs (2010)\\n• Original 1991 U.S. theatrical trailer\"}'\u003eOriginal 1991 U.S. theatrical trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kino Lorber","offers":[{"title":"Default Title","offer_id":41280967540936,"sku":"KIN25447","price":37.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/poison.jpg?v=1650656512"},{"product_id":"forbidden-love-the-unashamed-stories-of-lesbian-lives-blu-ray","title":"Forbidden Love: The Unashamed Stories of Lesbian Lives (BLU-RAY)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/EFejEyo_R2k\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Two unforgettably cinematic journeys through ’60s Canada!\\n\\nBUSTER KEATON RIDES AGAIN - In the fall of 1964, just over a year before his death, Buster Keaton traveled to Canada to make The Railrodder, a silent short that would turn out to be one of his final films. Documenting this mobile production in fascinating and unexpected detail, Buster Keaton Rides Again offers a rare glimpse of the comedy legend’s temperament, philosophies, hobbies, marriage (his third), and occasionally combative creative process. Canadian International Pictures fondly presents this intimate look at one of cinema’s most enduring legends. In addition, this disc includes The Railrodder and six other shorts by director – and Buster Keaton Rides Again co-star – Gerald Potterton (The Rainbow Boys, Heavy Metal).\\n\\nHELICOPTER CANADA - Made in celebration of the Canadian centennial, this Oscar-nominated documentary offers a stunning aerial exploration of the country’s vast and varied landscape. Featuring impressive widescreen cinematography by director Eugene Boyko, amusingly irreverent commentary, and even a cameo by The Beatles, this enchantingly oddball time capsule brings Canadiana to new heights. In honor of the film’s debt to the sprawling Cinerama travelogues of the ’50s, this disc also includes a presentation of Helicopter Canada in the Smilebox format, simulating the effect of a curved screen. \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e\u003cstrong\u003e30th anniversary special edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Two unforgettably cinematic journeys through ’60s Canada!\\n\\nBUSTER KEATON RIDES AGAIN - In the fall of 1964, just over a year before his death, Buster Keaton traveled to Canada to make The Railrodder, a silent short that would turn out to be one of his final films. Documenting this mobile production in fascinating and unexpected detail, Buster Keaton Rides Again offers a rare glimpse of the comedy legend’s temperament, philosophies, hobbies, marriage (his third), and occasionally combative creative process. Canadian International Pictures fondly presents this intimate look at one of cinema’s most enduring legends. In addition, this disc includes The Railrodder and six other shorts by director – and Buster Keaton Rides Again co-star – Gerald Potterton (The Rainbow Boys, Heavy Metal).\\n\\nHELICOPTER CANADA - Made in celebration of the Canadian centennial, this Oscar-nominated documentary offers a stunning aerial exploration of the country’s vast and varied landscape. Featuring impressive widescreen cinematography by director Eugene Boyko, amusingly irreverent commentary, and even a cameo by The Beatles, this enchantingly oddball time capsule brings Canadiana to new heights. 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While these writers often took a critical, moralistic view of gay life, they provided a jumping-off point for women still discovering their suppressed sexual desires. But with society unwilling to grant them a place in public life, they channeled their passion for these novels into a vibrant underground culture full of distinctive codes, roles, and rituals. Mirroring the shadowy traditions of noir fiction, they also faced violent opposition from police and other protectors of the status quo, resulting in a dangerous, but ultimately liberating path to sexual awakening.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Two unforgettably cinematic journeys through ’60s Canada!\\n\\nBUSTER KEATON RIDES AGAIN - In the fall of 1964, just over a year before his death, Buster Keaton traveled to Canada to make The Railrodder, a silent short that would turn out to be one of his final films. Documenting this mobile production in fascinating and unexpected detail, Buster Keaton Rides Again offers a rare glimpse of the comedy legend’s temperament, philosophies, hobbies, marriage (his third), and occasionally combative creative process. Canadian International Pictures fondly presents this intimate look at one of cinema’s most enduring legends. In addition, this disc includes The Railrodder and six other shorts by director – and Buster Keaton Rides Again co-star – Gerald Potterton (The Rainbow Boys, Heavy Metal).\\n\\nHELICOPTER CANADA - Made in celebration of the Canadian centennial, this Oscar-nominated documentary offers a stunning aerial exploration of the country’s vast and varied landscape. Featuring impressive widescreen cinematography by director Eugene Boyko, amusingly irreverent commentary, and even a cameo by The Beatles, this enchantingly oddball time capsule brings Canadiana to new heights. 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With a soundtrack of late ‘50s and early ‘60s hits by The Fleetwoods, Connie Francis, Jimmie Rodgers, and The Shirelles, this is a stirring, funny, and ultimately moving portrait of rebellion flourishing in the face of repression.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Two unforgettably cinematic journeys through ’60s Canada!\\n\\nBUSTER KEATON RIDES AGAIN - In the fall of 1964, just over a year before his death, Buster Keaton traveled to Canada to make The Railrodder, a silent short that would turn out to be one of his final films. Documenting this mobile production in fascinating and unexpected detail, Buster Keaton Rides Again offers a rare glimpse of the comedy legend’s temperament, philosophies, hobbies, marriage (his third), and occasionally combative creative process. Canadian International Pictures fondly presents this intimate look at one of cinema’s most enduring legends. 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Documenting this mobile production in fascinating and unexpected detail, Buster Keaton Rides Again offers a rare glimpse of the comedy legend’s temperament, philosophies, hobbies, marriage (his third), and occasionally combative creative process. Canadian International Pictures fondly presents this intimate look at one of cinema’s most enduring legends. In addition, this disc includes The Railrodder and six other shorts by director – and Buster Keaton Rides Again co-star – Gerald Potterton (The Rainbow Boys, Heavy Metal).\\n\\nHELICOPTER CANADA - Made in celebration of the Canadian centennial, this Oscar-nominated documentary offers a stunning aerial exploration of the country’s vast and varied landscape. Featuring impressive widescreen cinematography by director Eugene Boyko, amusingly irreverent commentary, and even a cameo by The Beatles, this enchantingly oddball time capsule brings Canadiana to new heights. 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Stuart, Amanda White\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Two unforgettably cinematic journeys through ’60s Canada!\\n\\nBUSTER KEATON RIDES AGAIN - In the fall of 1964, just over a year before his death, Buster Keaton traveled to Canada to make The Railrodder, a silent short that would turn out to be one of his final films. Documenting this mobile production in fascinating and unexpected detail, Buster Keaton Rides Again offers a rare glimpse of the comedy legend’s temperament, philosophies, hobbies, marriage (his third), and occasionally combative creative process. Canadian International Pictures fondly presents this intimate look at one of cinema’s most enduring legends. In addition, this disc includes The Railrodder and six other shorts by director – and Buster Keaton Rides Again co-star – Gerald Potterton (The Rainbow Boys, Heavy Metal).\\n\\nHELICOPTER CANADA - Made in celebration of the Canadian centennial, this Oscar-nominated documentary offers a stunning aerial exploration of the country’s vast and varied landscape. Featuring impressive widescreen cinematography by director Eugene Boyko, amusingly irreverent commentary, and even a cameo by The Beatles, this enchantingly oddball time capsule brings Canadiana to new heights. In honor of the film’s debt to the sprawling Cinerama travelogues of the ’50s, this disc also includes a presentation of Helicopter Canada in the Smilebox format, simulating the effect of a curved screen. \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e1992 \/ 85 min \/ \u003c\/span\u003e1.33:1 \/ English DTS HD-MA 1.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Scanned and restored in 2K from the 16mm interpositive\\n• Audio commentary featuring directors Lynne Fernie and Aerlyn Weissman moderated by professor Jean Bruce \\n• Audio commentary featuring six members of the crew\\n• The Ann Bannon Chronicles (2022, 18 min.) – A new interview with \\\"\\\"The Queen of Lesbian Pulp\\\"\\\" Ann Bannon\\n• Cinema Politica Q\u0026amp;A with the cast and crew (2015, 23 min.)\\n• EPK interview with the directors (1992, 7 min.)\\n• Afterword (2022, 19 min.)\\n• Booklet featuring reflections from subject Amanda White, along with essays by Jean Bruce, Matthew Hays, B. Ruby Rich, and Rebecca Sullivan\\n• Reversible cover artwork\\n• English SDH subtitles \\n\\\"\"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Scanned and restored in 2K from the 16mm interpositive\\n• Audio commentary featuring directors Lynne Fernie and Aerlyn Weissman moderated by professor Jean Bruce \\n• Audio commentary featuring six members of the crew\\n• The Ann Bannon Chronicles (2022, 18 min.) – A new interview with \\\"\\\"The Queen of Lesbian Pulp\\\"\\\" Ann Bannon\\n• Cinema Politica Q\u0026amp;A with the cast and crew (2015, 23 min.)\\n• EPK interview with the directors (1992, 7 min.)\\n• Afterword (2022, 19 min.)\\n• Booklet featuring reflections from subject Amanda White, along with essays by Jean Bruce, Matthew Hays, B. Ruby Rich, and Rebecca Sullivan\\n• Reversible cover artwork\\n• English SDH subtitles \\n\\\"\"}'\u003eScanned and restored in 2K from the 16mm interpositive\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Scanned and restored in 2K from the 16mm interpositive\\n• Audio commentary featuring directors Lynne Fernie and Aerlyn Weissman moderated by professor Jean Bruce \\n• Audio commentary featuring six members of the crew\\n• The Ann Bannon Chronicles (2022, 18 min.) – A new interview with \\\"\\\"The Queen of Lesbian Pulp\\\"\\\" Ann Bannon\\n• Cinema Politica Q\u0026amp;A with the cast and crew (2015, 23 min.)\\n• EPK interview with the directors (1992, 7 min.)\\n• Afterword (2022, 19 min.)\\n• Booklet featuring reflections from subject Amanda White, along with essays by Jean Bruce, Matthew Hays, B. Ruby Rich, and Rebecca Sullivan\\n• Reversible cover artwork\\n• English SDH subtitles \\n\\\"\"}'\u003eAudio commentary featuring directors Lynne Fernie and Aerlyn Weissman moderated by professor Jean Bruce\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Scanned and restored in 2K from the 16mm interpositive\\n• Audio commentary featuring directors Lynne Fernie and Aerlyn Weissman moderated by professor Jean Bruce \\n• Audio commentary featuring six members of the crew\\n• The Ann Bannon Chronicles (2022, 18 min.) – A new interview with \\\"\\\"The Queen of Lesbian Pulp\\\"\\\" Ann Bannon\\n• Cinema Politica Q\u0026amp;A with the cast and crew (2015, 23 min.)