{"title":"Saudi Arabia","description":"","products":[{"product_id":"four-daughters-dvd","title":"Four Daughters (DVD)","description":"\u003cdiv data-mce-fragment=\"1\" class=\"products__description\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/9sTl3F_qxTM?si=un4-JrHqpYMvSl4v\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis riveting exploration of rebellion, memory, and sisterhood reconstructs the story of Olfa Hamrouni and her four daughters, unpacking a complex family history through intimate interviews and performance to examine how the Tunisian woman’s two eldest were radicalized by Islamic extremists. Casting professional actresses as the missing daughters, along with acclaimed Egyptian-Tunisian actress Hend Sabri as Olfa, award-winning director Kaouther Ben Hania (\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Man Who Sold His Skin\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e) restages pivotal moments in the family’s life. These scenes are interwoven with confessions and reflections from Olfa and her younger daughters, offering the women agency to tell their own story and capturing moments of joy, loss, violence, and heartache. Winner of four prizes including L’Oeil d'Or (Best Documentary) when it screened in competition at the Cannes Film Festival, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFour Daughters\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a compelling portrait of five women and a unique and ambitious work of nonfiction cinema that explores the nature of memory, the weight of inherited trauma, and the ties that bind mothers and daughters.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"products__attributes\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eProduct Extras\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e:\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":14593,\"3\":{\"1\":0,\"3\":1},\"11\":4,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":12}' data-sheets-value='{\"1\":2,\"2\":\"Interview with Director Kaouther Ben Hania | Theatrical Trailer\"}'\u003eInterview with Director Kaouther Ben Hania\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":14593,\"3\":{\"1\":0,\"3\":1},\"11\":4,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":12}' data-sheets-value='{\"1\":2,\"2\":\"Interview with Director Kaouther Ben Hania | Theatrical Trailer\"}'\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kino Lorber (US)","offers":[{"title":"Default Title","offer_id":43047536230600,"sku":"738329265021","price":34.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/fourdaughtersdvd.jpg?v=1701649494"},{"product_id":"four-daughters-blu-ray","title":"Four Daughters (US Import BLU-RAY)","description":"\u003cdiv data-mce-fragment=\"1\" class=\"products__description\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/9sTl3F_qxTM?si=un4-JrHqpYMvSl4v\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis riveting exploration of rebellion, memory, and sisterhood reconstructs the story of Olfa Hamrouni and her four daughters, unpacking a complex family history through intimate interviews and performance to examine how the Tunisian woman’s two eldest were radicalized by Islamic extremists. Casting professional actresses as the missing daughters, along with acclaimed Egyptian-Tunisian actress Hend Sabri as Olfa, award-winning director Kaouther Ben Hania (\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Man Who Sold His Skin\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e) restages pivotal moments in the family’s life. These scenes are interwoven with confessions and reflections from Olfa and her younger daughters, offering the women agency to tell their own story and capturing moments of joy, loss, violence, and heartache. Winner of four prizes including L’Oeil d'Or (Best Documentary) when it screened in competition at the Cannes Film Festival, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFour Daughters\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a compelling portrait of five women and a unique and ambitious work of nonfiction cinema that explores the nature of memory, the weight of inherited trauma, and the ties that bind mothers and daughters.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"products__attributes\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eProduct Extras\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e:\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":14593,\"3\":{\"1\":0,\"3\":1},\"11\":4,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":12}' data-sheets-value='{\"1\":2,\"2\":\"Interview with Director Kaouther Ben Hania | Theatrical Trailer\"}'\u003eInterview with Director Kaouther Ben Hania\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":14593,\"3\":{\"1\":0,\"3\":1},\"11\":4,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":12}' data-sheets-value='{\"1\":2,\"2\":\"Interview with Director Kaouther Ben Hania | Theatrical Trailer\"}'\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kino Lorber (US)","offers":[{"title":"Default Title","offer_id":43251363610824,"sku":"738329265038","price":50.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/fourdaughtewrsdvd.jpg?v=1708810175"},{"product_id":"all-the-haunts-be-ours-a-compendium-of-folk-horror-volume-two","title":"All The Haunts Be Ours: A Compendium Of Folk Horror Volume Two (BLU-RAY)","description":"\u003cp style=\"text-align: left;\" class=\"p6\"\u003e\u003cb\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/j5NLJOVVmVc?si=YLiwYHi5amrW8FR6\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p6\"\u003e\u003cb\u003e13 DISCS\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e24 INTERNATIONAL FOLK HORROR CLASSICS \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e55+ COMBINED HOURS OF SPECIAL FEATURES\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e252 PAGE HARDCOVER BOOK\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e…AND MORE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p9\"\u003eUnquiet spirits have gathered once again:\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eALL THE HAUNTS BE OURS – VOLUME TWO\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ebrings together\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e24 films representing 18 countries\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efor