{"title":"Flicker Alley","description":"","products":[{"product_id":"aba-blu-chapli015-61731","title":"Chaplin's Mutual Comedies (US Import BLU-RAY\/DVD Combo)","description":"\u003cp\u003e\u003cstrong\u003e﻿US Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the movies he made for the Mutual Film Corporation, Charles Chaplin perfected what would become the trademark themes and techniques of his career while simultaneously creating the short films that many critics and enthusiasts now regard as his best work.\u003c\/p\u003e\n\u003cp\u003eFlicker Alley and The Blackhawk Films® Collection are proud to commemorate the 100th anniversary of the birth of the Little Tramp with the premiere of Chaplin’s Mutual Comedies, a 5-disc Blu-ray\/DVD box set. The collection features 12 newly restored films (The Floorwalker, The Fireman, The Vagabond, One A.M., The Count, The Pawnshop, Behind the Screen, The Rink, Easy Street, The Cure, The Immigrant, and The Adventurer), all scanned under the aegis of Association Chaplin at a resolution of 2,000 lines from original 35mm prints gathered from archives all over the world, then digitally assembled and restored, a collaborative effort of Lobster Films in Paris and L’Immagine Ritrovata in Bologna, Italy. Each film offers the option of either improvised piano accompaniment or a full orchestral score. Among the many well-known composers and musicians featured are Eric Beheim, Neil Brand, Timothy Brock, Antonio Coppola, Carl Davis, Stephen Horne, Robert Israel, the Mont Alto Motion Picture Orchestra, Maud Nelissen, Donald Sosin, and Gabriel Thibaudeau.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBONUS MATERIALS INCLUDE:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA 34-Page Booklet - With rare, behind-the-scenes images, and an extensive essay by film historian and author Jeffrey Vance (Chaplin: Genius of Cinema).\u003c\/li\u003e\n\u003cli\u003eThe Birth of the Tramp (2013) - The home-video premiere of a 52-minute documentary by Serge Bromberg and Eric Lange, The Birth of the Tramp, which chronicles Chaplin’s rise to stardom in concordance with early cinema’s growth from fairground attraction into an international industry.\u003c\/li\u003e\n\u003cli\u003eChaplin’s Goliath (1996) - by Academy Award® winner Kevin Macdonald, which tells the story of Charlie’s nemesis Eric Campbell, who achieved screen immortality with his appearances in eleven of these comedies.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Flicker Alley","offers":[{"title":"Default Title","offer_id":41280890175688,"sku":"617311685095","price":139.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/1267106812.jpg?v=1659817267"},{"product_id":"aba-blu-fancho001-61731","title":"Fanchon The Cricket (BLU-RAY)","description":"\u003cp\u003eFanchon the Cricket based on an “adult fairy tale” by George Sand, stars Mary Pickford as the title character, a strong-willed waif ostracized by “acceptable society” until she shows them the power of love and understanding. Directed by James Kirkwood and boasting exquisite cinematography by Edward Wynard, Fanchon the Cricket was filmed on location in Delaware Gap, Pennsylvania. A natural, sensual and uninhibited Pickford breaks through today’s stereotype of her as “the girl with the curls.” It is also the only surviving film in which both Jack and Lottie Pickford appear with their sister.\u003c\/p\u003e\n\u003cp\u003eOnce believed to be a lost film, Fanchon the Cricket restoration is the result of a unique international collaboration between the Mary Pickford Foundation, the Cinémathèque Française and the British Film Institute. A new negative and 35mm prints were created from the restored digital version and the Mary Pickford Foundation paired the film with a new, original score by Julian Ducatenzeiler and Andy Gladbach.\u003cbr\u003e\u003cbr\u003eFanchon the Cricket includes a souvenir booklet featuring rare photographs and essays by Cari Beauchamp.\u003c\/p\u003e\n\u003cp\u003e“There was never a Fanchon like Mary Pickford. Yes, I know that the greatest of the French and the English and the American stars have attempted and have successfully rendered Fanchon, but I stick to my belief that none ever surpassed and few ever approached the work of Mary Pickford.”\u003cbr\u003e- Moving Picture World, May 22, 1915\u003cbr\u003e\u003cbr\u003e“Pickford plays the role not so much as a woodland nymph, but more as a rural hooligan… She is extraordinarily beautiful; the first close-up of her face among the glistening leaves comes as an almost physical shock.”\u003cbr\u003e- Kevin Brownlow, Mary Pickford Rediscovered, 1999\u003c\/p\u003e","brand":"MVD","offers":[{"title":"Default Title","offer_id":41280908624072,"sku":"617311685699","price":32.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/2275619564.jpg?v=1653175889"},{"product_id":"aba-blu-little119-61731","title":"Little Annie Rooney (BLU-RAY\/DVD COMBO)","description":"\u003cp\u003eMary Pickford plays a “tomboy of the tenements” in this comedy drama, which she also wrote. Filmed over ten weeks, Little Annie Rooney was shot entirely on a set created by art director John D. Schulze at the Pickford Fairbanks Studio. Co-starring William Haines and a wide-ranging, multi-ethnic cast, Little Annie Rooney met with huge critical and commercial success upon its original release, proving fans and critics alike wanted the then-33-year-old Mary to stay a child forever.\u003cbr\u003e\u003cbr\u003eCreated from the original tinted nitrate print in Mary Pickford’s personal collection at the Library of Congress, Little Annie Rooney was preserved photochemically by the Academy of Motion Picture Arts and Sciences Film Archive. A new 35mm preservation master was then scanned at 4K high definition so that the Mary Pickford Foundation, in cooperation with AMPAS, could create a digital version to perfectly match the original nitrate tints and tones. The Mary Pickford Foundation commissioned Andy Gladbach to compose a new, original soundtrack performed by a 12-piece orchestra including three percussionists.\u003cbr\u003e\u003cbr\u003eLittle Annie Rooney includes a souvenir booklet featuring rare photographs, essays by Cari Beauchamp, and an article on the composing of the new score.\u003c\/p\u003e\n\u003cp\u003e“This is the Mary Pickford who will always be loved and welcomed. This is Mary at her best and her truest…as the leader of a gang that looks like a junior League of Nations. Here is Mary playing with so much sincerity that she fairly wrings your heart. Most of the picture, however is pure joyousness.” – Photoplay, October 1925\u003cbr\u003e\u003cbr\u003e\"Little Annie Rooney, starring the luminous Mary Pickford, was an unexpected delight [at the 2017 Glasgow Film Festival]… It is easy to see why Pickford was one of the most internationally renowned and best loved stars of her day. – Georgina Coburn, Georgina Coburn Arts Blog, 2017\u003c\/p\u003e","brand":"MVD","offers":[{"title":"Default Title","offer_id":41280948502728,"sku":"617311685798","price":32.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/2275623311.jpg?v=1652833393"},{"product_id":"aba-blu-melies004-61731","title":"Melies: Fairy Tales In Color (US Import BLU-RAY\/DVD Combo)","description":"\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBeginning in 2008, with the release of the award-winning Georges Méliès: First Wizard of Cinema: First Wizard of Cinema, Flicker Alley and Blackhawk Films have featured and celebrated the extraordinary work of Georges Méliès in various Blu-ray, DVD, and digital editions. Now, thanks to the extensive restoration efforts of Lobster Films, viewers will be equally delighted by the clarity, creativity and compositions of this new HD collection.\u003c\/p\u003e\n\u003cp\u003eThis set features music scores from seven talented musicians, and English narration tracks for select titles (noted below), along with a booklet that includes optional read-along narration to select shorts in the collection.\u003cbr\u003e\u003cbr\u003eOver the past ten years, many Méliès elements have been newly rediscovered, and are presented here – many on Blu-ray disc for the first time – culled from the best archival materials and using the most recent restoration technologies available.\u003cbr\u003e\u003cbr\u003eLobster Films (based in Paris, birthplace of Méliès) scanned the best sources for each of these films, and performed an extensive digital restoration, stabilizing the images and regrading faded colors. Eric Lange supervised the entire project.\u003cbr\u003e\u003cbr\u003eThe nitrate hand-colored prints, and original camera negatives came from major archives and collectors around the world. We thank the EYE Film Institute, Library of Congress, Cinémathèque française, and Národní Filmovy Archiv for their help and their trust.\u003c\/p\u003e\n\u003cp\u003eBlu-ray\/DVD Dual-Format Edition.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Flicker Alley","offers":[{"title":"Default Title","offer_id":41280954040520,"sku":"617311685897","price":79.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/71jglzr00WL._AC_SL1189.jpg?v=1657404477"},{"product_id":"beast-must-die-the-blu-ray-dvd-combo","title":"Beast Must Die, The (BLU-RAY\/DVD Combo)","description":"\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e A long-lost treasure of Argentine noir rediscovered! Thanks to the efforts of the Film Noir Foundation and UCLA Film \u0026amp; Television Archive, director Román Viñoly Barreto's compelling 1952 thriller has been rescued and restored to its original brilliance.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMystery writer Felix Lane, (legendary Spanish actor Narciso Ibáñez Menta), suffers a tragic loss; his nine-year-old son is killed in a hit-and-run car accident. Desperate for vengeance, Lane bypasses the authorities, adopts a new identity, and begins looking for clues that will lead him to the culprit. The suspense reaches hair-raising levels as Felix's vendetta leads him to infiltrate an affluent family rife with its own intrigues. But who among this highly suspect bunch is the killer? And will Felix follow his mission to its bitter end? Based on Cecil Day-Lewis' influential 1936 novel The Beast Must Die (written as Nicholas Blake), Viñoly Barreto's film is a stunning adaptation of one of the true landmarks of crime fiction and psychological suspense.