\\n• EPK interview with the directors (1992, 7 min.)\\n• Afterword (2022, 19 min.)\\n• Booklet featuring reflections from subject Amanda White, along with essays by Jean Bruce, Matthew Hays, B. Ruby Rich, and Rebecca Sullivan\\n• Reversible cover artwork\\n• English SDH subtitles \\n\\\"\"}'\u003eAudio commentary featuring six members of the crew\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Scanned and restored in 2K from the 16mm interpositive\\n• Audio commentary featuring directors Lynne Fernie and Aerlyn Weissman moderated by professor Jean Bruce \\n• Audio commentary featuring six members of the crew\\n• The Ann Bannon Chronicles (2022, 18 min.) – A new interview with \\\"\\\"The Queen of Lesbian Pulp\\\"\\\" Ann Bannon\\n• Cinema Politica Q\u0026amp;A with the cast and crew (2015, 23 min.)\\n• EPK interview with the directors (1992, 7 min.)\\n• Afterword (2022, 19 min.)\\n• Booklet featuring reflections from subject Amanda White, along with essays by Jean Bruce, Matthew Hays, B. Ruby Rich, and Rebecca Sullivan\\n• Reversible cover artwork\\n• English SDH subtitles \\n\\\"\"}'\u003eThe Ann Bannon Chronicles (2022, 18 min.) – A new interview with \"\"The Queen of Lesbian Pulp\"\" Ann Bannon\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Scanned and restored in 2K from the 16mm interpositive\\n• Audio commentary featuring directors Lynne Fernie and Aerlyn Weissman moderated by professor Jean Bruce \\n• Audio commentary featuring six members of the crew\\n• The Ann Bannon Chronicles (2022, 18 min.) – A new interview with \\\"\\\"The Queen of Lesbian Pulp\\\"\\\" Ann Bannon\\n• Cinema Politica Q\u0026amp;A with the cast and crew (2015, 23 min.)\\n• EPK interview with the directors (1992, 7 min.)\\n• Afterword (2022, 19 min.)\\n• Booklet featuring reflections from subject Amanda White, along with essays by Jean Bruce, Matthew Hays, B. Ruby Rich, and Rebecca Sullivan\\n• Reversible cover artwork\\n• English SDH subtitles \\n\\\"\"}'\u003eCinema Politica Q\u0026amp;A with the cast and crew (2015, 23 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Scanned and restored in 2K from the 16mm interpositive\\n• Audio commentary featuring directors Lynne Fernie and Aerlyn Weissman moderated by professor Jean Bruce \\n• Audio commentary featuring six members of the crew\\n• The Ann Bannon Chronicles (2022, 18 min.) – A new interview with \\\"\\\"The Queen of Lesbian Pulp\\\"\\\" Ann Bannon\\n• Cinema Politica Q\u0026amp;A with the cast and crew (2015, 23 min.)\\n• EPK interview with the directors (1992, 7 min.)\\n• Afterword (2022, 19 min.)\\n• Booklet featuring reflections from subject Amanda White, along with essays by Jean Bruce, Matthew Hays, B. Ruby Rich, and Rebecca Sullivan\\n• Reversible cover artwork\\n• English SDH subtitles \\n\\\"\"}'\u003eEPK interview with the directors (1992, 7 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Scanned and restored in 2K from the 16mm interpositive\\n• Audio commentary featuring directors Lynne Fernie and Aerlyn Weissman moderated by professor Jean Bruce \\n• Audio commentary featuring six members of the crew\\n• The Ann Bannon Chronicles (2022, 18 min.) – A new interview with \\\"\\\"The Queen of Lesbian Pulp\\\"\\\" Ann Bannon\\n• Cinema Politica Q\u0026amp;A with the cast and crew (2015, 23 min.)\\n• EPK interview with the directors (1992, 7 min.)\\n• Afterword (2022, 19 min.)\\n• Booklet featuring reflections from subject Amanda White, along with essays by Jean Bruce, Matthew Hays, B. Ruby Rich, and Rebecca Sullivan\\n• Reversible cover artwork\\n• English SDH subtitles \\n\\\"\"}'\u003eAfterword (2022, 19 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Scanned and restored in 2K from the 16mm interpositive\\n• Audio commentary featuring directors Lynne Fernie and Aerlyn Weissman moderated by professor Jean Bruce \\n• Audio commentary featuring six members of the crew\\n• The Ann Bannon Chronicles (2022, 18 min.) – A new interview with \\\"\\\"The Queen of Lesbian Pulp\\\"\\\" Ann Bannon\\n• Cinema Politica Q\u0026amp;A with the cast and crew (2015, 23 min.)\\n• EPK interview with the directors (1992, 7 min.)\\n• Afterword (2022, 19 min.)\\n• Booklet featuring reflections from subject Amanda White, along with essays by Jean Bruce, Matthew Hays, B. Ruby Rich, and Rebecca Sullivan\\n• Reversible cover artwork\\n• English SDH subtitles \\n\\\"\"}'\u003eBooklet featuring reflections from subject Amanda White, along with essays by Jean Bruce, Matthew Hays, B. Ruby Rich, and Rebecca Sullivan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Scanned and restored in 2K from the 16mm interpositive\\n• Audio commentary featuring directors Lynne Fernie and Aerlyn Weissman moderated by professor Jean Bruce \\n• Audio commentary featuring six members of the crew\\n• The Ann Bannon Chronicles (2022, 18 min.) – A new interview with \\\"\\\"The Queen of Lesbian Pulp\\\"\\\" Ann Bannon\\n• Cinema Politica Q\u0026amp;A with the cast and crew (2015, 23 min.)\\n• EPK interview with the directors (1992, 7 min.)\\n• Afterword (2022, 19 min.)\\n• Booklet featuring reflections from subject Amanda White, along with essays by Jean Bruce, Matthew Hays, B. Ruby Rich, and Rebecca Sullivan\\n• Reversible cover artwork\\n• English SDH subtitles \\n\\\"\"}'\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Scanned and restored in 2K from the 16mm interpositive\\n• Audio commentary featuring directors Lynne Fernie and Aerlyn Weissman moderated by professor Jean Bruce \\n• Audio commentary featuring six members of the crew\\n• The Ann Bannon Chronicles (2022, 18 min.) – A new interview with \\\"\\\"The Queen of Lesbian Pulp\\\"\\\" Ann Bannon\\n• Cinema Politica Q\u0026amp;A with the cast and crew (2015, 23 min.)\\n• EPK interview with the directors (1992, 7 min.)\\n• Afterword (2022, 19 min.)\\n• Booklet featuring reflections from subject Amanda White, along with essays by Jean Bruce, Matthew Hays, B. Ruby Rich, and Rebecca Sullivan\\n• Reversible cover artwork\\n• English SDH subtitles \\n\\\"\"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Canadian International Pictures","offers":[{"title":"Default Title","offer_id":42007227007176,"sku":"CIP-005","price":53.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/forbiddenlove.jpg?v=1656110748"},{"product_id":"benedetta-4k-uhd-region-b-blu-ray","title":"Benedetta (UK Import 4K UHD\/Region B BLU-RAY Combo)","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ealhb-oCSGU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUK IMPORT  4K DISC All Region. Blu-Ray Disc Region B Locked.  \u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" color=\"#212b36\"\u003e\u003cspan data-mce-fragment=\"1\" face=\"apple-system, BlinkMacSystemFont, San Francisco, Segoe UI, Roboto, Helvetica Neue, sans-serif\"\u003e\u003cspan data-mce-fragment=\"1\" size=\"2\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWill only play on ALL REGION BLU-RAY Players\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom renowned provocateur Paul Verhoeven (Elle, Basic Instinct), BENEDETTA is a subversive erotic drama based on the true story of a 17th century nun entangled in a forbidden lesbian affair. Virginie Efira stars as the titular Benedetta, a nun whose religious fervor begins to manifest in increasingly sensual and violent visions of Jesus. These hallucinations arouse the suspicions of Charlotte Rampling's shrewd abbess, Sister Felicita, whose distrust grows when a farm girl called Bartolomea (Daphné Patakia) enters the convent seeking refuge, and quickly develops an attraction to Benedetta.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePremiering at the 2021 Cannes Film Festival, Verhoeven's intoxicating latest is a transgressive and alluring look at faith, power and religion, and is every bit as scandalous as you would expect from the controversial filmmaker.\u003c\/span\u003e\u003c\/p\u003e","brand":"Mubi (UK)","offers":[{"title":"Default Title","offer_id":42019693035720,"sku":"MUBI028U","price":57.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/benedetta4k_bf69b2ea-a44b-4c4c-90b2-62090f38cb4e.jpg?v=1659986789"},{"product_id":"magick-lantern-cycle-blu-ray-dvd-combo","title":"Magick Lantern Cycle (BLU-RAY\/DVD Combo)","description":"\u003cp\u003e\u003cstrong\u003eUK Import.  Blu-Ray is All Region and should play on any Blu-Ray player. DVD is Region 0 PAL, may not play on North American DVD players, but will on some.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKenneth Anger is an enigma and a truly unique voice in cinema. His inimitable style and unparalleled imagination have given rise to films of extraordinary visual power, which have influenced filmmakers as diverse as Martin Scorsese, David Lynch and RW Fassbinder.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eThe films:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eFireworks (1947)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003ePuce Moment (1949)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eRabbit s Moon (1950\/1971, the rarely seen 16 minute version)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eEaux d'Artifice (1953)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eInauguration of the Pleasure Dome (1954)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eScorpio Rising (1964)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eKustom Kar Kommandos (1965)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eInvocation of My Demon Brother (1969)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eRabbit's Moon (1950\/1979 version)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eLucifer Rising (1981)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eSpecial Features\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eNewly recorded audio commentaries by Kenneth Anger\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-italic\"\u003eThe Man We Want to Hang\u003c\/span\u003e\u003cspan\u003e: Anger's documentary on Aleister Crowley\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eRestoration featurette\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-italic\"\u003eAnger Me\u003c\/span\u003e\u003cspan\u003e (2006, 71 minutes, DVD only): Elio Gelmini's portrait of Anger\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eFully Illustrated booklet with essays and sketches\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BFI","offers":[{"title":"Default Title","offer_id":42738312413384,"sku":"BFIB1112","price":45.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/magicklanterncyclebd.jpg?v=1685740346"},{"product_id":"name-above-title-and-other-tales-of-woe-by-carlos-conceicao-limited-edition-slipcover-blu-ray","title":"Name Above Title and Other Tales of Woe by Carlos Conceição (Limited Edition Slipcover BLU-RAY)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The world of Carlos Conceição is one inhabited by handsome characters exploring the boundaries of limitless pleasure, romance, politics, and even murder. Before unleashing his breakout narrative feature Tommy Guns, Conceição experimented in the realm of short and medium-length films for many years crafting films both beautiful and transgressive alike. Collected here are six short films headlined by the medium-length (and nearly dialogue free) film Name Above Title about a handsome serial killer that unexpectedly catapults into social media fame. \\n\\nList of Films:\\n-Name Above Title (2020, 62 Min.)