more of the best-loved, rarely seen, thought-lost and brand-new classics of folk horror, most making their International and\/or North American disc debuts including the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWorldwide Premieres\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eof the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eSeverin Films\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eproductions\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eTO FIRE YOU COME AT LAST\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003edirected by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eSean Hogan\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eand the documentary\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eSUZZANNA: THE QUEEN OF BLACK MAGIC\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003edirected by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eDavid Gregory\u003c\/b\u003e;\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e55+ combined hours of new and archival Special Features\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eincluding trailers, interviews, audio commentaries, short films, video essays, historical analyses and bonus feature-length films; a\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e252-page hardcover of newly commissioned folk horror fiction\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eby luminaries that include\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eRamsey Campbell\u003c\/b\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eCassandra Khaw\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eEden\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eRoyce\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ewith illustrations by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eDrazen Kozjan\u003c\/b\u003e; and much more, all curated and produced by WOODLANDS DARK AND DAYS BEWITCHED creator\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eKier-La Janisse.\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p9\"\u003eBoxed set design by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eLuke Insect\u003c\/b\u003e.\u003c\/p\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 1:\u003cbr\u003eTO FIRE YOU COME AT LAST (Sean Hogan, UK\/USA, 2023)\u003cbr\u003ePSYCHOMANIA (Don Sharp, UK, 1973)\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For TO FIRE YOU COME AT LAST\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Director Sean Hogan And Co-Producers Paul Goodwin And Nicholas Harwood\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eOn The Lych Way\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Corpse Road Chronicler Dr. Stuart Dunn Discusses The Pathways Of The Dead\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eWE ALWAYS FIND OURSELVES IN THE SEA\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary For WE ALWAYS FIND OURSELVES IN THE SEA With Director Sean Hogan And Co-Producers Paul Goodwin And Nicholas Harwood\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eEPK For WE ALWAYS FIND OURSELVES IN THE SEA\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eOUR SELVES UNKNOWN\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For TO FIRE YOU COME AT LAST\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 45 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.9:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For PSYCHOMANIA\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Film Historian Chris Alexander\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Maria J. Pérez Cuervo, Founding Editor Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHellebore Magazine\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eStone Warnings\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Dr. Diane A. Rodgers On Stone Circles And Standing Stones In Film And Television\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eReturn Of The Living Dead\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interviews With Actors Nicky Henson, Mary Larkin, Denis Gilmore, Roy Holder And Rocky Taylor\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Sound Of PSYCHOMANIA\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Soundtrack Composer John Cameron\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eRiding Free\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With \"Riding Free\" Singer Harvey Andrews\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTheatrical Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For PSYCHOMANIA\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 91 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.66:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 2:\u003cbr\u003eTHE ENCHANTED (Carter Lord, USA, 1984)\u003cbr\u003eWHO FEARS THE DEVIL (John Newland, USA, 1972)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE ENCHANTED\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Director Carter Lord And Camera Assistant Richard Grange, Moderated By Filmmaker\/Author Kier-La Janisse\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Chesya Burke, Author Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLet's Play White\u003c\/i\u003e, And Sheree Renée Thomas, Author Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eNine Bar Blues\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eA Magical Place\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Composer Phil Sawyer\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eHole In The Wall\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Character Notes By Screenwriter Charné Porter\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSWIMMER\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE ENCHANTED\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 90 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For WHO FEARS THE DEVIL\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE LEGEND OF HILLBILLY JOHN Alternate Opening Introduced By Actor Severn Darden\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Television Historian Amanda Reyes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eCrumble Will The Feet Of Clay\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Producer Barney Rosenzweig\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eSilver