{"title":"Quebec","description":"\u003ca href=\"https:\/\/videomatica.com\/collections\/in-stock-quebecois\" title=\"In Stock Quebec\"\u003e\u003cstrong\u003eClick Here for In Stock Québécois Films \u0026amp; Television\u003c\/strong\u003e\u003c\/a\u003e","products":[{"product_id":"aba-blu-incend004-04339","title":"Incendies (US Import BLU-RAY\/DVD Combo)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA mother's last wishes send twins Jeanne and Simon on a journey to Middle East in search of their tangled roots. Adapted from Wajdi Mouawad's acclaimed play, Incendies tells the powerful and moving tale of two young adults' voyage to the core of deep-rooted hatred, never-ending wars and enduring love.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCommentary with director Denis Villeneuve\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eRemembering the Ashes: Incendies Through Their Eyes\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003efeaturette\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony Pictures Classics (US)","offers":[{"title":"Default Title","offer_id":41280937590984,"sku":"043396385153","price":38.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/Incendies.jpg?v=1642206019"},{"product_id":"aba-dvd-mon_on001-71551","title":"Mon Oncle Antoine (DVD)","description":"\u003cp\u003e Claude Jutra's evocative portrait of a boy's coming of age in wintry 1940s rural Quebec has been consistently cited by critics and scholars as the greatest Canadian film of all time. Delicate, naturalistic, and tinged with a striking mix of nostalgia and menace, Mon oncle Antoine follows Benoit, as he first encounters the twin terrors of sex and death, and his fellow villagers, who are living under the thumb of the local asbestos mine owner. Set during one ominous Christmas, Mon oncle Antoine is a holiday film unlike any other, and an authentically detailed illustration of childhood’s twilight.\u003c\/p\u003e\n\u003cp\u003eSPECIAL EDITION DOUBLE-DISC SET:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNew, restored high-definition digital transfer, supervised and approved by director of photography Michel Brault\u003c\/li\u003e\n\u003cli\u003eOn-Screen: \"Mon oncle Antoine,\" a 2007 documentary tracing the making and history of the film\u003c\/li\u003e\n\u003cli\u003eClaude Jutra: An Unfinished Story, a 2002 documentary by Paule Baillargeon, featuring interviews with Brault, director Bernardo Bertolucci, and actors Geneviève Bujold and Saul Rubinek\u003c\/li\u003e\n\u003cli\u003eA Chairy Tale, a 1957 experimental short codirected by Jutra and Norman McLaren\u003c\/li\u003e\n\u003cli\u003eTheatrical trailer\u003c\/li\u003e\n\u003cli\u003eOptional English-dubbed soundtrack\u003c\/li\u003e\n\u003cli\u003eNew and improved English subtitle translation\u003c\/li\u003e\n\u003cli\u003ePLUS: A new essay by film scholar André Loiselle\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"GXP","offers":[{"title":"Default Title","offer_id":41280955941064,"sku":"715515030823","price":59.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/7oJP4owWJH4wIE4qROgEus6jB0HRFb_large_3df0df92-20fa-4a14-95cf-5ed8b1c8c806.jpg?v=1651358272"},{"product_id":"maria-chapdelaine-dvd","title":"Maria Chapdelaine (DVD)","description":"\u003cspan data-mce-fragment=\"1\"\u003eIn 1910, Maria Chapdelaine, a girl of seventeen, lives with her family on the banks of the PéribonkaRiver north of Lac Saint-Jean. The Chapdelaines work tirelessly to push back the limits of the forest. In a home where even physical exhaustion cannot diminish the warmth of family life, Maria, strong and full of hope, finds herself faced with major dilemmas. François Paradis, a former neighbour she has loved since childhood, who has become a free-spirited fur trapper and a guide for strangers, promises to return in the spring to marry her. But when the spring is overdue, two suitors come forward. Lorenzo Surprenant, who works in the factories of Massachusetts, offers Maria a comfortable existence in an American city, and Eutrope Gagnon, their valiant neighbour, asks her to clear with him the land he has taken near the Chapdelaines’. Thrust into the adult world; Maria will suddenly be forced to decide of her future as a woman.\u003c\/span\u003e","brand":"Sphere Films","offers":[{"title":"Default Title","offer_id":41329625825480,"sku":"670533955773","price":22.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/mariachapelaine.jpg?v=1638842971"},{"product_id":"other-french-new-wave-the-vol-1-blu-ray","title":"Other French New Wave, The: Vol. 1 (US Import BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/MIr-sVUbMOg?si=maG2TYgdz0Fr4Vil\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThree trailblazing classics from the dawn of Quebec's cinematic revolution.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003cb\u003eTHE CAT IN THE BAG\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e - On the cusp of adulthood, Claude loses faith in society and commits to a state of revolt, which strains his relationship with Barbara and leads him on a path to isolation. Featuring an original score by jazz legend John Coltrane, Gilles Groulx's experiment in \"spontaneous cinema\" is a timeless exploration of youthful disillusionment that brought new audacity to Quebec cinema.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003cb\u003eTHE MERRY WORLD OF LEOPOLD Z\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e - On Christmas Eve, snowplow driver Leo (Once Upon a Hunt's Guy L'Ecuyer) races to clear the streets of Montreal and complete his holiday shopping in time for midnight mass. The feature directorial debut of celebrated filmmaker Gilles Carle, The Merry World of Leopold Z is an offbeat holiday treat that builds to a disarmingly resonant conclusion.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003cb\u003eYUL 871\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e - During a weekend visit to Montreal, a Parisian engineer (The Bride Wore Black's Charles Denner) has a romantic fling, befriends a young girl, and rethinks his war-fractured past while navigating an unfamiliar new world. An early breakthrough for prolific auteur Jacques Godbout (The Mob), YUL 871 is an artfully directed, deceptively breezy convergence of cultures.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eNEW 2K RESTORATIONS FROM 35MM INTERPOSITIVES\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003eThe Rink (1962, 10 min.)\u003c\/li\u003e\n\u003cli\u003eThe Big Swim (1964, 9 min.)\u003c\/li\u003e\n\u003cli\u003ePercé on the Rocks (1964, 10 min.)\u003c\/li\u003e\n\u003cli\u003eAlternate English audio tracks for Leopold Z and YUL 871\u003c\/li\u003e\n\u003cli\u003eAlternate English opening and closing credits for Leopold Z\u003c\/li\u003e\n\u003cli\u003eTheatrical trailers\u003c\/li\u003e\n\u003cli\u003eBonus shorts: Very Nice, Very Nice (1961, 7 min.), Christmas Cracker (1963, 9 min.), and 23 Skidoo (1964, 8 min.)\u003c\/li\u003e\n\u003cli\u003eBooklet with essay by historian Eric Fillion\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles for all nine films\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eREGION-FREE\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Canadian International Pictures","offers":[{"title":"Default Title","offer_id":41759795937480,"sku":"CIP-002","price":38.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/otherfrenchnewwave1.jpg?v=1648929634"},{"product_id":"mob-the-blu-ray","title":"Mob, The (BLU-RAY)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/9VFQml1pBO8\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSeasoned drug smuggler and thief François \"Chico\" Tremblay (Panic's Marc Legault) is tired of his modest lifestyle. Given the opportunity to earn $50,000 killing a prominent New York City gangster, he leaps at the opportunity, ignoring the warnings of Montreal's leading mob boss, who has forbidden local criminals from taking the assignment. Upon his return, Chico discovers he is being pursued from all sides, prompting an unlikely response: he calls a local talk radio show and starts revealing the mafia's most carefully guarded secrets. As his revelations get more shocking, so do the tactics of his adversaries, culminating in a devastating gut punch of a finale.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBringing seedy authenticity to his depiction of organized crime, director Jacques Godbout (YUL 871) reached new heights with this urgent, fatalistic gangster odyssey. Landing somewhere between the American and European crime films of the '70s, The Mob (La gammick) is propelled into constant crisis by its uniquely unscrupulous protagonist – and those determined to avenge his indiscretions. Almost completely unseen outside of Quebec, this is a lost Canadian classic.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn addition to The Mob, this disc includes Godbout's previous film – the madcap hockey-themed Les « troubbes » de Johnny – and Criminels québécois, a new collection of Quebec crime film trailers from the '60s and '70s, highlighting overlooked gems from Denys Arcand, Gilles Carle, Jean-Claude Lord, and several other notable auteurs of the era.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEXCLUSIVE NEW 2K RESTORATION FROM AN INTERPOSITIVE\u003c\/b\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCriminels québécois - A collection of Quebec crime film trailers from the '60s and '70s (39 min.)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLes « troubbes » de Johnny (1974, 21 min.)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBonus short: Hunger (1974, 11 min.)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBooklet featuring an essay by Fantasia programmer Marc Lamothe and a new interview with director Jacques Godbout\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEnglish SDH subtitles for all three films\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eREGION-FREE\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Unobstructed View","offers":[{"title":"Default Title","offer_id":41837060980936,"sku":"VINCIP-003","price":41.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/mob.jpg?v=1651348722"},{"product_id":"arsenault-fils-dvd","title":"Arsenault \u0026 Fils (DVD)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/gRrILpEIiH0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFollows the Arsenaults, a small-time poach family in Témiscouata, Quebec.\u003c\/span\u003e\u003c\/p\u003e","brand":"Y.E.S. Your Entertainment Source","offers":[{"title":"Default Title","offer_id":41984210305224,"sku":"670533956084","price":22.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/arsenaulfils.jpg?v=1660164306"},{"product_id":"les-notres-dvd-1","title":"Les Nôtres (DVD)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/kiTzbn-86Rc\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eTo the tight-knit community of Sainte-Adeline, Quebec, Magalie appears as a normal suburban high school sophomore surrounded by friends. But this popular teenage girl is harboring a shocking secret: she's pregnant. When Magalie refuses to identify the father, suspicions among the townsfolk come to a boiling point and the layers of a carefully maintained social varnish eventually crack.\u003c\/span\u003e\u003c\/p\u003e","brand":"MVD","offers":[{"title":"Default Title","offer_id":42013569482952,"sku":"OSC-125","price":37.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/lesnotres.jpg?v=1656357772"},{"product_id":"les-notres-blu-ray","title":"Les Nôtres (BLU-RAY)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/kiTzbn-86Rc\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eTo the tight-knit community of Sainte-Adeline, Quebec, Magalie appears as a normal suburban high school sophomore surrounded by friends. But this popular teenage girl is harboring a shocking secret: she's pregnant. When Magalie refuses to identify the father, suspicions among the townsfolk come to a boiling point and the layers of a carefully maintained social varnish eventually crack.\u003c\/span\u003e\u003c\/p\u003e","brand":"MVD","offers":[{"title":"Default Title","offer_id":42013569810632,"sku":"BD-OSC-125","price":42.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/lesnotres_9a2ba21b-0cc0-41b8-9d38-c81e75a7b692.jpg?v=1656358030"},{"product_id":"un-ete-comme-ca-dvd","title":"Un Été Comme Ça (DVD)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/7pRjpLgIOOs\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eInvitées en maison de repos pour explorer leurs troubles sexuels, trois jeunes femmes occupent les jours et les nuits à apprivoiser leurs démons intimes. Sous la supervision tranquille d’une thérapeute et d’un travailleur social bienveillants, le groupe tente de garder un équilibre fragile.\u003c\/span\u003e\u003c\/p\u003e","brand":"Y.E.S. Your Entertainment Source","offers":[{"title":"Default Title","offer_id":42335403049160,"sku":"670533956138","price":24.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/uneetecommecatemp.jpg?v=1663984066"},{"product_id":"les-tricheurs-dvd","title":"Les Tricheurs (DVD)","description":"\u003cspan data-mce-fragment=\"1\"\u003eDes amis se donnent rendez-vous pour une ronde de golf. Hubert est psychiatre et il gère une entreprise pour personnes âgées en compagnie du pharmacien André. Puis il y a Florence, l'amoureuse d'Hubert, qui donne des cours de yoga. Le trio s'attend à passer un bel après-midi d'été, amusant et relaxant. Leur route croise celle de Michel, un golfeur solitaire qui se joint à eux. Ce mystérieux inconnu multiplie les questions et les sous-entendus, n'étant peut-être pas là par hasard. Sa présence risque d'ailleurs de réveiller des vérités enfouies sous les apparences et les bonnes consciences.\u003c\/span\u003e","brand":"Y.E.S. Your Entertainment Source","offers":[{"title":"Default Title","offer_id":42398555996360,"sku":"771028215799","price":27.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/lestricheurs.jpg?v=1666386652"},{"product_id":"tu-te-souviendras-de-moi-dvd","title":"Tu Te Souviendras De Moi (DVD)","description":"\u003cspan data-mce-fragment=\"1\"\u003eÉdouard, personnalité publique et professeur d’histoire à la retraite, commence à perdre la mémoire. Habitué qu’il est à s’exprimer sur toutes les tribunes, il doit se faire plus discret même s’il estime avoir encore beaucoup de choses à dire. Aussi, puisque personne de son entourage n’est en mesure de veiller sur lui, il est placé sous la garde de Bérénice, une jeune fille un peu rebelle et perdue. Leur rencontre amènera Édouard à revisiter un passage de son histoire personnelle qu’il avait choisi d’oublier, et Bérénice à trouver un sens à sa vie\u003c\/span\u003e","brand":"Y.E.S. Your Entertainment Source","offers":[{"title":"Default Title","offer_id":42441948201160,"sku":"824255028677","price":27.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/tute.jpg?v=1668562083"},{"product_id":"chien-blanc-dvd","title":"Chien Blanc (DVD)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 1968, Romain Gary adopts an abandoned dog and soon realizes that the animal has been trained to attack Black people. He then decides to cure him of this hatred taught by humans. \u003c\/span\u003e\u003c\/p\u003e","brand":"Sphere Films","offers":[{"title":"Default Title","offer_id":42441968484552,"sku":"670533956268","price":22.