\\n-Bad Bunny (2017, 35 Min.)\\n-Versailles (2013, 20 Min.)\\n-Turquoise Boy (2023, 9 Min.)\\n-Goodnight Cinderella (2014, 32 Min.)\\n-Hell (2011, 22 Min.)\\n-The Flesh (2010, 22 Min.)\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XYkIrXyVvJw\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The world of Carlos Conceição is one inhabited by handsome characters exploring the boundaries of limitless pleasure, romance, politics, and even murder. Before unleashing his breakout narrative feature Tommy Guns, Conceição experimented in the realm of short and medium-length films for many years crafting films both beautiful and transgressive alike. Collected here are six short films headlined by the medium-length (and nearly dialogue free) film Name Above Title about a handsome serial killer that unexpectedly catapults into social media fame. \\n\\nList of Films:\\n-Name Above Title (2020, 62 Min.)\\n-Bad Bunny (2017, 35 Min.)\\n-Versailles (2013, 20 Min.)\\n-Turquoise Boy (2023, 9 Min.)\\n-Goodnight Cinderella (2014, 32 Min.)\\n-Hell (2011, 22 Min.)\\n-The Flesh (2010, 22 Min.)\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-mce-fragment=\"1\"\u003eThe world of Carlos Conceição is one inhabited by handsome characters exploring the boundaries of limitless pleasure, romance, politics, and even murder. Before unleashing his breakout narrative feature Tommy Guns, Conceição experimented in the realm of short and medium-length films for many years crafting films both beautiful and transgressive alike. Collected here are six short films headlined by the medium-length (and nearly dialogue free) film Name Above Title about a handsome serial killer that unexpectedly catapults into social media fame. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eList of Films:\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The world of Carlos Conceição is one inhabited by handsome characters exploring the boundaries of limitless pleasure, romance, politics, and even murder. Before unleashing his breakout narrative feature Tommy Guns, Conceição experimented in the realm of short and medium-length films for many years crafting films both beautiful and transgressive alike. Collected here are six short films headlined by the medium-length (and nearly dialogue free) film Name Above Title about a handsome serial killer that unexpectedly catapults into social media fame. \\n\\nList of Films:\\n-Name Above Title (2020, 62 Min.)\\n-Bad Bunny (2017, 35 Min.)\\n-Versailles (2013, 20 Min.)\\n-Turquoise Boy (2023, 9 Min.)\\n-Goodnight Cinderella (2014, 32 Min.)\\n-Hell (2011, 22 Min.)\\n-The Flesh (2010, 22 Min.)\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-mce-fragment=\"1\"\u003eName Above Title (2020, 62 Min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The world of Carlos Conceição is one inhabited by handsome characters exploring the boundaries of limitless pleasure, romance, politics, and even murder. Before unleashing his breakout narrative feature Tommy Guns, Conceição experimented in the realm of short and medium-length films for many years crafting films both beautiful and transgressive alike. Collected here are six short films headlined by the medium-length (and nearly dialogue free) film Name Above Title about a handsome serial killer that unexpectedly catapults into social media fame. \\n\\nList of Films:\\n-Name Above Title (2020, 62 Min.)\\n-Bad Bunny (2017, 35 Min.)\\n-Versailles (2013, 20 Min.)\\n-Turquoise Boy (2023, 9 Min.)\\n-Goodnight Cinderella (2014, 32 Min.)\\n-Hell (2011, 22 Min.)\\n-The Flesh (2010, 22 Min.)\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-mce-fragment=\"1\"\u003eBad Bunny (2017, 35 Min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The world of Carlos Conceição is one inhabited by handsome characters exploring the boundaries of limitless pleasure, romance, politics, and even murder. Before unleashing his breakout narrative feature Tommy Guns, Conceição experimented in the realm of short and medium-length films for many years crafting films both beautiful and transgressive alike. Collected here are six short films headlined by the medium-length (and nearly dialogue free) film Name Above Title about a handsome serial killer that unexpectedly catapults into social media fame. \\n\\nList of Films:\\n-Name Above Title (2020, 62 Min.)\\n-Bad Bunny (2017, 35 Min.)\\n-Versailles (2013, 20 Min.)\\n-Turquoise Boy (2023, 9 Min.)\\n-Goodnight Cinderella (2014, 32 Min.)\\n-Hell (2011, 22 Min.)\\n-The Flesh (2010, 22 Min.)\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-mce-fragment=\"1\"\u003eVersailles (2013, 20 Min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The world of Carlos Conceição is one inhabited by handsome characters exploring the boundaries of limitless pleasure, romance, politics, and even murder. Before unleashing his breakout narrative feature Tommy Guns, Conceição experimented in the realm of short and medium-length films for many years crafting films both beautiful and transgressive alike. Collected here are six short films headlined by the medium-length (and nearly dialogue free) film Name Above Title about a handsome serial killer that unexpectedly catapults into social media fame. \\n\\nList of Films:\\n-Name Above Title (2020, 62 Min.)\\n-Bad Bunny (2017, 35 Min.)\\n-Versailles (2013, 20 Min.)\\n-Turquoise Boy (2023, 9 Min.)\\n-Goodnight Cinderella (2014, 32 Min.)\\n-Hell (2011, 22 Min.)\\n-The Flesh (2010, 22 Min.)\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-mce-fragment=\"1\"\u003eTurquoise Boy (2023, 9 Min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The world of Carlos Conceição is one inhabited by handsome characters exploring the boundaries of limitless pleasure, romance, politics, and even murder. Before unleashing his breakout narrative feature Tommy Guns, Conceição experimented in the realm of short and medium-length films for many years crafting films both beautiful and transgressive alike. Collected here are six short films headlined by the medium-length (and nearly dialogue free) film Name Above Title about a handsome serial killer that unexpectedly catapults into social media fame. \\n\\nList of Films:\\n-Name Above Title (2020, 62 Min.)\\n-Bad Bunny (2017, 35 Min.)\\n-Versailles (2013, 20 Min.)\\n-Turquoise Boy (2023, 9 Min.)\\n-Goodnight Cinderella (2014, 32 Min.)\\n-Hell (2011, 22 Min.)\\n-The Flesh (2010, 22 Min.)\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-mce-fragment=\"1\"\u003eGoodnight Cinderella (2014, 32 Min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The world of Carlos Conceição is one inhabited by handsome characters exploring the boundaries of limitless pleasure, romance, politics, and even murder. Before unleashing his breakout narrative feature Tommy Guns, Conceição experimented in the realm of short and medium-length films for many years crafting films both beautiful and transgressive alike. Collected here are six short films headlined by the medium-length (and nearly dialogue free) film Name Above Title about a handsome serial killer that unexpectedly catapults into social media fame. \\n\\nList of Films:\\n-Name Above Title (2020, 62 Min.)\\n-Bad Bunny (2017, 35 Min.)\\n-Versailles (2013, 20 Min.)\\n-Turquoise Boy (2023, 9 Min.)\\n-Goodnight Cinderella (2014, 32 Min.)\\n-Hell (2011, 22 Min.)\\n-The Flesh (2010, 22 Min.)\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-mce-fragment=\"1\"\u003eHell (2011, 22 Min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The world of Carlos Conceição is one inhabited by handsome characters exploring the boundaries of limitless pleasure, romance, politics, and even murder. Before unleashing his breakout narrative feature Tommy Guns, Conceição experimented in the realm of short and medium-length films for many years crafting films both beautiful and transgressive alike. Collected here are six short films headlined by the medium-length (and nearly dialogue free) film Name Above Title about a handsome serial killer that unexpectedly catapults into social media fame. \\n\\nList of Films:\\n-Name Above Title (2020, 62 Min.)\\n-Bad Bunny (2017, 35 Min.)\\n-Versailles (2013, 20 Min.)\\n-Turquoise Boy (2023, 9 Min.)\\n-Goodnight Cinderella (2014, 32 Min.)\\n-Hell (2011, 22 Min.)\\n-The Flesh (2010, 22 Min.)\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-mce-fragment=\"1\"\u003eThe Flesh (2010, 22 Min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAdditional info:\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Other Trailers\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-mce-fragment=\"1\"\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Other Trailers\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-mce-fragment=\"1\"\u003eA booklet featuring an introduction and individual film commentary by director Carlos Conceição\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Other Trailers\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-mce-fragment=\"1\"\u003eOther Trailers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Other Trailers\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-mce-fragment=\"1\"\u003eEnglish subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Altered Innocence","offers":[{"title":"Default Title","offer_id":42848594526408,"sku":"AI-59B SLIP","price":49.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/nameabovetitleslipfront.webp?v=1691368285"},{"product_id":"love-lies-bleeding-blu-ray","title":"Love Lies Bleeding (BLU-RAY)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/AULR_GPteNQ?si=oyRnzyzaLvfQVImY\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom Director Rose Glass comes an electric new love story; reclusive gym manager Lou (Kristen Stewart) falls hard for Jackie (Katy O’Brian), an ambitious bodybuilder headed through town to Vegas in pursuit of her dream. 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As mainstream success eludes our heroine, leading her to unite with a ragtag team of rejects, misfits, and a certain love interest named Mister J, \"Joker the Harlequin\" is born again as a confident (and psychotic) joker on a collision course with the city's fascist caped crusader. Vats of feminizing chemicals, sexy cartoon interludes, scarecrow psychiatrists, CGI Lorne Michaels, and psychedelic gender dysphoria all play supporting roles. Helmed by writer\/director\/editor\/star Vera Drew and using her own life experiences as a basis for the film, 'The People's Joker' is a deeply personal journey that's as much documentary as it is parody.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e'The People's Joker' features a superhero-sized cast of celebrated comedic talent in both voice and live action roles behind the vibrant kaleidoscope of characters that lampoon the iconic heroes and villains of the DC comics' world, featuring cameos from comedy multi-hyphenate Tim Heidecker, award-winning actor Bob Odenkirk, Maria Bamford (Netflix's 'Big Mouth', Adult Swim's 'Teenage Euthanasia'), and Scott Aukerman ('Between Two Ferns with Zach Galifianakis' co-creator and host of the 'Comedy Bang! 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Gleefully mixing slacker irony with raw sincerity, Godardian cool with punk scuzz, the savagely subversive, hormone-fueled films that make up the Teen Apocalypse Trilogy pushed 1990s indie cinema into bold new aesthetic realms, while giving blistering expression to adolescent rage and libidinal desire.