{"title":"Dekanalog","description":"\u003cp\u003e\u003ca href=\"https:\/\/videomatica.com\/collections\/in-stock-dekanalog\"\u003e\u003cstrong\u003eClick here for in stock Dekanalog titles\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c!----\u003e","products":[{"product_id":"detention-blu-ray","title":"Detention (BLU-RAY)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/e7BBxVtbFTs\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eSet during the Taiwanese martial law of the 1960s, this shockingly gruesome and terrifying coming-of-age drama based on a hugely popular video game sees two classmates who go looking for their missing friends and teachers, all of whom took part in an illegal book club, only to come face to face with ghosts and deformed monsters that have taken over their school. This masterful debut from director and co-writer John Hsu recalls the best of Guillermo del Toro, with enough blood, striking sound design, art direction and special effects to evoke Silent Hill and other landmarks of the genre.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBonus Materials:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion A Blu-ray\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eMusic video\u003c\/li\u003e\n\u003cli\u003e3 featurettes\u003c\/li\u003e\n\u003cli\u003e2 essays\u003c\/li\u003e\n\u003cli\u003eInside sleeve artwork\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"OCN Distribution","offers":[{"title":"Default Title","offer_id":41339512029384,"sku":"VINDKA002","price":39.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/detention.jpg?v=1639096352"},{"product_id":"two-lottery-tickets-a-month-in-thailand-blu-ray","title":"Two Lottery Tickets \/ A Month in Thailand (BLU-RAY)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/544099998?h=a4f69742dd\" allowfullscreen=\"\" allow=\"autoplay; fullscreen; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/544099998\"\u003eTwo Lottery Tickets | Dekanalog US Trailer\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/dekanalog\"\u003eDekanalog\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\"\u003eVimeo\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e Three small town ne'er-do-wells hit the jackpot when they discover they hold the winning ticket to a €6 million lottery prize, only to discover the winning ticket is... nowhere to be found. This begins a madcap hunt for the two petty criminals who stole the fanny-pack containing the lucky scrap of paper. Paranoid potheads, would-be singers, exotic prostitutes, enterprising clairvoyants, and even a colorblind policeman cross their paths, generating one hilarious set piece after another. A buddy comedy produced on a shoestring budget, starring three of the most recognizable faces in Romanian movies, Paul Negoescu's second feature merges a stoner's shaggy-dog story with the sophisticated, intensely realistic style that has made that country's cinema one of the most enduring national film movements in the world. Think PINEAPPLE EXPRESS by way of Abbas Kiarostami.\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eStanding defiantly apart from the political ambitions of the Romanian New Wave, Paul Negoescu's debut feature is an impeccably observed comedy of errors and warm portrayal of contemporary Bucharest nightlife. Perfectly capturing the feeling of post-holiday year end ennui, A MONTH IN THAILAND orbits around it's sad-sack hero's misadventures on New Year's Eve. A twilight odyssey through buffet-style restaurants with bad karaoke and clubs pumping out dance remixes of \"The Power of Love\". Perpetually falling in and out of love, caught between paying cursory attention to his current girlfriend, with whom he's about to take the titular trip in the new year, and longing for his former one, who seems to shadow him at every party. A bittersweet story of longing, regret, and indecisiveness.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTWO-DISC SET\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEnglish subtitles for both film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eTWO LOTTERY TICKETS:\u003c\/span\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMONICA COMES BACK (2014) - Short Film\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eVideo Introductions by Filmmaker Paul Negoescu\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTheatrical Trailer\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBooklet Essay by Mihai Chirilov, Artistic Director of the Transilvania International Film Festival\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eA MONTH IN THAILAND:\u003c\/span\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAudio Commentary featuring Filmmaker Paul Negoescu, Co-Writer Vlad Trandafir, and Editor Alexandru Radu\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHORIZON (2012) - Short Film\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDERBY (2010) - Short Film\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eVideo Introductions by Filmmaker Paul Negoescu\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTheatrical Trailer\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Unobstructed View","offers":[{"title":"Default Title","offer_id":41610312024264,"sku":"VINDKA003","price":44.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/twolotterytickets.jpg?v=1645225904"},{"product_id":"take-me-somewhere-nice-blu-ray","title":"Take Me Somewhere Nice (BLU-RAY)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/310939855?h=efce47b2e0\" allowfullscreen=\"\" allow=\"autoplay; fullscreen; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/310939855\"\u003eTake Me Somewhere Nice - TRAILER\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/enasen\"\u003eEna Sendijarevic\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\"\u003eVimeo\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e It's one debacle after another for Alma (newcomer Sara Luna Zorić). When her long-estranged father is hospitalized in his native Bosnia, a not-quite-headstrong young woman leaves her home in The Netherlands to visit him. When she lands at the airport with a few Bosnian phrases and a new dress, her distracted older cousin Emir neglects to drive her to the hospital, preferring to hang out with his buddy Denis, \"who has a girlfriend, so don't even think about it.\" After dyeing her hair and outlasting her patience, she hits the road on her own, quickly losing her luggage, her money, and her mooring. Along a bizarre chain of events and interactions with a cast of road-weary characters, Alma faces disappointment after disappointment with devil-may-care detachment and a newfound maturity.\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn its breathless series of hotels, cars, buses, and waiting rooms, Take Me Somewhere Nice captures the dreary, fish-out-of-water isolation of the unfamiliar highway. An endearing update of Chantal Akerman's Les Rendez-Vous d'Anna, fused with the jazzy cynicism of Wim Wenders' and Jim Jarmusch's 70's road movies, and the stark, sunlit despair of a David Hockney painting. Recipient of the Special Jury Prize at the Rotterdam Film Festival, Take Me Somewhere Nice is the unpredictable, neon-tinted feature debut for Ena Sendijarević, a Bosnian-born refugee raised in Holland who is now one of Dutch cinema's fastest rising talents. Her film's breezy wit and pastel color palette disguise dark truths about national identity, gender, and coming-of-age, making it the first essential road movie about the TikTok generation.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eInterviews with filmmaker Ena Sendijarevic and actress Sara Luna Zoric\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIMPORT (2016) - Short Film\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFERNWEH (2014) - Short Film\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTRAVELERS IN THE NIGHT (2013) - Short Film\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTheatrical Trailer\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBooklet essay featuring Artist Milos Trakilovic in conversation with End Sendijarevic\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eInside sleeve artwork\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEnglish subtitles\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eREGION-A \"LOCKED\"\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"OCN Distribution","offers":[{"title":"Default Title","offer_id":41837046989000,"sku":"VINDKA004","price":36.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/takemesomewherenice.jpg?v=1651347471"},{"product_id":"air-doll-blu-ray","title":"Air Doll (BLU-RAY)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/656260375?h=bccbc5324a\" allowfullscreen=\"\" allow=\"autoplay; fullscreen; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA present-day fable for the increasing disconnect we find in urban life, Hirokazu Kore-eda's Air Doll transports the Galatea myth to present day Tokyo. A life-size air doll (Bae Doona, The Host) lives in a shabby apartment in Tokyo. She cannot speak, nor can she move. But she is the only companion her middle-aged master has. He talks to her, puts her in a bath, and makes love with her every day after he returns from work. This routine life is disrupted when fantasy turns into reality. The air doll suddenly comes to life, filled with a soul. Like a newborn baby, she doesn't understand what is going on around her, but she sees a world waiting to be explored outside the apartment. Eventually venturing to the outside world, the air doll is fascinated by everything she sees, and though she meets many people in all walks of life, they can't seem to provide her an answer to what \"being alive\" means. When the air doll wanders into a video store, her world is forever changed. She meets Junichi (Arata Iura, After Life), the clerk, and immediately falls in love with him. The air doll begins working in the store and everyday, she and Junichi become closer. They go to the movies and explore the city together…like a couple. Everything is going perfectly for the air doll, until one day when her hand is accidentally cut and she begins to deflate in front of Junichi… A romantic fantasy that explores the complexities of love and loss, joy and pain, fantasy and reality, this bittersweet love story examines the intricacies and frailties of human existence. Adapted from the manga by Yoshiie Goda and featuring breathtaking cinematography from Mark Lee Ping-Bing (In The Mood For Love).\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eQ\u0026amp;A with filmmaker Hirokazu Kore-eda, and actors Bae Doona, Arata Iura, and Itsuji Itao at the Japanese Premiere\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFootage from the world premiere at the 62nd Annual Cannes Film Festival\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBehind The Scenes\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTrailer\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEnglish subtitles\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eREGION-A \"LOCKED\"\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Unobstructed View","offers":[{"title":"Default Title","offer_id":42007277732040,"sku":"VINDKA005","price":41.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/airdoll.jpg?v=1656113820"},{"product_id":"kfc-blu-ray","title":"KFC (BLU-RAY)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/713458283?h=5426ea136e\" allowfullscreen=\"\" allow=\"autoplay; fullscreen; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eTalk about out-of-left-field. This omnibus of strange and harrowing stories connected by vagabond characters at various levels of moral bankruptcy revolves around the same KFC location. A sick doctor and his twisted cohorts attack random people and ultimately cannibalize them. The doctor's own rotund young son has grown accustomed to the taste of human flesh and gleefully tries to share it with street kids, who have already run afoul of an assortment of evil creeps. 'Bizarre' would be an understatement for this out-of-control orgy of revenge, featuring cryptic dialogue and plastic, almost detached depictions of deliberate torment and the squashy sucking, splattering and dull thudding of abused flesh. Debut filmmaker Lê Bình Giang takes the body-horror genre to new heights, combining an ethereal ennui and anomie with raw, visceral savagery. Not for the faint-hearted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMystery Meat: An Interview with filmmaker Lê Bình Giang\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTheatrical Trailer (US)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTheatrical Trailer (VN)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCritical essay by Vietnamese journalist Quang Dang\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAsian Movie Pulse interview with filmmaker Lê Bình Giang\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEnglish subtitles\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eREGION-A \"LOCKED\"\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Unobstructed View","offers":[{"title":"Default Title","offer_id":42295766155464,"sku":"VINDKA006","price":48.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/kfc.jpg?v=1662586797"},{"product_id":"dachra-blu-ray","title":"Dachra (BLU-RAY)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/560561714?h=fdf1fa530a\" title=\"vimeo-player\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eEver since she was discovered naked and near-dead decades ago, Mongia has been institutionalized, with a tendency to bite her nurses. Grisly, frightening, and stuffed with howling thrills, the new Tunisian horror film DACHRA won over both Frightfest and the Venice Film Festival and is finally making its stateside debut. Equal parts Midsommar and The Blair Witch Project, DACHRA begins with a simple classroom assignment and spins through double plot twists into high-tension cannibal sorcery. Sent off with a documentary video assignment, three journalism students decide to interview Mongia, seeking new clues about the cold case. Intrigued and perturbed by the deranged woman’s story, the trio take their camera to the scene of the crime deep in the woods, led by the headstrong young investigator Yassmine (scream queen par excellence Yassmine Dimassi). Soon they are welcomed to a secluded, hushed village where goats have free rein and raw meat hangs drying in the wind. Captured with a minimalist color palette in Hatem Nechi’s eerie and atmospheric compositions and uncanny long takes, this foggy, isolated hamlet is the creepiest location in recent horror cinema. Daring depths of barbarity—and some seriously scary children—are around every corner. With superlative craft, first-time director Abdelhamid Bouchnak weaves together North African folklore and the tried-and-true B-movie magic that made his debut a runaway hit in his home country. DACHRA maintains a high level of suspense and sophistication with its carefully calibrated narrative, strong performances, and its genre-expanding ethereal dread.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSpecial Features:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Out Of North Africa: An Introduction To Tunisian Folk Horror by Evrim Ersoy, US Trailer, International Trailer; Provincial Sorcery: Folk Horror, North African Style by Laura Kern, Interview with filmmaker Abdelhamid Bouchnak\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Out Of North Africa: An Introduction To Tunisian Folk Horror by Evrim Ersoy, US Trailer, International Trailer; Provincial Sorcery: Folk Horror, North African Style by Laura Kern, Interview with filmmaker Abdelhamid Bouchnak\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eOut Of North Africa: An Introduction To Tunisian Folk Horror by Evrim Ersoy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Out Of North Africa: An Introduction To Tunisian Folk Horror by Evrim Ersoy, US Trailer, International Trailer; Provincial Sorcery: Folk Horror, North African Style by Laura Kern, Interview with filmmaker Abdelhamid Bouchnak\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eUS Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Out Of North Africa: An Introduction To Tunisian Folk Horror by Evrim Ersoy, US Trailer, International Trailer; Provincial Sorcery: Folk Horror, North African Style by Laura Kern, Interview with filmmaker Abdelhamid Bouchnak\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eInternational Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Out Of North Africa: An Introduction To Tunisian Folk Horror by Evrim Ersoy, US Trailer, International Trailer; Provincial Sorcery: Folk Horror, North African Style by Laura Kern, Interview with filmmaker Abdelhamid Bouchnak\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eProvincial Sorcery: Folk Horror, North African Style by Laura Kern\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Out Of North Africa: An Introduction To Tunisian Folk Horror by Evrim Ersoy, US Trailer, International Trailer; Provincial Sorcery: Folk Horror, North African Style by Laura Kern, Interview with filmmaker Abdelhamid Bouchnak\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eInterview with filmmaker Abdelhamid Bouchnak\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Out Of North Africa: An Introduction To Tunisian Folk Horror by Evrim Ersoy, US Trailer, International Trailer; Provincial Sorcery: Folk Horror, North African Style by Laura Kern, Interview with filmmaker Abdelhamid Bouchnak\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eEnglish subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Unobstructed View","offers":[{"title":"Default Title","offer_id":42407904673992,"sku":"VINDKA007","price":48.