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/whitedogdvd.jpg?v=1668562986"},{"product_id":"maria-dvd","title":"Maria (DVD)","description":"\u003cspan data-mce-fragment=\"1\"\u003eÀ 30 ans, Maria aspire à devenir comédienne, mais elle ne fait que décrocher de petits contrats de publicité bancals. Installée dans la maison de sa mère mourante et endettée, elle décide donc de changer de cap. Elle part ainsi à la recherche d’un poste de suppléante dans les écoles secondaires de sa région. La pénurie de professeurs aidant, on lui confie une classe de surdoués dans une polyvalente de banlieue. Au contact des adolescents, la jeune femme trouve enfin sa place, entre l’enseignement et la discipline.\u003c\/span\u003e","brand":"Y.E.S. Your Entertainment Source","offers":[{"title":"Default Title","offer_id":42444143558856,"sku":"824255028806","price":27.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/mariadvd.jpg?v=1668634051"},{"product_id":"au-nord-dalbany-dvd","title":"Au Nord D'Albany (DVD)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/cA91pULeNgA\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAnnie frantically flees Montreal for the U.S. with her young son and teenage daughter, fearing the repercussions after her daughter severely injures a school bully.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAnnie quitte précipitamment Montréal avec ses deux enfants en direction des USA. Une tension évidente existe entre la mère et sa jeune adolescente, Sarah. Depuis que cette dernière ait révélé avoir grièvement blessé la jeune fille qui la harcelait, Annie prend l’insoucieuse décision de fuir les possibles répercussions.\u003c\/p\u003e","brand":"Y.E.S. Your Entertainment Source","offers":[{"title":"Default Title","offer_id":42524423618760,"sku":"732131962819","price":24.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/aunorddalbany.webp?v=1673904936"},{"product_id":"falcon-lake-dvd","title":"Falcon Lake (DVD)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/QuL-6qiRDn4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003eBastien and Chloé spend their summer vacation with their families at a lake cabin in Quebec, haunted by a ghost legend. Despite the age gap between them, the two teenagers form a singular bond. Ready to overcome his worst fears to earn a place in Chloé’s heart, the holiday becomes a turbulent pivotal moment for the young boy.\u003c\/p\u003e","brand":"Y.E.S. Your Entertainment Source","offers":[{"title":"Default Title","offer_id":42557525557448,"sku":"732131962840","price":21.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/falconlake.webp?v=1680559474"},{"product_id":"crepuscule-pour-un-tueur-blu-ray-dvd-combo","title":"Crépuscule Pour Un Tueur (BLU-RAY\/DVD Combo)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Mqc4ENEK1xE\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1979. Hitman Donald Lavoie works for Claude Dubois, the underworld leader of southwest Montreal. He must take under his wing a new recruit, a petty thug who soon compromises him in a double murder. Donald managed to escape justice thanks to the lawyers of the Dubois clan. In order to test his devotion, the latter asks him to eliminate a relative. As he refused to submit to his leader's orders, he set up a bank robbery in order to finance his exile to the South. Meanwhile, a detective sergeant on his heels tries to convince him to become an informant and promises to protect him and his family if he confides Claude Dubois' secrets to him.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1979. Le tueur à gages Donald Lavoie travaille pour Claude Dubois, le chef de la pègre du sud-ouest de Montréal. Il doit prendre sous son aile une nouvelle recrue, un petit malfrat qui ne tarde pas à le compromettre dans un double meurtre. Donald réussit à échapper à la justice grâce aux avocats du clan de Dubois. Afin de tester sa dévotion, ce dernier lui demande d'éliminer un proche. Comme il refusera de se soumettre aux ordres de son chef, il mettra en place un vol de banques afin de financer son exil vers le Sud. Pendant ce temps, un sergent-détective à ses trousses tente de le convaincre de devenir délateur et lui promet de le protéger, lui et sa famille, s'il lui confie les secrets de Claude Dubois.\u003c\/span\u003e\u003c\/p\u003e","brand":"Y.E.S. Your Entertainment Source","offers":[{"title":"Default Title","offer_id":42659007365320,"sku":"824255029049","price":29.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/CrepusculePourUnTueurbd.webp?v=1682198540"},{"product_id":"jour-de-merde-dvd","title":"Jour De Merde (DVD)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/i9BefY-eUxA\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLe quotidien de Maude n'est jamais simple. Entre une supérieure condescendante qui ne cesse de la rabaisser, un insistant ex-conjoint narcissique et un fils adolescent colérique, les journées difficiles se succèdent. Elles ne sont pourtant rien à côté de celle d'aujourd'hui, alors que Maude doit se rendre au milieu de nulle part pour réaliser une entrevue filmée avec un homme qui vient de remporter une large somme d'argent. Sauf que le nouveau millionnaire Gaétan est loin d'être coopératif et derrière son comportement étrange se cache peut-être quelque chose de plus inquiétant...\u003c\/span\u003e\u003c\/p\u003e","brand":"Y.E.S. Your Entertainment Source","offers":[{"title":"Default Title","offer_id":42813687726280,"sku":"771028216093","price":28.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/jourdemerdedvd.webp?v=1688866401"},{"product_id":"falcon-lake-blu-ray","title":"Falcon Lake (BLU-RAY)","description":"\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GAN4m45RzgI\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA love and ghost story: a shy teenager on vacation experiences the joy and pain of first love when he forges a bond with an older girl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Behind the Scene documentary with interview from director Charlotte Le Bon\\n- Story Board to Scenes Featurette (4 scenes)\\n- Theatrical Trailer\\n- International Trailer\\n- New slip cover by Tony Stella\\n- Essay by film critic Jessica Kiang\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Behind the Scene documentary with interview from director Charlotte Le Bon\\n- Story Board to Scenes Featurette (4 scenes)\\n- Theatrical Trailer\\n- International Trailer\\n- New slip cover by Tony Stella\\n- Essay by film critic Jessica Kiang\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBehind the Scene documentary with interview from director Charlotte Le Bon\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Behind the Scene documentary with interview from director Charlotte Le Bon\\n- Story Board to Scenes Featurette (4 scenes)\\n- Theatrical Trailer\\n- International Trailer\\n- New slip cover by Tony Stella\\n- Essay by film critic Jessica Kiang\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eStory Board to Scenes Featurette (4 scenes)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Behind the Scene documentary with interview from director Charlotte Le Bon\\n- Story Board to Scenes Featurette (4 scenes)\\n- Theatrical Trailer\\n- International Trailer\\n- New slip cover by Tony Stella\\n- Essay by film critic Jessica Kiang\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Behind the Scene documentary with interview from director Charlotte Le Bon\\n- Story Board to Scenes Featurette (4 scenes)\\n- Theatrical Trailer\\n- International Trailer\\n- New slip cover by Tony Stella\\n- Essay by film critic Jessica Kiang\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eInternational Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Behind the Scene documentary with interview from director Charlotte Le Bon\\n- Story Board to Scenes Featurette (4 scenes)\\n- Theatrical Trailer\\n- International Trailer\\n- New slip cover by Tony Stella\\n- Essay by film critic Jessica Kiang\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNew slip cover by Tony Stella\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Behind the Scene documentary with interview from director Charlotte Le Bon\\n- Story Board to Scenes Featurette (4 scenes)\\n- Theatrical Trailer\\n- International Trailer\\n- New slip cover by Tony Stella\\n- Essay by film critic Jessica Kiang\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEssay by film critic Jessica Kiang\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Behind the Scene documentary with interview from director Charlotte Le Bon\\n- Story Board to Scenes Featurette (4 scenes)\\n- Theatrical Trailer\\n- International Trailer\\n- New slip cover by Tony Stella\\n- Essay by film critic Jessica Kiang\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"KRK","offers":[{"title":"Default Title","offer_id":42825149219016,"sku":"814456027760","price":41.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/falconlakebd.jpg?v=1692566953"},{"product_id":"dirty-money-blu-ray","title":"Dirty Money (BLU-RAY)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nAfter a raucous visit from the wealthy Uncle Arthur (The Death of a Lumberjack’s J. Léo Gagnon), working class Montreal couple Roland (O.K. ... Laliberté’s René Caron) and Berthe (Mustang’s Luce Guilbeault) are left feeling slighted by his meager gift of $500. Hungry for more, Berthe hatches a plan to descend on Uncle Arthur’s remote country house and steal his small fortune with the help of her delinquent brother and cousin. When the robbery spirals out of control, allegiances shift, blood is spilled, and Roland’s dimwitted lodger Ernest (J.A. Martin Photographer’s Marcel Sabourin) takes center stage in a harrowing battle for Arthur’s stolen cash. \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Loosely inspired by the B-movies of the ’40s, while anticipating Blood Simple and other neo-noirs of the ’80s, Dirty Money is an unforgettable blend of pastiche and provocation. Shot through with pitch black humor and grounded by a cavalcade of memorable performances, Arcand’s fiction debut announced the arrival of a major Canadian filmmaking talent.\"}' data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/uOOFcrlqX30\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nAfter a raucous visit from the wealthy Uncle Arthur (The Death of a Lumberjack’s J. Léo Gagnon), working class Montreal couple Roland (O.K. ... Laliberté’s René Caron) and Berthe (Mustang’s Luce Guilbeault) are left feeling slighted by his meager gift of $500. Hungry for more, Berthe hatches a plan to descend on Uncle Arthur’s remote country house and steal his small fortune with the help of her delinquent brother and cousin. When the robbery spirals out of control, allegiances shift, blood is spilled, and Roland’s dimwitted lodger Ernest (J.A. Martin Photographer’s Marcel Sabourin) takes center stage in a harrowing battle for Arthur’s stolen cash. \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Loosely inspired by the B-movies of the ’40s, while anticipating Blood Simple and other neo-noirs of the ’80s, Dirty Money is an unforgettable blend of pastiche and provocation. Shot through with pitch black humor and grounded by a cavalcade of memorable performances, Arcand’s fiction debut announced the arrival of a major Canadian filmmaking talent.\"}' data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003e50th anniversary special edition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nAfter a raucous visit from the wealthy Uncle Arthur (The Death of a Lumberjack’s J. Léo Gagnon), working class Montreal couple Roland (O.K. ... Laliberté’s René Caron) and Berthe (Mustang’s Luce Guilbeault) are left feeling slighted by his meager gift of $500. Hungry for more, Berthe hatches a plan to descend on Uncle Arthur’s remote country house and steal his small fortune with the help of her delinquent brother and cousin. When the robbery spirals out of control, allegiances shift, blood is spilled, and Roland’s dimwitted lodger Ernest (J.A. Martin Photographer’s Marcel Sabourin) takes center stage in a harrowing battle for Arthur’s stolen cash. \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Loosely inspired by the B-movies of the ’40s, while anticipating Blood Simple and other neo-noirs of the ’80s, Dirty Money is an unforgettable blend of pastiche and provocation. Shot through with pitch black humor and grounded by a cavalcade of memorable performances, Arcand’s fiction debut announced the arrival of a major Canadian filmmaking talent.\"}' data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003eAfter a raucous visit from the wealthy Uncle Arthur (The Death of a Lumberjack’s J. Léo Gagnon), working class Montreal couple Roland (O.K. ... Laliberté’s René Caron) and Berthe (Mustang’s Luce Guilbeault) are left feeling slighted by his meager gift of $500. Hungry for more, Berthe hatches a plan to descend on Uncle Arthur’s remote country house and steal his small fortune with the help of her delinquent brother and cousin. When the robbery spirals out of control, allegiances shift, blood is spilled, and Roland’s dimwitted lodger Ernest (J.A. Martin Photographer’s Marcel Sabourin) takes center stage in a harrowing battle for Arthur’s stolen cash.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nAfter a raucous visit from the wealthy Uncle Arthur (The Death of a Lumberjack’s J. Léo Gagnon), working class Montreal couple Roland (O.K. ... Laliberté’s René Caron) and Berthe (Mustang’s Luce Guilbeault) are left feeling slighted by his meager gift of $500. Hungry for more, Berthe hatches a plan to descend on Uncle Arthur’s remote country house and steal his small fortune with the help of her delinquent brother and cousin. When the robbery spirals out of control, allegiances shift, blood is spilled, and Roland’s dimwitted lodger Ernest (J.A. Martin Photographer’s Marcel Sabourin) takes center stage in a harrowing battle for Arthur’s stolen cash. \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Loosely inspired by the B-movies of the ’40s, while anticipating Blood Simple and other neo-noirs of the ’80s, Dirty Money is an unforgettable blend of pastiche and provocation. Shot through with pitch black humor and grounded by a cavalcade of memorable performances, Arcand’s fiction debut announced the arrival of a major Canadian filmmaking talent.\"}' data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003eThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Loosely inspired by the B-movies of the ’40s, while anticipating Blood Simple and other neo-noirs of the ’80s, Dirty Money is an unforgettable blend of pastiche and provocation. Shot through with pitch black humor and grounded by a cavalcade of memorable performances, Arcand’s fiction debut announced the arrival of a major Canadian filmmaking talent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eNewly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eAudio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eMaking Money (2023, 20 min.) – New interview with director Denys Arcand\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eBuilding an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eNew audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eTrailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eRestoration trailer for Dirty Money\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eBooklet featuring a new interview with screenwriter Jacques Benoit\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Canadian International Pictures","offers":[{"title":"Default Title","offer_id":42825192669384,"sku":"VINCIP-016","price":44.