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFlicker Alley is honored to present this world-premiere Blu-ray disc edition of the superb The Beast Must Die (La bestia debe morir), a heretofore virtually unknown addition to the canon of classic international noir. This landmark release, gorgeously restored, was achieved through the dedicated efforts of the Film Noir Foundation and UCLA Film and Television Archive, with special thanks to the Hollywood Foreign Press Association's Charitable Trust.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eNEW RESTORATION OF THE FILM\u003c\/b\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIntroduction to The Beast Must Die (La bestia debe morir) – By author, historian, and \"noirchaeologist\" Eddie Muller.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNew In-Depth Conversation – Between Argentine film archivist and historian Fernando Martín Peña and Daniel Viñoly, son of visionary director Román Viñoly Barreto.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eProfile of Actor Narciso Ibáñez Menta – By film historian Fernando Martín Peña.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAudio Commentary Track – By author and film historian Guido Segal.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSouvenir Booklet – Featuring rare original photographs, posters, lobby cards, and advertisements, along with an essay by Guido Segal.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIn Spanish, with English subtitles\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eREGION-FREE\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"KRK","offers":[{"title":"Default Title","offer_id":41302035628232,"sku":"617311687594","price":68.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/beastmustdie52.jpg?v=1638237162"},{"product_id":"bitter-stems-the-aka-los-tallos-amargos-blu-ray-dvd-combo","title":"Bitter Stems, The: aka Los Tallos Amargos (BLU-RAY\/DVD Combo)","description":"\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis rarely seen 1956 film was lauded in its day but only recently rediscovered, hidden away in a private collector's home outside Buenos Aires. Thanks to the diligent efforts of the Film Noir Foundation and Argentine cinephile Fernando Martín Peña, a gorgeous new print of The Bitter Stems (Los tallos amargos) was created, by the UCLA Film \u0026amp; Television Archive, from the reconditioned original negative, now presented in its first ever home video release–with special thanks to the Hollywood Foreign Press Association's Charitable Trust.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlfredo Gasper, a dissatisfied Buenos Aires newspaperman (Carlos Cores), partners with Paar Liudas, a clever Hungarian refugee (Vassili Lambrinos) who needs money to bring his family from Argentina. Together they create a bogus correspondence school, exploiting the hopes of would-be journalists. As their scheme succeeds beyond their wildest dreams, a mystery woman from Liudas' past sparks Gasper's suspicion: his charming colleague may be playing him for a sucker. Soon Gasper finds himself plotting the perfect crime – but fate has many twists in store.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis adaptation of journalist Adolfo Jasca's award winning novel was acclaimed upon its release, earning top prizes in 1957 from the Argentine critics association for Best Picture, with Fernando Ayala named Best Director. American Cinematographer magazine listed Los Tallos Amargos #49 on its roster of the 100 Best Photographed Films of All-Time. The innovative and evocative score, combining elements of tango, jazz, and classical music, is one of the first film scores by legendary composer Astor Piazolla. After more than 60 years in darkness, The Bitter Stems (Los tallos amargos) is finally restored and ready for rediscovery.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eNEW RESTORATION OF THE FILM\u003c\/b\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIntroduction to The Bitter Stems (Los tallos amargos) – By author, historian, and \"noirchaelogist\" Eddie Muller.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNew In-Depth Conversation – With Argentine film archivist and historian Fernando Martín Peña.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eProfile of Legendary Composer Astor Piazolla – By film historian Steven Smith.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAudio Commentary Track – By author and film historian Imogen Sara Smith.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSouvenir Booklet – Featuring rare original photographs, posters, lobby cards, and advertisements, along with an essay by film historian and lecturer María Elena de las Carreras.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIn Spanish, with English subtitles\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eREGION-FREE\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"KRK","offers":[{"title":"Default Title","offer_id":41302056566984,"sku":"617311687693","price":68.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/bitterstems.jpg?v=1638237551"},{"product_id":"in-the-shadow-of-hollywood-highlights-from-poverty-row-blu-ray","title":"In the Shadow of Hollywood: Highlights from Poverty Row (US Import BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003eUS Import\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e Independent films produced in the shadow of Hollywood's major studios were given the less than complimentary nickname \"Poverty Row,\" which existed in Hollywood between the 1920s and 1960s. They were usually produced on small budgets, at rented facilities, and on a short production schedule. Despite being overshadowed by bigger studio projects, many of these films have since been rediscovered and appropriately hailed as exceptional and inventive. In fact, more than a few notable names were featured in these films, such as Humphrey Bogart, Fay Wray, Erich von Stroheim, Sterling Holloway and others. Each of these new restorations, from archival 35mm material, feature a film scholar commentary that offers production history, historical context, and an opportunity to explore this under-appreciated part of film history - an enriching experience for film enthusiasts of all ages!\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeatured in this premiere Flicker Alley publication are four entertaining and beautifully restored films that explore crime, romance, horror, and mystery - all Poverty Row hallmarks:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eMidnight aka Call It Murder\u003c\/b\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1934) - Directed by Chester Erskine and starring Sidney Fox, O.P. Heggie, and Humphrey Bogart – Jury foreman Edward Weldon (Heggie), a firm believer in following the letter of the law, is caught in complicated situation when his daughter, Stella (Fox), admits to having committed a murder.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eBack Page\u003c\/b\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1934) - Directed by Anton Lorenze and starring Peggy Shannon – A young reporter, Jerry Hampton (Shannon), leaves her job at a big city newspaper for a position as the editor of a newspaper in a small California town. Political complications ensue as she struggles to keep the paper from being forced out of business.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWoman in the Dark\u003c\/b\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1934) - Directed by Phil Rosen and starring Fay Wray and Ralph Bellamy – John Bradly (Bellamy), recently released from prison, and attempting to live a quiet life, has his plans interrupted by a new love interest and a false murder accusation, causing him to flee the authorities. The film is an adaptation of Dashiell Hammett's mystery novel, Woman in the Dark.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Crime of Dr. Crespi\u003c\/b\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1935) - Directed by John H. Auer and starring Erich von Stroheim – The Crime of Dr. Crespi is the story of a respected surgeon, Dr. Andre Crespi (Stroheim), who, when asked to operate on another surgeon that he believes stole the affection of the woman he loved, invents a serum that will induce a catatonic state, in order to bury his enemy alive. The film is an adaptation of Edgar Allen Poe's short story, The Premature Burial.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFeature Audio Commentaries\u003c\/li\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003ci data-mce-fragment=\"1\"\u003eMidnight aka Call It Murder\u003c\/i\u003e: By author and film scholar Leah Aldridge\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003ci data-mce-fragment=\"1\"\u003eBack Page\u003c\/i\u003e: By author, professor, and expert on women in the Hollywood studio system, Emily Carman\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003ci data-mce-fragment=\"1\"\u003eWoman in the Dark\u003c\/i\u003e: By crime author and film studies instructor Jake Hinkson\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003ci data-mce-fragment=\"1\"\u003eThe Crime of Dr. Crespi\u003c\/i\u003e: By film historian and scholar Jan-Christopher Horak\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNew Booklet Essay By Jan-Christopher Horak\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eREGION-FREE\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Flicker Alley","offers":[{"title":"Default Title","offer_id":41352916402376,"sku":"617311687495","price":106.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/intheshadowofhollywood.jpg?v=1639441734"},{"product_id":"repeat-performance-blu-ray-dvd-combo","title":"Repeat Performance (US Import BLU-RAY\/DVD Combo)","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003eUS Import\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eRepeat Performance, the most requested film in the early years of the Film Noir Foundation's restoration campaign, is finally available in digital form! An amazingly original hybrid of film noir, supernatural fantasy, and backstage melodrama, the film stars Joan Leslie as a Broadway actress who magically relives the previous year of her life, but can she alter the fateful mistakes and misjudgments that led to a New Year's Eve tragedy? Think of it as film noir's answer to It's a Wonderful Life or a full-length precursor to The Twilight Zone.