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/dachrabd.jpg?v=1666826961"},{"product_id":"amigo-blu-ray","title":"Amigo (BLU-RAY)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/777158293?h=456df6cbbb\" title=\"vimeo-player\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWinner of 25 genre festival awards worldwide, Amigo is a darkly comic psychological thriller depicting a bitter power struggle between two best friends. Following a car accident that kills his wife and leaves his best friend David (David Pareja) with nothing but a scratch, Javi (Javier Botet, REC, Crimson Peak) is left bedridden. His body bears deep gashes, his lungs are filled with fluid that make talking painful and near impossible, his legs are inoperable. From scene one, we see the dynamic at play between the two survivors. David carries Javi into the house. They are fresh from the hospital, and David assures Javi that he will be there to care for him. But... something is not right. Javi does not want David's help. David starts noticing things out of place. He starts suspecting Javi of gaslighting him, despite the fact that Javi can barely move of his own volition. In a series of torturous scenes, the power dynamic settles into a disquieting groove. Reaching an aching fever pitch... Transfixing and deliberately paced Amigo leaves one with an exquisite sense of dread.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMaking of (23 min)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDeleted Scenes (23 min)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTrailer (2 min)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eInterview with Javier Botet (15 min)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eInterview with David Pareja (9 min)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eInterview with Javier Botet and David Pareja (5 min)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eInterview with Óscar Martín at Molins Horror Film Festival (4 min)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePresenting Amigo at Sitges 2019 (30 min)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eExtended interview with David Pareja (40 min)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eInterview with Elena Muñoz (10 min)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eInterview with Óscar Martín (10 min)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBooklet essay by Michael Gingold\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEnglish subtitles\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eREGION-A \"LOCKED\"\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Unobstructed View","offers":[{"title":"Default Title","offer_id":42554118635720,"sku":"VINDKA008","price":48.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/amigobd.jpg?v=1676172286"},{"product_id":"heart-is-deceitful-above-all-things-blu-ray","title":"Heart Is Deceitful Above All Things (BLU-RAY)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSteeped in controversy, unflinching, unforgettable. Dekanolog is proud to present Asia Argento’s adaptation of J.T. Leroy’s best selling novel The Heart is Deceitful Above All Things, a searing exploration of trauma and survival in the underside of America’s heartland. Headlining one of the most intriguing casts of the 2000s, which includes Peter Fonda, Ornella Muti, Jeremy Renner, Lydia Lunch, Ben Foster, and Winona Ryder, Argento stars as Sarah, a woman who rips her son (played at various points by Jimmy Bennett, Dylan, and Cole Sprouse) out of foster care and throws him into her transient life as a sex worker at truck stops. Leroy was later revealed to be a fabrication of author Laura Albert and her sibling-in-law Savannah Knoop, a story that broke the year after The Heart is Deceitful Above All Things was released. Argento’s\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eblistering second feature finds real pain in a historic hoax, traveling to dark places most directors fear to tread.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Audio Commentary with Director Asia Argento and Producer Chris Hanley \/ \\\"Lot Lizards \u0026amp; Meth Labs\\\" - Behind the scenes featurette \/ \\\"JT Under Cover\\\" featurette \/ New York Film Premiere \u0026amp; Party featurette \/ US Theatrical trailer \/ Booklet essay by filmmaker Gillian Horvat\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Audio Commentary with Director Asia Argento and Producer Chris Hanley \/ \\\"Lot Lizards \u0026amp; Meth Labs\\\" - Behind the scenes featurette \/ \\\"JT Under Cover\\\" featurette \/ New York Film Premiere \u0026amp; Party featurette \/ US Theatrical trailer \/ Booklet essay by filmmaker Gillian Horvat\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNew 2K Restoration from the 35mm Interpositive Produced in 2023\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Audio Commentary with Director Asia Argento and Producer Chris Hanley \/ \\\"Lot Lizards \u0026amp; Meth Labs\\\" - Behind the scenes featurette \/ \\\"JT Under Cover\\\" featurette \/ New York Film Premiere \u0026amp; Party featurette \/ US Theatrical trailer \/ Booklet essay by filmmaker Gillian Horvat\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eAudio Commentary with Director Asia Argento and Producer Chris Hanley\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Audio Commentary with Director Asia Argento and Producer Chris Hanley \/ \\\"Lot Lizards \u0026amp; Meth Labs\\\" - Behind the scenes featurette \/ \\\"JT Under Cover\\\" featurette \/ New York Film Premiere \u0026amp; Party featurette \/ US Theatrical trailer \/ Booklet essay by filmmaker Gillian Horvat\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\"Lot Lizards \u0026amp; Meth Labs\" - Behind the scenes featurette\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Audio Commentary with Director Asia Argento and Producer Chris Hanley \/ \\\"Lot Lizards \u0026amp; Meth Labs\\\" - Behind the scenes featurette \/ \\\"JT Under Cover\\\" featurette \/ New York Film Premiere \u0026amp; Party featurette \/ US Theatrical trailer \/ Booklet essay by filmmaker Gillian Horvat\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\"JT Under Cover\" featurette\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Audio Commentary with Director Asia Argento and Producer Chris Hanley \/ \\\"Lot Lizards \u0026amp; Meth Labs\\\" - Behind the scenes featurette \/ \\\"JT Under Cover\\\" featurette \/ New York Film Premiere \u0026amp; Party featurette \/ US Theatrical trailer \/ Booklet essay by filmmaker Gillian Horvat\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNew York Film Premiere \u0026amp; Party featurette\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Audio Commentary with Director Asia Argento and Producer Chris Hanley \/ \\\"Lot Lizards \u0026amp; Meth Labs\\\" - Behind the scenes featurette \/ \\\"JT Under Cover\\\" featurette \/ New York Film Premiere \u0026amp; Party featurette \/ US Theatrical trailer \/ Booklet essay by filmmaker Gillian Horvat\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eUS Theatrical trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Audio Commentary with Director Asia Argento and Producer Chris Hanley \/ \\\"Lot Lizards \u0026amp; Meth Labs\\\" - Behind the scenes featurette \/ \\\"JT Under Cover\\\" featurette \/ New York Film Premiere \u0026amp; Party featurette \/ US Theatrical trailer \/ Booklet essay by filmmaker Gillian Horvat\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBooklet essay by filmmaker Gillian Horvat\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Audio Commentary with Director Asia Argento and Producer Chris Hanley \/ \\\"Lot Lizards \u0026amp; 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Dekanolog is proud to present Asia Argento’s adaptation of J.T. Leroy’s best selling novel The Heart is Deceitful Above All Things, a searing exploration of trauma and survival in the underside of America’s heartland. Headlining one of the most intriguing casts of the 2000s, which includes Peter Fonda, Ornella Muti, Jeremy Renner, Lydia Lunch, Ben Foster, and Winona Ryder, Argento stars as Sarah, a woman who rips her son (played at various points by Jimmy Bennett, Dylan, and Cole Sprouse) out of foster care and throws him into her transient life as a sex worker at truck stops. Leroy was later revealed to be a fabrication of author Laura Albert and her sibling-in-law Savannah Knoop, a story that broke the year after The Heart is Deceitful Above All Things was released. 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Mesmerizing from the jaw-dropping first frame to the last.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Interview with filmmaker Agnieszka Smoczyńska \/ Q\u0026amp;A with filmmaker Agnieszka Smoczyńska and Caryn Coleman of The Future Of Film Is Female at Nitehawk Cinema, Brooklyn, NY \/ Trailer \/ Booklet essay by author and film critic Samm Deighan\"}'\u003eInterview 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Title","offer_id":42881942257864,"sku":"DKA011","price":45.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/fuguebd.jpg?v=1698692415"},{"product_id":"fugue-limited-edition-slipcover-blu-ray","title":"Fugue (Limited Edition Slipcover BLU-RAY)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/797442745?h=70a66ae5a5\" title=\"vimeo-player\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAfter a two-year disappearance, free-spirited Alicja (screenwriter Gabriela Muskala) is reunited with her parents, husband and young son despite having no memory of them. Suddenly thrust back into a domestic life she has no recollection of choosing, Alicja struggles to reconcile her new and unfamiliar roles of dependability with the unshackled independence sprung by her recent mental break. With surreal, icy imagery and a seductively hypnotic atmosphere, director Agnieszka Smoczyńska’s (The Lure) sophomore feature burrows into the landscape of Alicja’s mind, excavating the societal burdens and duties expected of women, and whether personal freedom is truly attainable. Fugue evokes the social taboos around motherhood and the pressure on women to accept maternity without hesitation or reflection, as though the biological capacity of giving birth means that every woman should be willing to be a mother. A dizzying psychological puzzle of identity and self-discovery. 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The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. 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Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. 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The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. 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Philippe\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. 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The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003eBooklet Essay by Scout Tafoya\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dekanalog","offers":[{"title":"Default Title","offer_id":42912284508360,"sku":"DKA012","price":42.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/takingbd.jpg?v=1698103414"},{"product_id":"taking-the-limited-edition-slipcover-blu-ray","title":"Taking, The (Limited Edition Slipcover BLU-RAY)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/uRBTSmuCCgY?si=LDxHi_a69MZw3IpQ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. 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Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003edirected by: Alexandre O. Philippe\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003estarring: Jennifer Nez Denetdale, Liza Black, Sir Christopher Frayling, Robert M. Bednar, John Bucher\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. 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The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003e2021 \/ 76 min \/ 1.85:1 \/ English, Italian DTS-HD MA 5.1, 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003eInterview with filmmaker Alexandre O. Philippe\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003eSuper 8 Montage of Monument Valley footage used in the film\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003eThe Spot - short film by Alexandre O. 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The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003eBooklet Essay by Scout Tafoya\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dekanalog","offers":[{"title":"Default Title","offer_id":42912286081224,"sku":"DKA012 SLIP","price":46.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/takingbdslipfront.webp?v=1696361114"},{"product_id":"i-blame-society-blu-ray","title":"I Blame Society (BLU-RAY)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/S5bsNdbHMfU?si=fOwLRIV8YhhRfDMz\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"“We gave you all these ideas and you go off and make weird Frances Ha...” the famous last words of a producer who doubts the awesome power of writer\/director\/star Gillian Wallace Horvat. After a few idiosyncratic short films Horvat gave the world a concentrated dose of her meta-madness in I Blame Society, a film that destroys itself and its benefactors as it goes on. Horvat plays a funhouse version of herself, a terminally plugged-in creator looking to finally make the leap to the big time. With an atta boy from clueless moneymen, Gillian starts documenting her process of squaring up accounts with ex-boyfriends, old enemies, and innocent bystanders alike. “Authentic in more ways than one,” as Gillian herself says, I Blame Society is among the most pointed and dryly hysterical looks at the world of branding, buzzwords, and social media’s indemnification against serial selfishness. A true original, shot guerrilla style and with a cast and crew of friends, I Blame Society is a messy open casket\\nfuneral for the independent American cinema of the 2000s.\"}'\u003e“We gave you all these ideas and you go off and make weird Frances Ha...” the famous last words of a producer who doubts the awesome power of writer\/director\/star Gillian Wallace Horvat. After a few idiosyncratic short films Horvat gave the world a concentrated dose of her meta-madness in I Blame Society, a film that destroys itself and its benefactors as it goes on. Horvat plays a funhouse version of herself, a terminally plugged-in creator looking to finally make the leap to the big time. With an atta boy from clueless moneymen, Gillian starts documenting her process of squaring up accounts with ex-boyfriends, old enemies, and innocent bystanders alike. “Authentic in more ways than one,” as Gillian herself says, I Blame Society is among the most pointed and dryly hysterical looks at the world of branding, buzzwords, and social media’s indemnification against serial selfishness. 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A true original, shot guerrilla style and with a cast and crew of friends, I Blame Society is a messy open casket\\nfuneral for the independent American cinema of the 2000s.\"}'\u003e“We gave you all these ideas and you go off and make weird Frances Ha...” the famous last words of a producer who doubts the awesome power of writer\/director\/star Gillian Wallace Horvat. After a few idiosyncratic short films Horvat gave the world a concentrated dose of her meta-madness in I Blame Society, a film that destroys itself and its benefactors as it goes on. Horvat plays a funhouse version of herself, a terminally plugged-in creator looking to finally make the leap to the big time. With an atta boy from clueless moneymen, Gillian starts documenting her process of squaring up accounts with ex-boyfriends, old enemies, and innocent bystanders alike. “Authentic in more ways than one,” as Gillian herself says, I Blame Society is among the most pointed and dryly hysterical looks at the world of branding, buzzwords, and social media’s indemnification against serial selfishness. A true original, shot guerrilla style and with a cast and crew of friends, I Blame Society is a messy open casket\u003cbr data-mce-fragment=\"1\"\u003efuneral for the independent American cinema of the 2000s.