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"header__primarytitle\" itemprop=\"name\"\u003e\u003cstrong\u003eTotally F***ed Up\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"header__primarytitle\" itemprop=\"name\"\u003e\u003cspan\u003eA delirious mix of punk nihilism and deadpan irony, the first film in Gregg Araki’s Teen Apocalypse Trilogy puts an audaciously queer spin on Jean-Luc Godard’s classic \u003c\/span\u003e\u003cem\u003eMasculin féminin.\u003c\/em\u003e\u003cspan\u003e Across fifteen jagged episodes, \u003c\/span\u003e\u003cem\u003eTotally F***ed Up\u003c\/em\u003e\u003cspan\u003e plunges headlong into the lives of a group of queer, disaffected Los Angeles teenagers who form a kind of makeshift family as they navigate desire and heartbreak, societal and familial rejection, and the alienation of growing up gay in an era of relentless moralizing. Both a defiantly raw anthem of outsiderhood and a furious reckoning with all-American homophobia, Araki’s answer to the 1980s teen comedy captures youthful angst with an immediacy that still bruises.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"header__primarytitle\" itemprop=\"name\"\u003e\u003cstrong\u003eThe Doom Generation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"header__primarytitle\" itemprop=\"name\"\u003e\u003cspan\u003eGregg Araki takes a road trip to hell in this wild, meth- and fast-food-fueled joyride through the margins of a menacing American wasteland. When they inadvertently link up with a dangerously alluring drifter (Johnathon Schaech), a chilled-out Cali bro (James Duval) and his spiky, foulmouthed girlfriend (Rose McGowan) find themselves on an increasingly violent, kinky, and darkly comic journey in which erotic tensions rise along with the body count. 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Bisexual lust, vaporizing Valley girls, sinister televangelists, nipple-ring S\u0026amp;M, murder by Campbell’s-soup can—Araki folds it all into an anarchic orgy that brings his Teen Apocalypse Trilogy to an explosively caustic close.\u003c\/p\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\"\u003eDIRECTOR-APPROVED SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eNew 2K digital restoration of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTotally F***ed Up\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand new 4K digital restorations of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Doom Generation\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNowhere,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003esupervised and approved by director Gregg Araki, with 5.1 surround DTS-HD Master Audio soundtracks\u003c\/li\u003e\n\u003cli\u003eIn the 4K UHD edition: One 4K UHD disc of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Doom Generation\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNowhere\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eand two Blu-rays with all three films and the special features\u003c\/li\u003e\n\u003cli\u003eNew conversation between director Gregg Araki and filmmaker Richard Linklater\u003c\/li\u003e\n\u003cli\u003eNew audio commentary on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNowhere\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewith Araki and actors James Duval, Rachel True, Nathan Bexton, Jordan Ladd, Sarah Lassez, Guillermo Diaz, and Jaason Simmons\u003c\/li\u003e\n\u003cli\u003eAudio commentary on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTotally F***ed Up\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ewith Araki, Duval, and actor Gilbert Luna\u003c\/li\u003e\n\u003cli\u003eAudio commentary on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Doom Generation\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ewith Araki, Duval, and actors Rose McGowan and Johnathon Schaech\u003c\/li\u003e\n\u003cli\u003eNew documentary on the trilogy’s visual style featuring Araki, Duval, producer Andrea Sperling, cinematographer Jim Fealy, costume designers Cathy Cooper and SaraJane Slotnick, production designer Patti Podesta, art director Michael Krantz, and hair and makeup artist Jason Rail\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eJames Duval’s Teen Apocalypse Archive,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ea new conversation between Araki and Duval\u003c\/li\u003e\n\u003cli\u003eQ\u0026amp;As with Araki, moderated by filmmakers Gus Van Sant and Andrew Ahn\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Doom Generation\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003evideo comic book\u003c\/li\u003e\n\u003cli\u003eTrailers\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles for the deaf and hard of hearing\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by critic Nathan Lee\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNew cover by Fred Davis\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"Criterion Collection","offers":[{"title":"Default Title","offer_id":43923703759048,"sku":"CC3595BD","price":93.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/greggarakisteenapocalypsetrilbd4k.jpg?v=1720399740"},{"product_id":"no-regret-us-import-dvd-r","title":"No Regret (US Import DVD-R)","description":"\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis award-winning film is a romantic drama between two Korean gay men that interweaves the bliss of love with the harsh politics of class distinction. The Los Angeles Times calls No Regret an \"exhilarating feature debut\" from director Leesong Hee-il.\u003c\/span\u003e\u003c\/p\u003e","brand":"Here Media","offers":[{"title":"Default Title","offer_id":44190945870024,"sku":"810162033736","price":29.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/noregretdvd.jpg?v=1729895211"},{"product_id":"bottoms-blu-ray","title":"Bottoms (BLU-RAY)","description":"\u003cdiv class=\"products__description\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/vH5NAahf76s?si=KQjR7l6822KCDDPL\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eIn this refreshingly unique comedy directed by Emma Seligman (Shiva Baby), two girls, PJ (Rachel Sennott, Saturday Night) and Josie (Ayo Edebiri, TV's The Bear), start a fight club as a way to lose their virginities to cheerleaders. And their bizarre plan works! The fight club gains traction, and soon the most popular girls in school are beating each other up in the name of self-defense. But PJ and Josie find themselves in over their heads and in need of a way out before their plan is exposed.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"products__attributes\"\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eProduct Extras\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e:\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eAudio Commentary by Cast Members Rachel Sennott, Ayo Edebiri, Ruby Cruz, Havana Rose Liu, and Kaia Gerber\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eAudio Commentary by Director Emma Seligman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eDeleted Scenes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eOuttakes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eRide Along: The Making of Bottoms\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kino Lorber","offers":[{"title":"Default Title","offer_id":44581764989128,"sku":"KIN27001","price":37.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/bottomsbd.jpg?v=1744239035"},{"product_id":"wedding-banquet-the-blu-ray","title":"Wedding Banquet, The (BLU-RAY)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/eLqSnz58Dps?si=6L0rRRQuQBLBkN7_\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA gay man makes a deal with his lesbian friend: a green-card marriage for him, in exchange for in vitro fertilization treatments for her. Plans evolve as Min's grandmother surprises them with a Korean wedding banquet.\u003c\/span\u003e\u003c\/p\u003e","brand":"VVS Films","offers":[{"title":"Default Title","offer_id":44616585412808,"sku":"777235050543","price":36.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/weddingbanquetbd.jpg?v=1746488867"},{"product_id":"scarecrow-in-a-garden-of-cucumbers-us-import-blu-ray","title":"Scarecrow In a Garden of Cucumbers (US Import BLU-RAY)","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5oZwy-Dc7Hk?si=bx8kCfQpmIwepPZy\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEternal trans icon (and Warhol superstar) Holly Woodlawn is a riot in SCARECROW IN A GARDEN OF CUCUMBERS—a long-lost comedy musical that has been lovingly restored by the Academy Film Archive. Holly stars as a small-town Kansas girl who tries to make it big—or at least find a roommate—in New York City. One of the first features with a trans lead, this joyous valentine to individuality features a supporting role from Warhol scenester Tally Brown and cameos from Bette Midler and Lily Tomlin.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-root=\"1\"\u003edirected by: Robert J. Kaplan\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. 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IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-root=\"1\"\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-root=\"1\"\u003eRestored from original film elements by the Academy Film Archive\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-root=\"1\"\u003eCommentary with Jeff Copeland, author of LOVE YOU MADLY, HOLLY WOODLAWN, and AGFA's Jackson Cooper\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-root=\"1\"\u003eInterview with producer Henry J. Alpert\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-root=\"1\"\u003eBonus movie: GUMS (1976), a JAWS parody from director Robert J. Kaplan preserved from a 35mm print courtesy of Vinegar Syndrome\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-root=\"1\"\u003eBooklet with essays by Jeff Copeland and Caden Mark Gardner, co-author of CORPSES, FOOLS, AND MONSTERS\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-root=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AGFA","offers":[{"title":"Default Title","offer_id":44655840100552,"sku":"AGFA-066","price":49.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/ScarecrowinaGardenofCucumbersBD.jpg?v=1748987791"},{"product_id":"winter-kept-us-warm-us-import-limited-edition-slipcover-blu-ray","title":"Winter Kept Us Warm (US Import Limited Edition Slipcover BLU-RAY)","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/FOshldy84Q0?si=3OfDAwmxTBNnVUxM\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e60th anniversary special edition\u003c\/p\u003e\n\u003cp\u003eLeaving his small town to attend the University of Toronto, introspective freshman Peter (Henry Tarvainen) finds a campus steeped in tradition waking up to the radical politics of the 1960s. Following a disastrous first encounter, he connects with handsome and cocksure sophomore Doug (John Labow), who quickly indoctrinates him in city and college life. But as their bond grows, Doug’s girlfriend Bev (Joy Fielding) feels increasingly cast aside and begins to question the nature of the friendship. Tensions come to a head when Peter starts dating Sandra (Janet Amos), forcing Doug to confront his true feelings and desires. \u003c\/p\u003e\n\u003cp\u003eOften described as the first LGBTQ+ film ever to screen at the Cannes Film Festival, David Secter’s Winter Kept Us Warm was one of the first Canadian feature films to attract international acclaim with its lovingly observed portrait of a burgeoning queer romance, at a time when homosexuality was still illegal in the country. A milestone in independent film production, Secter’s debut would go on to influence a wide range of Canadian auteurs, most notably David Cronenberg, who cites Winter Kept Us Warm as the film that inspired him to become a filmmaker. CIP is proud to resurrect this trailblazing classic with a new 4K restoration.