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProduced as a rare prestige picture by fledgling Eagle-Lion Pictures, the movie features an array of vivid performances: 21-year-old Joan Leslie as Sheila Page, her first mature role following a parade of teenage ingenues at Warner Bros.; Louis Hayward as her husband Barney, a bitter and vengeful playwright; Virginia Field as Sheila's personal and professional rival, Paula Costello; Tom Conway as suave stage producer John Friday; and Richard Basehart in his movie debut as poet William Williams, one of the era's most sensitive depictions of a gay artist.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn the years after its 1947 release, Repeat Performance seemingly vanished. For many who'd seen it, the film's startling premise and stunning set-pieces became merely a tantalizing memory. It fell so far off the cultural radar people began to think they'd only imagined the movie. But thanks to the dedication and diligence of the Film Noir Foundation, Repeat Performance was restored in collaboration with UCLA Film \u0026amp; Television Archive and the Packard Humanities Institute. And now, it lives again in a beautiful Blu-ray\/DVD dual-format edition loaded with special features.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eNEW RESTORATION BY UCLA FILM \u0026amp; TELEVISION ARCHIVE\u003c\/b\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eVIDEO INTRODUCTION by author, film historian, and \"noirchaeologist\" Eddie Muller who describes the film's restoration process and puts Repeat Performance in context as part of a sub-genre of supernatural noir\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eVIDEO PROFILE OF JOAN LESLIE by author and film historian Farran Smith Nehme who describes the actress' transition from teenage ingenue roles to mature adult performances\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMINI-DOCUMENTARY on the history of Eagle-Lion Pictures, written and narrated by author and film historian Alan K. Rode and produced by film director and author Steven C. Smith\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAUDIO COMMENTARY by film historian Nora Fiore (\"The Nitrate Diva\") featuring an in-depth history of the film's production\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDIGITAL PRESS BOOK: A complete, on-disc \"page turning\" digital edition of the film's original 1947 pressbook\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSOUVENIR BOOKLET featuring author Brian Light's book-to-film comparison of the original 1942 William O'Farrell novel with screenwriter Walter Bullock's script, along with an array of original photos, lobby cards, and posters.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eREGION-FREE\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Flicker Alley","offers":[{"title":"Default Title","offer_id":41445766430920,"sku":"617311687891","price":72.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/repeatperformance.jpg?v=1641514525"},{"product_id":"cinema-of-discovery-julien-duvivier-in-the-1920s-blu-ray","title":"Cinema Of Discovery: Julien Duvivier In The 1920s (BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOne of the most prolific and technically proficient filmmakers in cinema history, Julien Duvivier, was idolized by the likes of directors Jean Renoir, Ingmar Bergman, and Orson Welles. Duvivier's expressive use of the camera was primarily created under the influence of poetic realist style – in fact he did much to establish the technical and aesthetic standards of French poetic realism, which won him international acclaim. For a time, he was among cinema's most celebrated directors, receiving nominations and top prizes at notable international film competitions, including the Berlin International Film Festival, the Venice Film Festival, the National Board of Review, and New York Film Critics Circle Awards.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAssembled in this Blu-ray disc collection are nine of Julien Duvivier's deeply moving and imaginative early feature films from the late 1920s that showcase his innovative and prominent contribution to film history. Red Head (Poil de Carotte, 1925) and Revelation aka The Agony of Jerusalem (L'Agonie de Jérusalem, 1927) depict characters grappling with challengingly painful life choices that many viewers will relate to. The Wedding of Mademoiselle Beulemans (Le mariage de mademoiselle Beulemans, 1927) and Mother Hummingbird (Mama Colibri, 1930) are both engrossing dramas of forbidden love, while The Whirlwind of Paris (Le Tourbillon de Paris, 1928) and The Miraculous Life of Thérèse Martin (La Vie miraculeuse de Thérèse Martin, 1929) portray characters pursuing their dreams and aspirations at any cost. The Mystery of the Eiffel Tower (Le Mystère de la tour Eiffel, 1928), The Divine Voyage (La Divine Croisière, 1928), and Ladies' Paradise (Au bonheur des dames, 1930) are comprised of familial conflicts surrounding money, betrayal, and love. This collection covers a wide array of thematic journeys, expertly treated by a momentous filmmaker.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFlicker Alley, Lobster Films, and Blackhawk Films® are thrilled to present this five disc Blu-ray collection of restored works by Julien Duvivier. These extraordinary restorations, which incorporate almost all original elements from surviving materials, have been completed by Lobster Films, with the support and collaboration of the CNC (Centre national du cinéma et de L'image animée), the Národní filmový archiv (Prague), the Fondation Jérôme Seydoux-Pathé, Cinematek (Cinémathèque royale de Belgique, Belgium), la Cinémathèque Française, le Cinémathèque de Toulouse, Cineteca di Bologna (Italy), département de la Charente, Eye Filmmuseum (Netherlands), and the Gosfilmafond film archive (Russia). It is a unique collaboration between archives and collections from around the world, appropriate for such an illustrious and innovative filmmaker.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eA 48-Page Booklet - Featuring introductory remarks by Christian Duvivier, son of Julien Duvivier, essay notes by film historian Serge Bromberg, along with full credits on each film, and many rare photographs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eImage Galleries - Featuring rare production stills and promotional images for Poil de Carotte, L'Agonie de Jérusalem, Le Mariage de Mademoiselle Beulemans, Le Tourbillon de Paris and La Vie miraculeuse de Thérèse Martin\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNew and improved English subtitle translations\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eREGION-FREE\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"KRK","offers":[{"title":"Default Title","offer_id":41500603220168,"sku":"617311687792","price":109.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/cinemaofdiscovery.jpg?v=1642647123"},{"product_id":"too-late-for-tears-blu-ray-dvd-combo","title":"Too Late For Tears (BLU-RAY\/DVD Combo)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFinally! One of the great missing films of the classic noir era—resurrected! Rescued and preserved after a five-year crusade by the Film Noir Foundation, this 1949 classic is at long last available in a clean digital version, transferred from a 35mm print painstakingly restored by UCLA Film \u0026amp; Television Archive.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhen a pair of film noir icons like Lizabeth Scott and Dan Duryea collide, sparks are sure to fly. Jane Palmer (Scott) and her husband Alan (Arthur Kennedy) mysteriously have $60,000 literally dropped in their laps. The circumstances seem mighty suspicious to Alan, who wants to turn the money over to the police. But in a materialistic rapture, Jane won’t let it go. She doesn’t care where it came from, or what danger might ensue—not if it will bring her the luxury she craves. Enter shady Danny Fuller (Duryea, as cocky and menacing as ever), who claims the money belongs to him. Let the games begin! Roy Huggins’ snappy script (adapted from his novel) is a complex, breezy and black-hearted homage to James M. Cain and Raymond Chandler. Rapacious housewife Jane Palmer is one of the juiciest female villains in Hollywood history, and Liz Scott’s best role ever.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFlicker Alley is excited to present this world-premiere Blu-ray\/DVD dual-format edition of \u003cstrong data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eToo Late For Tears\u003c\/i\u003e\u003c\/strong\u003e, restored by UCLA Film \u0026amp; Television Archive, and passionately championed by the Film Noir Foundation, with special thanks to the Hollywood Foreign Press Association. Together with \u003ci data-mce-fragment=\"1\"\u003eWoman on the Run\u003c\/i\u003e, this film marks the first collaboration between Flicker Alley and the Film Noir Foundation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary Track - By writer, historian, and film programmer Alan K. Rode.\u003c\/li\u003e\n\u003cli\u003e\"Chance Of A Lifetime: The Making of Too Late For Tears\" - Produced by Steven Smith and the Film Noir Foundation and featuring Eddie Muller, Kim Morgan, and Julie Kirgo, this mini-doc offers a behind-the-scenes examination of the film's original production.\u003c\/li\u003e\n\u003cli\u003e\"Tiger Hunt: Restoring Too Late For Tears\" - Produced by Steven Smith and the Film Noir Foundation, this is a chronicle of the multi-year mission to rescue this \"lost\" noir classic.\u003c\/li\u003e\n\u003cli\u003e\"Noir City\" - A short documentary directed by Joe Talbot about the annual Noir City Film Festival presented by the Film Noir Foundation at San Francisco's historic Castro Theatre.\u003c\/li\u003e\n\u003cli\u003e24-Page Souvenir Booklet - Featuring rare photographs, poster art, original lobby cards, and an essay by writer and noir-expert Brian Light.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Flicker Alley","offers":[{"title":"Default Title","offer_id":41814039789768,"sku":"617311679698","price":56.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/toolatefortears.jpg?v=1650674713"},{"product_id":"man-who-laughs-the-blu-ray-dvd-combo","title":"Man Who Laughs, The (BLU-RAY\/DVD Combo)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/2KhzpkSDwHA\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBased on the novel by Victor Hugo, the story centers on the extraordinary adventures of Gwynplaine (Conrad Veidt), whose wide and mirthless grin inspired DC Comics’ legendary Batman villain, the Joker. Veidt's character has become well known to most cinephiles. Orphaned as a child, Gwynplaine is punished by the king for his father’s transgressions by having his face carved into a hideous grin. Disfigured and alone, Gwynplaine rescues a blind girl named Dea (Mary Philbin), and both end up starring in a sideshow where they fall in love. Because she cannot see, Dea does not know about her lover’s tormented grin.