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003edirected by: Gillian Wallace Horvat\u003cbr data-mce-fragment=\"1\"\u003estarring: Gillian Wallace Horvat, Chase Williamson, Keith Poulson, Macon Blair, Jennifer Kim\u003cbr data-mce-fragment=\"1\"\u003e2020 \/ 84 min \/ 1.85:1 \/ English DTS-HD MA 5.1\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAdditional info:\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRegion A Blu-ray\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eKiss Kiss Fingerbang: Horvat’s 2015 SXSW Jury Award winning short film Starring Anton Yelchin, Kate Lyn Sheil and Buck Henry\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWhiskey Fist (2017) Horvat’s follow-up short film starring Chase Williams and Heather Kafka\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eI, Murderer (2016 -2018) Portions of the unfinished short that served as an inspiration for \"I Blame Society\" and featured within in the film\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTheatrical Trailer\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"OCN Distribution","offers":[{"title":"Default Title","offer_id":42988372263112,"sku":"DKA013 SLIP","price":54.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/iblamesocietybdslip.webp?v=1699228550"},{"product_id":"yu-miyashita-this-is-not-a-burial-its-a-resurrection-original-motion-picture-soundtrack-vinyl","title":"Yu Miyashita: This Is Not A Burial, It's A Resurrection: Original Motion Picture Soundtrack (Vinyl)","description":"\u003ch3 data-mce-fragment=\"1\" itemprop=\"description\"\u003eElectronic composer Yu Miyashita's haunting, spectral score for the Sundance-winning Lesotho film This Is Not A Burial, It's A Resurrection\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eAn electronic composer with both the aliases of Yu Miyashita and Yaporigami, Yu Miyashita has provided music for the installation records by contemporary artist Chiharu Shiota, MEETT by OMA, a Dutch architectural firm, and the footage of the American Burning Man and produced music for three shows of fashion brand Viviano. In addition, a joint exhibition with Kezzardrix was held at the National Taiwan Museum of Fine Arts. He wrote the entire soundtrack for Lemohang Jeremiah Mosese's film, This Is Not A Burial, It's A Resurrection, which premiered at the 2019 Venice International Film Festival and has won numerous awards at film festivals around the world, including the Sundance Film Festival.\u003c\/span\u003e\u003c\/p\u003e","brand":"MVD","offers":[{"title":"Default Title","offer_id":43019477418184,"sku":"DKA001S","price":64.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/thisisnotaburialostlp.jpg?v=1700360844"},{"product_id":"ella-van-der-woude-take-me-somewhere-nice-original-motion-picture-soundtrack-vinyl","title":"Ella Van Der Woude: Take Me Somewhere Nice: Original Motion Picture Soundtrack (Vinyl)","description":"\u003cspan data-mce-fragment=\"1\"\u003eInspired by Bosnian \u0026amp; Herzogovinian turbofolk music, Ella van der Woude's techno and dance soundtrack to Ena Senijarevic's coming of age fish out of water story Take Me Somewhere Nice holds elements of surreal detachment, with comic undertones. \"We simply let ourselves be inspired by the music that would be played in these places and situations and slightly exaggerated the features of the genres we were mimicking. Ena's guideline for the music was to underline the estrangement felt by the protagonists from their environment, amplifying their feelings of detachment from the different worlds they inhabit.\" - Ella van der Woude The initial idea for the music in Take Me Somewhere Nice was to use diegetic music only, creating music for specific scenes and places - a club in Bosnia, a clothing store in The Netherlands, and a car ride with our three young protagonists.\u003c\/span\u003e","brand":"MVD","offers":[{"title":"Default Title","offer_id":43019478597832,"sku":"DKA002S","price":38.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/takemesomewhereniceostlp.jpg?v=1700361057"},{"product_id":"charlie-victor-romeo-blu-ray","title":"Charlie Victor Romeo (BLU-RAY)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"One of the most terrifying movies I have ever seen.\\\"\\n- A.O. 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CHARLIE VICTOR ROMEO transports film audiences into the best seats of the theatre and delivers the intensity and gut-wrenching emotion of these emergencies via the unique approach of live performance.” - Shari Frilot, senior programmer Sundance Film Festival \u0026amp; New Frontier\\n\\n\"}' data-sheets-root=\"1\"\u003eA unique and riveting theatrical experience, CHARLIE VICTOR ROMEO (CVR) is a performance documentary derived entirely from the “Black Box” transcripts of six major real-life airline emergencies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"One of the most terrifying movies I have ever seen.\\\"\\n- A.O. 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Derived entirely from the Cockpit Voice Recorder transcripts of six major airline incidents and accidents, CHARLIE VICTOR ROMEO puts the audience inside the tension-filled cockpits of actual flights in distress, offering a fascinating portrait of the psychology of crisis and a person’s will to live to the last second.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"One of the most terrifying movies I have ever seen.\\\"\\n- A.O. Scott, New York Times\\n\\n\\\"The scariest airplane movie ever.\\\"\\n- John Waters, Artforum\\n\\nA unique and riveting theatrical experience, CHARLIE VICTOR ROMEO (CVR) is a performance documentary derived entirely from the “Black Box” transcripts of six major real-life airline emergencies.\\n\\nWhen you board an airplane, who are those people in uniform to whom you entrust your life? What do they really do when things go horribly wrong? Derived entirely from the Cockpit Voice Recorder transcripts of six major airline incidents and accidents, CHARLIE VICTOR ROMEO puts the audience inside the tension-filled cockpits of actual flights in distress, offering a fascinating portrait of the psychology of crisis and a person’s will to live to the last second.\\n\\n“[This] chilling and groundbreaking production stretches the boundaries of film, theatre, and the traditional documentary with this stereoscopic 3-D film of a stage play that recreates transcripts word for word. 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Scott, New York Times\\n\\n\\\"The scariest airplane movie ever.\\\"\\n- John Waters, Artforum\\n\\nA unique and riveting theatrical experience, CHARLIE VICTOR ROMEO (CVR) is a performance documentary derived entirely from the “Black Box” transcripts of six major real-life airline emergencies.\\n\\nWhen you board an airplane, who are those people in uniform to whom you entrust your life? What do they really do when things go horribly wrong? Derived entirely from the Cockpit Voice Recorder transcripts of six major airline incidents and accidents, CHARLIE VICTOR ROMEO puts the audience inside the tension-filled cockpits of actual flights in distress, offering a fascinating portrait of the psychology of crisis and a person’s will to live to the last second.\\n\\n“[This] chilling and groundbreaking production stretches the boundaries of film, theatre, and the traditional documentary with this stereoscopic 3-D film of a stage play that recreates transcripts word for word. CHARLIE VICTOR ROMEO transports film audiences into the best seats of the theatre and delivers the intensity and gut-wrenching emotion of these emergencies via the unique approach of live performance.” - Shari Frilot, senior programmer Sundance Film Festival \u0026amp; New Frontier\\n\\n\"}' data-sheets-root=\"1\"\u003edirected by: Robert Berger, Patrick Daniels, and Karlyn Michelson\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"One of the most terrifying movies I have ever seen.\\\"\\n- A.O. Scott, New York Times\\n\\n\\\"The scariest airplane movie ever.\\\"\\n- John Waters, Artforum\\n\\nA unique and riveting theatrical experience, CHARLIE VICTOR ROMEO (CVR) is a performance documentary derived entirely from the “Black Box” transcripts of six major real-life airline emergencies.\\n\\nWhen you board an airplane, who are those people in uniform to whom you entrust your life? What do they really do when things go horribly wrong? Derived entirely from the Cockpit Voice Recorder transcripts of six major airline incidents and accidents, CHARLIE VICTOR ROMEO puts the audience inside the tension-filled cockpits of actual flights in distress, offering a fascinating portrait of the psychology of crisis and a person’s will to live to the last second.\\n\\n“[This] chilling and groundbreaking production stretches the boundaries of film, theatre, and the traditional documentary with this stereoscopic 3-D film of a stage play that recreates transcripts word for word. CHARLIE VICTOR ROMEO transports film audiences into the best seats of the theatre and delivers the intensity and gut-wrenching emotion of these emergencies via the unique approach of live performance.” - Shari Frilot, senior programmer Sundance Film Festival \u0026amp; New Frontier\\n\\n\"}' data-sheets-root=\"1\"\u003estarring: Patrick Daniels, Irving Gregory, Debbie Troche, Nora Woolley, Sam Zuckerman\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"One of the most terrifying movies I have ever seen.\\\"\\n- A.O. Scott, New York Times\\n\\n\\\"The scariest airplane movie ever.\\\"\\n- John Waters, Artforum\\n\\nA unique and riveting theatrical experience, CHARLIE VICTOR ROMEO (CVR) is a performance documentary derived entirely from the “Black Box” transcripts of six major real-life airline emergencies.\\n\\nWhen you board an airplane, who are those people in uniform to whom you entrust your life? What do they really do when things go horribly wrong? Derived entirely from the Cockpit Voice Recorder transcripts of six major airline incidents and accidents, CHARLIE VICTOR ROMEO puts the audience inside the tension-filled cockpits of actual flights in distress, offering a fascinating portrait of the psychology of crisis and a person’s will to live to the last second.\\n\\n“[This] chilling and groundbreaking production stretches the boundaries of film, theatre, and the traditional documentary with this stereoscopic 3-D film of a stage play that recreates transcripts word for word. CHARLIE VICTOR ROMEO transports film audiences into the best seats of the theatre and delivers the intensity and gut-wrenching emotion of these emergencies via the unique approach of live performance.” - Shari Frilot, senior programmer Sundance Film Festival \u0026amp; New Frontier\\n\\n\"}' data-sheets-root=\"1\"\u003e2013 \/ 80 min \/ 1.78:1 \/ English 5.1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"One of the most terrifying movies I have ever seen.\\\"\\n- A.O. Scott, New York Times\\n\\n\\\"The scariest airplane movie ever.\\\"\\n- John Waters, Artforum\\n\\nA unique and riveting theatrical experience, CHARLIE VICTOR ROMEO (CVR) is a performance documentary derived entirely from the “Black Box” transcripts of six major real-life airline emergencies.\\n\\nWhen you board an airplane, who are those people in uniform to whom you entrust your life? What do they really do when things go horribly wrong? Derived entirely from the Cockpit Voice Recorder transcripts of six major airline incidents and accidents, CHARLIE VICTOR ROMEO puts the audience inside the tension-filled cockpits of actual flights in distress, offering a fascinating portrait of the psychology of crisis and a person’s will to live to the last second.\\n\\n“[This] chilling and groundbreaking production stretches the boundaries of film, theatre, and the traditional documentary with this stereoscopic 3-D film of a stage play that recreates transcripts word for word. CHARLIE VICTOR ROMEO transports film audiences into the best seats of the theatre and delivers the intensity and gut-wrenching emotion of these emergencies via the unique approach of live performance.” - Shari Frilot, senior programmer Sundance Film Festival \u0026amp; New Frontier\\n\\n\"}' data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"One of the most terrifying movies I have ever seen.\\\"\\n- A.O. Scott, New York Times\\n\\n\\\"The scariest airplane movie ever.\\\"\\n- John Waters, Artforum\\n\\nA unique and riveting theatrical experience, CHARLIE VICTOR ROMEO (CVR) is a performance documentary derived entirely from the “Black Box” transcripts of six major real-life airline emergencies.\\n\\nWhen you board an airplane, who are those people in uniform to whom you entrust your life? What do they really do when things go horribly wrong? Derived entirely from the Cockpit Voice Recorder transcripts of six major airline incidents and accidents, CHARLIE VICTOR ROMEO puts the audience inside the tension-filled cockpits of actual flights in distress, offering a fascinating portrait of the psychology of crisis and a person’s will to live to the last second.\\n\\n“[This] chilling and groundbreaking production stretches the boundaries of film, theatre, and the traditional documentary with this stereoscopic 3-D film of a stage play that recreates transcripts word for word. CHARLIE VICTOR ROMEO transports film audiences into the best seats of the theatre and delivers the intensity and gut-wrenching emotion of these emergencies via the unique approach of live performance.” - Shari Frilot, senior programmer Sundance Film Festival \u0026amp; New Frontier\\n\\n\"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRegion A 2-Disc Blu-ray Set\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"One of the most terrifying movies I have ever seen.\\\"\\n- A.O. Scott, New York Times\\n\\n\\\"The scariest airplane movie ever.\\\"\\n- John Waters, Artforum\\n\\nA unique and riveting theatrical experience, CHARLIE VICTOR ROMEO (CVR) is a performance documentary derived entirely from the “Black Box” transcripts of six major real-life airline emergencies.\\n\\nWhen you board an airplane, who are those people in uniform to whom you entrust your life? What do they really do when things go horribly wrong? Derived entirely from the Cockpit Voice Recorder transcripts of six major airline incidents and accidents, CHARLIE VICTOR ROMEO puts the audience inside the tension-filled cockpits of actual flights in distress, offering a fascinating portrait of the psychology of crisis and a person’s will to live to the last second.\\n\\n“[This] chilling and groundbreaking production stretches the boundaries of film, theatre, and the traditional documentary with this stereoscopic 3-D film of a stage play that recreates transcripts word for word. CHARLIE VICTOR ROMEO transports film audiences into the best seats of the theatre and delivers the intensity and gut-wrenching emotion of these emergencies via the unique approach of live performance.” - Shari Frilot, senior programmer Sundance Film Festival \u0026amp; New Frontier\\n\\n\"}' data-sheets-root=\"1\"\u003e3D HD Feature\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"One of the most terrifying movies I have ever seen.\\\"\\n- A.O. Scott, New York Times\\n\\n\\\"The scariest airplane movie ever.\\\"\\n- John Waters, Artforum\\n\\nA unique and riveting theatrical experience, CHARLIE VICTOR ROMEO (CVR) is a performance documentary derived entirely from the “Black Box” transcripts of six major real-life airline emergencies.\\n\\nWhen you board an airplane, who are those people in uniform to whom you entrust your life? What do they really do when things go horribly wrong? Derived entirely from the Cockpit Voice Recorder transcripts of six major airline incidents and accidents, CHARLIE VICTOR ROMEO puts the audience inside the tension-filled cockpits of actual flights in distress, offering a fascinating portrait of the psychology of crisis and a person’s will to live to the last second.\\n\\n“[This] chilling and groundbreaking production stretches the boundaries of film, theatre, and the traditional documentary with this stereoscopic 3-D film of a stage play that recreates transcripts word for word. CHARLIE VICTOR ROMEO transports film audiences into the best seats of the theatre and delivers the intensity and gut-wrenching emotion of these emergencies via the unique approach of live performance.” - Shari Frilot, senior programmer Sundance Film Festival \u0026amp; New Frontier\\n\\n\"}' data-sheets-root=\"1\"\u003eAnaglyphic 3D Feature\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"One of the most terrifying movies I have ever seen.