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003edirected by: David Secter\u003cbr\u003estarring: John Labow, Henry Tarvainen, Joy Fielding, Janet Amos\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003e\u003cbr\u003e1965 \/ 82 min \/ 1.37:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003eRegion A Blu-ray\u003c\/li\u003e\n\u003cli\u003eNewly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the answer print\u003c\/li\u003e\n\u003cli\u003eNew audio commentary featuring director David Secter\u003c\/li\u003e\n\u003cli\u003eNew audio commentary featuring filmmaker John Greyson and author\/professor Thomas Waugh\u003c\/li\u003e\n\u003cli\u003eLearning on the Job (2025, 18 min.) – New interview with Secter \u003c\/li\u003e\n\u003cli\u003eThe Actor as Author (2025, 16 min.) – New interview with actress Joy Fielding\u003c\/li\u003e\n\u003cli\u003eWinging It (2025, 16 min.) – New interview with executive producer Ronald B. Thomson\u003c\/li\u003e\n\u003cli\u003eFirst Score (2025, 12 min.) – New interview with composer Paul Hoffert\u003c\/li\u003e\n\u003cli\u003eAfter Winter (2025, 13 min.) – Hoffert reflects on his body of work\u003c\/li\u003e\n\u003cli\u003eBehind-the-scenes footage (1965, 5 min.)\u003c\/li\u003e\n\u003cli\u003eOuttakes and deleted scenes (1965, 18 min.)\u003c\/li\u003e\n\u003cli\u003eUnmade Memory (2025, 9 min.) – Secter on Memory \u0026amp; Desire, the sequel he wrote, but never shot\u003c\/li\u003e\n\u003cli\u003eScreenplay draft for Memory \u0026amp; Desire\u003c\/li\u003e\n\u003cli\u003ePress gallery\u003c\/li\u003e\n\u003cli\u003eTheatrical re-release trailer\u003c\/li\u003e\n\u003cli\u003eLove with the Proper Guppy (1964, 8 min.) – New 2K scan of Secter’s first short\u003c\/li\u003e\n\u003cli\u003eThe Best of Secter \u0026amp; the Rest of Secter (2005, 58 min.) – Documentary on David Secter’s life and work with a new introduction by director Joel Secter\u003c\/li\u003e\n\u003cli\u003eBooklet featuring a new essay by Chris Dupuis and an archival essay by Waugh\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Canadian International Pictures","offers":[{"title":"Default Title","offer_id":44725806006472,"sku":"CIP-038 SLIP","price":54.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/WinterKeptUsWarmbdslip.webp?v=1754350906"},{"product_id":"boys-in-the-band-the-dvd","title":"Boys in the Band, The (DVD)","description":"\u003cp\u003e\u003cspan\u003eBased on Matt Crowley's play of the same name, THE BOYS IN THE BAND is a hilarious farce that focuses on the personal mores and identity politics of a group of gay friends at a private birthday party in Manhattan. Released one year after Federico Fellini's SATYRICON, BOYS reflects director William Friedkin's youthful admiration of the personal European films many American directors were emulating at the time. Michael (Kenneth Nelson) is throwing a birthday party for his scathingly self- deprecating friend Harold (Leonard Frey), and the exclusive circle of friends invited are all gay men, all of whom suffer some form of the identity crises imposed by an intolerant society that requires complicit suppression.\u003c\/span\u003e\u003c\/p\u003e","brand":"Paramount","offers":[{"title":"Default Title","offer_id":44725832646856,"sku":"097368878549","price":19.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/boysinthebanddvd.jpg?v=1754355863"},{"product_id":"psycho-beach-party-us-import-blu-ray","title":"Psycho Beach Party (US Import BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBased on Charles Busch's hilarious long-running stage play, PSYCHO BEACH PARTY is a wickedly fun satire of Hollywood movie genres. Chicklet (Lauren Ambrose), a wannabe surfer girl with a split personality, becomes a primary suspect after a string of humorously gruesome murders terrifies the teen set. When the clues take her to the beach, the fun and suspense begin. At the beach, Chicklet crosses paths with burnt-out surfer guru Kanaka (Thomas Gibson), dreamy surfboy Starcat (Nicholas Brendon) and stylish homocide detective Monica Stark (Charles Busch). Psycho Beach Party also stars Amy Adams, Matt Keeslar, Beth Broderick, and Kathleen Robertson.\u003c\/span\u003e\u003c\/p\u003e","brand":"Strand Releasing","offers":[{"title":"Default Title","offer_id":44735657050312,"sku":"712267460236","price":38.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/psychobeachpartybd.jpg?v=1755304432"},{"product_id":"history-of-sound-the-dvd","title":"History of Sound, The (DVD)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/YfEYUoefwb8?si=YU9JsSMubC0NAr_Z\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTwo young music students, Lionel and David, attending the Boston Conservatory in 1917, bond over their shared love of folk music. They reconnect a few years later, embarking on a song collecting trip in the backwaters of Maine.\u003c\/span\u003e\u003c\/p\u003e","brand":"Mubi","offers":[{"title":"Default Title","offer_id":44794038747336,"sku":"850069757052","price":44.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/historyofsounddvd.jpg?v=1768008184"},{"product_id":"history-of-sound-the-blu-ray","title":"History of Sound, The (BLU-RAY)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/YfEYUoefwb8?si=YU9JsSMubC0NAr_Z\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTwo young music students, Lionel and David, attending the Boston Conservatory in 1917, bond over their shared love of folk music. 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By night, he embraces the sexual freedoms of the city's underground scene--navigating a double life in public restrooms, cinemas, and cruising spots. When he meets Bernd, a sweet and steady museum worker, Frank finds himself torn between the comfort of domestic partnership and the allure of anonymous desire.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUnapologetically explicit and deeply personal, \u003c\/span\u003e\u003ci\u003eTaxi zum Klo\u003c\/i\u003e\u003cspan\u003e shattered taboos upon its release and remains a landmark of queer cinema. Shot with unfiltered candor and infused with a distinctively wry humor, Ripploh's film continues to resonate for its fearless exploration of identity, intimacy, and freedom.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eBonus Materials\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eThis or That: A Video Essay by Film Historian KJ Shepherd\u003c\/li\u003e\n\u003cli\u003eFrom the Classroom to the Tearoom: A Video Essay by Film Historian Elizabeth Purchell\u003c\/li\u003e\n\u003cli\u003eA Booklet with an Essay by Bradford Nordeen\u003c\/li\u003e\n\u003cli\u003eRestoration Trailer\u003c\/li\u003e\n\u003cli\u003eOther Trailers\u003c\/li\u003e\n\u003cli\u003eGerman Language 2.0 DTS-HD Master Audio\u003c\/li\u003e\n\u003cli\u003eEnglish \u0026amp; Spanish Subtitles\u003c\/li\u003e\n\u003cli\u003eRegion-Free\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Altered Innocence","offers":[{"title":"Default Title","offer_id":44832016335048,"sku":"AI-80B","price":37.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/taxizumklobd.jpg?v=1762044383"},{"product_id":"kiss-of-the-spider-woman-blu-ray","title":"Kiss of the Spider Woman (BLU-RAY)","description":"\u003cp\u003e\u003cspan\u003eFeaturing indelible performances from Raul Julia and an Academy Award–winning William Hurt, \u003c\/span\u003e\u003cem\u003eKiss of the Spider Woman\u003c\/em\u003e\u003cspan\u003e is a work of radical compassion that boldly expands notions of love, gender, and revolution. In the film—directed by Héctor Babenco following his international breakthrough with \u003c\/span\u003e\u003cem\u003ePixote,\u003c\/em\u003e\u003cspan\u003e and adapted from the novel by the iconoclastic writer Manuel Puig—Julia and Hurt play Valentin and Molina, a militant leftist activist and a queer, cinema-obsessed window dresser, imprisoned together under a repressive military dictatorship. The two gradually forge a bond that transforms the way they both understand politics, sexuality, and masculinity. 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Obsessed with his own perfection, he lives in a dreamworld of intense colors, magnificent music, elaborate costumes and strikingly handsome men. In a series of Walter Mitty-like sequences he imagines himself as a Roman slave chosen by the emperor, a triumphant matador vanquishing the bull (who is really a black leather clad cyclist), an innocent wood nymph gamboling in the woods, and a diaphanously dressed harem boy in the tent of the sheik. The room where he does his daydreaming is an exquisite jewel-encrusted retreat. But reality constantly intrudes through the visits of his \"johns\" and the harsh and ugly sounds of the streets and the depraved lives of those who inhabit them. His narcissistic enchantment with his own beauty and lifestyle is marred by one great fear –aging and the loss of his youth and good looks. 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As the viewer begins to piece together Takachi’s story, laden with desire for another boy named Sorao, between the cities of Tokyo and Kochi (“where the boys look like angels”), a powerful free-associative beauty emerges from a unique work described by Suzuki himself as “neither straight, gay, queer, bisexual, asexual or pornographic, but [rather] anti-heterosexist” — a film completely free of dogma and convention.\u003c\/p\u003e\n\u003cp\u003e“At the time, I felt a sense of rebellion against the heterosexual-dominated world, and wanted to portray sexuality and identity through an ambiguity that cannot be categorized,” says director Akihiro Suzuki. \"I wanted to make a 35mm film like an 8mm film, mix various visual media, and include people of diverse sexualities around me in it.” — Akihiro Suzuki\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. 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As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. 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As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. 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A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-root=\"1\"\u003eCommentary track by Dakota Noot (co-host of Two in the Pinku podcast)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. 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A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-root=\"1\"\u003eBonus feature: New scan of Angel's Body Temperature (2003, 82mins)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. 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In a dystopian-chic New York where sushi joints and toxic-waste sites exist side by side, a lesbian couple (Sarita Choudhury and Erin McMurtry) turn to the hacker underground to solve their daughter’s disappearance, in the process exposing a conspiracy involving corporate greenwashing and tainted fish. 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Blending rare archival footage with the voices of queer and artistic trailblazers, the film shows how pain, ritual, and transformation became tools of identity, survival, and self-expression. 