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMasterfully directed by Paul Leni,\u003ci data-mce-fragment=\"1\"\u003e \u003c\/i\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Man Who Laughs\u003c\/i\u003e \u003c\/strong\u003emarks Leni’s penultimate work. Having grown up in Germany during the era of Expressionism, Leni embraces haunting characters, twisted sets, harsh angles, and deep shadows. Heralded as one of the best American silents emulating German Expressionism, \u003cstrong data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Man Who Laughs\u003c\/i\u003e \u003c\/strong\u003epresents Leni at his creative directorial peak. Originally released silent, the film was enough of a hit for Universal in 1928 that the studio released it with a synched musical score using the Movietone sound-on-film process, presented here as a secondary audio track.\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePart of Universal Pictures’ ongoing silent restoration initiative, \u003cstrong data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Man Who Laughs\u003c\/i\u003e\u003c\/strong\u003e\u003ci data-mce-fragment=\"1\"\u003e \u003c\/i\u003ehonors the studio's rich film history that has spanned more than a century. The primary source element for this restoration was a 35mm composite fine grain from the Universal Pictures vault, created in 1954 from the nitrate original camera negative. NBCUniversal's restoration team was able to stabilize and deflicker the film, as well as repair scratches, warps, and dirt. The 4K digital restoration was completed by NBCUniversal StudioPost.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eBRAND NEW 4K RESTORATION OF THE FILM, completed by NBCUniversal StudioPost.\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003ePaul Leni and The Man Who Laughs\u003c\/i\u003e: A visual essay by film historian and author, John Soister, on Leni s work at Universal during this period.\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eCelebrating Universal s Masterpiece\u003c\/i\u003e: A new booklet essay written by renowned film historian and author, Kevin Brownlow.\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eNotes On the New Score\u003c\/i\u003e: A short essay by composer Sonia Coronado of the Berklee School of Music on their new score for The Man Who Laughs.\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eSecondary Audio Track\u003c\/i\u003e: In addition to the new Berklee School of Music score, the film s original 1928 Movietone score presented here as a secondary audio track.\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eRare Image Gallery\u003c\/i\u003e: A slide show presentation of vintage marketing materials, trade ads, memorabilia and more from The Man Who Laughs, courtesy of the Reel Heroes of Film.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Flicker Alley","offers":[{"title":"Default Title","offer_id":41814052765896,"sku":"617311686290","price":79.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/manwholaughs.jpg?v=1650675108"},{"product_id":"guilty-the-high-tide-blu-ray-dvd-combo","title":"Guilty, The \/ High Tide (US Import BLU-RAY\/DVD Combo)","description":"\u003cp\u003e\u003cstrong\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003c\/i\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Guilty\u003c\/b\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1947), released by Monogram Pictures, is a triumph of resourcefulness for its nomadic Viennese director, John Reinhardt. Based on a short story by legendary suspense writer Cornell Woolrich, this little-seen B movie centers on war veterans Mike Carr (Don Castle) and Johnny Dixon (Wally Cassell), roommates in a low-rent tenement. They are romantically entangled with twin sisters Estelle and Linda Mitchell (Bonita Granville, in a dual role). When one sister turns up dead, the boys are hounded by a suspicious police inspector (Regis Toomey)—although there's no shortage of suspects. Working on only three sets, with a shoestring budget, Reinhardt and director of photography Henry Sharp evoke the dreadful, dead-of-night ambiance that was the domain of the era's most prolific noir scribe, Cornell Woolrich.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThanks to the dedication of the Film Noir Foundation, The Guilty has been restored from a 35mm nitrate composite fine-grain master by UCLA Film \u0026amp; Television Archive.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eHigh Tide\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1947) forgotten noir, set in a spectacularly corrupt Los Angeles, is a crackling crime thriller rescued thanks to the combined efforts of the Film Noir Foundation, UCLA Film \u0026amp; Television Archive, and the British Film Institute.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn flashback, we learn that Slade was brought in by muckraking editor Fresney as protection against a mobster (Anthony Warde) his paper is investigating. Things quickly get complicated as Fresney's boss has a wife (Julia Bishop) eager to resume a smoldering romance with Slade. When a main character gets iced early, everybody becomes a suspect, and the double-crosses start multiplying at a breakneck pace.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHigh Tide was the second of two crime thrillers independently produced in 1947 by Texas oil tycoon Jack Wrather. It carries over from The Guilty the same screenwriter and cameraman, the same protagonist in actor Don Castle, and the same director, John Reinhardt, whose playful inventiveness enlivened several post-WW II films noir.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRestoration funding was provided by the Film Noir Foundation in conjunction with the Packard Humanities Institute. The action gets rolling with one of the greatest framing gimmicks in noir: a speeding car crashes onto a rocky shoreline and its occupants, newspaper editor Hugh Fresney (Lee Tracy) and private eye Tim Slade (Don Castle) recount the plot as the rising tide threatens to drown them.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eNEW RESTORATIONS OF BOTH FILMS BY THE FILM NOIR FOUNDATION\u003c\/b\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eA Special Kind of Partnership: Jack Wrather, Bonita Granville, and Don Castle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\"Welcome to My Nightmare\" – a short documentary exploring the life and work of Cornell Woolrich\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eJohn Reinhardt: The Viennese Auteur of Poverty Row – A documentary featuring interviews\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAudio Commentary - The Guilty – by prize-winning noir author \u0026amp; film studies instructor Jake Hinkson\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAudio Commentary - High Tide – by film historian and biographer Alan K. Rode\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSouvenir Booklet – containing an essay by Eddie Muller and a wealth of fabulous ephemera\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOptional English subtitles\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eREGION-FREE\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Flicker Alley","offers":[{"title":"Default Title","offer_id":41987355345096,"sku":"617311687990","price":71.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/guiltyhightide.jpg?v=1655423922"},{"product_id":"vampiro-negro-el-the-black-vampire-blu-ray-dvd-combo","title":"Vampiro Negro, El (The Black Vampire) (BLU-RAY\/DVD Combo)","description":"\u003cspan data-mce-fragment=\"1\"\u003eA virtually unknown remake of M, Fritz Lang's seminal 1931 thriller, El vampiro negro (The Black Vampire) is a revisionist take on the tale by Argentine director Román Viñoly Barreto. Thanks to the diligent efforts of the Film Noir Foundation, a stunning restoration of the film was created by UCLA Film \u0026amp; Television Archive, now presented in its first-ever home video release – with special thanks to Fernando Martín Peña and Argentina Sono Film.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArgentine beauty Olga Zubarry stars as a cabaret performer trying to protect her young daughter (Gogó) from a mysterious murderer while parrying the advances of the prosecutor (Roberto Escalada) pursuing the killer. Nathán Pinzón, who also appeared in Viñoly Barreto's The Beast Must Die (La bestia debe morir) a year earlier, gives an impressive against-type performance as the disturbed pedophile hiding in plain sight.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis variation on Fritz Lang's classic is a proto-feminist reimagining of the tale, focusing on the lives of female characters ignored in the earlier iterations. The film's brooding cinematography (by Aníbal González Paz) enhances Olga Zubarry's exceptional performance, which won her the Argentine Film Critics Association award for Best Actress. El vampiro negro (The Black Vampire) is a significant rediscovery in cinema history, and, thanks to the dedication of the Film Noir Foundation and its partners at UCLA Film \u0026amp; Television Archive, it is now available in a beautiful Blu-ray\/DVD dual-format edition packed with special features.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIntroduction to El vampiro negro (The Black Vampire) – by author, film historian, and \"noirchaeologist\" Eddie Muller\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe 3 Faces of \"M\" – a critical comparison of the three versions of M, produced by Steven C. Smith and writer\/film historian Alan K. Rode, and featuring interviews with writer\/film historian Imogen Sara Smith, biographer Patrick McGilligan, biographer Stephen Youngkin, film critic Beth Accomando, Eddie Muller, and Alan K. Rode\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eArt in the Blood – an interview with visual artist Daniel Viñoly, son of visionary director Román Viñoly Barreto\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAudio Commentary– by Argentina's leading film archivist and cinema historian Fernando Martín Peña\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSouvenir Booklet – featuring an essay by Imogen Sara Smith, with rare original photographs, posters, and ephemera\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEnglish Subtitles and Spanish SDH Subtitles\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eREGION-FREE\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Flicker Alley","offers":[{"title":"Default Title","offer_id":42407819247816,"sku":"617311688195","price":72.