\\\"\\n- A.O. Scott, New York Times\\n\\n\\\"The scariest airplane movie ever.\\\"\\n- John Waters, Artforum\\n\\nA unique and riveting theatrical experience, CHARLIE VICTOR ROMEO (CVR) is a performance documentary derived entirely from the “Black Box” transcripts of six major real-life airline emergencies.\\n\\nWhen you board an airplane, who are those people in uniform to whom you entrust your life? What do they really do when things go horribly wrong? Derived entirely from the Cockpit Voice Recorder transcripts of six major airline incidents and accidents, CHARLIE VICTOR ROMEO puts the audience inside the tension-filled cockpits of actual flights in distress, offering a fascinating portrait of the psychology of crisis and a person’s will to live to the last second.\\n\\n“[This] chilling and groundbreaking production stretches the boundaries of film, theatre, and the traditional documentary with this stereoscopic 3-D film of a stage play that recreates transcripts word for word. CHARLIE VICTOR ROMEO transports film audiences into the best seats of the theatre and delivers the intensity and gut-wrenching emotion of these emergencies via the unique approach of live performance.” - Shari Frilot, senior programmer Sundance Film Festival \u0026amp; New Frontier\\n\\n\"}' data-sheets-root=\"1\"\u003e2D Feature\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDirector's Commentary by Patrick Daniels and Robert Berger\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"One of the most terrifying movies I have ever seen.\\\"\\n- A.O. Scott, New York Times\\n\\n\\\"The scariest airplane movie ever.\\\"\\n- John Waters, Artforum\\n\\nA unique and riveting theatrical experience, CHARLIE VICTOR ROMEO (CVR) is a performance documentary derived entirely from the “Black Box” transcripts of six major real-life airline emergencies.\\n\\nWhen you board an airplane, who are those people in uniform to whom you entrust your life? What do they really do when things go horribly wrong? Derived entirely from the Cockpit Voice Recorder transcripts of six major airline incidents and accidents, CHARLIE VICTOR ROMEO puts the audience inside the tension-filled cockpits of actual flights in distress, offering a fascinating portrait of the psychology of crisis and a person’s will to live to the last second.\\n\\n“[This] chilling and groundbreaking production stretches the boundaries of film, theatre, and the traditional documentary with this stereoscopic 3-D film of a stage play that recreates transcripts word for word. CHARLIE VICTOR ROMEO transports film audiences into the best seats of the theatre and delivers the intensity and gut-wrenching emotion of these emergencies via the unique approach of live performance.” - Shari Frilot, senior programmer Sundance Film Festival \u0026amp; New Frontier\\n\\n\"}' data-sheets-root=\"1\"\u003eCaptain Al Haynes presentation @ NASA Dryden May 24, 1991\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"One of the most terrifying movies I have ever seen.\\\"\\n- A.O. Scott, New York Times\\n\\n\\\"The scariest airplane movie ever.\\\"\\n- John Waters, Artforum\\n\\nA unique and riveting theatrical experience, CHARLIE VICTOR ROMEO (CVR) is a performance documentary derived entirely from the “Black Box” transcripts of six major real-life airline emergencies.\\n\\nWhen you board an airplane, who are those people in uniform to whom you entrust your life? What do they really do when things go horribly wrong? Derived entirely from the Cockpit Voice Recorder transcripts of six major airline incidents and accidents, CHARLIE VICTOR ROMEO puts the audience inside the tension-filled cockpits of actual flights in distress, offering a fascinating portrait of the psychology of crisis and a person’s will to live to the last second.\\n\\n“[This] chilling and groundbreaking production stretches the boundaries of film, theatre, and the traditional documentary with this stereoscopic 3-D film of a stage play that recreates transcripts word for word. CHARLIE VICTOR ROMEO transports film audiences into the best seats of the theatre and delivers the intensity and gut-wrenching emotion of these emergencies via the unique approach of live performance.” - Shari Frilot, senior programmer Sundance Film Festival \u0026amp; New Frontier\\n\\n\"}' data-sheets-root=\"1\"\u003eCVR Scene 5 - JAL123 - LIVE @ PS122 August, 2004\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"One of the most terrifying movies I have ever seen.\\\"\\n- A.O. Scott, New York Times\\n\\n\\\"The scariest airplane movie ever.\\\"\\n- John Waters, Artforum\\n\\nA unique and riveting theatrical experience, CHARLIE VICTOR ROMEO (CVR) is a performance documentary derived entirely from the “Black Box” transcripts of six major real-life airline emergencies.\\n\\nWhen you board an airplane, who are those people in uniform to whom you entrust your life? What do they really do when things go horribly wrong? Derived entirely from the Cockpit Voice Recorder transcripts of six major airline incidents and accidents, CHARLIE VICTOR ROMEO puts the audience inside the tension-filled cockpits of actual flights in distress, offering a fascinating portrait of the psychology of crisis and a person’s will to live to the last second.\\n\\n“[This] chilling and groundbreaking production stretches the boundaries of film, theatre, and the traditional documentary with this stereoscopic 3-D film of a stage play that recreates transcripts word for word. CHARLIE VICTOR ROMEO transports film audiences into the best seats of the theatre and delivers the intensity and gut-wrenching emotion of these emergencies via the unique approach of live performance.” - Shari Frilot, senior programmer Sundance Film Festival \u0026amp; New Frontier\\n\\n\"}' data-sheets-root=\"1\"\u003eCVR Scene 5 - JAL123, LIVE @ Rinkogun Theater Company, Tokyo, Japan July 26, 2002\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"One of the most terrifying movies I have ever seen.\\\"\\n- A.O. Scott, New York Times\\n\\n\\\"The scariest airplane movie ever.\\\"\\n- John Waters, Artforum\\n\\nA unique and riveting theatrical experience, CHARLIE VICTOR ROMEO (CVR) is a performance documentary derived entirely from the “Black Box” transcripts of six major real-life airline emergencies.\\n\\nWhen you board an airplane, who are those people in uniform to whom you entrust your life? What do they really do when things go horribly wrong? Derived entirely from the Cockpit Voice Recorder transcripts of six major airline incidents and accidents, CHARLIE VICTOR ROMEO puts the audience inside the tension-filled cockpits of actual flights in distress, offering a fascinating portrait of the psychology of crisis and a person’s will to live to the last second.\\n\\n“[This] chilling and groundbreaking production stretches the boundaries of film, theatre, and the traditional documentary with this stereoscopic 3-D film of a stage play that recreates transcripts word for word. CHARLIE VICTOR ROMEO transports film audiences into the best seats of the theatre and delivers the intensity and gut-wrenching emotion of these emergencies via the unique approach of live performance.” - Shari Frilot, senior programmer Sundance Film Festival \u0026amp; New Frontier\\n\\n\"}' data-sheets-root=\"1\"\u003ePBS Newshour - “Cockpit Drama” June 6, 2000\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"One of the most terrifying movies I have ever seen.\\\"\\n- A.O. Scott, New York Times\\n\\n\\\"The scariest airplane movie ever.\\\"\\n- John Waters, Artforum\\n\\nA unique and riveting theatrical experience, CHARLIE VICTOR ROMEO (CVR) is a performance documentary derived entirely from the “Black Box” transcripts of six major real-life airline emergencies.\\n\\nWhen you board an airplane, who are those people in uniform to whom you entrust your life? What do they really do when things go horribly wrong? Derived entirely from the Cockpit Voice Recorder transcripts of six major airline incidents and accidents, CHARLIE VICTOR ROMEO puts the audience inside the tension-filled cockpits of actual flights in distress, offering a fascinating portrait of the psychology of crisis and a person’s will to live to the last second.\\n\\n“[This] chilling and groundbreaking production stretches the boundaries of film, theatre, and the traditional documentary with this stereoscopic 3-D film of a stage play that recreates transcripts word for word. CHARLIE VICTOR ROMEO transports film audiences into the best seats of the theatre and delivers the intensity and gut-wrenching emotion of these emergencies via the unique approach of live performance.” - Shari Frilot, senior programmer Sundance Film Festival \u0026amp; New Frontier\\n\\n\"}' data-sheets-root=\"1\"\u003ePBS Newshour - “Medical Mistakes” March 26, 2001\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"One of the most terrifying movies I have ever seen.\\\"\\n- A.O. Scott, New York Times\\n\\n\\\"The scariest airplane movie ever.\\\"\\n- John Waters, Artforum\\n\\nA unique and riveting theatrical experience, CHARLIE VICTOR ROMEO (CVR) is a performance documentary derived entirely from the “Black Box” transcripts of six major real-life airline emergencies.\\n\\nWhen you board an airplane, who are those people in uniform to whom you entrust your life? What do they really do when things go horribly wrong? Derived entirely from the Cockpit Voice Recorder transcripts of six major airline incidents and accidents, CHARLIE VICTOR ROMEO puts the audience inside the tension-filled cockpits of actual flights in distress, offering a fascinating portrait of the psychology of crisis and a person’s will to live to the last second.\\n\\n“[This] chilling and groundbreaking production stretches the boundaries of film, theatre, and the traditional documentary with this stereoscopic 3-D film of a stage play that recreates transcripts word for word. CHARLIE VICTOR ROMEO transports film audiences into the best seats of the theatre and delivers the intensity and gut-wrenching emotion of these emergencies via the unique approach of live performance.” - Shari Frilot, senior programmer Sundance Film Festival \u0026amp; New Frontier\\n\\n\"}' data-sheets-root=\"1\"\u003eTeaser Trailer 2013 #1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"One of the most terrifying movies I have ever seen.\\\"\\n- A.O. Scott, New York Times\\n\\n\\\"The scariest airplane movie ever.\\\"\\n- John Waters, Artforum\\n\\nA unique and riveting theatrical experience, CHARLIE VICTOR ROMEO (CVR) is a performance documentary derived entirely from the “Black Box” transcripts of six major real-life airline emergencies.\\n\\nWhen you board an airplane, who are those people in uniform to whom you entrust your life? What do they really do when things go horribly wrong? Derived entirely from the Cockpit Voice Recorder transcripts of six major airline incidents and accidents, CHARLIE VICTOR ROMEO puts the audience inside the tension-filled cockpits of actual flights in distress, offering a fascinating portrait of the psychology of crisis and a person’s will to live to the last second.\\n\\n“[This] chilling and groundbreaking production stretches the boundaries of film, theatre, and the traditional documentary with this stereoscopic 3-D film of a stage play that recreates transcripts word for word. CHARLIE VICTOR ROMEO transports film audiences into the best seats of the theatre and delivers the intensity and gut-wrenching emotion of these emergencies via the unique approach of live performance.” - Shari Frilot, senior programmer Sundance Film Festival \u0026amp; New Frontier\\n\\n\"}' data-sheets-root=\"1\"\u003eTeaser Trailer 2013 #2\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"One of the most terrifying movies I have ever seen.\\\"\\n- A.O. Scott, New York Times\\n\\n\\\"The scariest airplane movie ever.\\\"\\n- John Waters, Artforum\\n\\nA unique and riveting theatrical experience, CHARLIE VICTOR ROMEO (CVR) is a performance documentary derived entirely from the “Black Box” transcripts of six major real-life airline emergencies.\\n\\nWhen you board an airplane, who are those people in uniform to whom you entrust your life? What do they really do when things go horribly wrong? Derived entirely from the Cockpit Voice Recorder transcripts of six major airline incidents and accidents, CHARLIE VICTOR ROMEO puts the audience inside the tension-filled cockpits of actual flights in distress, offering a fascinating portrait of the psychology of crisis and a person’s will to live to the last second.\\n\\n“[This] chilling and groundbreaking production stretches the boundaries of film, theatre, and the traditional documentary with this stereoscopic 3-D film of a stage play that recreates transcripts word for word. CHARLIE VICTOR ROMEO transports film audiences into the best seats of the theatre and delivers the intensity and gut-wrenching emotion of these emergencies via the unique approach of live performance.” - Shari Frilot, senior programmer Sundance Film Festival \u0026amp; New Frontier\\n\\n\"}' data-sheets-root=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"OCN Distribution","offers":[{"title":"Default Title","offer_id":43086048657608,"sku":"DKA014","price":49.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/CharlieVictorRomeobd.jpg?v=1703365096"},{"product_id":"time-of-moulting-blu-ray","title":"Time of Moulting (BLU-RAY)","description":"\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/oqD5tLVH_-U?si=Nnf5BEEZfRqzn25n\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eDark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003e57 vignettes adding up to a cryptic whole.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003edirected by: Sabrina Mertens\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003estarring: Zelda Espenschied, Miriam Schiweck, Freya Kreutzkam, Bernd Wolf\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003e2020 \/ 82 min \/ 1.78:1 \/ German DTS-HD MA 5.1 and 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eNew interview with writer\/director Sabrina Mertens\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eNew interview with co-star Freya Kreutzkam\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eQ\u0026amp;A at Nitehawk Cinema, Brooklyn, NY Summer 2023 with filmmaker Sabrina Mertens, actress Freya Kreutzkam, and Caryn Coleman of The Future Of Film Is Female\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eOver 20 minutes of Deleted Scenes and Behind The Scenes Footage\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eGentle Moments - a short film starring Freya Kreutzkam by filmmaker Sabrina Mertens\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eUS Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eNew Essays by Samm Deighan, Stephanie Monohan, and Elizabeth Horkley\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eEnglish subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dekanalog","offers":[{"title":"Default Title","offer_id":43305380282568,"sku":"DKA015","price":41.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/TimeofMoultingbd.jpg?v=1710117740"},{"product_id":"time-of-moulting-limited-edition-slipcover-blu-ray","title":"Time of Moulting (Limited Edition Slipcover BLU-RAY)","description":"\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/oqD5tLVH_-U?si=Nnf5BEEZfRqzn25n\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eDark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003e57 vignettes adding up to a cryptic whole.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003edirected by: Sabrina Mertens\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003estarring: Zelda Espenschied, Miriam Schiweck, Freya Kreutzkam, Bernd Wolf\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003e2020 \/ 82 min \/ 1.78:1 \/ German DTS-HD MA 5.1 and 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eNew interview with writer\/director Sabrina Mertens\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eNew interview with co-star Freya Kreutzkam\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eQ\u0026amp;A at Nitehawk Cinema, Brooklyn, NY Summer 2023 with filmmaker Sabrina Mertens, actress Freya Kreutzkam, and Caryn Coleman of The Future Of Film Is Female\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eOver 20 minutes of Deleted Scenes and Behind The Scenes Footage\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eGentle Moments - a short film starring Freya Kreutzkam by filmmaker Sabrina Mertens\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eUS Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eNew Essays by Samm Deighan, Stephanie Monohan, and Elizabeth Horkley\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dark, oppressive, and ominous. A heavily atmospheric and harrowing portrait of the ways in which repressed family dynamics can influence and infect the lives of younger generations– not tangible, not namable, but inexorable.