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/dirtymoneybd.jpg?v=1689731669"},{"product_id":"dream-life-blu-ray","title":"Dream Life (BLU-RAY)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rKN-yxaKFrE\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;50th anniversary special edition    \\n\\nAfter starting a new job at a local film production company, free spirit Isabelle (Deaf to the City’s Liliane Lemaître-Auger) meets animator Virginie (Jesus of Montreal’s Véronique Le Flaguais) and the two become fast friends. Over the course of a freewheeling, sun-dappled Montreal summer, the pair deepen their bond through a shared exploration of art, ambition, and desire.    \\n\\nThe first feature film directed by a woman in Quebec, Mireille Dansereau's fleet-footed and generous debut moves effortlessly between filmmaking styles and tones with the boundless energy of a young director in love with the medium. A pathbreaking portrait of female friendship and interiority, Dream Life is one of the highlights of ’70s Canadian cinema and a vibrant hidden gem primed for rediscovery.  \u0026quot;}\" data-mce-fragment=\"1\"\u003e50th anniversary special edition!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;50th anniversary special edition    \\n\\nAfter starting a new job at a local film production company, free spirit Isabelle (Deaf to the City’s Liliane Lemaître-Auger) meets animator Virginie (Jesus of Montreal’s Véronique Le Flaguais) and the two become fast friends. Over the course of a freewheeling, sun-dappled Montreal summer, the pair deepen their bond through a shared exploration of art, ambition, and desire.    \\n\\nThe first feature film directed by a woman in Quebec, Mireille Dansereau's fleet-footed and generous debut moves effortlessly between filmmaking styles and tones with the boundless energy of a young director in love with the medium. A pathbreaking portrait of female friendship and interiority, Dream Life is one of the highlights of ’70s Canadian cinema and a vibrant hidden gem primed for rediscovery.  \u0026quot;}\" data-mce-fragment=\"1\"\u003eAfter starting a new job at a local film production company, free spirit Isabelle (Deaf to the City’s Liliane Lemaître-Auger) meets animator Virginie (Jesus of Montreal’s Véronique Le Flaguais) and the two become fast friends. Over the course of a freewheeling, sun-dappled Montreal summer, the pair deepen their bond through a shared exploration of art, ambition, and desire.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;50th anniversary special edition    \\n\\nAfter starting a new job at a local film production company, free spirit Isabelle (Deaf to the City’s Liliane Lemaître-Auger) meets animator Virginie (Jesus of Montreal’s Véronique Le Flaguais) and the two become fast friends. Over the course of a freewheeling, sun-dappled Montreal summer, the pair deepen their bond through a shared exploration of art, ambition, and desire.    \\n\\nThe first feature film directed by a woman in Quebec, Mireille Dansereau's fleet-footed and generous debut moves effortlessly between filmmaking styles and tones with the boundless energy of a young director in love with the medium. A pathbreaking portrait of female friendship and interiority, Dream Life is one of the highlights of ’70s Canadian cinema and a vibrant hidden gem primed for rediscovery.  \u0026quot;}\" data-mce-fragment=\"1\"\u003eThe first feature film directed by a woman in Quebec, Mireille Dansereau's fleet-footed and generous debut moves effortlessly between filmmaking styles and tones with the boundless energy of a young director in love with the medium. A pathbreaking portrait of female friendship and interiority, Dream Life is one of the highlights of ’70s Canadian cinema and a vibrant hidden gem primed for rediscovery.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Restored in 2K from the original 16mm camera negative by Éléphant - mémoire du cinéma québécois  \\n• A Feminine Point of View (2023, 22 min.) – New interview with director Mireille Dansereau  \\n• The Early Years (2023, 23 min.) – Dansereau reflects on her early shorts and documentaries  \\n• Three of Dansereau’s early films: One Day (1967, 11 min.), Compromise (1968, 26 min.), and Forum (1969, 58 min.)  \\n• Markets of London (1996, 24 min.) – Dansereau short shot in 1969 and completed 27 years later  \\n• Trailer for Dansereau’s Deaf to the City (1987)  \\n• Theatrical re-release trailer for Dream Life\\n• Booklet featuring a conversation between Dansereau and film journalist A. Ibrányi-Kiss  \\n• Reversible cover artwork  \\n• English SDH subtitles for all five films  \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Restored in 2K from the original 16mm camera negative by Éléphant - mémoire du cinéma québécois  \\n• A Feminine Point of View (2023, 22 min.) – New interview with director Mireille Dansereau  \\n• The Early Years (2023, 23 min.) – Dansereau reflects on her early shorts and documentaries  \\n• Three of Dansereau’s early films: One Day (1967, 11 min.), Compromise (1968, 26 min.), and Forum (1969, 58 min.)  \\n• Markets of London (1996, 24 min.) – Dansereau short shot in 1969 and completed 27 years later  \\n• Trailer for Dansereau’s Deaf to the City (1987)  \\n• Theatrical re-release trailer for Dream Life\\n• Booklet featuring a conversation between Dansereau and film journalist A. Ibrányi-Kiss  \\n• Reversible cover artwork  \\n• English SDH subtitles for all five films  \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRestored in 2K from the original 16mm camera negative by Éléphant - mémoire du cinéma québécois\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Restored in 2K from the original 16mm camera negative by Éléphant - mémoire du cinéma québécois  \\n• A Feminine Point of View (2023, 22 min.) – New interview with director Mireille Dansereau  \\n• The Early Years (2023, 23 min.) – Dansereau reflects on her early shorts and documentaries  \\n• Three of Dansereau’s early films: One Day (1967, 11 min.), Compromise (1968, 26 min.), and Forum (1969, 58 min.)  \\n• Markets of London (1996, 24 min.) – Dansereau short shot in 1969 and completed 27 years later  \\n• Trailer for Dansereau’s Deaf to the City (1987)  \\n• Theatrical re-release trailer for Dream Life\\n• Booklet featuring a conversation between Dansereau and film journalist A. Ibrányi-Kiss  \\n• Reversible cover artwork  \\n• English SDH subtitles for all five films  \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eA Feminine Point of View (2023, 22 min.) – New interview with director Mireille Dansereau\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Restored in 2K from the original 16mm camera negative by Éléphant - mémoire du cinéma québécois  \\n• A Feminine Point of View (2023, 22 min.) – New interview with director Mireille Dansereau  \\n• The Early Years (2023, 23 min.) – Dansereau reflects on her early shorts and documentaries  \\n• Three of Dansereau’s early films: One Day (1967, 11 min.), Compromise (1968, 26 min.), and Forum (1969, 58 min.)  \\n• Markets of London (1996, 24 min.) – Dansereau short shot in 1969 and completed 27 years later  \\n• Trailer for Dansereau’s Deaf to the City (1987)  \\n• Theatrical re-release trailer for Dream Life\\n• Booklet featuring a conversation between Dansereau and film journalist A. Ibrányi-Kiss  \\n• Reversible cover artwork  \\n• English SDH subtitles for all five films  \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eThe Early Years (2023, 23 min.) – Dansereau reflects on her early shorts and documentaries\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Restored in 2K from the original 16mm camera negative by Éléphant - mémoire du cinéma québécois  \\n• A Feminine Point of View (2023, 22 min.) – New interview with director Mireille Dansereau  \\n• The Early Years (2023, 23 min.) – Dansereau reflects on her early shorts and documentaries  \\n• Three of Dansereau’s early films: One Day (1967, 11 min.), Compromise (1968, 26 min.), and Forum (1969, 58 min.)  \\n• Markets of London (1996, 24 min.) – Dansereau short shot in 1969 and completed 27 years later  \\n• Trailer for Dansereau’s Deaf to the City (1987)  \\n• Theatrical re-release trailer for Dream Life\\n• Booklet featuring a conversation between Dansereau and film journalist A. Ibrányi-Kiss  \\n• Reversible cover artwork  \\n• English SDH subtitles for all five films  \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eThree of Dansereau’s early films: One Day (1967, 11 min.), Compromise (1968, 26 min.), and Forum (1969, 58 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Restored in 2K from the original 16mm camera negative by Éléphant - mémoire du cinéma québécois  \\n• A Feminine Point of View (2023, 22 min.) – New interview with director Mireille Dansereau  \\n• The Early Years (2023, 23 min.) – Dansereau reflects on her early shorts and documentaries  \\n• Three of Dansereau’s early films: One Day (1967, 11 min.), Compromise (1968, 26 min.), and Forum (1969, 58 min.)  \\n• Markets of London (1996, 24 min.) – Dansereau short shot in 1969 and completed 27 years later  \\n• Trailer for Dansereau’s Deaf to the City (1987)  \\n• Theatrical re-release trailer for Dream Life\\n• Booklet featuring a conversation between Dansereau and film journalist A. Ibrányi-Kiss  \\n• Reversible cover artwork  \\n• English SDH subtitles for all five films  \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eMarkets of London (1996, 24 min.) – Dansereau short shot in 1969 and completed 27 years later\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Restored in 2K from the original 16mm camera negative by Éléphant - mémoire du cinéma québécois  \\n• A Feminine Point of View (2023, 22 min.) – New interview with director Mireille Dansereau  \\n• The Early Years (2023, 23 min.) – Dansereau reflects on her early shorts and documentaries  \\n• Three of Dansereau’s early films: One Day (1967, 11 min.), Compromise (1968, 26 min.), and Forum (1969, 58 min.)  \\n• Markets of London (1996, 24 min.) – Dansereau short shot in 1969 and completed 27 years later  \\n• Trailer for Dansereau’s Deaf to the City (1987)  \\n• Theatrical re-release trailer for Dream Life\\n• Booklet featuring a conversation between Dansereau and film journalist A. Ibrányi-Kiss  \\n• Reversible cover artwork  \\n• English SDH subtitles for all five films  \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eTrailer for Dansereau’s Deaf to the City (1987)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Restored in 2K from the original 16mm camera negative by Éléphant - mémoire du cinéma québécois  \\n• A Feminine Point of View (2023, 22 min.) – New interview with director Mireille Dansereau  \\n• The Early Years (2023, 23 min.) – Dansereau reflects on her early shorts and documentaries  \\n• Three of Dansereau’s early films: One Day (1967, 11 min.), Compromise (1968, 26 min.), and Forum (1969, 58 min.)  \\n• Markets of London (1996, 24 min.) – Dansereau short shot in 1969 and completed 27 years later  \\n• Trailer for Dansereau’s Deaf to the City (1987)  \\n• Theatrical re-release trailer for Dream Life\\n• Booklet featuring a conversation between Dansereau and film journalist A. Ibrányi-Kiss  \\n• Reversible cover artwork  \\n• English SDH subtitles for all five films  \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eTheatrical re-release trailer for Dream Life\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Restored in 2K from the original 16mm camera negative by Éléphant - mémoire du cinéma québécois  \\n• A Feminine Point of View (2023, 22 min.) – New interview with director Mireille Dansereau  \\n• The Early Years (2023, 23 min.) – Dansereau reflects on her early shorts and documentaries  \\n• Three of Dansereau’s early films: One Day (1967, 11 min.), Compromise (1968, 26 min.), and Forum (1969, 58 min.)  \\n• Markets of London (1996, 24 min.) – Dansereau short shot in 1969 and completed 27 years later  \\n• Trailer for Dansereau’s Deaf to the City (1987)  \\n• Theatrical re-release trailer for Dream Life\\n• Booklet featuring a conversation between Dansereau and film journalist A. Ibrányi-Kiss  \\n• Reversible cover artwork  \\n• English SDH subtitles for all five films  \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBooklet featuring a conversation between Dansereau and film journalist A. Ibrányi-Kiss\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Restored in 2K from the original 16mm camera negative by Éléphant - mémoire du cinéma québécois  \\n• A Feminine Point of View (2023, 22 min.) – New interview with director Mireille Dansereau  \\n• The Early Years (2023, 23 min.) – Dansereau reflects on her early shorts and documentaries  \\n• Three of Dansereau’s early films: One Day (1967, 11 min.), Compromise (1968, 26 min.), and Forum (1969, 58 min.)  \\n• Markets of London (1996, 24 min.) – Dansereau short shot in 1969 and completed 27 years later  \\n• Trailer for Dansereau’s Deaf to the City (1987)  \\n• Theatrical re-release trailer for Dream Life\\n• Booklet featuring a conversation between Dansereau and film journalist A. Ibrányi-Kiss  \\n• Reversible cover artwork  \\n• English SDH subtitles for all five films  \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Restored in 2K from the original 16mm camera negative by Éléphant - mémoire du cinéma québécois  \\n• A Feminine Point of View (2023, 22 min.) – New interview with director Mireille Dansereau  \\n• The Early Years (2023, 23 min.) – Dansereau reflects on her early shorts and documentaries  \\n• Three of Dansereau’s early films: One Day (1967, 11 min.), Compromise (1968, 26 min.), and Forum (1969, 58 min.)  \\n• Markets of London (1996, 24 min.) – Dansereau short shot in 1969 and completed 27 years later  \\n• Trailer for Dansereau’s Deaf to the City (1987)  \\n• Theatrical re-release trailer for Dream Life\\n• Booklet featuring a conversation between Dansereau and film journalist A. Ibrányi-Kiss  \\n• Reversible cover artwork  \\n• English SDH subtitles for all five films  \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles for all five films\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Canadian International Pictures","offers":[{"title":"Default Title","offer_id":42848605176008,"sku":"CIP-017","price":44.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/dreamlifebd.jpg?v=1692571392"},{"product_id":"femme-respectable-une-dvd","title":"Femme Respectable, Une (DVD)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/bsULavJhB1A\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTrois-Rivières, 1930s. A woman separated from her husband for eleven years agrees to take him back into her home when her partner dies, but on the condition that she does not resume married life. Her husband brings with him the three little girls from his second marriage. Mrs. Lemay will become attached to the three children, but life together with her husband will be more and more difficult. Mrs. Lemay is still attracted to this seductive but unstable man who will eventually abandon her again, leaving her three daughters.