Strings\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Actor\/Musician Hedges Capers\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eManly Of The Mountains\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Author David Drake Remembers Manly Wade Wellman\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eOccult Appalachia\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Occult Historian Mitch Horowitz On The Arcane Texts Of Wellman's\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eJohn The Balladeer\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eStories\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTheatrical Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For WHO FEARS THE DEVIL\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 98 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 3:\u003cbr\u003eTHE WHITE REINDEER (Erik Blomberg, Finland, 1952)\u003cbr\u003eEDGE OF THE KNIFE (Gwaai Edenshaw \u0026amp;amp; Helen Haig-Brown, Canada, 2018)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE WHITE REINDEER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Projection Booth\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eEpisode On THE WHITE REINDEER Hosted By Mike White And Featuring Kat Ellinger, Author of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eDaughters Of Darkness\u003c\/i\u003e, And\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTalk Without Rhythm\u003c\/i\u003e's El Goro\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eA WITCH DRUM\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE NIGHTSIDE OF THE SKY\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eWITH THE REINDEER\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE WHITE REINDEER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 68 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.33:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Finnish Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For EDGE OF THE KNIFE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Directors Gwaai Edenshaw And Helen Haig-Brown\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRETAKE – Making The World's First Haida-Language Feature Film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eHAIDA CARVER\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eNALUJUK NIGHT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For EDGE OF THE KNIFE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 101 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Haida 5.1, Haida Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 4:\u003cbr\u003eBORN OF FIRE (Jamil Dehlavi, UK, 1987)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For BORN OF FIRE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eIgniting The Fire\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Director Jamil Dehlavi\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Silent One Speaks\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Archival Interview With Actor Nabil Shaban\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eBetween The Sacred And The Profane\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Archival Lecture On The Cinematic World Of Jamil Dehlavi By Dr. Ali Nobil Ahmad\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Djinn Revisited\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Director Dalia Al Kury Examines The Role Of The Djinn In Contemporary Arab Culture\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eBORN OF FIRE And The Roots Of Pakistani Horror\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Scholar Syeda Momina Masood\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTOWERS OF SILENCE\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eQÂF\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For BORN OF FIRE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 84 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 5:\u003cbr\u003eIO ISLAND (Kim Ki-young, South Korea, 1977)\u003cbr\u003eSCALES (Shahad Ameen, Saudi Arabia, 2019)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For IO ISLAND\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Archivist And Korean Film Historian Ariel Schudson\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eShaman's Eyes\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Dr. Hyunseon Lee On Shamanism In Korean Visual Culture\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE PRESENT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For IO ISLAND\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 112 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Korean Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For SCALES\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eTelling Our Stories\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– A Conversation With Director Shahad Ameen And Producer Rula Nasser, Moderated By Filmmaker\/Author Kier-La Janisse\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eKINDIL\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For SCALES\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 76 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Arabic 5.1 Surround\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 6:\u003cbr\u003eBAKENEKO: A VENGEFUL SPIRIT (Yoshihiro Ishikawa, Japan, 1968)\u003cbr\u003eNANG NAK (Nonzee Nimibutr, Thailand, 1999)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For BAKENEKO: A VENGEFUL SPIRIT\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Jasper Sharp, Author Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eBehind the Pink Curtain: The Complete History Of Japanese Sex Cinema\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eScratched\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e– A History Of The Japanese Ghost Cat\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Vampire Cat\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– The Classic Folk Tale Read By Tomoko Komura With Original Music By Timothy Fife\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eMAN-EATER MOUNTAIN\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For BAKENEKO: A VENGEFUL SPIRIT\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 87 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Japanese Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For NANG