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Traps\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efeatures a cast headlined by Louise Weard (\u003cem\u003eComputer Hearts\u003c\/em\u003e), Vera Drew (\u003cem\u003eThe People's Joker\u003c\/em\u003e), Alice Maio Mackay (\u003cem\u003eThe Serpent’s Skin\u003c\/em\u003e), Cricket Arrison (\u003cem\u003eBy Design\u003c\/em\u003e), Avalon Fast (\u003cem\u003eCamp\u003c\/em\u003e), John Paizs (\u003cem\u003eCrime Wave\u003c\/em\u003e), Lea Rose Sebastianis (\u003cem\u003eIn a Violent Nature\u003c\/em\u003e), and Nate Wilson (\u003cem\u003eThe All Golden\u003c\/em\u003e) and an original soundtrack by Ravine Angel, Lex Walton, Magda Baker, and Salem Ahedonia.\u003c\/p\u003e\n\u003cp class=\"p-rich_text_block\" dir=\"auto\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Louise Weard\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003estarring: Louise Weard, Aoife Josie Clements, Noah Baker, Jasmine Provins, Vera Drew, Alice Maio Mackay, Cricket Arrison, Avalon Fast, Henri Gillespi\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e2024 \/ 275 min (combined) \/ 2.39:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e2-Disc Region A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eCommentary with filmmaker Louise Weard and producers Aoife Josie Clements, Dakota Blais, and Mark Wilmot\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eCommentary with filmmaker Louise Weard and producers William Morris and Elizabeth Purchell\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eThe Making of Castration Movie Anthology i.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eFroggyworm: Live at Buddhas\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eFilmmaker Q\u0026amp;As\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eTrailers\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBooklet with essays by author Gretchen Felker-Martin and star Aoife Josie Clements\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Two audio commentaries by Asia Argento - the original commentary from 2002 and a new commentary recorded exclusively for the 2018 re-release. \\nLooking into the Eye of the Cyclops featurette with Joe Coleman.\\nAsia Argento interview.\\nThe Making Of Scarlet Diva featurette.\\n2018 theatrical trailer; and original theatrical release promos. \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Muscle","offers":[{"title":"Default Title","offer_id":45054806982856,"sku":"MD-001","price":57.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/Castrationbd.jpg?v=1776126349"},{"product_id":"high-art-blu-ray","title":"High Art (BLU-RAY)","description":"\u003cp\u003e\u003cspan\u003eIn a revelatory performance, Ally Sheedy stars in writer-director Lisa Cholodenko’s debut feature, a wry and incisive look at the politics of the New York art scene wrapped in the guise of an emotionally spiky queer romance. When Lucy Berliner (Sheedy), a once prominent photographer who has retreated into a life of heroin abuse with her faded-actress lover (Patricia Clarkson), is rediscovered by Syd (Radha Mitchell), an up-and-coming editor at a photography magazine, professional ambition and personal attraction become dangerously entwined. Stripping away art-world glamour to tell a seductive yet troubling story of complicated human connection, \u003c\/span\u003e\u003cem\u003eHigh Art\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003estands as an essential work of both queer and 1990s independent cinema.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\" data-feature-title-field=\"\"\u003eDIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\" data-special-features-field=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K digital restoration, supervised and approved by director Lisa Cholodenko, with 5.1 surround DTS-HD Master Audio soundtrack\u003c\/li\u003e\n\u003cli\u003eAudio commentary from 2004 featuring Cholodenko\u003c\/li\u003e\n\u003cli\u003eNew conversation between Cholodenko and filmmaker Karyn Kusama\u003c\/li\u003e\n\u003cli\u003eNew interviews with actors Ally Sheedy and Radha Mitchell and photographer JoJo Whilden\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eDinner Party\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1997), a short film by Cholodenko\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles for the deaf and hard of hearing\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by critic B. Ruby Rich\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003eNew cover by Anthony Gerace featuring photography by JoJo Whilden\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Criterion Collection","offers":[{"title":"Default Title","offer_id":45062840189128,"sku":"CC3821BD","price":49.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/highartbd.jpg?v=1776910697"},{"product_id":"there-are-no-more-closets-the-films-and-videos-of-wakefield-poole-volume-1-us-import-limited-edition-slipcover-blu-ray","title":"There Are No More Closets: The Films and Videos of Wakefield Poole, Volume 1 (US Import Limited Edition Slipcover BLU-RAY)","description":"\u003cp\u003e\u003cem\u003eThere Are No More Closets\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a three-volume anthology collecting the complete works of pioneering gay film and videomaker Wakefield Poole. This first volume brings together Poole’s final three feature films and first two videos.\u003c\/p\u003e\n\u003cp\u003eIn the wake of the disastrous release of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBible!\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1973), Poole relocated from New York to San Francisco and marked the occasion with\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMoving!\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1974), a trio of vignettes starring Casey Donovan (\u003cem\u003eBoys in the Sand\u003c\/em\u003e) and Val Martin (\u003cem\u003eSextool\u003c\/em\u003e). Three years later, he teamed up with local experimental filmmaker Edd Dundas to make\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTake One\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1977), an ambitious “docufantasy” about the lives and lusts of a group of real gay men, including the iconic Richard Locke (\u003cem\u003eForbidden Letters\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp\u003ePoole returned to New York at the turn of the decade and reunited with Donovan once again for his final feature film,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHot Shots\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1981). He made the transition to shooting on videotape in 1984 with\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSplit\/Image\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1984), another trio of vignettes themed around a magazine photoshoot, and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Hustlers\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1984), a narrative feature about two roommates who earn their living on their backs that began its life as a semi-autobiographical vehicle for Donovan and Robert La Tourneaux (\u003cem\u003eThe Boys in the Band\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In a world where everyone's heart is an object and there's a strong societal pressure to dampen emotion, lonely Virtual Insurance broker Anabel (Anna Maguire) always follows her heart. At odds with this overly pragmatic society, and after a series of devasating emotional blows, she rips her heart from her chest and gives it to a man she's fallen for, the strangely unfeeling George (Hamza Haq). Unburdened by her unique yet cumbersome heart, Anabel finds life easier. George, on the other hand, begins to feel everything, to the shock of his overbearing mother, Mona (Veena Sood). Anabel soon realizes she needs to get her heart back if she's going to survive.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Wakefield Poole\u003cbr\u003estarring: Casey Donovan, Val Martin, Burt Edouards, Curt Gerard, Peter Fisk, RIchard Locke, Sal Guange, Nick Ritter, Dutch Valentino, Rudy Valentino, Glenn Robinson, Bill O'Connell, Philip Borden, Alexander Stewart, Guillermo Ricardo\u003cbr\u003e1974-1984 \/ 382 min (combined) \/ 1.33:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In a world where everyone's heart is an object and there's a strong societal pressure to dampen emotion, lonely Virtual Insurance broker Anabel (Anna Maguire) always follows her heart. At odds with this overly pragmatic society, and after a series of devasating emotional blows, she rips her heart from her chest and gives it to a man she's fallen for, the strangely unfeeling George (Hamza Haq). Unburdened by her unique yet cumbersome heart, Anabel finds life easier. George, on the other hand, begins to feel everything, to the shock of his overbearing mother, Mona (Veena Sood). Anabel soon realizes she needs to get her heart back if she's going to survive.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In a world where everyone's heart is an object and there's a strong societal pressure to dampen emotion, lonely Virtual Insurance broker Anabel (Anna Maguire) always follows her heart. At odds with this overly pragmatic society, and after a series of devasating emotional blows, she rips her heart from her chest and gives it to a man she's fallen for, the strangely unfeeling George (Hamza Haq). Unburdened by her unique yet cumbersome heart, Anabel finds life easier. George, on the other hand, begins to feel everything, to the shock of his overbearing mother, Mona (Veena Sood). Anabel soon realizes she needs to get her heart back if she's going to survive.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"- BiPOC credits podcast with Andy Wong - Interview with director Kim Albright and actor Donna Benedicto\\n- Cucalorus with Lydia Hyslop - Interview with Director Kim Albright and actor Anna Maquire\\n- 1 Of My Stories at the Fantasia Film Festival with Lindsey Dunn -  A Conversation with Director Kim Albright and star Anna Maguire\\n- Fest Track on Sirk TV with Tim Wassberg - Interview with Director Kim Albright at Fantasia Film Festival 2023 Part 1 \u0026amp; 2\\n- Mystic \u0026amp; Severe with Michael O’Keefe - Interview with director Kim Albright\\n- AIFF podcast series with Rhys Waters - Interview with writer Julia Lederer, director Kim Albright, producer Madeleine Davis and star Anna Maguire\\n- Whistler Film Festival red carpet interview with Jen Tong - director Kim Albright, writer Julia Lederer, co-producer Nessa Aref, actor Donna Benedicto, actor Arghavan Jenati and actor Veena Sood\\n- With Love and a Major Organ - Commentary with director Kim Albright and actors Anna Maguire and Hamza Haq\\n- With Love and a Major Organ - Commentary with director Kim Albright, producer Madeleine Davis and writer Julia Lederer\\n- Essay by Carolyn Mauricette\\n- Blooper Reel\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e2-Disc Region Free Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In a world where everyone's heart is an object and there's a strong societal pressure to dampen emotion, lonely Virtual Insurance broker Anabel (Anna Maguire) always follows her heart. At odds with this overly pragmatic society, and after a series of devasating emotional blows, she rips her heart from her chest and gives it to a man she's fallen for, the strangely unfeeling George (Hamza Haq). Unburdened by her unique yet cumbersome heart, Anabel finds life easier. George, on the other hand, begins to feel everything, to the shock of his overbearing mother, Mona (Veena Sood). Anabel soon realizes she needs to get her heart back if she's going to survive.