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTrois-Rivières, années 1930. Une femme séparée de son mari depuis onze ans le reprend chez elle à la mort de sa concubine. Il amène avec lui les trois fillettes qu'il a eues de sa deuxième union.\u003c\/p\u003e","brand":"Y.E.S. Your Entertainment Source","offers":[{"title":"Default Title","offer_id":42856957116616,"sku":"732131963083","price":24.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/femmerespectabletemp.webp?v=1691886474"},{"product_id":"jules-au-pays-dasha-dvd","title":"Jules Au Pays D'Asha (DVD)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/cSsvBauqUNA\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOn a cold winter's day in 1940, Jules and his family move in with his uncle, mayor of a settler's village in northern Quebec. When his dog Spark runs into the forest, Jules follows and meets a mysterious young Indigenous girl named Asha. Together, they venture to the other side of the forest, where nature reveals itself full of life and secrets.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEn 1940, le jeune Jules part s'installer chez son oncle Jovite, dans le nord du Québec, avec toute sa famille. Un jour, le chien de Jules s'aventure dans la forêt avoisinante sans son maître. Ce dernier doit alors faire de même pour tenter de retrouver son compagnon à quatre pattes. En pleine nature, il fait la rencontre d'une jeune fille nommée Asha, qui l'aide à explorer les environs en voyant ceux-ci sous un nouveau jour.\u003c\/p\u003e","brand":"Maison 4\/3","offers":[{"title":"Default Title","offer_id":42856958722248,"sku":"732131963076","price":24.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/julesaupaysdashadvd.webp?v=1691887093"},{"product_id":"dirty-money-limited-edition-slipcover-blu-ray","title":"Dirty Money (US Import Limited Edition Slipcover BLU-RAY)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nAfter a raucous visit from the wealthy Uncle Arthur (The Death of a Lumberjack’s J. Léo Gagnon), working class Montreal couple Roland (O.K. ... Laliberté’s René Caron) and Berthe (Mustang’s Luce Guilbeault) are left feeling slighted by his meager gift of $500. Hungry for more, Berthe hatches a plan to descend on Uncle Arthur’s remote country house and steal his small fortune with the help of her delinquent brother and cousin. When the robbery spirals out of control, allegiances shift, blood is spilled, and Roland’s dimwitted lodger Ernest (J.A. Martin Photographer’s Marcel Sabourin) takes center stage in a harrowing battle for Arthur’s stolen cash. \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Loosely inspired by the B-movies of the ’40s, while anticipating Blood Simple and other neo-noirs of the ’80s, Dirty Money is an unforgettable blend of pastiche and provocation. Shot through with pitch black humor and grounded by a cavalcade of memorable performances, Arcand’s fiction debut announced the arrival of a major Canadian filmmaking talent.\"}' data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/uOOFcrlqX30\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nAfter a raucous visit from the wealthy Uncle Arthur (The Death of a Lumberjack’s J. Léo Gagnon), working class Montreal couple Roland (O.K. ... Laliberté’s René Caron) and Berthe (Mustang’s Luce Guilbeault) are left feeling slighted by his meager gift of $500. Hungry for more, Berthe hatches a plan to descend on Uncle Arthur’s remote country house and steal his small fortune with the help of her delinquent brother and cousin. When the robbery spirals out of control, allegiances shift, blood is spilled, and Roland’s dimwitted lodger Ernest (J.A. Martin Photographer’s Marcel Sabourin) takes center stage in a harrowing battle for Arthur’s stolen cash. \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Loosely inspired by the B-movies of the ’40s, while anticipating Blood Simple and other neo-noirs of the ’80s, Dirty Money is an unforgettable blend of pastiche and provocation. Shot through with pitch black humor and grounded by a cavalcade of memorable performances, Arcand’s fiction debut announced the arrival of a major Canadian filmmaking talent.\"}' data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003eUS Import\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nAfter a raucous visit from the wealthy Uncle Arthur (The Death of a Lumberjack’s J. Léo Gagnon), working class Montreal couple Roland (O.K. ... Laliberté’s René Caron) and Berthe (Mustang’s Luce Guilbeault) are left feeling slighted by his meager gift of $500. Hungry for more, Berthe hatches a plan to descend on Uncle Arthur’s remote country house and steal his small fortune with the help of her delinquent brother and cousin. When the robbery spirals out of control, allegiances shift, blood is spilled, and Roland’s dimwitted lodger Ernest (J.A. Martin Photographer’s Marcel Sabourin) takes center stage in a harrowing battle for Arthur’s stolen cash. \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Loosely inspired by the B-movies of the ’40s, while anticipating Blood Simple and other neo-noirs of the ’80s, Dirty Money is an unforgettable blend of pastiche and provocation. Shot through with pitch black humor and grounded by a cavalcade of memorable performances, Arcand’s fiction debut announced the arrival of a major Canadian filmmaking talent.\"}' data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003e50th anniversary special edition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nAfter a raucous visit from the wealthy Uncle Arthur (The Death of a Lumberjack’s J. Léo Gagnon), working class Montreal couple Roland (O.K. ... Laliberté’s René Caron) and Berthe (Mustang’s Luce Guilbeault) are left feeling slighted by his meager gift of $500. Hungry for more, Berthe hatches a plan to descend on Uncle Arthur’s remote country house and steal his small fortune with the help of her delinquent brother and cousin. When the robbery spirals out of control, allegiances shift, blood is spilled, and Roland’s dimwitted lodger Ernest (J.A. Martin Photographer’s Marcel Sabourin) takes center stage in a harrowing battle for Arthur’s stolen cash. \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Loosely inspired by the B-movies of the ’40s, while anticipating Blood Simple and other neo-noirs of the ’80s, Dirty Money is an unforgettable blend of pastiche and provocation. Shot through with pitch black humor and grounded by a cavalcade of memorable performances, Arcand’s fiction debut announced the arrival of a major Canadian filmmaking talent.\"}' data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003eAfter a raucous visit from the wealthy Uncle Arthur (The Death of a Lumberjack’s J. Léo Gagnon), working class Montreal couple Roland (O.K. ... Laliberté’s René Caron) and Berthe (Mustang’s Luce Guilbeault) are left feeling slighted by his meager gift of $500. Hungry for more, Berthe hatches a plan to descend on Uncle Arthur’s remote country house and steal his small fortune with the help of her delinquent brother and cousin. When the robbery spirals out of control, allegiances shift, blood is spilled, and Roland’s dimwitted lodger Ernest (J.A. Martin Photographer’s Marcel Sabourin) takes center stage in a harrowing battle for Arthur’s stolen cash.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nAfter a raucous visit from the wealthy Uncle Arthur (The Death of a Lumberjack’s J. Léo Gagnon), working class Montreal couple Roland (O.K. ... Laliberté’s René Caron) and Berthe (Mustang’s Luce Guilbeault) are left feeling slighted by his meager gift of $500. Hungry for more, Berthe hatches a plan to descend on Uncle Arthur’s remote country house and steal his small fortune with the help of her delinquent brother and cousin. When the robbery spirals out of control, allegiances shift, blood is spilled, and Roland’s dimwitted lodger Ernest (J.A. Martin Photographer’s Marcel Sabourin) takes center stage in a harrowing battle for Arthur’s stolen cash. \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Loosely inspired by the B-movies of the ’40s, while anticipating Blood Simple and other neo-noirs of the ’80s, Dirty Money is an unforgettable blend of pastiche and provocation. Shot through with pitch black humor and grounded by a cavalcade of memorable performances, Arcand’s fiction debut announced the arrival of a major Canadian filmmaking talent.\"}' data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003eThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Loosely inspired by the B-movies of the ’40s, while anticipating Blood Simple and other neo-noirs of the ’80s, Dirty Money is an unforgettable blend of pastiche and provocation. Shot through with pitch black humor and grounded by a cavalcade of memorable performances, Arcand’s fiction debut announced the arrival of a major Canadian filmmaking talent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eNewly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eAudio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eMaking Money (2023, 20 min.) – New interview with director Denys Arcand\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eBuilding an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eNew audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eTrailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eRestoration trailer for Dirty Money\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eBooklet featuring a new interview with screenwriter Jacques Benoit\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Canadian International Pictures","offers":[{"title":"Default Title","offer_id":42872435441864,"sku":"CIP-016 SLIP","price":57.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/dirtymoneybd_1d4451e0-9ac8-4b02-be6a-715657c7808e.jpg?v=1693013280"},{"product_id":"east-end-hustle-4k-uhd-blu-ray-combo","title":"East End Hustle (US Import 4K UHD\/BLU-RAY Combo)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/1lAcZboNoH4?si=IoRUsr2ddqjKfjwM\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Cindy was a hooker trapped in the East End Hustle. \\nNow she's getting revenge on those who treated her like dirt.\\n\\nCindy (Born for Hell’s Andrée Pelletier) is outraged by the sadism of her pimp boyfriend Dan (Ghost Story’s Miguel Fernandes), so she turns her back on him and her seedy profession. As he attempts to lure her back, she doubles down on her rebellion by liberating new recruit Marianne (Bingo’s Anne-Marie Provencher) and giving safe haven to several of Dan’s most prized employees, crippling his business. As this gang of frustrated sex workers waits for the dust to settle, Dan grows incensed, escalating the dispute into a full-blown war. Leaning into his mafia connections and insatiable appetite for violence, Dan orders vicious retaliation… but Cindy has some vengeful tricks up her sleeve.\\n\\nAn unsung Canadian exploitation classic originally brought to American screens by Lloyd Kaufman’s Troma Entertainment, East End Hustle is a sordid crime saga that finds an unexpected balance of horror and humanity. Reuniting director Frank Vitale with his key collaborators from the acclaimed Montreal Main, this gritty, unblinking revenge saga anticipates future genre staples like Ms .45 and The Ladies Club. Fueled by an urgent sense of danger and a memorably funky, synth-laden score by noted screenwriter Len Blum (Meatballs), East End Hustle is a ‘70s genre gem like no other.\u0026quot;}\" data-mce-fragment=\"1\"\u003eCindy was a hooker trapped in the East End Hustle.\u003cbr data-mce-fragment=\"1\"\u003eNow she's getting revenge on those who treated her like dirt.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Cindy was a hooker trapped in the East End Hustle. \\nNow she's getting revenge on those who treated her like dirt.\\n\\nCindy (Born for Hell’s Andrée Pelletier) is outraged by the sadism of her pimp boyfriend Dan (Ghost Story’s Miguel Fernandes), so she turns her back on him and her seedy profession. As he attempts to lure her back, she doubles down on her rebellion by liberating new recruit Marianne (Bingo’s Anne-Marie Provencher) and giving safe haven to several of Dan’s most prized employees, crippling his business. As this gang of frustrated sex workers waits for the dust to settle, Dan grows incensed, escalating the dispute into a full-blown war. Leaning into his mafia connections and insatiable appetite for violence, Dan orders vicious retaliation… but Cindy has some vengeful tricks up her sleeve.\\n\\nAn unsung Canadian exploitation classic originally brought to American screens by Lloyd Kaufman’s Troma Entertainment, East End Hustle is a sordid crime saga that finds an unexpected balance of horror and humanity. Reuniting director Frank Vitale with his key collaborators from the acclaimed Montreal Main, this gritty, unblinking revenge saga anticipates future genre staples like Ms .45 and The Ladies Club. Fueled by an urgent sense of danger and a memorably funky, synth-laden score by noted screenwriter Len Blum (Meatballs), East End Hustle is a ‘70s genre gem like no other.\u0026quot;}\" data-mce-fragment=\"1\"\u003eCindy (Born for Hell’s Andrée Pelletier) is outraged by the sadism of her pimp boyfriend Dan (Ghost Story’s Miguel Fernandes), so she turns her back on him and her seedy profession. As he attempts to lure her back, she doubles down on her rebellion by liberating new recruit Marianne (Bingo’s Anne-Marie Provencher) and giving safe haven to several of Dan’s most prized employees, crippling his business. As this gang of frustrated sex workers waits for the dust to settle, Dan grows incensed, escalating the dispute into a full-blown war. Leaning into his mafia connections and insatiable appetite for violence, Dan orders vicious retaliation… but Cindy has some vengeful tricks up her sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Cindy was a hooker trapped in the East End Hustle. \\nNow she's getting revenge on those who treated her like dirt.\\n\\nCindy (Born for Hell’s Andrée Pelletier) is outraged by the sadism of her pimp boyfriend Dan (Ghost Story’s Miguel Fernandes), so she turns her back on him and her seedy profession. As he attempts to lure her back, she doubles down on her rebellion by liberating new recruit Marianne (Bingo’s Anne-Marie Provencher) and giving safe haven to several of Dan’s most prized employees, crippling his business. As this gang of frustrated sex workers waits for the dust to settle, Dan grows incensed, escalating the dispute into a full-blown war. Leaning into his mafia connections and insatiable appetite for violence, Dan orders vicious retaliation… but Cindy has some vengeful tricks up her sleeve.\\n\\nAn unsung Canadian exploitation classic originally brought to American screens by Lloyd Kaufman’s Troma Entertainment, East End Hustle is a sordid crime saga that finds an unexpected balance of horror and humanity. Reuniting director Frank Vitale with his key collaborators from the acclaimed Montreal Main, this gritty, unblinking revenge saga anticipates future genre staples like Ms .45 and The Ladies Club. Fueled by an urgent sense of danger and a memorably funky, synth-laden score by noted screenwriter Len Blum (Meatballs), East End Hustle is a ‘70s genre gem like no other.