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/vampironegrobd.jpg?v=1666820004"},{"product_id":"foolish-wives-blu-ray","title":"Foolish Wives (BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this silent classic, Sergius Karamzin (Erich von Stroheim) is a con artist who pretends to be a count in order to charm and swindle naïve women for money. He lives in Monte Carlo, Monaco, with his cousins, \"princesses\" Olga (Maude George) and Vera (Mae Busch), who are in on his scams. When Karamzin meets American diplomat Andrew Hughes (Rudolph Christians), the count immediately takes aim at his wife, Helen (Miss DuPont). But Karamzin soon finds he has double-crossed too many women.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eBRAND NEW 4k RESTORATION OF THE FILM*\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003eRestoring Foolish Wives: A detailed, behind-the-scenes look at the brand-new restoration, with film restorer Robert Byrne\u003c\/li\u003e\n\u003cli\u003eErich von Stroheim and Hollywood's First Million-Dollar Picture: A short documentary on the background of Foolish Wives, presented by MoMA film curator Dave Kehr\u003c\/li\u003e\n\u003cli\u003eThe Waves and the Merry-Go-Round: On Location with Erich von Stroheim: A documentary short presented by cultural historian Brad Rosenstein\u003c\/li\u003e\n\u003cli\u003eSource Comparison Demo: A before\/after demonstration of the film's restoration\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan\u003e*This new 4K restoration of Foolish Wives­ reconstructs the original continuity by combining the surviving original film elements, meticulous image restoration, and recreation of the original stunning color effects, to offer audiences the closest look possible at the original version of the film.\u003c\/span\u003e","brand":"KRK","offers":[{"title":"Default Title","offer_id":42687323799752,"sku":"617311688294","price":72.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/foolishwivesbd.jpg?v=1684357152"},{"product_id":"laurel-hardy-year-one-blu-ray","title":"Laurel \u0026 Hardy: Year One (US Import BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVery few original negatives of the silent films of Laurel and Hardy survive, and the available elements scattered throughout the world are always mediocre or unwatchable. It took three years to gather all the surviving prints of these shorts, compare them shot by shot and give them the best digital restoration possible. Today, these invisible films look as young as they did 95 years ago. A world premiere for all the Laurel and Hardy fans.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eStan Laurel and Oliver Hardy first appeared on film together in 1921, after an initial period in their careers spent apart. The two would formally team up in 1927 and found success by following a simple comic formula that displayed the hilariously ambitious and anarchic qualities of their joint personality. Laurel \u0026amp; Hardy: Year One, The Newly Restored 1927 Silents, as proudly presented by Flicker Alley and Blackhawk Films®, offers fans new and old the rare opportunity to observe the evolving partnership of the comedy team that would reach enormous popularity. Featuring all new restorations sourced from best available materials contributed by archives and collectors around the world restored by Blackhawk Films® and Lobster Films in Paris, this comprehensive deluxe Blu-ray 2-Disc collection features thirteen extant films produced in 1927 and two additional films from before they were officially a team. It includes new scores from some of the best silent film composers working today: Neil Brand, Antonio Coppola, Eric le Guen, and Donald Sosin. The films included are Lucky Dog (1921), 45 Minutes from Hollywood (1926), Duck Soup (1927), Slipping Wives (1927), Love 'em and Weep (1927), Why Girls Love Sailors (1927), With Love and Hisses (1927), Sugar Daddies (1927), Sailors, Beware! (1927), The Second 100 Years (1927), Call of the Cuckoo (1927), Do Detectives Think? (1927), Putting Pants on Phillip (1927), The Battle of the Century (1927), and Flying Elephants (1928). It is curated by film historians and Laurel and Hardy specialists; Randy Skretvedt, Dick Bann, Serge Bromberg, Eric Lange, and Ulrich Ruedel.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eArthur Stanley Jefferson for a time understudied Chaplin in England and the US. Meanwhile Oliver Norvell Hardy was a serviceable role player in comedies and melodramas, yet neither had reached the status of movie star. It became clear upon their teaming up that their contradictory physiques and personalities complimented each other perfectly. The team would go on to do many films together reaching wide acclaim, and eventually becoming nearly unanimously considered by film critics, scholars, and movie fans alike, the funniest comedy duo in film history.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary Tracks - For each film by historian and author Randy Skretvedt\u003c\/li\u003e\n\u003cli\u003eRestoring Laurel \u0026amp; Hardy - A documentary by Serge Bromberg and Eric Lange\u003c\/li\u003e\n\u003cli\u003eLaurel \u0026amp; Hardy On-Location - A Video Essay by historian John Bengtson on selected location exteriors\u003c\/li\u003e\n\u003cli\u003eHats Off! (1927) - Slide Show presentation from this currently lost film\u003c\/li\u003e\n\u003cli\u003eMultiple Image Galleries - Containing original publicity materials, press reviews, and rare production stills\u003c\/li\u003e\n\u003cli\u003eSouvenir Booklet - Featuring a new essay by historian Richard W. Bann on the Blackhawk Films Story and the company's stewardship of the Laurel \u0026amp; Hardy film materials, a Collection Introduction by Serge Bromberg, and notes on each film by historian Randy Skretvedt\u003c\/li\u003e\n\u003cli\u003eAdditional musical scores - Soundtracks for the 1930s French re-releases of Slipping Wives, Why Girls Love Sailors, and Flying Elephants are presented here as alternate music tracks\u003c\/li\u003e\n\u003cli\u003eAudio commentary track for The Battle of the Century - By historians Randy Skretvedt and Serge Bromberg\u003c\/li\u003e\n\u003cli\u003eEnglish SDH Subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Flicker Alley","offers":[{"title":"Default Title","offer_id":42687403753672,"sku":"617311688393","price":84.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/LAURELHARDYYEARONEBD.jpg?v=1684360372"},{"product_id":"french-revelations-fanfare-d-amour-fanfare-of-love-mauvaise-graine-bad-seed-blu-ray","title":"French Revelations: Fanfare d’amour (Fanfare of Love) \/ Mauvaise Graine (Bad Seed) (BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFlicker Alley and the Blackhawk Films® Collection are proud to present a pair of newly remastered, or otherwise unavailable French rarities, Fanfare d'amour and Mauvaise Graine, now beautifully restored and presented in a brand-new Flicker Fusion Blu-ray release.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eFanfare d'amour (Fanfare of Love) \/ 1935 \/ Directed by Richard Pottier \/ 115 minutes \/ France\u003c\/b\u003e\u003c\/i\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFanfare d'amour follows Jean Rameau (Fernand Gravey) and Pierre Dupont (Julien Carette), two out-of-work musicians in search of stable employment who eventually set their sights on the female-led Tulips orchestra when they learn of two openings in the group. Jean and Pierre disguise themselves as women to audition, ultimately landing the job and joining the group as they travel, rehearse, and perform together, facing unexpected twists and turns along the way. A direct inspiration for Billy Wilder's 1959 American sensation, Some Like It Hot, Fanfare d'amour is a cinematic treat of romantic comedy, musical numbers, and a first-rate cast. The film was restored in 4K from the original 35mm nitrate fine grain and a vintage 35mm print.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eMauvaise Graine (Bad Seed) \/ 1934 \/ Directed by Billy Wilder and Alexander Esway \/ 85 minutes \/ France\u003c\/b\u003e\u003c\/i\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMauvaise Graine centers around Henri Pasquier (Pierre Mingand), a rich playboy who enjoys careening around Paris in his shiny Buick. When his father forces him to sell the car, Henri suffers a class-related existential crisis, and falls in with a local car theft gang in an attempt to get his Buick back. In doing so he not only learns about the underbelly of working for a living, but also falls for the sweetly seductive Jeannette (screen legend Danielle Darrieux, here only 17 years old). Billy Wilder made his directorial debut with Mauvaise Graine during a brief stay in Paris, sandwiched between his escaping the rise of Nazism in 1933 Berlin and heading to the United States via Mexico. The film is remarkable for its use of on-location exteriors, from the streets of Paris to the port of Marseille, and Wilder's creative use of mounting cameras to cars creates a visceral aesthetic that foreshadowed French New Wave films like Breathlessby about 25 years. This restoration of Mauvaise Graine is based on a 16mm safety dupe negative made from rare, original printing materials from the Blackhawk Films collection, that have been scanned in HD for this edition.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAudio Commentary for Fanfare d'amour - by author and filmmaker August Ventura\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAudio Commentary for Mauvaise Graine - by historian, scholar, and UCLA professor Jan-Christopher Horak\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePrinted Essay - An 8-panel insert featuring an essay by film historian Richard Neupert\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNew English Subtitle Translations\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eREGION-FREE\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":42979647291592,"sku":"617311600593","price":49.