NAK\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Mattie Do, Director Of THE LONG WALK, And Asian Gothic Scholar Katarzyna Ancuta\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eLove And Impermanence: NANG NAK And The Rebirth Of Thai Cinema\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Director Nonzee Nimibutr\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For NANG NAK\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 101 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Thai 5.1, Thai Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 7:\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3\u003eSUNDELBOLONG (Sisworo Gautama Putra, Indonesia, 1981)\u003cbr\u003eSUZZANNA: THE QUEEN OF BLACK MAGIC Blu-ray (David Gregory, USA, 2024)\u003cb\u003e\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For SUNDELBOLONG\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eHantu Retribution\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Female Ghosts Of The Malay Archipelago\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eWHITE SONG\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For SUNDELBOLONG\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 106 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Indonesian Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For SUZZANNA: THE QUEEN OF BLACK MAGIC\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eA Conversation With Director\/Co-Producer David Gregory And Co-Producer Ekky Imanjaya\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For SUZZANNA: THE QUEEN OF BLACK MAGIC\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 88 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Indonesian Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 8:\u003cbr\u003eBEAUTY AND THE BEAST (Juraj Herz, Czechoslovakia, 1978)\u003cbr\u003eTHE NINTH HEART (Juraj Herz, Czechoslovakia, 1979)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For BEAUTY AND THE BEAST\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Michael Brooke\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Interviews With Director Juraj Herz And Actors Vlastimil Harapes And Zdena Studenková\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eFRANTIŠEK HRUBÍN\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For BEAUTY AND THE BEAST\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 91 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.37:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Czech Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE NINTH HEART\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Kat Ellinger, Author Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eDaughters Of Darkness\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Uncanny Valley Of The Dolls\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– The History And Liminality Of Dolls, Puppets And Mannequins\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Curious Case Of Juraj Herz And The Švankmajers\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Video Essay By Czech Film Programmer Cerise Howard\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE NINTH HEART\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 92 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.33:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Czech Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 9:\u003cbr\u003eDEMON (Marcin Wrona, Poland, 2015)\u003cbr\u003eNOVEMBER (Rainer Sarnet, Estonia\/Poland\/Netherlands, 2017)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For DEMON\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Slavic Horror Scholar Dr. Agnieszka Jeżyk\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Daniel Bird And Film Critic\/Actress Manuela Lazić\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eIn The Shadow Of The Dybbuk\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Video Essay By Peter Bebergal, Author Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eStrange Frequencies: The Extraordinary Story Of The Technological Quest For The Supernatural\u003c\/i\u003e, And Filmmaker Stephen Broomer\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eDIBBUK\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For DEMON\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 94 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Polish 5.1 Surround, Polish Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For NOVEMBER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Supernatural Lore Of NOVEMBER\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Archival Video Essay With Film Critic John DeFore\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eKratt Test Footage\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTheatrical Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eBOUNDARY\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eJOURNEY THROUGH SETOMAA\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eMIDVINTERBLOT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For NOVEMBER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 115 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Estonian, German And Italian 5.1 Surround\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p10\"\u003eEstonian, German And Italian Stereo\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 10:\u003cbr\u003eLITAN (Jean-Pierre Mocky, France, 1982)\u003cbr\u003eBLOOD TEA AND RED STRING (Christiane Cegavske, USA, 2006)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For LITAN\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Frank Lafond\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eUn Tournage LITAN\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Archival Making-Of Made For Antenne 2\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eJean-Pierre Mocky, Un Drôle D'Oiseau\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– 1982 Episode Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTemps X\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For LITAN\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 88 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.66:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: French Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For BLOOD TEA AND RED STRING\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Director