\u0026quot;}\" data-mce-fragment=\"1\"\u003eAn unsung Canadian exploitation classic originally brought to American screens by Lloyd Kaufman’s Troma Entertainment, East End Hustle is a sordid crime saga that finds an unexpected balance of horror and humanity. Reuniting director Frank Vitale with his key collaborators from the acclaimed Montreal Main, this gritty, unblinking revenge saga anticipates future genre staples like Ms .45 and The Ladies Club. Fueled by an urgent sense of danger and a memorably funky, synth-laden score by noted screenwriter Len Blum (Meatballs), East End Hustle is a ‘70s genre gem like no other.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003edirected by: Frank Vitale\u003cbr data-mce-fragment=\"1\"\u003estarring: Andrée Pelletier, Anne-Marie Provencher, Miguel Fernandes, Allan Moyle, Beverly Murray, Joe Mattia\u003cbr data-mce-fragment=\"1\"\u003e1976 \/ 91 min \/ 1.85:1 \/ English DTS-HD MA 1.0\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAdditional info:\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• 4K Ultra HD \/ Region A Blu-ray Set   \\n• 4K UHD presented in High-Dynamic-Range   \\n• Newly scanned and restored in 4K from the 35mm original camera negative by Canadian International Pictures with sound transferred from the 35mm optical track   \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky  \\n• East End Director (2023, 18 min.) – New interview with writer-director Frank Vitale  \\n• The Art Bug (2023, 8 min.) – Vitale on Montreal Main and his career before East End Hustle  \\n• East End Troma (2023, 14 min.) – New interview with distributor Lloyd Kaufman  \\n• Kaufman’s Canada (2023, 5 min.) – Kaufman reflects on his Canadian connections  \\n• Renegade Films (2023, 10 min.) – New interview with writer Bill Brownstein on Cinépix and its co-founder John Dunning  \\n• Audio interview with composer Len Blum (2023, 15 min.)  \\n• Theatrical trailer  \\n• Booklet featuring a new essay by Alexandra Heller-Nicholas  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}' data-mce-fragment=\"1\"\u003e4K Ultra HD \/ Region A Blu-ray Set\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• 4K Ultra HD \/ Region A Blu-ray Set   \\n• 4K UHD presented in High-Dynamic-Range   \\n• Newly scanned and restored in 4K from the 35mm original camera negative by Canadian International Pictures with sound transferred from the 35mm optical track   \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky  \\n• East End Director (2023, 18 min.) – New interview with writer-director Frank Vitale  \\n• The Art Bug (2023, 8 min.) – Vitale on Montreal Main and his career before East End Hustle  \\n• East End Troma (2023, 14 min.) – New interview with distributor Lloyd Kaufman  \\n• Kaufman’s Canada (2023, 5 min.) – Kaufman reflects on his Canadian connections  \\n• Renegade Films (2023, 10 min.) – New interview with writer Bill Brownstein on Cinépix and its co-founder John Dunning  \\n• Audio interview with composer Len Blum (2023, 15 min.)  \\n• Theatrical trailer  \\n• Booklet featuring a new essay by Alexandra Heller-Nicholas  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}' data-mce-fragment=\"1\"\u003e4K UHD presented in High-Dynamic-Range\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• 4K Ultra HD \/ Region A Blu-ray Set   \\n• 4K UHD presented in High-Dynamic-Range   \\n• Newly scanned and restored in 4K from the 35mm original camera negative by Canadian International Pictures with sound transferred from the 35mm optical track   \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky  \\n• East End Director (2023, 18 min.) – New interview with writer-director Frank Vitale  \\n• The Art Bug (2023, 8 min.) – Vitale on Montreal Main and his career before East End Hustle  \\n• East End Troma (2023, 14 min.) – New interview with distributor Lloyd Kaufman  \\n• Kaufman’s Canada (2023, 5 min.) – Kaufman reflects on his Canadian connections  \\n• Renegade Films (2023, 10 min.) – New interview with writer Bill Brownstein on Cinépix and its co-founder John Dunning  \\n• Audio interview with composer Len Blum (2023, 15 min.)  \\n• Theatrical trailer  \\n• Booklet featuring a new essay by Alexandra Heller-Nicholas  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}' data-mce-fragment=\"1\"\u003eNewly scanned and restored in 4K from the 35mm original camera negative by Canadian International Pictures with sound transferred from the 35mm optical track\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• 4K Ultra HD \/ Region A Blu-ray Set   \\n• 4K UHD presented in High-Dynamic-Range   \\n• Newly scanned and restored in 4K from the 35mm original camera negative by Canadian International Pictures with sound transferred from the 35mm optical track   \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky  \\n• East End Director (2023, 18 min.) – New interview with writer-director Frank Vitale  \\n• The Art Bug (2023, 8 min.) – Vitale on Montreal Main and his career before East End Hustle  \\n• East End Troma (2023, 14 min.) – New interview with distributor Lloyd Kaufman  \\n• Kaufman’s Canada (2023, 5 min.) – Kaufman reflects on his Canadian connections  \\n• Renegade Films (2023, 10 min.) – New interview with writer Bill Brownstein on Cinépix and its co-founder John Dunning  \\n• Audio interview with composer Len Blum (2023, 15 min.)  \\n• Theatrical trailer  \\n• Booklet featuring a new essay by Alexandra Heller-Nicholas  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}' data-mce-fragment=\"1\"\u003eAudio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• 4K Ultra HD \/ Region A Blu-ray Set   \\n• 4K UHD presented in High-Dynamic-Range   \\n• Newly scanned and restored in 4K from the 35mm original camera negative by Canadian International Pictures with sound transferred from the 35mm optical track   \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky  \\n• East End Director (2023, 18 min.) – New interview with writer-director Frank Vitale  \\n• The Art Bug (2023, 8 min.) – Vitale on Montreal Main and his career before East End Hustle  \\n• East End Troma (2023, 14 min.) – New interview with distributor Lloyd Kaufman  \\n• Kaufman’s Canada (2023, 5 min.) – Kaufman reflects on his Canadian connections  \\n• Renegade Films (2023, 10 min.) – New interview with writer Bill Brownstein on Cinépix and its co-founder John Dunning  \\n• Audio interview with composer Len Blum (2023, 15 min.)  \\n• Theatrical trailer  \\n• Booklet featuring a new essay by Alexandra Heller-Nicholas  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}' data-mce-fragment=\"1\"\u003eEast End Director (2023, 18 min.) – New interview with writer-director Frank Vitale\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• 4K Ultra HD \/ Region A Blu-ray Set   \\n• 4K UHD presented in High-Dynamic-Range   \\n• Newly scanned and restored in 4K from the 35mm original camera negative by Canadian International Pictures with sound transferred from the 35mm optical track   \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky  \\n• East End Director (2023, 18 min.) – New interview with writer-director Frank Vitale  \\n• The Art Bug (2023, 8 min.) – Vitale on Montreal Main and his career before East End Hustle  \\n• East End Troma (2023, 14 min.) – New interview with distributor Lloyd Kaufman  \\n• Kaufman’s Canada (2023, 5 min.) – Kaufman reflects on his Canadian connections  \\n• Renegade Films (2023, 10 min.) – New interview with writer Bill Brownstein on Cinépix and its co-founder John Dunning  \\n• Audio interview with composer Len Blum (2023, 15 min.)  \\n• Theatrical trailer  \\n• Booklet featuring a new essay by Alexandra Heller-Nicholas  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}' data-mce-fragment=\"1\"\u003eThe Art Bug (2023, 8 min.) – Vitale on Montreal Main and his career before East End Hustle\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• 4K Ultra HD \/ Region A Blu-ray Set   \\n• 4K UHD presented in High-Dynamic-Range   \\n• Newly scanned and restored in 4K from the 35mm original camera negative by Canadian International Pictures with sound transferred from the 35mm optical track   \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky  \\n• East End Director (2023, 18 min.) – New interview with writer-director Frank Vitale  \\n• The Art Bug (2023, 8 min.) – Vitale on Montreal Main and his career before East End Hustle  \\n• East End Troma (2023, 14 min.) – New interview with distributor Lloyd Kaufman  \\n• Kaufman’s Canada (2023, 5 min.) – Kaufman reflects on his Canadian connections  \\n• Renegade Films (2023, 10 min.) – New interview with writer Bill Brownstein on Cinépix and its co-founder John Dunning  \\n• Audio interview with composer Len Blum (2023, 15 min.)  \\n• Theatrical trailer  \\n• Booklet featuring a new essay by Alexandra Heller-Nicholas  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}' data-mce-fragment=\"1\"\u003eEast End Troma (2023, 14 min.) – New interview with distributor Lloyd Kaufman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• 4K Ultra HD \/ Region A Blu-ray Set   \\n• 4K UHD presented in High-Dynamic-Range   \\n• Newly scanned and restored in 4K from the 35mm original camera negative by Canadian International Pictures with sound transferred from the 35mm optical track   \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky  \\n• East End Director (2023, 18 min.) – New interview with writer-director Frank Vitale  \\n• The Art Bug (2023, 8 min.) – Vitale on Montreal Main and his career before East End Hustle  \\n• East End Troma (2023, 14 min.) – New interview with distributor Lloyd Kaufman  \\n• Kaufman’s Canada (2023, 5 min.) – Kaufman reflects on his Canadian connections  \\n• Renegade Films (2023, 10 min.) – New interview with writer Bill Brownstein on Cinépix and its co-founder John Dunning  \\n• Audio interview with composer Len Blum (2023, 15 min.)  \\n• Theatrical trailer  \\n• Booklet featuring a new essay by Alexandra Heller-Nicholas  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}' data-mce-fragment=\"1\"\u003eKaufman’s Canada (2023, 5 min.) – Kaufman reflects on his Canadian connections\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• 4K Ultra HD \/ Region A Blu-ray Set   \\n• 4K UHD presented in High-Dynamic-Range   \\n• Newly scanned and restored in 4K from the 35mm original camera negative by Canadian International Pictures with sound transferred from the 35mm optical track   \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky  \\n• East End Director (2023, 18 min.) – New interview with writer-director Frank Vitale  \\n• The Art Bug (2023, 8 min.) – Vitale on Montreal Main and his career before East End Hustle  \\n• East End Troma (2023, 14 min.) – New interview with distributor Lloyd Kaufman  \\n• Kaufman’s Canada (2023, 5 min.) – Kaufman reflects on his Canadian connections  \\n• Renegade Films (2023, 10 min.) – New interview with writer Bill Brownstein on Cinépix and its co-founder John Dunning  \\n• Audio interview with composer Len Blum (2023, 15 min.)  \\n• Theatrical trailer  \\n• Booklet featuring a new essay by Alexandra Heller-Nicholas  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}' data-mce-fragment=\"1\"\u003eRenegade Films (2023, 10 min.) – New interview with writer Bill Brownstein on Cinépix and its co-founder John Dunning\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• 4K Ultra HD \/ Region A Blu-ray Set   \\n• 4K UHD presented in High-Dynamic-Range   \\n• Newly scanned and restored in 4K from the 35mm original camera negative by Canadian International Pictures with sound transferred from the 35mm optical track   \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky  \\n• East End Director (2023, 18 min.) – New interview with writer-director Frank Vitale  \\n• The Art Bug (2023, 8 min.) – Vitale on Montreal Main and his career before East End Hustle  \\n• East End Troma (2023, 14 min.) – New interview with distributor Lloyd Kaufman  \\n• Kaufman’s Canada (2023, 5 min.) – Kaufman reflects on his Canadian connections  \\n• Renegade Films (2023, 10 min.) – New interview with writer Bill Brownstein on Cinépix and its co-founder John Dunning  \\n• Audio interview with composer Len Blum (2023, 15 min.)  \\n• Theatrical trailer  \\n• Booklet featuring a new essay by Alexandra Heller-Nicholas  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}' data-mce-fragment=\"1\"\u003eAudio interview with composer Len Blum (2023, 15 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• 4K Ultra HD \/ Region A Blu-ray Set   \\n• 4K UHD presented in High-Dynamic-Range   \\n• Newly scanned and restored in 4K from the 35mm original camera negative by Canadian International Pictures with sound transferred from the 35mm optical track   \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky  \\n• East End Director (2023, 18 min.) – New interview with writer-director Frank Vitale  \\n• The Art Bug (2023, 8 min.) – Vitale on Montreal Main and his career before East End Hustle  \\n• East End Troma (2023, 14 min.) – New interview with distributor Lloyd Kaufman  \\n• Kaufman’s Canada (2023, 5 min.) – Kaufman reflects on his Canadian connections  \\n• Renegade Films (2023, 10 min.) – New interview with writer Bill Brownstein on Cinépix and its co-founder John Dunning  \\n• Audio interview with composer Len Blum (2023, 15 min.)  \\n• Theatrical trailer  \\n• Booklet featuring a new essay by Alexandra Heller-Nicholas  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}' data-mce-fragment=\"1\"\u003eTheatrical trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• 4K Ultra HD \/ Region A Blu-ray Set   \\n• 4K UHD presented in High-Dynamic-Range   \\n• Newly scanned and restored in 4K from the 35mm original camera negative by Canadian International Pictures with sound transferred from the 35mm optical track   \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky  \\n• East End Director (2023, 18 min.) – New interview with writer-director Frank Vitale  \\n• The Art Bug (2023, 8 min.) – Vitale on Montreal Main and his career before East End Hustle  \\n• East End Troma (2023, 14 min.) – New interview with distributor Lloyd Kaufman  \\n• Kaufman’s Canada (2023, 5 min.) – Kaufman reflects on his Canadian connections  \\n• Renegade Films (2023, 10 min.) – New interview with writer Bill Brownstein on Cinépix and its co-founder John Dunning  \\n• Audio interview with composer Len Blum (2023, 15 min.)  \\n• Theatrical trailer  \\n• Booklet featuring a new essay by Alexandra Heller-Nicholas  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}' data-mce-fragment=\"1\"\u003eBooklet featuring a new essay by Alexandra Heller-Nicholas\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• 4K Ultra HD \/ Region A Blu-ray Set   \\n• 4K UHD presented in High-Dynamic-Range   \\n• Newly scanned and restored in 4K from the 35mm original camera negative by Canadian International Pictures with sound transferred from the 35mm optical track   \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky  \\n• East End Director (2023, 18 min.) – New interview with writer-director Frank Vitale  \\n• The Art Bug (2023, 8 min.) – Vitale on Montreal Main and his career before East End Hustle  \\n• East End Troma (2023, 14 min.) – New interview with distributor Lloyd Kaufman  \\n• Kaufman’s Canada (2023, 5 min.) – Kaufman reflects on his Canadian connections  \\n• Renegade Films (2023, 10 min.) – New interview with writer Bill Brownstein on Cinépix and its co-founder John Dunning  \\n• Audio interview with composer Len Blum (2023, 15 min.)  \\n• Theatrical trailer  \\n• Booklet featuring a new essay by Alexandra Heller-Nicholas  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}' data-mce-fragment=\"1\"\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• 4K Ultra HD \/ Region A Blu-ray Set   \\n• 4K UHD presented in High-Dynamic-Range   \\n• Newly scanned and restored in 4K from the 35mm original camera negative by Canadian International Pictures with sound transferred from the 35mm optical track   \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky  \\n• East End Director (2023, 18 min.) – New interview with writer-director Frank Vitale  \\n• The Art Bug (2023, 8 min.) – Vitale on Montreal Main and his career before East End Hustle  \\n• East End Troma (2023, 14 min.) – New interview with distributor Lloyd Kaufman  \\n• Kaufman’s Canada (2023, 5 min.) – Kaufman reflects on his Canadian connections  \\n• Renegade Films (2023, 10 min.) – New interview with writer Bill Brownstein on Cinépix and its co-founder John Dunning  \\n• Audio interview with composer Len Blum (2023, 15 min.)  \\n• Theatrical trailer  \\n• Booklet featuring a new essay by Alexandra Heller-Nicholas  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}' data-mce-fragment=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Canadian International Pictures","offers":[{"title":"Default Title","offer_id":42912345227464,"sku":"CIP-019","price":62.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/CIP-019_EastEndHustle_cover.jpg?v=1765510821"},{"product_id":"barrette-l-humour-de-ma-vie-dvd","title":"Barrette – L’humour De Ma Vie (DVD)","description":"\u003cspan data-mce-fragment=\"1\"\u003eMichel Barrette reprend la route pour aller à la rencontre de ses admirateurs afin de leur présenter L’humour de ma vie, son tout dernier spectacle d’humour. Après une quarantaine d’années de travail en continu, le sexagénaire souhaite accrocher son chapeau d’humoriste… mais certainement pas celui de conteur. \u003c\/span\u003e","brand":"Y.E.S. Your Entertainment Source","offers":[{"title":"Default Title","offer_id":42913505870024,"sku":"824255029230","price":25.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/barrettedvd.webp?v=1696445721"},{"product_id":"coco-ferme-dvd","title":"Coco Ferme (DVD)","description":"\u003cspan data-mce-fragment=\"1\"\u003eInspiré de Tirelire Combine et Cie, Coco Ferme est le premier des trois nouveaux films de la populaire franchise à être produit. Un film pour toute la famille qui aborde des thèmes très universels : amitié, créativité et persévérance. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCoco Ferme, 25e film de la série Contes pour tous, saura rallier toutes les générations !\u003c\/span\u003e","brand":"Y.E.S. Your Entertainment Source","offers":[{"title":"Default Title","offer_id":42913511440584,"sku":"824255029223","price":27.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/cocofermedvd.webp?v=1696445943"},{"product_id":"christmas-martian-the-blu-ray","title":"Christmas Martian, The (US Import BLU-RAY)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/QX36N-cmcJg?si=kSTSCdXoaXA6Y7tJ\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003e\"Easily the most insane example of Canadian children's cinema ever conceived.\" - Canuxploitation.com\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003edirected by: Bernard Gosselin\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003estarring: Catherine Leduc, François Gosselin, Marcel Sabourin, Guy L'Ecuyer, Roland Chenail, Paul Hébert\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003e1975 \/ 61 min \/ 1.66:1 \/ French DTS-HD MA 1.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eScanned and restored in 2K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eComplete English and French versions of the film\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eAudio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eTrailers for All (1971-1994, 32 min.) – Theatrical trailers for The Christmas Martian and the first 15 films in the Tales for All series\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eTrailers for All commentary featuring Corupe and Pichonsky\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eNew audio interview with actor Marcel Sabourin (2023, 13 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eThe Joy of Winter (1962, 15 min.) – Documentary short directed by Gosselin and Martian producer Jean Dansereau\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eThe Beach (1978, 4 min.) – Animated short based on a story by Martian screenwriter Roch Carrier\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eFrench theatrical trailer for The Christmas Martian\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eBooklet featuring a new interview with NFB curator Marc St-Pierre and an essay on composer Jacques Perron by Fantasia programmer Marc Lamothe\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Canadian International Pictures (US)","offers":[{"title":"Default Title","offer_id":42988487049416,"sku":"CIP-020","price":53.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/ChristmasMartianbd_550e38ec-5aca-45bb-b1ec-c94222dbaf0c.jpg?v=1703704813"},{"product_id":"christmas-martian-the-limited-edition-slipcover-blu-ray","title":"Christmas Martian, The (Limited Edition Slipcover BLU-RAY)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/QX36N-cmcJg?si=kSTSCdXoaXA6Y7tJ\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003e\"Easily the most insane example of Canadian children's cinema ever conceived.\" - Canuxploitation.com\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003edirected by: Bernard Gosselin\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003estarring: Catherine Leduc, François Gosselin, Marcel Sabourin, Guy L'Ecuyer, Roland Chenail, Paul Hébert\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003e1975 \/ 61 min \/ 1.66:1 \/ French DTS-HD MA 1.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eScanned and restored in 2K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eComplete English and French versions of the film\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eAudio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eTrailers for All (1971-1994, 32 min.) – Theatrical trailers for The Christmas Martian and the first 15 films in the Tales for All series\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eTrailers for All commentary featuring Corupe and Pichonsky\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eNew audio interview with actor Marcel Sabourin (2023, 13 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eThe Joy of Winter (1962, 15 min.) – Documentary short directed by Gosselin and Martian producer Jean Dansereau\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eThe Beach (1978, 4 min.) – Animated short based on a story by Martian screenwriter Roch Carrier\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eFrench theatrical trailer for The Christmas Martian\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eBooklet featuring a new interview with NFB curator Marc St-Pierre and an essay on composer Jacques Perron by Fantasia programmer Marc Lamothe\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Easily the most insane example of Canadian children's cinema ever conceived.\\\u0026quot; - Canuxploitation.com\\n\\nWhile out looking for a Christmas tree one winter day, siblings François (François Gosselin) and Katou (Catherine Leduc) encounter a bizarrely dressed entity (Dirty Money’s Marcel Sabourin) who emanates bubbles and shoplifts from a convenience store. With Katou convinced this “man” is really a Martian, the children follow his green trail all the way to a flying saucer. After confirming his alien identity, they form an instant bond and pool their efforts to fix the Martian’s damaged spaceship, so he can return to his home planet. Meanwhile, the police join forces with a vigilante mob to track down this mysterious visitor and put his antics to an end.    \\n\\nA viable contender for weirdest Canadian movie of all time, The Christmas Martian takes family-friendly holiday entertainment to imaginatively inspired new places. With a uniquely carefree and child-like approach, director Bernard Gosselin (making his one and only fiction feature) paved the way for producer Rock Demers’ celebrated Tales for All series and arguably even E.T. the Extra-Terrestrial. Available here in its original French version and the more outlandish English dub, The Christmas Martian Is a misunderstood (and underseen) holiday gift that keeps on giving.  \u0026quot;}\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"OCN Distribution","offers":[{"title":"Default Title","offer_id":42988492128456,"sku":"CIP-020 SLIP","price":54.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/ChristmasMartianbd.jpg?v=1702336631"},{"product_id":"dog-who-stopped-the-war-the-blu-ray","title":"Dog Who Stopped The War, The (US Import BLU-RAY)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/aMVKFaN9vCE?si=kZ8GCMlg70O1ChQ7\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003eUS Import\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003e40th anniversary special edition!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003eAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003eOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003edirected by: Andre Melançon \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003estarring: Cédric Jourde, Marie-Pierre A. D'Amour, Julien Élie, Minh Vu Duc, Maryse Cartwright, Luc Boucher, Natalie Gagnon, Olivier Monette, Mario \u0026amp; Gilbert Monette, Patrick St-Pierre, Mathieu Savard, Jean-François Leblanc, Lucy\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003e1984 \/ 91 min \/ 1.85:1 \/ French DTS-HD MA 5.1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003e2-disc Region A Blu-ray Set\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003eScanned and restored in 2K from the original 35mm camera negative by Éléphant - mémoire du cinéma québécois\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003eIncludes the theatrical cut and the extended cut in both French and English\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003eAudio commentary featuring author\/film historian Kier-La Janisse, writer\/film critic Ralph Elawani, and special guests\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003eThe Dog Who Stopped the War… As Time Goes On (2009, 81 min.) – Feature-length documentary celebrating the film’s 25th anniversary with a new introduction by director Marie-Hélène Copti (2023, 4 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003eLove and War (2023, 37 min.) – New interviews with stars Marie-Pierre A. D'Amour and Cédric Jourde\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003eAn Important Message (2023, 12 min.) – New interview with screenwriter Roger Cantin\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003eNew audio interview with composer Germain Gauthier (2023, 16 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003eArchival interview with producer Rock Demers (1999, 8 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003eArchival interviews with Melançon and 10 members of the cast (8 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003eDeleted scenes in French and English (2 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003eTheatrical trailers for The Dog Who Stopped the War and four other Melançon films (10 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003eEnglish theatrical trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003eTheatrical trailer for Cantin's The Hidden Fortress (2001)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003eBooklet featuring a new essay on producer Nicole Robert by Fantasia programmer Marc Lamothe, plus an extended interview with D'Amour and Jourde\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"40th anniversary special edition    \\n\\nAs the Christmas holidays begin, a group of 10 war-obsessed kids have a wave of inspiration: What if they spend the next two weeks engaged in a simulated war, armed only with shields, wooden swords, snowballs, and a fierce sense of competition? With a bounty chest waiting for the winners, the two sides gradually grow in size, and the war grows in importance, taking over all aspects of their lives. But the sense of fun and excitement soon turns to something far darker, culminating in a tragic event that ensures this war will never be forgotten.    \\n\\nOne of Canada’s most beloved and unusual family films, Andre Melançon’s The Dog Who Stopped the War launched Tales for All, the career-spanning series that made producer Rock Demers (The Peanut Butter Solution) a legend. Featuring battle sequences both playful and harrowing, this film brings the imaginative world of children vividly to life with a genre movie sense of urgency, thanks in part to the memorable synth score by Germain Gauthier (Pinball Summer). Recalling the kid-centric world of Charlie Brown while anticipating the mischief and melancholy of Home Alone, The Dog Who Stopped the War is festive family filmmaking at its best.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Canadian International Pictures (US)","offers":[{"title":"Default Title","offer_id":43086078673096,"sku":"CIP-021","price":59.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/DogWhoStoppedtheWarbd.jpg?v=1703367572"},{"product_id":"c-r-a-z-y-blu-ray-dvd-combo","title":"C.R.A.Z.Y. (BLU-RAY\/DVD Combo)","description":"C.R.A.Z.Y. tells the story of Zachary Beaulieu, from his birth on the 25th of December, 1960, up to his adulthood. With an ironic humour, this family portrait presents the incredible journey of Zac, the fourth child who grows up in a family of five boys, amongst whom he hopelessly tries to fit in. This is the touching, sensitive and funny tale of a boy who, determined not to lose the most precious thing in his life, the love of his father, fiercely rejects his true nature, before embracing it.","brand":"TVA Films","offers":[{"title":"Default Title","offer_id":43201041334472,"sku":"824255028301","price":25.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/crazybd.jpg?v=1710975434"},{"product_id":"rejeanne-padovani-blu-ray","title":"Réjeanne Padovani (BLU-RAY)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_3sqGtEvvC0?si=c4yidW-urq8zwYnL\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003e50th anniversary special edition!