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/frenchrevelationsbd.jpg?v=1698872326"},{"product_id":"against-the-storm-herbert-kline-in-a-darkened-europe-crisis-a-film-of-the-nazi-way-lights-out-in-europe-blu-ray","title":"Against the Storm: Herbert Kline in a Darkened Europe (Crisis: A Film of \"The Nazi Way\" \u0026 Lights Out in Europe) (BLU-RAY)","description":"\u003cp class=\"a-spacing-base\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"a-spacing-base\" data-mce-fragment=\"1\"\u003eHerbert Kline made his breakthrough documentary\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"a-text-bold\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eCrisis\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003eas the storm clouds of impending war gathered over Europe in 1938. The film, which captures with evocative camerawork and ominous clarity the lead-up to the occupation of Czechoslovakia, was shot at great personal risk to Kline and his crew members. Kline, born in Chicago and raised in Iowa, was in his late 20s when he began filming in the Sudeten region bordering Germany, and took on the hair-raising task of not only passing as a sympathizer in order to complete the project, but also smuggling the footage out of the Prague airport past Gestapo guards. The result is one of the first documentaries of this kind ever made, and a fascinating historical and cinematic document.\u003c\/p\u003e\n\u003cp class=\"a-spacing-base\" data-mce-fragment=\"1\"\u003eIn 1940, one year after filming the invasion of Czechoslovakia, Herbert Kline and his team traveled to Warsaw and England to pursue and document the feared invasion of Poland.\u003c\/p\u003e\n\u003cp class=\"a-spacing-base\" data-mce-fragment=\"1\"\u003eThe surviving recordings of these life threatening events would serve as evidence of the outbreak of the second world war, bringing about one of the first completed and distributed documentaries on one of the most destructive international conflicts in history;\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"a-text-bold\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eLights Out in Europe\u003c\/span\u003e\u003c\/span\u003e.\u003c\/p\u003e\n\u003ch4\u003eSpecial features include:\u003c\/h4\u003e\n\u003cdiv class=\"a-box a-spacing-small a-color-alternate-background apm-listbox\"\u003e\n\u003cdiv class=\"a-box-inner\"\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-size-base\"\u003eAudio Commentary for Crisis - by cultural historian Thomas Doherty\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-size-base\"\u003eAudio Commentary for Lights Out in Europe - by film historian Maria Elena de las Carreras\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-size-base\"\u003ePeace! The Four Power Conference (1938) - A Pathé Gazette newsreel\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-size-base\"\u003eThe White Eagle (1942) - Directed by Eugeniusz Cekalski, this Academy Award-nominated doc. short\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-size-base\"\u003eImage Gallery\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-size-base\"\u003eSouvenir Booklet - A new essay by Thomas Doherty \u0026amp; Conservation notes by Dave Kehr\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-size-base\"\u003eOptional English subtitles for the deaf and hard of hearing\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":43493573951688,"sku":"617311688492","price":74.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/againstthestormbd.jpg?v=1712877571"},{"product_id":"never-open-that-door-aka-no-abras-nunca-esa-puerta-blu-ray","title":"Never Open That Door (aka: No Abras Nunca Esa Puerta) (US Import BLU-RAY)","description":"\u003cp class=\"a-spacing-base\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"a-spacing-base\" data-mce-fragment=\"1\"\u003ePreserved by the Film Noir Foundation in 2013 and now beautifully restored through UCLA Film \u0026amp; Television Archive,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"a-text-bold\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eNever Open That Door (No abras nunca esa puerta)\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a significant example of the cross-cultural cinematic legacy shared by the United States and Argentina during the post-WWII era. Based on two short stories by American master of suspense fiction Cornell Woolrich (\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eRear Window\u003c\/span\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003ePhantom Lady\u003c\/span\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eThe Bride Wore Black\u003c\/span\u003e), the film is brilliantly directed by Argentine filmmaker Carlos Hugo Christensen with extraordinary cinematography by Pablo Tabernero.\u003c\/p\u003e\n\u003cp class=\"a-spacing-base\" data-mce-fragment=\"1\"\u003eSays FNF founder Eddie Muller about this recent restoration, “It is a revelation to experience the work of an all-American author, in Spanish, and rendered as well – or perhaps better – than any Hollywood adaptation of his work.”\u003c\/p\u003e\n\u003cp class=\"a-spacing-base\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eNever Open That Door\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis one of the most evocative realizations of Woolrich ever produced, featuring masterful sequences of sustained suspense.\u003c\/p\u003e\n\u003cp class=\"a-spacing-base\" data-mce-fragment=\"1\"\u003eOriginally a three-part anthology of Woolrich tales,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eNever Open That Door\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003ewas released separately from the 73-minute film\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-text-bold\" data-mce-fragment=\"1\"\u003eIf I Should Die Before I Wake (Si muero antes de despertar)\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eadapted by screenwriter Alejandro Casona and Christensen. An exceedingly rare archival conservation scan of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eIf I Should Die Before I Wake\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003eis featured in this publication.\u003c\/p\u003e\n\u003ch4\u003eSpecial Features Include:\u003c\/h4\u003e\n\u003cdiv class=\"a-box a-spacing-small a-color-alternate-background apm-listbox\"\u003e\n\u003cdiv class=\"a-box-inner\"\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-size-base\"\u003eIntroduction to films by author, film historian, and \"noirchaeologist\" Eddie Muller\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-size-base\"\u003eIf I Should Die Before I Wake (Si muero antes de despertar) - a rare archival conservation scan\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-size-base\"\u003eAudio Commentary for Never Open That Door (No abras nunca esa puerta)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-size-base\"\u003eCornell Woolrich: Fear Has No Borders - by Steven C. Smith \u0026amp; writer\/film historian Alan K. Rode\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-size-base\"\u003ePreserving Memory: Fernando Martín Peña on Argentine Cinema\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-size-base\"\u003eSouvenir Booklet - with rare original photographs, posters, and ephemera\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-size-base\"\u003eNew English Subtitled Translations \u0026amp; Spanish SDH Subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-size-base\"\u003eReversible Cover Artwork\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Flicker Alley","offers":[{"title":"Default Title","offer_id":43493913592008,"sku":"617311688591","price":73.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/neveropenthatdoorbd.jpg?v=1712887570"},{"product_id":"lost-world-the-blu-ray","title":"Lost World, The (US Import BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTrue to its title, the 1925, 10-reel version of The Lost World effectively disappeared from circulation in 1929 all known positive prints destroyed a move by First National Pictures to help clear the way for another creature film utilizing special effects and Willis O Brien s cutting-edge animation techniques: King Kong. For more than 80 years, only abridged editions of The Lost World remained in existence... until now!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFollow Professor Challenger, played by the inimitable Wallace Beery, as he and a crew of curious explorers embark on an expedition in search of a mythical, prehistoric plateau in South America. Along for the adventure are eminent scientist Summerlee (Arthur Hoyt, the director s brother), sportsman Sir John Roxton (Lewis Stone), journalist Ed Malone (Lloyd Hughes) and Paula White (Bessie Love), whose father disappeared on the same plateau. The party is not there long before the lost world of the jungle begins to reveal its secrets: a primitive ape-man, a Pterodactyl flying through the air, a massive Brontosaurus feeding upon the trees, the vicious Allosaurus, and many more monstrous beasts of the Jurassic age.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFlicker Alley, Lobster Films, and Blackhawk Films are thrilled to present the world-premiere Blu-ray edition of Arthur Conan Doyle s The Lost World, the most complete version of the film ever released. \u003c\/span\u003e\u003cb\u003eThis visually stunning 2K restoration, accomplished by Lobster Films, features newly-discovered scenes and special effect sequences, incorporating almost all original elements from archives and collections around the world.\u003c\/b\u003e\u003cspan\u003e Renowned silent film composer Robert Israel contributes a new and ambitious score, performed by a full orchestra in 2016.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e*This edition is dedicated to David Shepard, and to the collectors, archives, and passionate cinema lovers, who help preserve films for future generations.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci\u003eDeleted Scenes\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e- Restored outtakes from a 1925 original nitrate transfer of The Lost World.\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eR.F.D., 10,000 B.C. (1917)\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e- Short film directed by Willis O Brien for producer Thomas Edison.\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eThe Ghosts of Slumber Mountain (1918)\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e- Short film written and directed by Willis O'Brien in a new 2K restoration by the Dinosaur Museum.\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eCreation (1930)\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e- Unfinished film directed by Willis O Brien that nonetheless convinced Merian C. Cooper to hire O Brien for King Kong.