Christiane Cegavske\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e2021 Indie Scream Online Film Festival Q\u0026amp;A With Christiane Cegavske\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eProduction Stills And Concept Illustrations\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer For SEED IN THE SAND, Cegavske’s Work-In-Progress\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For BLOOD TEA AND RED STRING\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 70 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.33:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 11:\u003cbr\u003eNAZARENO CRUZ AND THE WOLF (Leonardo Favio, Argentina, 1975)\u003cbr\u003eAKELARRE (Pedro Olea, Spain, 1984)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For NAZARENO CRUZ AND THE WOLF\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Adrian Garcia Bogliano, Director Of HERE COMES THE DEVIL, And Nicanor Loreti, Director Of PUNTO ROJO\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eLOVE FROM MOTHER ONLY\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary For LOVE FROM MOTHER ONLY With Director Dennison Ramalho\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For NAZARENO CRUZ AND THE WOLF\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 88 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Spanish Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For AKELARRE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Realistic Inquisition\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Director Pedro Olea\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eEmpowered Woman\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Actress Silvia Munt\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003ePlaying The Villain\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Actor Iñaki Miramón\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eInvoking The Akelarre\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Dr. Antonio Lázaro-Reboll, Author Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSpanish Horror Film\u003c\/i\u003e, On The Basque Witch Trials\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For AKELARRE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 97 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.66:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Spanish Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 12:\u003cbr\u003eFROM THE OLD EARTH (Wil Aaron, Wales, 1981)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For FROM THE OLD EARTH Blu-ray\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction To FROM THE OLD EARTH By Musician Gruff Rhys\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eGetting A Head In North Wales\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Director Wil Aaron\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eFROM THE OLD EARTH By The Book\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Welsh Folklore And O'R DDAEAR HEN\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eA Sword In The Battle Of Language\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Welsh Film Scholar Dr. Kate Woodward On The Welsh Film Board\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction To BLOOD ON THE STARS By Gruff Rhys\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eBLOOD ON THE STARS\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eReunion Hotel\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– BLOOD ON THE STARS Cast Reunion From\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGwesty Aduniad\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE WYRM OF BWLCH PEN BARRAS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For FROM THE OLD EARTH Blu-ray\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 46 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.33:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Welsh Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 13:\u003cbr\u003eTHE CITY OF THE DEAD (John Llewellyn Moxey, UK, 1960)\u003cbr\u003eTHE RITES OF MAY (Mike De Leon, Philippines, 1976)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE CITY OF THE DEAD\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Kay Lynch, Director Of The Salem Horror Fest\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historians Kim Newman And Barry Forshaw\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Audio Commentary With Film Historian Jonathan Rigby\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Audio Commentary With Actor Christopher Lee\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Audio Commentary With Director John Llewellyn Moxey\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSir Christopher Lee Remembers THE CITY OF THE DEAD\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Interview With John Llewellyn Moxey\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Interview With Actress Venetia Stevenson\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eBurn Witch, Burn! A Tribute To John Llewellyn Moxey\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Video Essay By TV Historian Amanda Reyes And Filmmaker Chris O'Neill\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE CITY OF THE DEAD\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 78 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.66:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE RITES OF MAY\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Filipino Film Historian Andrew Leavold\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eITIM: AN EXPLORATION IN CINEMA – Archival Documentary\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003ePortrayal Of Guilt\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Filipino Film Scholar Anne Frances N. Sangil On The Darkness Of THE RITES OF MAY\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE RITES OF MAY\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 107 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Tagalog Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":44142579056840,"sku":"SEV16428BR","price":334.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/allthehauntsvol2.jpg?v=1727734678"}],"url":"https:\/\/videomatica.com\/collections\/saudi-arabia.oembed","provider":"Videomatica Ltd (since 1983)","version":"1.0","type":"link"}