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003eMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003eThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003edirected by: Denys Arcand\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003estarring: Jean Lajeunesse, Luce Guilbeault, J. Léo Gagnon, Thérèse Cadorette, René Caron, Hélène Loiselle, Jean-Pierre Lefebvre, Frédérique Collin, Roger Lebel, Céline Lomez, Paule Baillargeon, Gabriel Arcand\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003e1973 \/ 94 min \/ 1.78:1 \/ French DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003eNewly scanned and restored in 2K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original magnetic final mix and optical track\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003eAudio commentary featuring author and professor Anthony Kinik\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003eShooting Réjeanne (2023, 24 min.) – New interview with director Denys Arcand\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003eNew audio interviews with cast members Gabriel Arcand (10 min.), Paule Baillargeon (11 min.), and Céline Lomez (23 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003eTrailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003eBooklet featuring a new interview with author Peter Edwards (The Encyclopedia of Canadian Organized Crime)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003eAlternate English language audio track\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nMontreal mafioso Vincent Padovani (Tadpole and the Whale’s Jean Lajeunesse) has spent years building a diversified crime empire fronted by “legitimate” business interests and sustained through illicit political connections. Having secured a much-publicized government contract for his thriving construction company, Vincent is throwing an opulent private dinner to thank his many co-conspirators, including the Mayor of Montreal (Blind Trust’s René Caron) and a host of other highly placed powerbrokers. But when the evening is thrown wildly off course – by press at the door, a looming construction protest, and the sudden reappearance of Padovani’s estranged wife Réjeanne (Dirty Money’s Luce Guilbeault) – the mob enforcers and corrupt cops that serve Vincent are called into action for a long and bloody night’s work.  \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Powered by an all-star Quebecois cast – many playing thinly veiled versions of real-life politicians and gangsters – Réjeanne Padovani is a grand, gloriously acidic indictment of the pervasive corruption that infiltrated all corners of ’70s Quebec. Mixing the upstairs-downstairs satire of The Rules of the Game with the mafia intrigue of The Godfather, this is one of Canada’s sharpest and most incriminating cinematic self-portraits. \"}' data-sheets-root=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Canadian International Pictures","offers":[{"title":"Default Title","offer_id":43217029759176,"sku":"CIP-023","price":42.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/RejeannePadovanibd.jpg?v=1707699114"},{"product_id":"jean-marc-parent-utopie-dvd","title":"Jean-Marc Parent: Utopie (DVD)","description":"\u003cp data-mce-fragment=\"1\"\u003eAvec ses 30 ans de carrière en poche, Jean-Marc Parent est de retour avec un 11e one-man show : UTOPIE. Ayant vendu plus de 300 000 billets lors de sa dernière tournée avec le spectacle Torture, l’humoriste revient sur scène avec une toute nouvelle mouture d’anecdotes et d’histoires hilarantes comme lui seul sait les conter.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePour ce nouveau spectacle, Jean-Marc Parent nous emmène dans un univers utopique… que ce soit un monde où la vieillesse et la maladie n’existent pas, un monde de paix où le jugement et la mauvaise foi n’ont pas de place ou un gâteau au chocolat qui fait maigrir… À chacun sa vision!\u003c\/p\u003e","brand":"Y.E.S. Your Entertainment Source","offers":[{"title":"Default Title","offer_id":43221584675016,"sku":"824255029391","price":25.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/Jean-Marc_Parent_Utopiedvd.webp?v=1707878210"},{"product_id":"lucy-grizzli-sophie-dvd","title":"Lucy Grizzli Sophie (DVD)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/BrWt2JOuO5w?si=qdorQJhBrGvP_3_-\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSophie est une femme traquée, traumatisée. Cherchant à fuir sa réalité, elle atterrit dans un B\u0026amp;B à des centaines de kilomètres de chez elle. Elle y est accueillie par Martin, qui occupe les lieux avec sa tante, Louise. Au fil de soirées bien arrosées, les langues se délient et une troublante complicité se profile entre l’homme et la voyageuse... Et si la présence de Sophie dans ce bled perdu n’était pas si fortuite?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSophie, hunted and traumatized, is looking for an escape. She books a room in a B\u0026amp;B hundreds of miles from where she lives. Upon arrival, she’s welcomed by Martin, who lives on the premises with his aunt Louise. Over the course of a few well-watered evenings, the man and the visitor form a disturbing bond . . . And what if Sophie’s presence in this remote hamlet wasn’t quite by chance?\u003c\/span\u003e\u003c\/p\u003e","brand":"Y.E.S. Your Entertainment Source","offers":[{"title":"Default Title","offer_id":43287794352328,"sku":"732131963236","price":22.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/lucygrizzlisophiedvdtemp.webp?v=1709679444"},{"product_id":"le-successeur-dvd","title":"Le Successeur (DVD)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/dGKQSOOIAOc?si=TIXF_0N-IMoBz9c0\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eRappelé à Montréal pour régler la succession de son père, le directeur artistique d'une maison de haute couture parisienne fait une découverte stupéfiante.\u003c\/span\u003e\u003c\/p\u003e","brand":"Y.E.S. Your Entertainment Source","offers":[{"title":"Default Title","offer_id":43567913435336,"sku":"732131963328","price":24.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/successeurdvd.jpg?v=1719264684"},{"product_id":"la-fonte-des-glaces-dvd","title":"La Fonte Des Glaces (DVD)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Dn8yjAAkUi4?si=5D2LBdoW0R8C0ASF\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLouise Denoncourt, une agente de libération conditionnelle, opère une aile expérimentale de réhabilitation pour meurtriers. Un nouveau détenu qu’elle doit prendre à sa charge est soupçonné d’avoir tué sa mère. Rongée par le doute, Louise s’engage dans une mission qui rapidement la dépasse. Jusqu’où ira-t-elle pour prévenir toute récidive?\u003c\/span\u003e\u003c\/p\u003e","brand":"Maison 4\/3","offers":[{"title":"Default Title","offer_id":43567915827400,"sku":"732131963304","price":25.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/fontdesglacesdvdtemp.jpg?v=1721602553"},{"product_id":"decline-of-the-american-empire-the-dvd","title":"Decline Of The American Empire, The (DVD)","description":"\u003cp\u003e\u003cspan\u003eWhat do women really think of men? What do they talk about when men aren’t around? What about men, what do they talk about? Fantasies, temptation, desire, indiscretions, infidelity, confessions, acrobatics and everything else that makes sex the only subject worth talking about. Every taboo is hilariously exposed in this unforgettable classic about modern relationships.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Y.E.S. Your Entertainment Source","offers":[{"title":"Default Title","offer_id":43795976159432,"sku":"774212411830","price":9.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/declineofamericanempiredvd.jpg?v=1717891057"},{"product_id":"ru-blu-ray-dvd-combo","title":"Ru (BLU-RAY\/DVD Combo)","description":"\u003cp\u003e\u003cspan\u003eAprès une traversée périlleuse en mer, la jeune Vietnamienne Tinh et sa famille arrivent au Québec où elles entreprennent leur nouvelle vie. Grâce à l’accueil chaleureux de tous, dont de la famille qui les parraine, Tinh s’adapte lentement à sa réalité. De nature timide et réservée, Tinh devra puiser au plus profond d’elle-même la détermination nécessaire pour s'adapter à sa nouvelle réalité. Inspiré du livre RU de Kim Thuy\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter a perilous sea crossing, young Vietnamese Tinh and her family arrive in Quebec, where they begin their new life. Thanks to a warm welcome from everyone, including the family who sponsors them, Tinh slowly adapts to her new reality. Shy and reserved by nature, Tinh will have to draw from deep within herself the determination needed to adapt to her new reality. Inspired by the novel RU by Kim Thuy\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Y.E.S. Your Entertainment Source","offers":[{"title":"Default Title","offer_id":43806091509960,"sku":"619061295333","price":30.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/rubd.jpg?v=1718141511"},{"product_id":"kanaval-dvd","title":"Kanaval (DVD)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/vHdOm4W2Uks?si=Xz9cuH6SEuMd-rXz\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEn 1975, poursuivie par les miliciens du dictateur Duvalier, Erzulie est obligée de quitter sa patrie, Haïti. Après un court séjour aux États-Unis, elle se rend au Canada avec son fils, dans une petite communauté rurale du Québec. Ils sont accueillis par une famille sans enfants qui les prend sous son aile avec tendresse et attention. Sans abandonner les croyances de la mythologie caribéenne, le garçon s’adapte lentement à sa vie dans son nouveau pays d’adoption et découvre la chasse, la neige et le racisme.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the early 70s, after leaving their troubled hometown in Haiti, a young boy and his mother settle in a small rural village in Quebec where the boy counts on his invisible friend to understand the new world around him.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Maison 4\/3","offers":[{"title":"Default Title","offer_id":44027642806472,"sku":"732131963342","price":25.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/Kanavaldvd.webp?v=1728416129"},{"product_id":"tous-toques-dvd","title":"Tous toqués (DVD)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/O59aR13bih4?si=hGe0BaQDgAQ_etzL\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrès d'un village situé à la frontière séparant le Québec des États-Unis, l'intransigeante douanière Sonia confisque le contenu de la voiture de Victor, un chef français en mal de reconnaissance installé à New York. Elle le regrette rapidement quand sa fille Lili-Beth décide de participer à un concours de Petits Chefs où elle semble avoir bien peu de chances de s'illustrer. Sonia décide de tout essayer pour obtenir l'aide du charmant mais exaspérant Victor. Cette rencontre plus qu'improbable réunira tout un village pour passer au-delà des différents et aller goûter à l'essentiel.\u003c\/span\u003e\u003c\/p\u003e","brand":"Sphere Films","offers":[{"title":"Default Title","offer_id":44075257790664,"sku":"732131963380","price":22.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/tourstoquestemp.webp?v=1725307537"},{"product_id":"celles-qui-luttent-dvd","title":"Celles qui luttent (DVD)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/-B-okNlBdIo?si=q9yV2dNLsH6J9egy\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCelles qui luttent est un long métrage documentaire s'intéressant à la condition féminine dans le milieu de la lutte au Québec. Alors que Loue doit conjuguer son nouveau rôle de mère à celui de lutteuse, Azaelle tente de profiter de ses derniers moments sur le ring avant une pause d'une durée indéterminée, tandis que LuFisto aspire à atteindre de plus hauts sommets à l'âge de 42 ans. À travers un traitement intimiste, le film dresse le portrait sensible de ces guerrières du ring pour qui la lutte est à la fois un amour passionnel et un exutoire du quotidien.\u003c\/span\u003e\u003c\/p\u003e","brand":"Spira","offers":[{"title":"Default Title","offer_id":44075303141576,"sku":"732131963359","price":25.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/cellesquiluttenttemp.webp?v=1725309467"},{"product_id":"simon-leblanc-deja-dvd","title":"Simon Leblanc: Déjà (DVD)","description":"\u003cp\u003e\u003cspan\u003eAvec l’énergie et la vivacité qu’on lui connaît, l’humoriste additionne maintenant la force de l’expérience à son matériel pour tenter de vous faire rire encore une fois\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith the energy and vivacity for which he is known, the comedian now adds the strength of experience to his equipment to try to make you laugh once again\u003c\/span\u003e\u003c\/p\u003e","brand":"TVA Films","offers":[{"title":"Default Title","offer_id":44110932803784,"sku":"824255029469","price":26.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/simonleblancdejadvdtemp.webp?v=1726526643"},{"product_id":"jour-de-chasse-dvd","title":"Jour de chasse (DVD)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/e6W7ow-9utQ?si=ZcJdxHpgKn9GBfE9\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAprès un contrat qui a mal tourné, la travailleuse du sexe Nina trouve refuge auprès d'un groupe d'hommes. Ces derniers sont regroupés dans un chalet isolé en pleine forêt afin d'enterrer la vie de garçon d'un de leurs membres. Ils ne sont pas tous heureux d'accueillir une femme pendant une fin de semaine. Mais suite à un vote et à une initiation, Nina est finalement invitée à se joindre à eux. Ils pourront chasser, boire et user de drogue en toute tranquillité. L'arrivée d'un mystérieux inconnu vient toutefois troubler les festivités...\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter a contract goes wrong, sex worker Nina finds refuge with a group of men. The latter are grouped together in an isolated cottage in the middle of the forest to bury the bachelor life of one of their members. Not all of them are happy to welcome a woman for a weekend. But following a vote and an initiation, Nina is finally invited to join them. They will be able to hunt, drink and use drugs in peace. However, the arrival of a mysterious stranger disturbs the festivities...\u003c\/span\u003e\u003c\/p\u003e","brand":"Maison 4\/3","offers":[{"title":"Default Title","offer_id":44137783591112,"sku":"732131963403","price":25.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/Jourdechasse_1726668201.webp?v=1727480284"},{"product_id":"novembre-dvd","title":"Novembre (DVD)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ryD_XLVNKVw?si=t0PGXXodLDnWeQYr\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNovembre est une expérience itinérante à la recherche des multiples âmes qui peuplent la ville de Montréal, entre l'automne coloré et l'hiver immaculé, dans ce no man's land saisonnier bien connu pour sa tendance spleenétique. C'est une excursion dans les rues de la ville à travers ses déplacements incessants et une incursion dans l'aliénation du monde moderne urbain. Novembre, c'est l'histoire des identités montréalaises métissées en quête de sens et de lumière.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNovember is a peripatetic experience in search of the many souls who make up the city of Montreal, in that seasonal no man's land between colorful autumn and pristine winter, well known for its bent toward grouchiness. It’s an excursion through the streets of the city with its constant movement, a peek into the alienation of the modern urban world. November is the story of mixed Montreal identities in search of meaning and light.