\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eBooklet Essay\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e- The Lost World: Secrets of the Restoration by Serge Bromberg of Lobster Films.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"Flicker Alley","offers":[{"title":"Default Title","offer_id":44017952587976,"sku":"617311685392","price":86.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/lostworldbd_35a0fbb2-69b7-4285-aebd-e2e45674009d.jpg?v=1723242992"},{"product_id":"trip-to-the-moon-a-blu-ray-dvd-combo","title":"Trip To The Moon, A (US Import BLU-RAY\/DVD Combo)","description":"\u003cp class=\"a-spacing-mini\"\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 class=\"a-spacing-mini\"\u003eA TRIP TO THE MOON: IN ITS ORIGINAL 1902 COLORS IS BACK ... AND NOW WITH BRAND NEW OPTIONAL SCORES!\u003c\/h3\u003e\n\u003cp class=\"a-spacing-base\"\u003eFlicker Alley, Lobster Films, and Blackhawk Films are proud to announce the re-release of the restored 1902 hand-colored edition of Georges Méliès’\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003e\u003cspan class=\"a-text-bold\"\u003eA Trip to the Moon\u003c\/span\u003e\u003c\/span\u003e, featuring new scores from composer\/DJ Jeff Mills, musical group Dorian Pimpernel, and an improvised piano track by Serge Bromberg with optional narration written by Georges Méliès.\u003c\/p\u003e\n\u003cp class=\"a-spacing-base\"\u003eOnce believed lost, a copy of the original, hand-colored version of Georges Méliès’ masterwork\u003cspan class=\"a-text-bold\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eA Trip to the Moon\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ewas miraculously found in Barcelona, Spain in 1993. Initially thought too fragile to restore, the film underwent one of the most complex and ambitious film restoration projects ever. Three experts in film restoration – Lobster Films, Groupama Gan Foundation, and Technicolor Foundation for Cinema Heritage – used the most advanced digital technologies available to assemble and painstakingly restore the film’s 13,375 fragmented frames.\u003c\/p\u003e\n\u003cp class=\"a-spacing-base\"\u003eFollow six scholars—members of the Astronomers’ Club—as they set off on an expedition to the moon!\u003c\/p\u003e\n\u003cp class=\"a-spacing-base\"\u003eTraveling in a bullet-shaped rocket fired into space by a giant cannon, these voyagers arrive to meet the moon’s inhabitants: the Selenites. Escaping the Selenties’ king, the scholars fall back to Earth in their rocket and are fished out of the ocean by a sailor. Applause and a triumphant parade for the six heroes concludes the first outer-space adventure in the history of cinema.\u003c\/p\u003e\n\u003cp class=\"a-spacing-base\"\u003eFlicker Alley, Lobster Films, and Blackhawk Films are thrilled to present this re-released publication of the 1902 hand-colored edition of\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003e\u003cspan class=\"a-text-bold\"\u003eA Trip to the Moon\u003c\/span\u003e\u003c\/span\u003e. This deluxe dual-format edition features two brand new scores by Jeff Mills and Dorian Pimpernel, as well as an improvised piano track by Serge Bromberg with optional narration written by Georges Méliès.\u003c\/p\u003e\n\u003ch4\u003eSpecial Features Include:\u003c\/h4\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-size-base\"\u003eTHE EXTRAORDINARY VOYAGE - with Serge Bromberg and Eric Lange (Lobster Films)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-size-base\"\u003eA TRIP TO THE MOON (B\/W) - beautifully restored black-and-white edition from original 35mm elements\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-size-base\"\u003eTHE ECLIPSE (1907) \u0026amp; THE ASTRONOMER’S DREAM (1898) - two shorts by Méliès.\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-size-base\"\u003e23-Page Booklet - featuring an essay by Gilles Duval \u0026amp; Séverine Wemaere, and and much more!\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"Flicker Alley","offers":[{"title":"Default Title","offer_id":44017967956168,"sku":"617311684999","price":79.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/triptothemoonbd.jpg?v=1723246472"},{"product_id":"dziga-vertov-the-man-with-the-movie-camera-and-other-newly-restored-works-blu-ray","title":"Dziga Vertov: The Man with the Movie Camera and Other Newly-Restored Works (BLU-RAY)","description":"\u003cdiv data-cel-widget=\"aplus-module-8\" data-csa-c-id=\"7f7jaw-ampxof-sq1hzd-cy71su\" class=\"celwidget aplus-module module-8 aplus-standard\" cel_widget_id=\"aplus-module-8\"\u003e\n\u003cdiv class=\"aplus-module-wrapper apm-fixed-width\"\u003e\n\u003cdiv class=\"apm-spacing\"\u003e\n\u003cdiv class=\"apm-lefttwothirdswrap apm-floatleft\"\u003e\n\u003cdiv class=\"apm-centerthirdcol\"\u003e\n\u003cp class=\"a-spacing-mini\"\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 class=\"a-spacing-mini\"\u003e\"I am an eye. A mechanical eye. I am the machine that reveals the world to you as only the machine can see it.” - Dziga Vertov (\"Kino-Eye\")\u003c\/h3\u003e\n\u003cp class=\"a-spacing-base\"\u003eThese words, written in 1923 (only a year after Robert Flaherty’s\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eNanook of the North\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ewas released) reflect the Soviet pioneer’s developing approach to cinema as an art form that shuns traditional or Western narrative in favor of images from real life. They lay the foundation for what would become the crux of Vertov’s revolutionary, anti-bourgeois aesthetic wherein the camera is an extension of the human eye, capturing “the chaos of visual phenomena filling the universe.” Over the next decade-and-a-half, Vertov would devote his life to the construction and organization of these raw images, his apotheosis being the landmark 1929 film\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eMan with a Movie Camera\u003c\/span\u003e. In it, he comes closest to realizing his theory of ‘Kino-Eye,’ creating a new, more ambitious and more significant picture than what the eye initially perceives.\u003c\/p\u003e\n\u003cp class=\"a-spacing-base\"\u003eNow – thanks to the extraordinary restoration efforts of Lobster Films, Blackhawk Films Collection, EYE Film Institute, Cinémathèque de Toulouse, and the Centre National de la Cinématographie – Flicker Alley is able to present the four films featured on\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e\u003cspan class=\"a-text-italic\"\u003eDziga Vertov: The Man with the Movie Camera and Other Newly-Restored Works\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ein a brand-new, Blu-ray edition.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-cel-widget=\"aplus-basic-module-13-text\" data-csa-c-id=\"nls4e2-kf957f-yod5xc-tby4p3\" class=\"celwidget aplus-module basic-module-13-text aplus-standard\" cel_widget_id=\"aplus-basic-module-13-text\"\u003e\n\u003cdiv class=\"a-section a-spacing-none aplus-module aplus-module-13 aplus-module-wrapper apm-fixed-width\"\u003e\n\u003cdiv class=\"a-section a-spacing-none aplus-module-section aplus-text-section\"\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-italic\"\u003eMan with a Movie Camera\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e(1929) - Named the best documentary film of all time by\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eSight and Sound\u003c\/span\u003e, it is presented here in its entirety for the first time since its original premiere. Discovered and restored at EYE Film Institute in Amsterdam—with extensive digital treatment by Lobster Films—the 35mm print from which this edition is, in part, sourced is the only known complete version of the film.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-italic\"\u003eKino-Eye\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e(1924) – A cinematographic poem in which Vertov lays the foundation of his Kino-Eye principles, the film shows the incredible force of his theories, but also the beauty and energy of a society fresh from revolution, ready to face the challenges of a difficult future.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-italic\"\u003eEnthusiasm: Symphony of the Donbass\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(1931) – One of the first Soviet sound films, it deals with the Five Year Plan of the late 1920s, and represents Vertov’s radical attempt to link economic progress with the introduction of sound in cinema.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-italic\"\u003eThree Songs About Lenin\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e(1934) – Arguably Vertov’s most personal work, the triptych celebrates the Soviet leader 10 years after his death as seen through the eyes of the people.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"description\"\u003e\u003cspan class=\"a-text-italic\"\u003eMan with a Movie Camera\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eKino-Eye\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003efeature musical accompaniments by Alloy Orchestra and Robert Israel respectively, while original soundtracks have been restored for\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eEnthusiasm\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThree Songs About Lenin\u003c\/span\u003e.\u003c\/p\u003e\n\u003ch4\u003eSpecial Features Include:\u003c\/h4\u003e\n\u003cdiv class=\"a-box a-spacing-small a-color-alternate-background apm-listbox\"\u003e\n\u003cdiv class=\"a-box-inner\"\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-size-base\"\u003eKino-Pravda #21 (1925) - A newsreel made to mark the first anniversary of Lenin’s death,\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-size-base\"\u003e24-Page Booklet - Featuring information about Vertov’s life and works.\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"description\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Flicker Alley","offers":[{"title":"Default Title","offer_id":44018029461704,"sku":"617311679292","price":56.