\\n\\nIn a small town in 1970s West Germany, Stephanie (played by a charming Zelda Espenschied as a young child, and a surly Miriam Schiweck “ten years later”) is raised by two parents who have no business having children. The mother (Freya Kreutzkam, never far from despair-induced collapse) suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter.\\n\\nYoung Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.\\n\\nThroughout the film director Sabrina Mertens and cinematographer Jan Fabi use a static camera. There are no closeups, and characters are often not centered within the frame. Sometimes, they are obscured by a piece of furniture. It isn’t always clear what’s happening. The lighting is flat and naturalistic; there is so much darkness that it’s difficult to get a sense of place. The house feels like a labyrinth of “stuff” - there are piles of clothing, crockery, furniture and newspapers everywhere, even in the bathroom. As the film progresses, the piles grow larger, and there is less room for the family. The oppressive formalism lingers in the many shadows with a quietly sadistic grin.\\n\\n57 vignettes adding up to a cryptic whole.\"}' data-sheets-root=\"1\"\u003eEnglish subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dekanalog","offers":[{"title":"Default Title","offer_id":43305380937928,"sku":"DKA015 SLIP","price":51.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/timeofmoultingslipfront.webp?v=1710117836"},{"product_id":"streetwise-blu-ray","title":"Streetwise (BLU-RAY)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/AGvDAhgMqA0?si=i2xWQx7QgZJYE3Kc\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eA bracingly bleak neo-noir soaked in sinister atmosphere, Na’s feature debut focuses on Dong Zi (Li Jiuxiao), a 21-year-old debt collector making a dishonest living in the bustling criminal economy in the Sichuan Province city of Zhenwu, all while aspiring to a better life than that which his ailing, ex-gangster father (an excellent Qi Zhi) has lived. Boasting a crack ensemble cast, brooding nocturnal cinematography courtesy of DP Li Jianeng, and an insider’s understanding of small-town claustrophobia, Na’s sleek neo-noir established him as one of Mainland China’s undeniable emerging talents during its lauded festival run.\u003c\/p\u003e\n\u003cp\u003edirected by: Jiazuo Na\u003cbr\u003estarring: Li Jiuxiao, Miyi Huang, Qi Zhi\u003cbr\u003e2021 \/ 93 min \/ 2.00:1 \/ Chinese DTS-HD MA 5.1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' 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Title","offer_id":43643987067080,"sku":"DKA016","price":41.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/Streetwisebd.jpg?v=1714958261"},{"product_id":"streetwise-limited-edition-slipcover-blu-ray","title":"Streetwise (Limited Edition Slipcover BLU-RAY)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/AGvDAhgMqA0?si=i2xWQx7QgZJYE3Kc\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eA bracingly bleak neo-noir soaked in sinister atmosphere, Na’s feature debut focuses on Dong Zi (Li Jiuxiao), a 21-year-old debt collector making a dishonest living in the bustling criminal economy in the Sichuan Province city of Zhenwu, all 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They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary with director Kevin Hegge moderated by documentary filmmaker Jay Cheel\\nExtended interview with Andrew Czezowski and Sue Carrington of The Roxy\\nExtended interview Judy Blame\\n“Under The Influence” (1980) An 8mm film directed by John Scarlett-Davis featuring an all new music score by Kat Duma\\nArchival photo gallery\\n60 second and 30 second trailer\"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary with director Kevin Hegge moderated by documentary filmmaker Jay Cheel\\nExtended interview with Andrew Czezowski and Sue Carrington of The Roxy\\nExtended interview Judy Blame\\n“Under The Influence” (1980) An 8mm film directed by John Scarlett-Davis featuring an all new music score by Kat Duma\\nArchival photo gallery\\n60 second and 30 second trailer\"}' data-sheets-root=\"1\"\u003eAudio commentary with director Kevin Hegge moderated by documentary filmmaker Jay Cheel\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary with director Kevin Hegge moderated by documentary filmmaker Jay Cheel\\nExtended interview with Andrew Czezowski and Sue Carrington of The Roxy\\nExtended interview Judy Blame\\n“Under The Influence” (1980) An 8mm film directed by John Scarlett-Davis featuring an all new music score by Kat Duma\\nArchival photo gallery\\n60 second and 30 second trailer\"}' data-sheets-root=\"1\"\u003eExtended interview with Andrew Czezowski and Sue Carrington of The Roxy\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary with director Kevin Hegge moderated by documentary filmmaker Jay Cheel\\nExtended interview with Andrew Czezowski and Sue Carrington of The Roxy\\nExtended interview Judy Blame\\n“Under The Influence” (1980) An 8mm film directed by John Scarlett-Davis featuring an all new music score by Kat Duma\\nArchival photo gallery\\n60 second and 30 second trailer\"}' data-sheets-root=\"1\"\u003eExtended interview Judy Blame\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary with director Kevin Hegge moderated by documentary filmmaker Jay Cheel\\nExtended interview with Andrew Czezowski and Sue Carrington of The Roxy\\nExtended interview Judy Blame\\n“Under The Influence” (1980) An 8mm film directed by John Scarlett-Davis featuring an all new music score by Kat Duma\\nArchival photo gallery\\n60 second and 30 second trailer\"}' data-sheets-root=\"1\"\u003e“Under The Influence” (1980) An 8mm film directed by John Scarlett-Davis featuring an all new music score by Kat Duma\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary with director Kevin Hegge moderated by documentary filmmaker Jay Cheel\\nExtended interview with Andrew Czezowski and Sue Carrington of The Roxy\\nExtended interview Judy Blame\\n“Under The Influence” (1980) An 8mm film directed by John Scarlett-Davis featuring an all new music score by Kat Duma\\nArchival photo gallery\\n60 second and 30 second trailer\"}' data-sheets-root=\"1\"\u003eArchival photo gallery\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary with director Kevin Hegge moderated by documentary filmmaker Jay Cheel\\nExtended interview with Andrew Czezowski and Sue Carrington of The Roxy\\nExtended interview Judy Blame\\n“Under The Influence” (1980) An 8mm film directed by John Scarlett-Davis featuring an all new music score by Kat Duma\\nArchival photo gallery\\n60 second and 30 second trailer\"}' data-sheets-root=\"1\"\u003e60 second and 30 second trailer\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary with director Kevin Hegge moderated by documentary filmmaker Jay Cheel\\nExtended interview with Andrew Czezowski and Sue Carrington of The Roxy\\nExtended interview Judy Blame\\n“Under The Influence” (1980) An 8mm film directed by John Scarlett-Davis featuring an all new music score by Kat Duma\\nArchival photo gallery\\n60 second and 30 second trailer\"}' data-sheets-root=\"1\"\u003eEnglish subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"Dekanalog","offers":[{"title":"Default Title","offer_id":43840222789832,"sku":"DKA017","price":41.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/Trampsbd.jpg?v=1718832004"},{"product_id":"tramps-limited-edition-slipcover-blu-ray","title":"Tramps! 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From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/L6tQt_3MuTc?si=n_UnvpZs2gXuCXrw\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e“We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003eWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003eDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003edirected by: Kevin Hegge\u003cbr\u003estarring: Judy Blame, Duggie Fields, Princess Julia, John Maybury, Mark Moore, Philip Sallon, Christine Binnie, Scarlett Cannon, Sue Carrington\u003cbr\u003e2022 \/ 104 min \/ 1.78:1 \/ English, French, Spanish DTS-HD MA 5.1 \u0026amp; 2.0\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary with director Kevin Hegge moderated by documentary filmmaker Jay Cheel\\nExtended interview with Andrew Czezowski and Sue Carrington of The Roxy\\nExtended interview Judy Blame\\n“Under The Influence” (1980) An 8mm film directed by John Scarlett-Davis featuring an all new music score by Kat Duma\\nArchival photo gallery\\n60 second and 30 second trailer\"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary with director Kevin Hegge moderated by documentary filmmaker Jay Cheel\\nExtended interview with Andrew Czezowski and Sue Carrington of The Roxy\\nExtended interview Judy Blame\\n“Under The Influence” (1980) An 8mm film directed by John Scarlett-Davis featuring an all new music score by Kat Duma\\nArchival photo gallery\\n60 second and 30 second trailer\"}' data-sheets-root=\"1\"\u003eAudio commentary with director Kevin Hegge moderated by documentary filmmaker Jay Cheel\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary with director Kevin Hegge moderated by documentary filmmaker Jay Cheel\\nExtended interview with Andrew Czezowski and Sue Carrington of The Roxy\\nExtended interview Judy Blame\\n“Under The Influence” (1980) An 8mm film directed by John Scarlett-Davis featuring an all new music score by Kat Duma\\nArchival photo gallery\\n60 second and 30 second trailer\"}' data-sheets-root=\"1\"\u003eExtended interview with Andrew Czezowski and Sue Carrington of The Roxy\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary with director Kevin Hegge moderated by documentary filmmaker Jay Cheel\\nExtended interview with Andrew Czezowski and Sue Carrington of The Roxy\\nExtended interview Judy Blame\\n“Under The Influence” (1980) An 8mm film directed by John Scarlett-Davis featuring an all new music score by Kat Duma\\nArchival photo gallery\\n60 second and 30 second trailer\"}' data-sheets-root=\"1\"\u003eExtended interview Judy Blame\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary with director Kevin Hegge moderated by documentary filmmaker Jay Cheel\\nExtended interview with Andrew Czezowski and Sue Carrington of The Roxy\\nExtended interview Judy Blame\\n“Under The Influence” (1980) An 8mm film directed by John Scarlett-Davis featuring an all new music score by Kat Duma\\nArchival photo gallery\\n60 second and 30 second trailer\"}' data-sheets-root=\"1\"\u003e“Under The Influence” (1980) An 8mm film directed by John Scarlett-Davis featuring an all new music score by Kat Duma\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary with director Kevin Hegge moderated by documentary filmmaker Jay Cheel\\nExtended interview with Andrew Czezowski and Sue Carrington of The Roxy\\nExtended interview Judy Blame\\n“Under The Influence” (1980) An 8mm film directed by John Scarlett-Davis featuring an all new music score by Kat Duma\\nArchival photo gallery\\n60 second and 30 second trailer\"}' data-sheets-root=\"1\"\u003eArchival photo gallery\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary with director Kevin Hegge moderated by documentary filmmaker Jay Cheel\\nExtended interview with Andrew Czezowski and Sue Carrington of The Roxy\\nExtended interview Judy Blame\\n“Under The Influence” (1980) An 8mm film directed by John Scarlett-Davis featuring an all new music score by Kat Duma\\nArchival photo gallery\\n60 second and 30 second trailer\"}' data-sheets-root=\"1\"\u003e60 second and 30 second trailer\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Audio commentary with director Kevin Hegge moderated by documentary filmmaker Jay Cheel\\nExtended interview with Andrew Czezowski and Sue Carrington of The Roxy\\nExtended interview Judy Blame\\n“Under The Influence” (1980) An 8mm film directed by John Scarlett-Davis featuring an all new music score by Kat Duma\\nArchival photo gallery\\n60 second and 30 second trailer\"}' data-sheets-root=\"1\"\u003eEnglish subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"Dekanalog","offers":[{"title":"Default Title","offer_id":43840224231624,"sku":"DKA017 SLIP","price":52.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/trampsslipfront.webp?v=1718832323"},{"product_id":"mami-wata-blu-ray","title":"Mami Wata (BLU-RAY)","description":"\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Q8EVuDVR3a8?si=aNf4hXeK2X7aXuPq\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003eIn the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003eC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003eNigerian submission for the Academy Award for Best International Feature Film 2024\u003cbr\u003eNominee, Best International Film, Film Independent Spirit Awards 2024\u003cbr\u003eNominee, Best International Feature, NAACP Image Awards 2024\u003cbr\u003eSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003edirected by: C.J. 'Fiery' Obasi\u003cbr\u003estarring: Rita Edochie, Uzoamaka Aniunoh, Evelyne Ily Juhen, Emeka Amakeze\u003cbr\u003e2023 \/ 107 min \/ 1.78:1 \/ West African Pidgin DTS-HD MA 5.1\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;* Commentary with Writer \/ Director C.J. 'Fiery' Obasi\\n* Defying Genre: C.J. 'Fiery' Obasi on Mami Wata\\n* Making Mami Wata\\n* Mami Wata Scoring Sessions\\n* Outtake\\n* Deleted Scenes\\n* Theatrical Trailer\\n* Director's Statement\\n* Booklet Essay\u0026quot;}\" data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;* Commentary with Writer \/ Director C.J. 'Fiery' Obasi\\n* Defying Genre: C.J. 'Fiery' Obasi on Mami Wata\\n* Making Mami Wata\\n* Mami Wata Scoring Sessions\\n* Outtake\\n* Deleted Scenes\\n* Theatrical Trailer\\n* Director's Statement\\n* Booklet Essay\u0026quot;}\" data-sheets-root=\"1\"\u003eCommentary with Writer \/ Director C.J. 'Fiery' Obasi\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;* Commentary with Writer \/ Director C.J. 'Fiery' Obasi\\n* Defying Genre: C.J. 'Fiery' Obasi on Mami Wata\\n* Making Mami Wata\\n* Mami Wata Scoring Sessions\\n* Outtake\\n* Deleted Scenes\\n* Theatrical Trailer\\n* Director's Statement\\n* Booklet Essay\u0026quot;}\" data-sheets-root=\"1\"\u003eDefying Genre: C.J. 'Fiery' Obasi on Mami Wata\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;* Commentary with Writer \/ Director C.J. 'Fiery' Obasi\\n* Defying Genre: C.J. 'Fiery' Obasi on Mami Wata\\n* Making Mami Wata\\n* Mami Wata Scoring Sessions\\n* Outtake\\n* Deleted Scenes\\n* Theatrical Trailer\\n* Director's Statement\\n* Booklet Essay\u0026quot;}\" data-sheets-root=\"1\"\u003eMaking Mami Wata\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;* Commentary with Writer \/ Director C.J. 'Fiery' Obasi\\n* Defying Genre: C.J. 'Fiery' Obasi on Mami Wata\\n* Making Mami Wata\\n* Mami Wata Scoring Sessions\\n* Outtake\\n* Deleted Scenes\\n* Theatrical Trailer\\n* Director's Statement\\n* Booklet Essay\u0026quot;}\" data-sheets-root=\"1\"\u003eMami Wata Scoring Sessions\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;* Commentary with Writer \/ Director C.J. 'Fiery' Obasi\\n* Defying Genre: C.J. 'Fiery' Obasi on Mami Wata\\n* Making Mami Wata\\n* Mami Wata Scoring Sessions\\n* Outtake\\n* Deleted Scenes\\n* Theatrical Trailer\\n* Director's Statement\\n* Booklet Essay\u0026quot;}\" data-sheets-root=\"1\"\u003eOuttake\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;* Commentary with Writer \/ Director C.J. 'Fiery' Obasi\\n* Defying Genre: C.J. 'Fiery' Obasi on Mami Wata\\n* Making Mami Wata\\n* Mami Wata Scoring Sessions\\n* Outtake\\n* Deleted Scenes\\n* Theatrical Trailer\\n* Director's Statement\\n* Booklet Essay\u0026quot;}\" data-sheets-root=\"1\"\u003eDeleted Scenes\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;* Commentary with Writer \/ Director C.J. 'Fiery' Obasi\\n* Defying Genre: C.J. 'Fiery' Obasi on Mami Wata\\n* Making Mami Wata\\n* Mami Wata Scoring Sessions\\n* Outtake\\n* Deleted Scenes\\n* Theatrical Trailer\\n* Director's Statement\\n* Booklet Essay\u0026quot;}\" data-sheets-root=\"1\"\u003eTheatrical Trailer\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;* Commentary with Writer \/ Director C.J. 'Fiery' Obasi\\n* Defying Genre: C.J. 'Fiery' Obasi on Mami Wata\\n* Making Mami Wata\\n* Mami Wata Scoring Sessions\\n* Outtake\\n* Deleted Scenes\\n* Theatrical Trailer\\n* Director's Statement\\n* Booklet Essay\u0026quot;}\" data-sheets-root=\"1\"\u003eDirector's Statement\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;* Commentary with Writer \/ Director C.J. 'Fiery' Obasi\\n* Defying Genre: C.J. 