\u003c\/span\u003e\u003c\/p\u003e","brand":"Spira","offers":[{"title":"Default Title","offer_id":44137788702920,"sku":"732131963366","price":25.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/Novembre_1726668625.webp?v=1727480650"},{"product_id":"au-lendemain-de-lodyssee-dvd","title":"Au lendemain de l'Odyssée (DVD)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/RaIiuTGNNCk?si=ob7jWaMVAOvaTpOR\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAu terme d'un périple dantesque, des femmes venues du Nigéria arrivent seules et de plus en plus jeunes en Italie en quête d'une vie meilleure. De la traite humaine à l'esclavage sexuel qui les attend, ce film choral propose des récits poignants mais dont la pudeur nous épargne l'insoutenable. Ces histoires d'accueillance amènent une réflexion plus large sur la migration et l'altérité, cette véritable rencontre avec l'Autre.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt the end of a Dantesque journey, women from Nigeria arrive alone and at an increasingly young age in Italy in search of a better life. From human trafficking to the sexual slavery that awaits them, this ensemble film offers poignant stories but whose modesty spares us the unbearable. These stories of welcome lead to a broader reflection on migration and otherness, this true encounter with the Other.\u003c\/span\u003e\u003c\/p\u003e","brand":"Spira","offers":[{"title":"Default Title","offer_id":44137796960456,"sku":"732131963373","price":21.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/odyssee_1726668873.webp?v=1727481125"},{"product_id":"1995-blu-ray-dvd-combo","title":"1995 (BLU-RAY\/DVD Combo)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/V_ZZicDufGc?si=_rsY-j7-19tvAeFh\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1994. Alors qu'il est sur le point d'abandonner son rêve de devenir cinéaste, Ricardo est choisi pour participer à l'émission « La course », une compétition envoyant huit globe-trotters en herbe à la découverte du monde. Lorsqu'il débarque au Caire, en Égypte, toutes les conditions et les malchances sont malheureusement réunies pour donner du fil à retordre à Ricardo. À la recherche d'un sujet pour une vidéo qu'il doit livrer en un temps record, le jeune homme décide de sortir de sa zone de confort, et de proposer cette fois-ci un reportage sur un enjeu beaucoup plus sérieux et délicat.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1994. On the verge of abandoning his dream of becoming a filmmaker, Ricardo is chosen to participate in the show \"La course\", a competition sending eight budding globetrotters to discover the world. When he landed in Cairo, Egypt, all the conditions and bad luck were unfortunately in place to give Ricardo a hard time. Looking for a subject for a video that he had to deliver in record time, the young man decided to get out of his comfort zone, and this time to offer a report on a much more serious and delicate issue.\u003c\/span\u003e\u003c\/p\u003e","brand":"Immina Films","offers":[{"title":"Default Title","offer_id":44137803088072,"sku":"619061350926","price":30.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/1995bd.webp?v=1727481415"},{"product_id":"nos-belles-soeurs-blu-ray-dvd-combo","title":"Nos Belles-Soeurs (BLU-RAY\/DVD Combo)","description":"\u003cp\u003e\u003cspan\u003e\u003cspan lang=\"FR-CA\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/kLnIkWuUstw?si=tc1yy-9P8Yphq8KE\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan lang=\"FR-CA\"\u003eGermaine Lauzon, ménagère, gagne un million de timbres qui, croit-elle, lui permettront d’accéder au bonheur et à un nouveau monde auquel elle rêve depuis si longtemps. Elle invite ses soeurs, belles-soeurs et voisines à un party de collage de timbres. \u003c\/span\u003eMais, sa joie et son plaisir feront des jalouses…\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGermaine Lauzon, a housewife, wins a million gold stamps which, she believes, will give her access to happiness in a world that she has dreamt of for so long. She invites her sisters, sisters-in-law and neighbors to a booklet stamp sticking party. But, her joy and new found gains will trigger some jealousy amongst them.\u003c\/span\u003e\u003c\/p\u003e","brand":"TVA Films","offers":[{"title":"Default Title","offer_id":44185846382792,"sku":"824255029537","price":30.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/nosbellessoeursbd.webp?v=1729630514"},{"product_id":"petite-et-le-vieux-la-blu-ray-dvd-combo","title":"Petite et le Vieux, La (BLU-RAY\/DVD Combo)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ZFPRskeOTQ0?si=Uj62Vw-TEQXQoln4\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLimoilou, années 1980. Hélène, 10 ans, découvre par hasard que son père n’est pas heureux dans son emploi d'enseignant au primaire. Celle qui tient absolument à ce qu’on l’appelle Jo entreprend de livrer les journaux pour rapporter de l’argent au foyer. Ainsi, croit-elle, son père pourra quitter son emploi pour se consacrer à sa passion: l’écriture. S’imaginant à dos d’un fier destrier, comme le héros de son dessin animé favori, La Petite Mousquetaire, elle enfourche son vélo aux aurores et part faire sa tournée quotidienne. Tout se passe plutôt bien, jusqu’au jour où elle est agressée par un quidam. Elle ne doit son salut qu’à la présence opportune de Monsieur Roger, son nouveau voisin. À partir de ce moment, Jo se lie d’amitié avec ce vieil homme bourru, peu avare de jurons et grand amateur de bière tablette.\u003c\/span\u003e\u003c\/p\u003e","brand":"TVA Films","offers":[{"title":"Default Title","offer_id":44245071626440,"sku":"824255029568","price":30.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/petiteetlevieuxbd.webp?v=1732160945"},{"product_id":"la-bataille-de-saint-leonard-dvd","title":"La bataille de Saint-Léonard (DVD)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/2pN6aN5FP2c?si=7-3xOIBN-GbJXnTu\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnknown if this will have English subtitles.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUne crise linguistique sans précédent se déroule au coeur de la ville de Saint-Léonard en 1968-1969. Des parents francophones revendiquent des écoles uniquement en français alors que des membres de la communauté italienne souhaitent préserver des écoles bilingues. Le conflit s'étend à la grandeur du Québec et crée d'énormes tensions qui dégénèrent en violence et culminent par une émeute sanglante. La bataille de Saint-Léonard raconte l'histoire de Raymond Lemieux et de Mario Barone, deux remarquables oubliés aux origines modestes, qui se sont opposés avec force et conviction, malgré les lourdes conséquences sur leur vie familiale et professionnelle. Leur combat changera la destinée du Québec.\u003c\/span\u003e\u003c\/p\u003e","brand":"Maison 4\/3","offers":[{"title":"Default Title","offer_id":44263539015880,"sku":"732131963441","price":25.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/FINAL-LBDSL_1732637466.webp?v=1733094193"},{"product_id":"orders-blu-ray","title":"Orders (BLU-RAY)","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/CJU54L2mj8Y?si=NmMQiUZjOme1kGUP\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e50th anniversary special edition\u003c\/p\u003e\n\u003cp\u003eFollowing the shocking kidnapping of two prominent political figures in October 1970, Canada’s federal government invokes the War Measures Act, an extreme law that strips citizens of their most fundamental human rights. Over the course of several weeks, 450 unsuspecting Québécois are abruptly ripped from their families and imprisoned without formal charges or explanations. Told through the eyes of five prisoners subjected to abuse and humiliation that borders on torture, Orders is an unsettling and unforgettable immersion in one of the most dystopian chapters in Canadian history.\u003c\/p\u003e\n\u003cp\u003eThe sophomore narrative feature from master cinematographer and filmmaker Michel Brault (a formative influence on director Denis Villeneuve), this unflinching prison drama explores the most egregious injustices perpetrated during the historic October Crisis. Drawn from extensive testimonials and told in the cinéma direct language Brault helped pioneer, Orders is a masterpiece of Québécois cinema that delivers a vision no less infuriating and impactful half a century after it won Best Director at the Cannes Film Festival.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Michel Brault\u003cbr\u003estarring: Hélène Loiselle, Jean Lapointe, Guy Provost, Claude Gauthier, Louise Forestier\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e1974 \/ 108 min \/ 1.66:1 \/ French DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eScanned and restored from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sections from the 35mm internegative and interpositive\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eNew audio commentary featuring filmmaker\/professor Frédérick Pelletier and author\/professor Gabrielle Tremblay\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eImages of Immediacy (2024, 25 min.) – New interview with author\/professor André Loiselle\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eLove at First Sight (2024, 17 min.) – New interview with sound recordist Serge Beauchemin\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eA Peaceful Nation: The Road to October 1970 (2024, 18 min.) – New interview with film historian\/professor Sylvain Garel\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eFilming the FLQ (2024, 17 min.) – Garel on felquism in cinema\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eIn the Shadow of Kafka (2024, 18 min.) – New interview with author\/professor Angelos Koutsourakis\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eThe October Crisis: 50 Years On-Screen (2020, 13 min.) – Interviews with filmmaker Mathieu Denis, actress Louise Forestier, actor Claude Gauthier, and filmmaker Félix Rose\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eMichel Brault Lives Again at Cannes Classics (2015, 13 min.) – Interviews with director Michel Brault, actors Claude Gauthier, and Jean Lapointe\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eOn Screen! (2008, 48 min.) – Documentary about the making of Orders\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eLes raquetteurs (1958, 15 min.) – Groundbreaking documentary short co-directed by Brault and Gilles Groulx\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eTrailers for four films directed or co-directed by Brault: Pour la suite du monde (1963), Between the Sea and Fresh Water (1967), Acadia Acadia?!? (1971), and Orders (1974)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eBooklet featuring a new essay by filmmaker Denis Côté\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Canadian International Pictures","offers":[{"title":"Default Title","offer_id":44276278198472,"sku":"CIP-031","price":46.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/CIP-031_Orders_cover_1.jpg?v=1733513842"},{"product_id":"orders-limited-edition-slipcover-blu-ray","title":"Orders (Limited Edition Slipcover BLU-RAY)","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/CJU54L2mj8Y?si=NmMQiUZjOme1kGUP\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e50th anniversary special edition\u003c\/p\u003e\n\u003cp\u003eFollowing the shocking kidnapping of two prominent political figures in October 1970, Canada’s federal government invokes the War Measures Act, an extreme law that strips citizens of their most fundamental human rights. Over the course of several weeks, 450 unsuspecting Québécois are abruptly ripped from their families and imprisoned without formal charges or explanations. Told through the eyes of five prisoners subjected to abuse and humiliation that borders on torture, Orders is an unsettling and unforgettable immersion in one of the most dystopian chapters in Canadian history.\u003c\/p\u003e\n\u003cp\u003eThe sophomore narrative feature from master cinematographer and filmmaker Michel Brault (a formative influence on director Denis Villeneuve), this unflinching prison drama explores the most egregious injustices perpetrated during the historic October Crisis. Drawn from extensive testimonials and told in the cinéma direct language Brault helped pioneer, Orders is a masterpiece of Québécois cinema that delivers a vision no less infuriating and impactful half a century after it won Best Director at the Cannes Film Festival.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Michel Brault\u003cbr\u003estarring: Hélène Loiselle, Jean Lapointe, Guy Provost, Claude Gauthier, Louise Forestier\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e1974 \/ 108 min \/ 1.66:1 \/ French DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eScanned and restored from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sections from the 35mm internegative and interpositive\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eNew audio commentary featuring filmmaker\/professor Frédérick Pelletier and author\/professor Gabrielle Tremblay\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eImages of Immediacy (2024, 25 min.) – New interview with author\/professor André Loiselle\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eLove at First Sight (2024, 17 min.) – New interview with sound recordist Serge Beauchemin\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eA Peaceful Nation: The Road to October 1970 (2024, 18 min.) – New interview with film historian\/professor Sylvain Garel\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eFilming the FLQ (2024, 17 min.) – Garel on felquism in cinema\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eIn the Shadow of Kafka (2024, 18 min.) – New interview with author\/professor Angelos Koutsourakis\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eThe October Crisis: 50 Years On-Screen (2020, 13 min.) – Interviews with filmmaker Mathieu Denis, actress Louise Forestier, actor Claude Gauthier, and filmmaker Félix Rose\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eMichel Brault Lives Again at Cannes Classics (2015, 13 min.) – Interviews with director Michel Brault, actors Claude Gauthier, and Jean Lapointe\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eOn Screen! (2008, 48 min.) – Documentary about the making of Orders\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eLes raquetteurs (1958, 15 min.) – Groundbreaking documentary short co-directed by Brault and Gilles Groulx\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eTrailers for four films directed or co-directed by Brault: Pour la suite du monde (1963), Between the Sea and Fresh Water (1967), Acadia Acadia?!? (1971), and Orders (1974)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eBooklet featuring a new essay by filmmaker Denis Côté\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Canadian International Pictures","offers":[{"title":"Default Title","offer_id":44276278657224,"sku":"CIP-031 SLIP","price":59.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/Orders_LTD1_Front_2400x_f35c761a-b6a4-4c02-818f-3efd4bda0227.webp?v=1733514207"}],"url":"https:\/\/videomatica.com\/collections\/quebec.oembed?page=3","provider":"Videomatica Ltd (since 1983)","version":"1.0","type":"link"}