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"- BiPOC credits podcast with Andy Wong - Interview with director Kim Albright and actor Donna Benedicto\\n- Cucalorus with Lydia Hyslop - Interview with Director Kim Albright and actor Anna Maquire\\n- 1 Of My Stories at the Fantasia Film Festival with Lindsey Dunn -  A Conversation with Director Kim Albright and star Anna Maguire\\n- Fest Track on Sirk TV with Tim Wassberg - Interview with Director Kim Albright at Fantasia Film Festival 2023 Part 1 \u0026amp; 2\\n- Mystic \u0026amp; Severe with Michael O’Keefe - Interview with director Kim Albright\\n- AIFF podcast series with Rhys Waters - Interview with writer Julia Lederer, director Kim Albright, producer Madeleine Davis and star Anna Maguire\\n- Whistler Film Festival red carpet interview with Jen Tong - director Kim Albright, writer Julia Lederer, co-producer Nessa Aref, actor Donna Benedicto, actor Arghavan Jenati and actor Veena Sood\\n- With Love and a Major Organ - Commentary with director Kim Albright and actors Anna Maguire and Hamza Haq\\n- With Love and a Major Organ - Commentary with director Kim Albright, producer Madeleine Davis and writer Julia Lederer\\n- Essay by Carolyn Mauricette\\n- Blooper Reel\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e2K restorations of MOVING! (1974), FREEDOM DAY PARADE (1974), TAKE ONE (1977), and ROGER (1977)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In a world where everyone's heart is an object and there's a strong societal pressure to dampen emotion, lonely Virtual Insurance broker Anabel (Anna Maguire) always follows her heart. At odds with this overly pragmatic society, and after a series of devasating emotional blows, she rips her heart from her chest and gives it to a man she's fallen for, the strangely unfeeling George (Hamza Haq). Unburdened by her unique yet cumbersome heart, Anabel finds life easier. George, on the other hand, begins to feel everything, to the shock of his overbearing mother, Mona (Veena Sood). Anabel soon realizes she needs to get her heart back if she's going to survive.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"- BiPOC credits podcast with Andy Wong - Interview with director Kim Albright and actor Donna Benedicto\\n- Cucalorus with Lydia Hyslop - Interview with Director Kim Albright and actor Anna Maquire\\n- 1 Of My Stories at the Fantasia Film Festival with Lindsey Dunn -  A Conversation with Director Kim Albright and star Anna Maguire\\n- Fest Track on Sirk TV with Tim Wassberg - Interview with Director Kim Albright at Fantasia Film Festival 2023 Part 1 \u0026amp; 2\\n- Mystic \u0026amp; Severe with Michael O’Keefe - Interview with director Kim Albright\\n- AIFF podcast series with Rhys Waters - Interview with writer Julia Lederer, director Kim Albright, producer Madeleine Davis and star Anna Maguire\\n- Whistler Film Festival red carpet interview with Jen Tong - director Kim Albright, writer Julia Lederer, co-producer Nessa Aref, actor Donna Benedicto, actor Arghavan Jenati and actor Veena Sood\\n- With Love and a Major Organ - Commentary with director Kim Albright and actors Anna Maguire and Hamza Haq\\n- With Love and a Major Organ - Commentary with director Kim Albright, producer Madeleine Davis and writer Julia Lederer\\n- Essay by Carolyn Mauricette\\n- Blooper Reel\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eDigital transfers of HOT SHOTS (1981), SPLIT\/IMAGE (1984), and THE HUSTLERS (1984)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In a world where everyone's heart is an object and there's a strong societal pressure to dampen emotion, lonely Virtual Insurance broker Anabel (Anna Maguire) always follows her heart. At odds with this overly pragmatic society, and after a series of devasating emotional blows, she rips her heart from her chest and gives it to a man she's fallen for, the strangely unfeeling George (Hamza Haq). Unburdened by her unique yet cumbersome heart, Anabel finds life easier. George, on the other hand, begins to feel everything, to the shock of his overbearing mother, Mona (Veena Sood). Anabel soon realizes she needs to get her heart back if she's going to survive.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"- BiPOC credits podcast with Andy Wong - Interview with director Kim Albright and actor Donna Benedicto\\n- Cucalorus with Lydia Hyslop - Interview with Director Kim Albright and actor Anna Maquire\\n- 1 Of My Stories at the Fantasia Film Festival with Lindsey Dunn -  A Conversation with Director Kim Albright and star Anna Maguire\\n- Fest Track on Sirk TV with Tim Wassberg - Interview with Director Kim Albright at Fantasia Film Festival 2023 Part 1 \u0026amp; 2\\n- Mystic \u0026amp; Severe with Michael O’Keefe - Interview with director Kim Albright\\n- AIFF podcast series with Rhys Waters - Interview with writer Julia Lederer, director Kim Albright, producer Madeleine Davis and star Anna Maguire\\n- Whistler Film Festival red carpet interview with Jen Tong - director Kim Albright, writer Julia Lederer, co-producer Nessa Aref, actor Donna Benedicto, actor Arghavan Jenati and actor Veena Sood\\n- With Love and a Major Organ - Commentary with director Kim Albright and actors Anna Maguire and Hamza Haq\\n- With Love and a Major Organ - Commentary with director Kim Albright, producer Madeleine Davis and writer Julia Lederer\\n- Essay by Carolyn Mauricette\\n- Blooper Reel\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eOriginal 1977 theatrical cut and 2016 director's cut of TAKE ONE\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In a world where everyone's heart is an object and there's a strong societal pressure to dampen emotion, lonely Virtual Insurance broker Anabel (Anna Maguire) always follows her heart. At odds with this overly pragmatic society, and after a series of devasating emotional blows, she rips her heart from her chest and gives it to a man she's fallen for, the strangely unfeeling George (Hamza Haq). Unburdened by her unique yet cumbersome heart, Anabel finds life easier. George, on the other hand, begins to feel everything, to the shock of his overbearing mother, Mona (Veena Sood). Anabel soon realizes she needs to get her heart back if she's going to survive.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"- BiPOC credits podcast with Andy Wong - Interview with director Kim Albright and actor Donna Benedicto\\n- Cucalorus with Lydia Hyslop - Interview with Director Kim Albright and actor Anna Maquire\\n- 1 Of My Stories at the Fantasia Film Festival with Lindsey Dunn -  A Conversation with Director Kim Albright and star Anna Maguire\\n- Fest Track on Sirk TV with Tim Wassberg - Interview with Director Kim Albright at Fantasia Film Festival 2023 Part 1 \u0026amp; 2\\n- Mystic \u0026amp; Severe with Michael O’Keefe - Interview with director Kim Albright\\n- AIFF podcast series with Rhys Waters - Interview with writer Julia Lederer, director Kim Albright, producer Madeleine Davis and star Anna Maguire\\n- Whistler Film Festival red carpet interview with Jen Tong - director Kim Albright, writer Julia Lederer, co-producer Nessa Aref, actor Donna Benedicto, actor Arghavan Jenati and actor Veena Sood\\n- With Love and a Major Organ - Commentary with director Kim Albright and actors Anna Maguire and Hamza Haq\\n- With Love and a Major Organ - Commentary with director Kim Albright, producer Madeleine Davis and writer Julia Lederer\\n- Essay by Carolyn Mauricette\\n- Blooper Reel\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eIntroductions and audio commentaries for MOVING! and TAKE ONE by filmmaker Wakefield Poole\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In a world where everyone's heart is an object and there's a strong societal pressure to dampen emotion, lonely Virtual Insurance broker Anabel (Anna Maguire) always follows her heart. At odds with this overly pragmatic society, and after a series of devasating emotional blows, she rips her heart from her chest and gives it to a man she's fallen for, the strangely unfeeling George (Hamza Haq). Unburdened by her unique yet cumbersome heart, Anabel finds life easier. George, on the other hand, begins to feel everything, to the shock of his overbearing mother, Mona (Veena Sood). Anabel soon realizes she needs to get her heart back if she's going to survive.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"- BiPOC credits podcast with Andy Wong - Interview with director Kim Albright and actor Donna Benedicto\\n- Cucalorus with Lydia Hyslop - Interview with Director Kim Albright and actor Anna Maquire\\n- 1 Of My Stories at the Fantasia Film Festival with Lindsey Dunn -  A Conversation with Director Kim Albright and star Anna Maguire\\n- Fest Track on Sirk TV with Tim Wassberg - Interview with Director Kim Albright at Fantasia Film Festival 2023 Part 1 \u0026amp; 2\\n- Mystic \u0026amp; Severe with Michael O’Keefe - Interview with director Kim Albright\\n- AIFF podcast series with Rhys Waters - Interview with writer Julia Lederer, director Kim Albright, producer Madeleine Davis and star Anna Maguire\\n- Whistler Film Festival red carpet interview with Jen Tong - director Kim Albright, writer Julia Lederer, co-producer Nessa Aref, actor Donna Benedicto, actor Arghavan Jenati and actor Veena Sood\\n- With Love and a Major Organ - Commentary with director Kim Albright and actors Anna Maguire and Hamza Haq\\n- With Love and a Major Organ - Commentary with director Kim Albright, producer Madeleine Davis and writer Julia Lederer\\n- Essay by Carolyn Mauricette\\n- Blooper Reel\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eAudio commentary on FREEDOM DAY PARADE by I ALWAYS SAID YES filmmaker Jim Tushinski\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In a world where everyone's heart is an object and there's a strong societal pressure to dampen emotion, lonely Virtual Insurance broker Anabel (Anna Maguire) always follows her heart. At odds with this overly pragmatic society, and after a series of devasating emotional blows, she rips her heart from her chest and gives it to a man she's fallen for, the strangely unfeeling George (Hamza Haq). Unburdened by her unique yet cumbersome heart, Anabel finds life easier. George, on the other hand, begins to feel everything, to the shock of his overbearing mother, Mona (Veena Sood). Anabel soon realizes she needs to get her heart back if she's going to survive.