'Fiery' Obasi on Mami Wata\\n* Making Mami Wata\\n* Mami Wata Scoring Sessions\\n* Outtake\\n* Deleted Scenes\\n* Theatrical Trailer\\n* Director's Statement\\n* Booklet Essay\u0026quot;}\" data-sheets-root=\"1\"\u003eBooklet Essay\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;* Commentary with Writer \/ Director C.J. 'Fiery' Obasi\\n* Defying Genre: C.J. 'Fiery' Obasi on Mami Wata\\n* Making Mami Wata\\n* Mami Wata Scoring Sessions\\n* Outtake\\n* Deleted Scenes\\n* Theatrical Trailer\\n* Director's Statement\\n* Booklet Essay\u0026quot;}\" data-sheets-root=\"1\"\u003eEnglish \u0026amp; French subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"OCN Distribution","offers":[{"title":"Default Title","offer_id":43923532546248,"sku":"DKA018","price":41.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/MamiWatabd.jpg?v=1720382663"},{"product_id":"mami-wata-limited-edition-slipcover-blu-ray","title":"Mami Wata (Limited Edition Slipcover BLU-RAY)","description":"\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Q8EVuDVR3a8?si=aNf4hXeK2X7aXuPq\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003eIn the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003eC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003eNigerian submission for the Academy Award for Best International Feature Film 2024\u003cbr\u003eNominee, Best International Film, Film Independent Spirit Awards 2024\u003cbr\u003eNominee, Best International Feature, NAACP Image Awards 2024\u003cbr\u003eSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003edirected by: C.J. 'Fiery' Obasi\u003cbr\u003estarring: Rita Edochie, Uzoamaka Aniunoh, Evelyne Ily Juhen, Emeka Amakeze\u003cbr\u003e2023 \/ 107 min \/ 1.78:1 \/ West African Pidgin DTS-HD MA 5.1\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;* Commentary with Writer \/ Director C.J. 'Fiery' Obasi\\n* Defying Genre: C.J. 'Fiery' Obasi on Mami Wata\\n* Making Mami Wata\\n* Mami Wata Scoring Sessions\\n* Outtake\\n* Deleted Scenes\\n* Theatrical Trailer\\n* Director's Statement\\n* Booklet Essay\u0026quot;}\" data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;* Commentary with Writer \/ Director C.J. 'Fiery' Obasi\\n* Defying Genre: C.J. 'Fiery' Obasi on Mami Wata\\n* Making Mami Wata\\n* Mami Wata Scoring Sessions\\n* Outtake\\n* Deleted Scenes\\n* Theatrical Trailer\\n* Director's Statement\\n* Booklet Essay\u0026quot;}\" data-sheets-root=\"1\"\u003eCommentary with Writer \/ Director C.J. 'Fiery' Obasi\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;* Commentary with Writer \/ Director C.J. 'Fiery' Obasi\\n* Defying Genre: C.J. 'Fiery' Obasi on Mami Wata\\n* Making Mami Wata\\n* Mami Wata Scoring Sessions\\n* Outtake\\n* Deleted Scenes\\n* Theatrical Trailer\\n* Director's Statement\\n* Booklet Essay\u0026quot;}\" data-sheets-root=\"1\"\u003eDefying Genre: C.J. 'Fiery' Obasi on Mami Wata\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;* Commentary with Writer \/ Director C.J. 'Fiery' Obasi\\n* Defying Genre: C.J. 'Fiery' Obasi on Mami Wata\\n* Making Mami Wata\\n* Mami Wata Scoring Sessions\\n* Outtake\\n* Deleted Scenes\\n* Theatrical Trailer\\n* Director's Statement\\n* Booklet Essay\u0026quot;}\" data-sheets-root=\"1\"\u003eMaking Mami Wata\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;* Commentary with Writer \/ Director C.J. 'Fiery' Obasi\\n* Defying Genre: C.J. 'Fiery' Obasi on Mami Wata\\n* Making Mami Wata\\n* Mami Wata Scoring Sessions\\n* Outtake\\n* Deleted Scenes\\n* Theatrical Trailer\\n* Director's Statement\\n* Booklet Essay\u0026quot;}\" data-sheets-root=\"1\"\u003eMami Wata Scoring Sessions\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;* Commentary with Writer \/ Director C.J. 'Fiery' Obasi\\n* Defying Genre: C.J. 'Fiery' Obasi on Mami Wata\\n* Making Mami Wata\\n* Mami Wata Scoring Sessions\\n* Outtake\\n* Deleted Scenes\\n* Theatrical Trailer\\n* Director's Statement\\n* Booklet Essay\u0026quot;}\" data-sheets-root=\"1\"\u003eOuttake\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;* Commentary with Writer \/ Director C.J. 'Fiery' Obasi\\n* Defying Genre: C.J. 'Fiery' Obasi on Mami Wata\\n* Making Mami Wata\\n* Mami Wata Scoring Sessions\\n* Outtake\\n* Deleted Scenes\\n* Theatrical Trailer\\n* Director's Statement\\n* Booklet Essay\u0026quot;}\" data-sheets-root=\"1\"\u003eDeleted Scenes\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;* Commentary with Writer \/ Director C.J. 'Fiery' Obasi\\n* Defying Genre: C.J. 'Fiery' Obasi on Mami Wata\\n* Making Mami Wata\\n* Mami Wata Scoring Sessions\\n* Outtake\\n* Deleted Scenes\\n* Theatrical Trailer\\n* Director's Statement\\n* Booklet Essay\u0026quot;}\" data-sheets-root=\"1\"\u003eTheatrical Trailer\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;* Commentary with Writer \/ Director C.J. 'Fiery' Obasi\\n* Defying Genre: C.J. 'Fiery' Obasi on Mami Wata\\n* Making Mami Wata\\n* Mami Wata Scoring Sessions\\n* Outtake\\n* Deleted Scenes\\n* Theatrical Trailer\\n* Director's Statement\\n* Booklet Essay\u0026quot;}\" data-sheets-root=\"1\"\u003eDirector's Statement\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;* Commentary with Writer \/ Director C.J. 'Fiery' Obasi\\n* Defying Genre: C.J. 'Fiery' Obasi on Mami Wata\\n* Making Mami Wata\\n* Mami Wata Scoring Sessions\\n* Outtake\\n* Deleted Scenes\\n* Theatrical Trailer\\n* Director's Statement\\n* Booklet Essay\u0026quot;}\" data-sheets-root=\"1\"\u003eBooklet Essay\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\" “We were the product!” They were loud. They were dangerous. They were fabulous. Called Blitz Kids and Peacock Punks by a confused tabloid press, a new class of proudly out and outre youths changed the face of London in the 1970s and 1980s. Faced with a repressive, traditional, and colorless UK, a group of misfits refashioned society in a more beautiful and strange image. From acclaimed documentarian Kevin Hegge comes TRAMPS! the story of the kids that would come to be called the New Romantics, who used music, art, fashion, and film to create a revolutionary new London scene. \\n\\nWith testimony from legendary personalities Judy Blame, Princess Julia, Andrew Logan, John Maybury, and Michael Costiff among others TRAMPS! pieces together a history of the people responsible for turning London from a post-war ruin into a teeming site of creativity, love, and rebellion through style. Electric testimony, invaluable archival material, and gorgeous outfits fuse to tell the story of a freely queer time of discovery and destruction with appearances by Leigh Bowery, Derek Jarman, The Sex Pistols, Siouxsie Sioux, Boy George, and more. \\n\\nDekanalog is proud to present this special, limited edition Blu-ray of this essential document of broken boundaries, a touching homage to departed luminaries, and a killer party all in one package. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In the oceanside village of Iyi, the revered Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper (Emeka Amakeze), a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.\\n\\nC.J. “Fiery” Obasi’s potent modern fable deploys vivid monochromatic black-and-white cinematography, rich sound design, and a hypnotic score in a folk-futurist style both earthy and otherworldly. Obasi depicts a pitched battle between opportunistic militants promising technological progress and a matriarchal spiritual order living in fragile harmony with the ocean. Mami Wata transports us to a place that seems both suspended in time and perhaps running out of time, as the threats of modern life wash up on its shores.\\n\\nNigerian submission for the Academy Award for Best International Feature Film 2024\\nNominee, Best International Film, Film Independent Spirit Awards 2024\\nNominee, Best International Feature, NAACP Image Awards 2024\\nSpecial Jury Award Winner for Cinematography, Sundance Film Festival 2023\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;* Commentary with Writer \/ Director C.J. 'Fiery' Obasi\\n* Defying Genre: C.J. 'Fiery' Obasi on Mami Wata\\n* Making Mami Wata\\n* Mami Wata Scoring Sessions\\n* Outtake\\n* Deleted Scenes\\n* Theatrical Trailer\\n* Director's Statement\\n* Booklet Essay\u0026quot;}\" data-sheets-root=\"1\"\u003eEnglish \u0026amp; French subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"OCN Distribution","offers":[{"title":"Default Title","offer_id":43923533660360,"sku":"DKA018 SLIP","price":52.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/MamiWatabdslip.webp?v=1720383154"},{"product_id":"sepa-our-lord-of-miracles-blu-ray","title":"Sepa: Our Lord of Miracles (BLU-RAY)","description":"\u003cp class=\"p1\"\u003e\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/751273205?h=15d4160801\" title=\"vimeo-player\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\"Nuestro Señor de los Milagros Our Lord of the Miracles, is the name of a swamp-glittering prison colony in the remote Peruvian jungle on the Rio Sepa. This is the dumping ground where the worst prisons in the country send their toughest of the tough. A bizarre island of freedom where tragedy and absurdity create a close-in world seemingly invented from feverish dreams. Here are murderers who survived the taking of hostages and the subsequent massacre at Lurigancho prison (documented in the film), and prisoners who have done 8 years extra time simply because their release papers were lost; there is one who fought his way from the highlands on foot, taking weeks to get here to serve his sentence. There is also a headhunter, a drug boss and 'el Invisible', the invisible one. The 65 year old, half deaf prison director, Don Elias, in tropical clothing, and wearing a straw hat, calls them all 'mis angelitos', my little angels.\" -Werner Herzog\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHaving languished in a closet for more than 30 years, this newly rediscovered film is a unique documentary record of a bold and troubling experiment in criminal justice. A collaboration in between Walter Saxer, the producer of Werner Herzog’s Fitzcarraldo, and the Peruvian Nobel laureate Mario Vargas Llosa, Sepa: Our Lord of Miracles observes an open-air penal colony of the same name, created in 1951 by the Peruvian government in the Amazonian jungle. Tasked with growing crops on these colonized lands, the inmates were permitted to roam freely, commune with their families, and dance and cook together, yet they soon found themselves in despair, abandoned and forgotten by their country and the world at large.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRestored in 4K by Cinematheque Suisse and Cineteca di Bologna in collaboration with the Ministerio de Cultura del Peru at the L'Immagine Ritrovata laboratory starting from the original 16mm camera negative and the sound preserved at Yacumama Films.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003edirected by: Walter Saxer\u003cbr\u003estarring: Mario Vargas Llosa \/ Narrator\u003cbr\u003e1987 \/ 79 min \/ 1.33:1 \/ Spanish, English, German DTS-HD MA 1.0\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAdditional info:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e2 Audience Q\u0026amp;As with filmmaker Walter Saxer and daughter Micaela Saxer at Metrograph, New York, NY, October 2022\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eNew interview with filmmaker Water Saxar recorded at Casa Fitzcaraldo, Iquitos, Peru \u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eTheatrical Trailer\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eBooklet introduction by Werner Herzog\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eBooklet essay by Micaela Saxer\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"Dekanalog","offers":[{"title":"Default Title","offer_id":44007245611208,"sku":"DKA019","price":41.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/SEPAOurLordbd.jpg?v=1722898466"},{"product_id":"sepa-our-lord-of-miracles-limited-edition-slipcover-blu-ray","title":"Sepa: Our Lord of Miracles (Limited Edition Slipcover BLU-RAY)","description":"\u003cp class=\"p1\"\u003e\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/751273205?h=15d4160801\" title=\"vimeo-player\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\"Nuestro Señor de los Milagros Our Lord of the Miracles, is the name of a swamp-glittering prison colony in the remote Peruvian jungle on the Rio Sepa. This is the dumping ground where the worst prisons in the country send their toughest of the tough. A bizarre island of freedom where tragedy and absurdity create a close-in world seemingly invented from feverish dreams. Here are murderers who survived the taking of hostages and the subsequent massacre at Lurigancho prison (documented in the film), and prisoners who have done 8 years extra time simply because their release papers were lost; there is one who fought his way from the highlands on foot, taking weeks to get here to serve his sentence. There is also a headhunter, a drug boss and 'el Invisible', the invisible one. The 65 year old, half deaf prison director, Don Elias, in tropical clothing, and wearing a straw hat, calls them all 'mis angelitos', my little angels.\" -Werner Herzog\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHaving languished in a closet for more than 30 years, this newly rediscovered film is a unique documentary record of a bold and troubling experiment in criminal justice. A collaboration in between Walter Saxer, the producer of Werner Herzog’s Fitzcarraldo, and the Peruvian Nobel laureate Mario Vargas Llosa, Sepa: Our Lord of Miracles observes an open-air penal colony of the same name, created in 1951 by the Peruvian government in the Amazonian jungle. Tasked with growing crops on these colonized lands, the inmates were permitted to roam freely, commune with their families, and dance and cook together, yet they soon found themselves in despair, abandoned and forgotten by their country and the world at large.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRestored in 4K by Cinematheque Suisse and Cineteca di Bologna in collaboration with the Ministerio de Cultura del Peru at the L'Immagine Ritrovata laboratory starting from the original 16mm camera negative and the sound preserved at Yacumama Films.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003edirected by: Walter Saxer\u003cbr\u003estarring: Mario Vargas Llosa \/ Narrator\u003cbr\u003e1987 \/ 79 min \/ 1.33:1 \/ Spanish, English, German DTS-HD MA 1.0\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAdditional info:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e2 Audience Q\u0026amp;As with filmmaker Walter Saxer and daughter Micaela Saxer at Metrograph, New York, NY, October 2022\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eNew interview with filmmaker Water Saxar recorded at Casa Fitzcaraldo, Iquitos, Peru \u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eTheatrical Trailer\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eBooklet introduction by Werner Herzog\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eBooklet essay by Micaela Saxer\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"Dekanalog","offers":[{"title":"Default Title","offer_id":44007246037192,"sku":"DKA019 SLIP","price":52.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/SEPAOurLordbdslipfront.webp?v=1722898845"},{"product_id":"that-guy-dick-miller-blu-ray","title":"That Guy Dick Miller (BLU-RAY)","description":"\u003cp class=\"p1\"\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/cRQ50TxpG4o?si=J6MYAWws327UnQIH\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan data-sheets-root=\"1\"\u003eDick Miller was the last of the great American character actors. Whether he was sharing the screen with Nicholson, DeNiro, Schwarzenegger or The Ramones, Dick has been stealing scenes since his screen debut in 1955. Every moviegoer knows his face, but few know his name and even fewer know his story - an aspiring writer turned accidental actor. Dekanalog is proud to present the 10th Anniversary Special Edition Blu-ray available for the first time in the U.S., loaded with special features and a special bonus film — “Starhops” (1978) — directed by Barbara Peters and featuring Dick Miller in a (what else?) scene stealing supporting role.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003edirected by:\u003cspan\u003e \u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eElijah Drenner\u003c\/span\u003e\u003cbr\u003estarring:\u003cspan\u003e \u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eDick Miller, Lannie Miller, Roger Corman, Julie Corman, Joe Dante, Zach Galligan, William Sadler, Corey Feldman, Robert Forster and more\u003c\/span\u003e\u003cbr\u003e2014 \/ 91 min \/ 1.78:1 \/ English\u003cspan\u003e \u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eDTS-HD MA 5.1, 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAdditional info:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eAudio Commentary with Director Elijah Drenner, Producer Lainie Miller and cinematographer Elle Schneider\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eA selection of Dick’s home movies\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eTheatrical Trailer\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eOuttakes\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eLos Angeles Premiere Footage\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eSpecial Bonus Film: “Starhops” (1978) Directed by Barbara Peters\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eBrand new 2K transfer from the original uncut camera negative available for the first time on Blu-ray\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eBooklet essay by Caelum Vatnsdal, author of “You Don’t Know Me, But You Love Me: The Lives of Dick Miller”\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eIntroductions from Elijah Drenner and Lainie Miller\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dekanalog","offers":[{"title":"Default Title","offer_id":44088073224392,"sku":"DKA020","price":49.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/ThatGuyDickMillerbd.jpg?v=1725670985"},{"product_id":"that-guy-dick-miller-limited-edition-slipcover-blu-ray","title":"That Guy Dick Miller (Limited Edition Slipcover BLU-RAY)","description":"\u003cp class=\"p1\"\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/cRQ50TxpG4o?si=J6MYAWws327UnQIH\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan data-sheets-root=\"1\"\u003eDick Miller was the last of the great American character actors. Whether he was sharing the screen with Nicholson, DeNiro, Schwarzenegger or The Ramones, Dick has been stealing scenes since his screen debut in 1955. Every moviegoer knows his face, but few know his name and even fewer know his story - an aspiring writer turned accidental actor. Dekanalog is proud to present the 10th Anniversary Special Edition Blu-ray available for the first time in the U.S., loaded with special features and a special bonus film — “Starhops” (1978) — directed by Barbara Peters and featuring Dick Miller in a (what else?) scene stealing supporting role.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003edirected by:\u003cspan\u003e \u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eElijah Drenner\u003c\/span\u003e\u003cbr\u003estarring:\u003cspan\u003e \u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eDick Miller, Lannie Miller, Roger Corman, Julie Corman, Joe Dante, Zach Galligan, William Sadler, Corey Feldman, Robert Forster and more\u003c\/span\u003e\u003cbr\u003e2014 \/ 91 min \/ 1.78:1 \/ English\u003cspan\u003e \u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eDTS-HD MA 5.1, 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAdditional info:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eAudio Commentary with Director Elijah Drenner, Producer Lainie Miller and cinematographer Elle Schneider\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eA selection of Dick’s home movies\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eTheatrical Trailer\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eOuttakes\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eLos Angeles Premiere Footage\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eSpecial Bonus Film: “Starhops” (1978) Directed by Barbara Peters\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eBrand new 2K transfer from the original uncut camera negative available for the first time on Blu-ray\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eBooklet essay by Caelum Vatnsdal, author of “You Don’t Know Me, But You Love Me: The Lives of Dick Miller”\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eIntroductions from Elijah Drenner and Lainie Miller\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dekanalog","offers":[{"title":"Default Title","offer_id":44088075387080,"sku":"DKA020 SLIP","price":59.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/ThatGuyDickMillerbdslip.webp?v=1725671178"},{"product_id":"dude-bro-party-massacre-iii-blu-ray","title":"Dude Bro Party Massacre III (BLU-RAY)","description":"\u003cp class=\"p1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_wpmJrjtS_I?si=_HLKcCKnLR5hjHTK\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA satirical twist on the gory and sexually charged 1980’s slasher genre, Dude Bro Party Massacre III is presented as the only surviving VHS copy of the reviled horror franchise’s third, and final, installment.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn the wake of two back-to-back mass murders on Chico’s frat row, loner Brent Chirino must infiltrate the ranks of a popular fraternity to investigate his twin brother's murder at the hands of the serial killer known as Motherface.\u003cbr\u003eAs they are picked off one by one, Brent and his fellow Dude Bros must face the terrifying reality that their deadly foe, believed to have been killed (twice!), has returned from the grave (again!), and is hell-bent on the destruction of the Delta Bis.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003edirected by: Tomm Jacobsen, Michael Rousselet, Jon Salmon\u003cbr\u003estarring: Alec Owen, Paul Prado, Ben Gigli, Jon Salmon, Mike James, Joey Scoma, Michael Rousselet, Kelsey Gunn, Olivia Taylor Dudley, Patton Oswalt and Nina Hartley\u003cbr\u003e2015 \/ 96 min \/ 1.33:1 \/ English\u003cspan\u003e \u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eDTS-HD MA 5.1, 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAdditional info:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eRegion A Blu-ray\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eBrand New Audio commentary with cast members\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eBrand New Audio commentary with directors\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e“It Came From The Internet: The Making of Dude Bro Party Massacre III”: An all new, 4-part documentary featuring cast and crew members\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eDeleted Scenes\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e5 Second Films Supercut (18 minutes)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eTrailers\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eGag Reel\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eStoryboard to Scene Comparisons and more!\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dekanalog","offers":[{"title":"Default Title","offer_id":44145161961672,"sku":"DKA021","price":46.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/DudeBroPartyMassacreIIIbd.jpg?v=1727824337"},{"product_id":"adult-swim-yule-log-blu-ray","title":"Adult Swim Yule Log (BLU-RAY)","description":"\u003cp class=\"p1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hD-FtIngb2I?si=Qw1d61UGsqk7oITH\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGet in the holiday spirit with this cozy, crackling fire.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003edirected by: Casper Kelly\u003cbr\u003estarring: Brendan Patrick Connor, Andrea Laing, Justin Miles, Hannah Alline, Skye Passmore\u003cbr\u003e2022 \/ 91 min \/ 1.78:1 \/ English\u003cspan\u003e \u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eDTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAdditional info:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eRegion A Blu-ray\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan\u003e2 Feature length audio commentaries with cast and crew\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan\u003eSelect scene commentaries\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan\u003eFX Show-\u0026amp;-Tell\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan\u003eYule Log (For Real This Time)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan\u003eBooklet with an essay by Grady Hendrix \u0026amp; a conversation with Casper Kelly and Rodney Ascher\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dekanalog","offers":[{"title":"Default Title","offer_id":44274935136456,"sku":"DKA022","price":47.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/DKA022_AdultSwimYuleLog_cover.jpg?v=1733456565"},{"product_id":"adult-swim-yule-log-limited-edition-slipcover-blu-ray","title":"Adult Swim Yule Log (Limited Edition Slipcover BLU-RAY)","description":"\u003cp class=\"p1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hD-FtIngb2I?si=Qw1d61UGsqk7oITH\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGet in the holiday spirit with this cozy, crackling fire.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003edirected by: Casper Kelly\u003cbr\u003estarring: Brendan Patrick Connor, Andrea Laing, Justin Miles, Hannah Alline, Skye Passmore\u003cbr\u003e2022 \/ 91 min \/ 1.78:1 \/ English\u003cspan\u003e \u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eDTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAdditional info:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eRegion A Blu-ray\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan\u003e2 Feature length audio commentaries with cast and crew\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan\u003eSelect scene commentaries\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan\u003eFX Show-\u0026amp;-Tell\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan\u003eYule Log (For Real This Time)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan\u003eBooklet with an essay by Grady Hendrix \u0026amp; a conversation with Casper Kelly and Rodney Ascher\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dekanalog","offers":[{"title":"Default Title","offer_id":44274936479944,"sku":"DKA022 SLIP","price":64.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/Adult_Swim_Yule_Log_LTD1_Front_2400x_ac7f31c4-f247-424b-92ae-72b0103d9ac0.webp?v=1733457038"},{"product_id":"hukkle-blu-ray","title":"Hukkle (BLU-RAY)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/WpG5f9VtJFM?si=6lvH_AaNRseWtzXq\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eAn old man hiccups. He shuffles slowly about his morning ritual and then takes his place on a bench outside his cottage, beside the road, still hiccuping. A goose goes about its business. Flies buzz. A cat earns its living. A runaway cart causes a stir in the village. The old man hiccups. A lovingly photographed natural history, these opening shots announce György Pálfi's Hukkle as a film that will proceed in its own way to its own destination, without regard to convention. The film is told almost entirely without dialogue, but is alive to sound; we spend observant, introspective hours in a Hungarian hamlet where nothing much seems to happen -- oh, except that there's a suspicious death... A mesmerizing pastoral symphony. 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Instead, Sweet Dreams provides compelling evidence of the mess these wider historical forces make in the lives of the characters within the volatile microcosm the director portrays so vividly.\u003c\/p\u003e\n\u003cp\u003eFor the family and business led by the imperious patriarch Jan (Hans Dagelet), the rot had clearly set in long before these events. That said, Jan isn’t around to see the changes to come, what with his sudden death after one of his nightly visits to the room of Siti (Hayati Azis), his Indonesian housekeeper. With the disorder in the household further compounded by a workers’ protest, his widow Agathe (Locarno winner Renée Soutendijk) demands the return from Europe of Jan’s pompous son Cornelius (Florian Myjer) and heavily pregnant daughter-in-law Josefin (Lisa Zweerman). 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Filmmakers who dared to defy the odds, creating stories that both reflected and resisted the shifting political tides, were thrust into a battle where their craft became a matter of life and death.\u003c\/p\u003e\n\u003cp\u003eThrough stunningly restored, newly rediscovered footage from these long-lost films, WHAT WE LEFT UNFINISHED takes you on an unforgettable journey into a world where the line between history and fiction often blurred beyond recognition. Witness the filmmakers’ struggles against scarce resources, relentless threats, and political oppression as they sought to tell stories they believed could change the fate of their country.\u003c\/p\u003e\n\u003cp\u003eWHAT WE LEFT UNFINISHED is not just a chronicle of lost films—it’s a window into the soul of a nation torn apart by war, ideology, and shifting allegiances. You’ll come to understand the cost Afghan filmmakers paid under Communism, the rewards they reaped despite the dangers, and why they still believe that cinema holds the power to heal the wounds that continue to divide Afghanistan today.\u003c\/p\u003e\n\u003cp\u003eThis is a story of resilience, of hope, and of the unbreakable belief in the power of film to shape reality.\u003c\/p\u003e\n\u003cp\u003eJoin us in uncovering a hidden chapter of history. A story that’s unfinished—but still calling for completion.\u003c\/p\u003e\n\u003cp\u003edirected by: Mariam Ghani\u003cbr\u003estarring: Latif Ahmadi, Jawanshir Haidari, Asadollah Aram\u003cbr\u003e2019 \/ 71 min \/ 1.85:1 \/ Dari, English DTS-HD MA 5.1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAdditional info:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eRegion A Blu-ray\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eIntroduction from filmmaker Mariam Ghani\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eExtended interview with filmmaker Latif Ahmadi\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eQ\u0026amp;A with filmmaker Mariam Ghani and Shahrzad Mojab, Director or Women and Gender Studies at the Institute at the University of Toronto\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eDiscussion with composer Qasim Naqvi and Mariam Ghani\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eFollow The Leader (2019) - Short Film\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eTrailer for Dark Days (1974)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eTrailer for Epic of Love (1986)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eTrailer for What We Left Unfinished\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dekanalog","offers":[{"title":"Default Title","offer_id":44578459910344,"sku":"DKA026","price":45.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/WhatWeLeftUnfinishedBD.jpg?v=1744063105"},{"product_id":"what-we-left-unfinished-us-import-limited-edition-slipcover-blu-ray","title":"What We Left Unfinished (US Import Limited Edition Slipcover BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003e\u003ciframe title=\"vimeo-player\" src=\"https:\/\/player.vimeo.com\/video\/576851507?h=f8eb55f89e\" width=\"640\" height=\"360\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn a time when film was more than just entertainment—it was a weapon—WHAT WE LEFT UNFINISHED unearths the incredible true stories behind five unfinished feature films from Afghanistan’s Communist era (1978-1991). Filmmakers who dared to defy the odds, creating stories that both reflected and resisted the shifting political tides, were thrust into a battle where their craft became a matter of life and death.\u003c\/p\u003e\n\u003cp\u003eThrough stunningly restored, newly rediscovered footage from these long-lost films, WHAT WE LEFT UNFINISHED takes you on an unforgettable journey into a world where the line between history and fiction often blurred beyond recognition. Witness the filmmakers’ struggles against scarce resources, relentless threats, and political oppression as they sought to tell stories they believed could change the fate of their country.\u003c\/p\u003e\n\u003cp\u003eWHAT WE LEFT UNFINISHED is not just a chronicle of lost films—it’s a window into the soul of a nation torn apart by war, ideology, and shifting allegiances. You’ll come to understand the cost Afghan filmmakers paid under Communism, the rewards they reaped despite the dangers, and why they still believe that cinema holds the power to heal the wounds that continue to divide Afghanistan today.\u003c\/p\u003e\n\u003cp\u003eThis is a story of resilience, of hope, and of the unbreakable belief in the power of film to shape reality.\u003c\/p\u003e\n\u003cp\u003eJoin us in uncovering a hidden chapter of history. A story that’s unfinished—but still calling for completion.