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"- BiPOC credits podcast with Andy Wong - Interview with director Kim Albright and actor Donna Benedicto\\n- Cucalorus with Lydia Hyslop - Interview with Director Kim Albright and actor Anna Maquire\\n- 1 Of My Stories at the Fantasia Film Festival with Lindsey Dunn -  A Conversation with Director Kim Albright and star Anna Maguire\\n- Fest Track on Sirk TV with Tim Wassberg - Interview with Director Kim Albright at Fantasia Film Festival 2023 Part 1 \u0026amp; 2\\n- Mystic \u0026amp; Severe with Michael O’Keefe - Interview with director Kim Albright\\n- AIFF podcast series with Rhys Waters - Interview with writer Julia Lederer, director Kim Albright, producer Madeleine Davis and star Anna Maguire\\n- Whistler Film Festival red carpet interview with Jen Tong - director Kim Albright, writer Julia Lederer, co-producer Nessa Aref, actor Donna Benedicto, actor Arghavan Jenati and actor Veena Sood\\n- With Love and a Major Organ - Commentary with director Kim Albright and actors Anna Maguire and Hamza Haq\\n- With Love and a Major Organ - Commentary with director Kim Albright, producer Madeleine Davis and writer Julia Lederer\\n- Essay by Carolyn Mauricette\\n- Blooper Reel\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eTHE HUSTLERS research audiotape with Casey Donovan and Robert La Tourneaux\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In a world where everyone's heart is an object and there's a strong societal pressure to dampen emotion, lonely Virtual Insurance broker Anabel (Anna Maguire) always follows her heart. At odds with this overly pragmatic society, and after a series of devasating emotional blows, she rips her heart from her chest and gives it to a man she's fallen for, the strangely unfeeling George (Hamza Haq). Unburdened by her unique yet cumbersome heart, Anabel finds life easier. George, on the other hand, begins to feel everything, to the shock of his overbearing mother, Mona (Veena Sood). Anabel soon realizes she needs to get her heart back if she's going to survive.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"- BiPOC credits podcast with Andy Wong - Interview with director Kim Albright and actor Donna Benedicto\\n- Cucalorus with Lydia Hyslop - Interview with Director Kim Albright and actor Anna Maquire\\n- 1 Of My Stories at the Fantasia Film Festival with Lindsey Dunn -  A Conversation with Director Kim Albright and star Anna Maguire\\n- Fest Track on Sirk TV with Tim Wassberg - Interview with Director Kim Albright at Fantasia Film Festival 2023 Part 1 \u0026amp; 2\\n- Mystic \u0026amp; Severe with Michael O’Keefe - Interview with director Kim Albright\\n- AIFF podcast series with Rhys Waters - Interview with writer Julia Lederer, director Kim Albright, producer Madeleine Davis and star Anna Maguire\\n- Whistler Film Festival red carpet interview with Jen Tong - director Kim Albright, writer Julia Lederer, co-producer Nessa Aref, actor Donna Benedicto, actor Arghavan Jenati and actor Veena Sood\\n- With Love and a Major Organ - Commentary with director Kim Albright and actors Anna Maguire and Hamza Haq\\n- With Love and a Major Organ - Commentary with director Kim Albright, producer Madeleine Davis and writer Julia Lederer\\n- Essay by Carolyn Mauricette\\n- Blooper Reel\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eTHE HUSTLERS outtakes\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In a world where everyone's heart is an object and there's a strong societal pressure to dampen emotion, lonely Virtual Insurance broker Anabel (Anna Maguire) always follows her heart. At odds with this overly pragmatic society, and after a series of devasating emotional blows, she rips her heart from her chest and gives it to a man she's fallen for, the strangely unfeeling George (Hamza Haq). Unburdened by her unique yet cumbersome heart, Anabel finds life easier. George, on the other hand, begins to feel everything, to the shock of his overbearing mother, Mona (Veena Sood). Anabel soon realizes she needs to get her heart back if she's going to survive.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"- BiPOC credits podcast with Andy Wong - Interview with director Kim Albright and actor Donna Benedicto\\n- Cucalorus with Lydia Hyslop - Interview with Director Kim Albright and actor Anna Maquire\\n- 1 Of My Stories at the Fantasia Film Festival with Lindsey Dunn -  A Conversation with Director Kim Albright and star Anna Maguire\\n- Fest Track on Sirk TV with Tim Wassberg - Interview with Director Kim Albright at Fantasia Film Festival 2023 Part 1 \u0026amp; 2\\n- Mystic \u0026amp; Severe with Michael O’Keefe - Interview with director Kim Albright\\n- AIFF podcast series with Rhys Waters - Interview with writer Julia Lederer, director Kim Albright, producer Madeleine Davis and star Anna Maguire\\n- Whistler Film Festival red carpet interview with Jen Tong - director Kim Albright, writer Julia Lederer, co-producer Nessa Aref, actor Donna Benedicto, actor Arghavan Jenati and actor Veena Sood\\n- With Love and a Major Organ - Commentary with director Kim Albright and actors Anna Maguire and Hamza Haq\\n- With Love and a Major Organ - Commentary with director Kim Albright, producer Madeleine Davis and writer Julia Lederer\\n- Essay by Carolyn Mauricette\\n- Blooper Reel\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eMORE ON MOVING! and WAKEFIELD POOLE IN SAN FRANCISCO featurettes\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In a world where everyone's heart is an object and there's a strong societal pressure to dampen emotion, lonely Virtual Insurance broker Anabel (Anna Maguire) always follows her heart. At odds with this overly pragmatic society, and after a series of devasating emotional blows, she rips her heart from her chest and gives it to a man she's fallen for, the strangely unfeeling George (Hamza Haq). Unburdened by her unique yet cumbersome heart, Anabel finds life easier. George, on the other hand, begins to feel everything, to the shock of his overbearing mother, Mona (Veena Sood). Anabel soon realizes she needs to get her heart back if she's going to survive.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"- BiPOC credits podcast with Andy Wong - Interview with director Kim Albright and actor Donna Benedicto\\n- Cucalorus with Lydia Hyslop - Interview with Director Kim Albright and actor Anna Maquire\\n- 1 Of My Stories at the Fantasia Film Festival with Lindsey Dunn -  A Conversation with Director Kim Albright and star Anna Maguire\\n- Fest Track on Sirk TV with Tim Wassberg - Interview with Director Kim Albright at Fantasia Film Festival 2023 Part 1 \u0026amp; 2\\n- Mystic \u0026amp; Severe with Michael O’Keefe - Interview with director Kim Albright\\n- AIFF podcast series with Rhys Waters - Interview with writer Julia Lederer, director Kim Albright, producer Madeleine Davis and star Anna Maguire\\n- Whistler Film Festival red carpet interview with Jen Tong - director Kim Albright, writer Julia Lederer, co-producer Nessa Aref, actor Donna Benedicto, actor Arghavan Jenati and actor Veena Sood\\n- With Love and a Major Organ - Commentary with director Kim Albright and actors Anna Maguire and Hamza Haq\\n- With Love and a Major Organ - Commentary with director Kim Albright, producer Madeleine Davis and writer Julia Lederer\\n- Essay by Carolyn Mauricette\\n- Blooper Reel\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eTrailers\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In a world where everyone's heart is an object and there's a strong societal pressure to dampen emotion, lonely Virtual Insurance broker Anabel (Anna Maguire) always follows her heart. At odds with this overly pragmatic society, and after a series of devasating emotional blows, she rips her heart from her chest and gives it to a man she's fallen for, the strangely unfeeling George (Hamza Haq). Unburdened by her unique yet cumbersome heart, Anabel finds life easier. George, on the other hand, begins to feel everything, to the shock of his overbearing mother, Mona (Veena Sood). Anabel soon realizes she needs to get her heart back if she's going to survive.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"- BiPOC credits podcast with Andy Wong - Interview with director Kim Albright and actor Donna Benedicto\\n- Cucalorus with Lydia Hyslop - Interview with Director Kim Albright and actor Anna Maquire\\n- 1 Of My Stories at the Fantasia Film Festival with Lindsey Dunn -  A Conversation with Director Kim Albright and star Anna Maguire\\n- Fest Track on Sirk TV with Tim Wassberg - Interview with Director Kim Albright at Fantasia Film Festival 2023 Part 1 \u0026amp; 2\\n- Mystic \u0026amp; Severe with Michael O’Keefe - Interview with director Kim Albright\\n- AIFF podcast series with Rhys Waters - Interview with writer Julia Lederer, director Kim Albright, producer Madeleine Davis and star Anna Maguire\\n- Whistler Film Festival red carpet interview with Jen Tong - director Kim Albright, writer Julia Lederer, co-producer Nessa Aref, actor Donna Benedicto, actor Arghavan Jenati and actor Veena Sood\\n- With Love and a Major Organ - Commentary with director Kim Albright and actors Anna Maguire and Hamza Haq\\n- With Love and a Major Organ - Commentary with director Kim Albright, producer Madeleine Davis and writer Julia Lederer\\n- Essay by Carolyn Mauricette\\n- Blooper Reel\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBooklet with new essays by queer film historians and Cruising the Movies hosts Elizabeth Purchell and KJ Shepherd\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In a world where everyone's heart is an object and there's a strong societal pressure to dampen emotion, lonely Virtual Insurance broker Anabel (Anna Maguire) always follows her heart. At odds with this overly pragmatic society, and after a series of devasating emotional blows, she rips her heart from her chest and gives it to a man she's fallen for, the strangely unfeeling George (Hamza Haq). Unburdened by her unique yet cumbersome heart, Anabel finds life easier. George, on the other hand, begins to feel everything, to the shock of his overbearing mother, Mona (Veena Sood). Anabel soon realizes she needs to get her heart back if she's going to survive.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"- BiPOC credits podcast with Andy Wong - Interview with director Kim Albright and actor Donna Benedicto\\n- Cucalorus with Lydia Hyslop - Interview with Director Kim Albright and actor Anna Maquire\\n- 1 Of My Stories at the Fantasia Film Festival with Lindsey Dunn -  A Conversation with Director Kim Albright and star Anna Maguire\\n- Fest Track on Sirk TV with Tim Wassberg - Interview with Director Kim Albright at Fantasia Film Festival 2023 Part 1 \u0026amp; 2\\n- Mystic \u0026amp; Severe with Michael O’Keefe - Interview with director Kim Albright\\n- AIFF podcast series with Rhys Waters - Interview with writer Julia Lederer, director Kim Albright, producer Madeleine Davis and star Anna Maguire\\n- Whistler Film Festival red carpet interview with Jen Tong - director Kim Albright, writer Julia Lederer, co-producer Nessa Aref, actor Donna Benedicto, actor Arghavan Jenati and actor Veena Sood\\n- With Love and a Major Organ - Commentary with director Kim Albright and actors Anna Maguire and Hamza Haq\\n- With Love and a Major Organ - Commentary with director Kim Albright, producer Madeleine Davis and writer Julia Lederer\\n- Essay by Carolyn Mauricette\\n- Blooper Reel\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Muscle","offers":[{"title":"Default Title","offer_id":45067533680840,"sku":"MD-006 SLIP","price":62.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/WakefieldPooleVol1bdslip.webp?v=1777317532"},{"product_id":"in-from-the-side-previously-owned-dvd","title":"In From The Side (Previously Owned DVD)","description":"\u003cp\u003e\u003cstrong\u003eCondition: Disc Like New.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFollowing a drunken encounter, two equally attached men from a cash strapped and divided gay rugby club unwittingly sleepwalk into an adulterous affair but must conceal their growing feelings or risk destroying the club they love. 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