\u003c\/p\u003e\n\u003cp\u003edirected by: Mariam Ghani\u003cbr\u003estarring: Latif Ahmadi, Jawanshir Haidari, Asadollah Aram\u003cbr\u003e2019 \/ 71 min \/ 1.85:1 \/ Dari, English DTS-HD MA 5.1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAdditional info:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eRegion A Blu-ray\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eIntroduction from filmmaker Mariam Ghani\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eExtended interview with filmmaker Latif Ahmadi\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eQ\u0026amp;A with filmmaker Mariam Ghani and Shahrzad Mojab, Director or Women and Gender Studies at the Institute at the University of Toronto\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eDiscussion with composer Qasim Naqvi and Mariam Ghani\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eFollow The Leader (2019) - Short Film\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eTrailer for Dark Days (1974)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eTrailer for Epic of Love (1986)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eTrailer for What We Left Unfinished\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dekanalog","offers":[{"title":"Default Title","offer_id":44578460074184,"sku":"DKA026 SLIP","price":57.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/WhatWeLeftUnfinishedbdslip.webp?v=1744063105"},{"product_id":"redlands-us-import-blu-ray","title":"Redlands (US Import BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/VQw_njNJY3Q?si=WWEE18yWoacJbdHz\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lives of three residents of Redlands, California, intersect and ultimately collide in this claustrophobic exploration of radical creativity, sexuality and violence in America.\u003c\/p\u003e\n\u003cp\u003eVienna (Nicole Fox’s, America’s Next Top Model) is a young “alternative” nude model who lives with her musician boyfriend Zack (Sam Brittan) in Redlands, California – a bleak Inland Empire city sixty miles east of Los Angeles. Controlling and hypocritical, Zack uses Vienna’s earnings to further his own musical career as Vienna attempts to build a creative life of her own. Their lives are forever changed when Vienna meets Allan (Clifford Morts), a balding middle-aged amateur glamour photographer; unemployed and recently divorced, Allan’s unassuming behavior camouflages his feelings of inadequacy and his building resentment toward others.\u003c\/p\u003e\n\u003cp\u003eJohn Brian King’s unflinchingly nihilistic neo-noir is…\"Artfully evocative – of alienation, the constraints on ambition and the danger of unexpressed anger – and profoundly disturbing.” (Michael O’Sullivan, The Washington Post)\u003c\/p\u003e\n\u003cp\u003edirected by: John Brian King\u003cbr\u003estarring: Nicole Fox, Sam Brittan and Clifford Morts\u003cbr\u003e2014 \/ 108 min \/ 1.78:1 \/ English DTS-HD MA 5.1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAdditional info:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eRegion Free Blu-ray\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eExtended scene\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eDeleted scene\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eAdditional Short films by John Brian King:\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003eModel Test (2016)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eNight\/Day (2016)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eEvidence (2016)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eNight \/ Day (2017)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eDesert Mass (2017)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003enada (2018)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003ePhoenix (2019)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eYolanda (2019)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eblue (2021)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eLocus (2021)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eThe Spider in My Brain (2023)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eEnglish captions\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eOriginal Theatrical Trailer\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eBooklet containing a discussion between John Brian King and Dekanalog co-founder Elijah Drenner\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dekanalog","offers":[{"title":"Default Title","offer_id":44725803647176,"sku":"DKA029","price":46.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/Redlandsbd.jpg?v=1754349793"},{"product_id":"demons-rook-us-import-blu-ray","title":"Demon's Rook (US Import BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/60BE-xxdI64?si=SPsmdVWDg-os9yrd\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"A glimmering gem in a sea of low-budget splatter, The Demon's Rook is flat-out unlike anything previously put to film — a mindbending tour de force of DIY filmmaking that delivers in spades what films ten times its budget cannot. The fever dreams of Lucio Fulci collide with ’80s creature features in this surreal horror\/fantasy, wherein a young boy named Roscoe is lured into a parallel dimension by the good demon Dimwos. Raised to manhood in this dark realm, a Christ-like Roscoe (played by writer\/director James Sizemore) pops out of the Earth decades later, bringing with him the secrets of the netherworld. Unfortunately, a trio of malevolent demons is none too pleased with this and, after turning a group of dimwitted construction workers into marauding ghouls and slaughtering a gaggle of campers, is after Roscoe with a maniacal vengeance. Now, Earth’s only chance at survival is a hipster raised in Hell and his damaged childhood chum Eva, whose path to glory is lit in every colour of Argento’s rainbow.\u003c\/p\u003e\n\u003cp\u003eThe homage-loving Sizemore has created a low-budget orgy of grue that can only be described as Return of the Living Dead by way of Jodorowsky, having lensed the entire head-scratching fantasy in his native Georgia and employing a nearly all-amateur cast and crew. The results, however, are astounding — with all manner of throat-ripping, head-smashing, and limb-severing from the self-taught Sizemore (who also handled a large majority of the film’s ample effects) and his band of skillful Southerners. And thanks to a helping hand from Ultra 8 executive producers (and TIFF superheroes) Colin Geddes and Katarina Gligorijevic, the finished product is polished and tight, while still feeling as indie as a feature can get.\u003c\/p\u003e\n\u003cp\u003eFeaturing supernatural mind melds, fog-drenched weirdness, and naked women with blood oozing from their gaping eyes, The Demon's Rook is the sort of surreal cinematic oddity that will set your head spinning while simultaneously blowing your mind with its unabashed devotion to bucking the studio system and keeping things gleefully odd. By the time Roscoe and Eva face down the demons with their super-psychic, head-poppin’ powers, our nightmares have successfully made the leap from fantasy into the strange lo-fi world Sizemore has created for us. And regardless of his limited budget, this self-taught, first-time feature director has delivered a wonderfully weird film that will not be soon forgotten.\"\u003c\/p\u003e\n\u003cp\u003e- Ted Geoghegan\u003c\/p\u003e\n\u003cp\u003edirected by: James Sizemore\u003cbr\u003estarring: James Sizemore, Ashleigh Jo Sizemore, John Chatham, Melanie Richardson, Josh Gould, Sade Smith, Dustin Dorough\u003cbr\u003e2013 \/ 103 min \/ 1.78:1 \/ English DTS-HD MA 5.1, 2.0\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAdditional info:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eRegion Free Blu-ray\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eNew Restoration\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eNew Audio Commentary with Filmmaker James Sizemore and Producer Tim Reis\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eArchival Audio Commentary with Filmmaker James Sizemore\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e3 Deleted Scenes\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eGag Reel\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eShort Film: The Goat Witch (2014)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eThe Demon's Rook Music Video\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eTheatrical Trailer\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eBehind The Scenes Photo Gallery\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eConcept Art Photo Gallery\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eFantasia International Film Festival Premiere Footage\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eBooklet Essay by filmmaker Keith Bearden\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dekanalog","offers":[{"title":"Default Title","offer_id":44784253763784,"sku":"DKA030","price":46.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/DemonsRookbd.jpg?v=1760404629"},{"product_id":"legend-of-mexman-the-us-import-blu-ray","title":"Legend of MexMan, The (US Import BLU-RAY)","description":"\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Jo9tEnFAR4I?si=TRzvjAyRI8HOFIG9\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWorking out of an abandoned hangar at a small regional airport in East Los Angeles, Germán Alonso surrounds himself in a Gilliam-esque fantasy world, expressing his vision the only way he knows how: making phantasmagorical films with help from his friends, family and hundreds of handmade puppets.   \u003c\/p\u003e\n\u003cp\u003eBut when a once-in-a-lifetime opportunity comes along to adapt a feature-length version of his college thesis film, about a Mexican immigrant-turned-cyborg named “MexMan” — Alonso’s own superpowers begin to strain, as creative conflicts emerge with his producers and an old crush reappears.\u003c\/p\u003e\n\u003cp\u003eWelcome to THE LEGEND OF MEXMAN, the (almost) unbelievable outsider-turned-hero tale that Film Threat calls “One of the great stand-up-and-cheer underdog sagas of all time.”\u003c\/p\u003e\n\u003cp\u003edirected by: Josh Polon\u003cbr\u003estarring: Germán Alonso, Tyler Soper, Ben Soper, Jonathan Sims, Moctesuma Esparza and José Manuel Alonso\u003cbr\u003e2023 \/ 89 min \/ 1.78:1 \/ English DTS-HD MA 5.1, 2.0\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAdditional info:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eRegion Free Blu-ray\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eAudio commentary with Director Josh Polon and Germán Alonso moderated by Dekanalog’s Elijah Drenner\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eDeleted Scenes\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eA Selection of Short Films by Germán Alonso\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eAnimation Tests\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e2018 Slamdance Q\u0026amp;A\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eTheatrical Trailer\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eEssay by Alex Lei\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dekanalog","offers":[{"title":"Default Title","offer_id":44874148184264,"sku":"DKA031","price":46.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/LegendofMexmanbd.jpg?v=1765507308"},{"product_id":"legend-of-mexman-the-us-import-limited-edition-slipcover-blu-ray","title":"Legend of MexMan, The (US Import Limited Edition Slipcover BLU-RAY)","description":"\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Jo9tEnFAR4I?si=TRzvjAyRI8HOFIG9\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWorking out of an abandoned hangar at a small regional airport in East Los Angeles, Germán Alonso surrounds himself in a Gilliam-esque fantasy world, expressing his vision the only way he knows how: making phantasmagorical films with help from his friends, family and hundreds of handmade puppets.   \u003c\/p\u003e\n\u003cp\u003eBut when a once-in-a-lifetime opportunity comes along to adapt a feature-length version of his college thesis film, about a Mexican immigrant-turned-cyborg named “MexMan” — Alonso’s own superpowers begin to strain, as creative conflicts emerge with his producers and an old crush reappears.\u003c\/p\u003e\n\u003cp\u003eWelcome to THE LEGEND OF MEXMAN, the (almost) unbelievable outsider-turned-hero tale that Film Threat calls “One of the great stand-up-and-cheer underdog sagas of all time.”\u003c\/p\u003e\n\u003cp\u003edirected by: Josh Polon\u003cbr\u003estarring: Germán Alonso, Tyler Soper, Ben Soper, Jonathan Sims, Moctesuma Esparza and José Manuel Alonso\u003cbr\u003e2023 \/ 89 min \/ 1.78:1 \/ English DTS-HD MA 5.1, 2.0\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAdditional info:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eRegion Free Blu-ray\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eAudio commentary with Director Josh Polon and Germán Alonso moderated by Dekanalog’s Elijah Drenner\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eDeleted Scenes\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eA Selection of Short Films by Germán Alonso\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eAnimation Tests\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e2018 Slamdance Q\u0026amp;A\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eTheatrical Trailer\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eEssay by Alex Lei\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dekanalog","offers":[{"title":"Default Title","offer_id":44874149134536,"sku":"DKA031 SLIP","price":48.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/legendofmexmanbdslip.webp?v=1765507308"},{"product_id":"blue-sun-palace-us-import-blu-ray","title":"Blue Sun Palace (US Import BLU-RAY)","description":"\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/wExS12Q9Pw8?si=h24LcFniJKADcKa3\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWinner of the French Touch prize in the Critics’ Week lineup of the 2024 Cannes Film Festival, Constance Tsang’s intimate, sensitively observed drama stars frequent Tsai Ming-Liang collaborator Lee Kang-sheng 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A tender study of social isolation and messy emotional entanglement, infused with melancholic atmosphere by the standout work of DP Norm Li (\u003cem\u003eKuso\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBeyond The Black Rainbow\u003c\/em\u003e), shooting on film.\u003c\/p\u003e\n\u003cp\u003edirected by: Constance Tsang\u003cbr\u003estarring: Lee Kang-sheng, Wu Ke-Xi, Haipeng Xu\u003cbr\u003e2024 \/ 116 min \/ 1.85:1 \/ Mandarin, English DTS-HD MA 5.1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAdditional info:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eRegion A Blu-ray\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eInterview with filmmaker Constance Tsang\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eInterview with actor Lee Kang-sheng\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eInterview with actress Wu Ke-xi\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eTheatrical Trailer\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eConstance Tsang's short film - Beau\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eBooklet Essay by film critic Marya E. Gates\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dekanalog","offers":[{"title":"Default Title","offer_id":44874154934472,"sku":"DKA032","price":47.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/BlueSunPalaceBD.jpg?v=1765507468"},{"product_id":"snowy-bing-bongs-us-import-blu-ray","title":"Snowy Bing Bongs (US Import BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/RZHjH-9ZhHk?si=cXJCeGhLSy97o3u-\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWelcome to the special edition Blu-ray of... SNOWY BING BONGS ACROSS THE NORTH STAR COMBAT ZONE. 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Written and Directed by Rachel Wolther (THE FRENCH ITALIAN), and Alex H Fischer (SAVE YOURSELVES!).\u003c\/p\u003e\n\u003cp\u003edirected by: Rachel Wolther, Alex H Fischer\u003cbr\u003estarring: Sunita Mani, Tallie Medel, Eleanore Pienta, Bob Armstrong, Drew Beattie, Kate Berlant, Joe Pera, Keith Poulson, Bob Walles, Reggie Watts\u003cbr\u003e2017 \/ 40 min \/ 1.78:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAdditional info:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eRegion A Blu-ray\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eTwo hours of Bonus Features! 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Once a vibrant destination for vacationing families and world-class performers is now home to sex workers, veterans, and more than 130 families.\u003c\/p\u003e\n\u003cp\u003eInside this world, the Shaw family grapples with housing insecurity and addiction while raising their young son Justin. Soon, the largest infrastructure project in U.S. history is unveiled: the California High-Speed Rail that will cut directly through Motel Drive. 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