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/manwiththemoviecamerabd.jpg?v=1723245531"},{"product_id":"laurel-hardy-year-two-us-import-blu-ray-copy","title":"Laurel \u0026 Hardy: Year Two (US Import BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/pnhR99OHZPI?si=sPHcnLiMWG6rDodl\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe definitive Laurel \u0026amp; Hardy restoration project continues…\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFollowing their initial pairing in early 1927, Laurel and Hardy ended their first year on top. Their success moving into 1928 galvanized the efforts of everyone at Hal Roach Studios (including famed director Leo McCarey), who proudly upped their game in support of the winning comedy duo. Whether wreaking accidental havoc as a two-man band, doing battle against one another as millionaire and butler, or even becoming grave robbers for a mad scientist, Laurel and Hardy prove in their second year that they have what it takes to not only win over audiences in the twilight of the silent era, but generate enough momentum to make a successful transition to \"talkies\" in 1929.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlthough their names are synonymous with the very idea of comedy, few of the original negatives for Laurel and Hardy's early silent work survive, elements only available from scattered sources throughout the world, often in substantially less than pristine shape. It took the team at Blackhawk Films four years to gather all surviving film elements, to meticulously compare them shot by shot, and to complete the best digital restorations possible. Today, these beloved shorts look as new as they did nearly a century ago.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFeaturing all new restorations sourced from best available materials contributed by archives and collectors around the world restored by Blackhawk Films® and FPA Classics, this comprehensive deluxe Blu-ray 2-Disc collection features their ten 1928 films as a team and additional films from the Hal Roach Studios that showcase their final solo short film appearances, as well as the shift from silent films to films featuring music and synchronized sound effects.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eShorts on the Laurel \u0026amp; Hardy: Year Two set include:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLeave 'em Laughing\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Finishing Touch\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFrom Soup to Nuts\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eYou're Darn Tootin'\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTheir Purple Moment\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eShould Married Men Go Home?\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEarly to Bed\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTwo Tars\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHabeas Corpus\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWe Faw Down\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEach film features a newly recorded score from some of the best silent film composers working today, including Neil Brand, Antonio Coppola, and Andrea Benz. The release is curated by film historians and Laurel and Hardy specialists; Randy Skretvedt, Dick Bann, Serge Bromberg, and Eric Lange.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBonus materials currently announced (with others to potentially follow):\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary Tracks – For each film by historians and authors Randy Skretvedt and Richard Bann\u003c\/li\u003e\n\u003cli\u003eExclusive, Rare Audio - Featuring Anita Garvin, Thomas Benton Roberts, and Hal Roach, from personal interviews conducted by historian Randy Skretvedt\u003c\/li\u003e\n\u003cli\u003eAdditional Musical Scores – Alternate audio options, including fully restored original 1928 Vitaphone tracks on Habeas Corpus and We Faw Down\u003c\/li\u003e\n\u003cli\u003eLaurel \u0026amp; Hardy On-Location in Year Two – A video essay by historian John Bengtson on selected location exteriors\u003c\/li\u003e\n\u003cli\u003eEve's Love Letters (1927) – One of Stan Laurel's final solo films, directed by Leo McCarey and written by Laurel himself, from rare 35mm elements\u003c\/li\u003e\n\u003cli\u003eGalloping Ghosts (1928) – Two surviving fragments of a rare solo Oliver Hardy comedy\u003c\/li\u003e\n\u003cli\u003eA Pair of Tights (1928) – A short starring Anita Garvin and Marion Byron, who were teamed to try and replicate the success of Laurel and Hardy\u003c\/li\u003e\n\u003cli\u003eGeorge Mann's Home Movies – From behind the scenes of Hal Roach Studios, including the filming of Should Married Men Go Home?\u003c\/li\u003e\n\u003cli\u003eA Complete, 20-minute Interview – By Tony Thomas with Stan Laurel, recorded in January 1959, the year after Oliver Hardy's death\u003c\/li\u003e\n\u003cli\u003eFilm Specific Image Galleries – Containing original publicity materials, press reviews, and rare production stills\u003c\/li\u003e\n\u003cli\u003eSouvenir Booklet – Containing a new collection introduction by Serge Bromberg and Eric Lange; A look at the supporting players and other creative personnel in the world of Hal Roach Studios by historian Sara Imogen Smith; A new essay exploring the development of the Vitaphone sound-on-disc system in 1928 by Randy Skredvedt; and comprehensive notes on each film\u003c\/li\u003e\n\u003cli\u003eEnglish SDH Subtitles\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eREGION-FREE\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Flicker Alley","offers":[{"title":"Default Title","offer_id":44153923076296,"sku":"617311688690","price":94.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/laurelhardyyear2bd.jpg?v=1728170853"},{"product_id":"merry-go-round-us-import-blu-ray","title":"Merry-Go-Round (US Import BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/nTAklYFanvk?si=1hWQ9Cx9KOh_3Zz5\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFlicker Alley and Blackhawk Films are honored to present for the first time ever on Blu-ray the new restoration of Erich von Stroheim's Merry-Go-Round.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePre-war Vienna sets the stage for a fated love affair between young, freewheeling Count Franz Maximilian (Norman Kerry) and lowly organ grinder Agnes Urban (Mary Philbin), in a 'Super-Jewel' spectacle of opulence, class strata, and carnal desire.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMerry-Go-Round (1923), featuring a stellar cast, that includes Norman Kerry and Mary Philbin, was initially intended to be Erich von Stroheim's fourth directorial feature for Universal, following the success of Foolish Wives (1922). Behind the scenes, however, Stroheim wrote the script, supervised the production but was initially forbidden by the studio from headlining and, six weeks into shooting, was fired by the new head of production Irving Thalberg, and replaced by Rupert Julian (The Phantom of the Opera). Flicker Alley is honored to present this newly restored edition of the film, thanks to the dedicated restoration efforts of Blackhawk Films with the support of the Sunrise Foundation and many archives throughout the world (from Austria, Denmark, France, etc.), in a deluxe Blu-ray edition.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis new restoration of Merry-Go-Round reconstructs the original continuity by combining the surviving original abridged and incomplete elements scattered around the world, meticulous image restoration, and recreation of the original stunning color effects, to offer audiences the closest look possible at the original version of the film.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMerry-Go-Round features a newly commissioned orchestral score composed and conducted by Robert Israel, generously underwritten by the Sunrise Foundation for the Arts.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eBONUS MATERIALS INCLUDE:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eAudio Commentary by Richard Koszarski -\u003c\/strong\u003e Go behind the scenes of the troubled production and explore \u003cem\u003eMerry-Go-Round’s\u003c\/em\u003e incredible filmic legacy with an in-depth commentary track from cinematic historian Richard Koszarski\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eVienna Actualities -\u003c\/strong\u003e Explore Vienna in the years before World War I with 17 minutes of historical footage, courtesy of Filmarchiv Austria\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003eOld Heidelberg\u003c\/em\u003e (1915) - \u003c\/strong\u003eA new restoration of a feature from director John Emerson and producer D.W. Griffith, which served as an influence on \u003cem\u003eMerry-Go-Round\u003c\/em\u003e and also boasts Erich von Stroheim’s very first acting role\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eRestoring \u003cem\u003eMerry-Go-Round\u003c\/em\u003e -\u003c\/strong\u003e Go behind the scenes of the brand-new restoration with film restorer Serge Bromberg\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003ePhoto Galleries -\u003c\/strong\u003e Production stills, publicity, and other rare documentation\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cb id=\"docs-internal-guid-f5e2b680-7fff-6bb1-3cd0-bd2031ce8d7f\"\u003eSouvenir Booklet - \u003c\/b\u003eFeaturing a new essay on the production by Richard Koszarski and notes on the restoration by Serge Bromberg and Lucie Fourmont\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cb\u003eEnglish SDH Subtitles\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cb\u003eReversible Cover Artwork\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cb\u003eBlu-ray Authoring by David Mackenzie of Fidelity In Motion\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cb\u003eAll Region Encoding (A,B,C)\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Flicker Alley","offers":[{"title":"Default Title","offer_id":44455537967304,"sku":"617311600692","price":79.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/merrygoroundbd.jpg?v=1739736358"},{"product_id":"champagne-caviar-four-weimar-comedies-us-import-blu-ray","title":"Champagne \u0026 Caviar: Four Weimar Comedies (US Import BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Gxv-1xBBtQU?si=ZBuNaFR0YvWxH_lD\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFlicker Alley is honored to present four musical comedies from the late years of the Weimar Republic, showcasing the \"champagne and caviar\" days of German cinema, a stark contrast to the dawn of one of history's darkest periods. This collection is being done with generous underwriting and funding from the Sunrise Foundation for Education \u0026amp; the Arts and the Villa Aurora \/ Thomas Mann House, Inc. serving as fiscal sponsor.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFeatured at the 2022 Il Cinema Ritrovato as part of The Last Laugh series curated by Lukas Foerster, the stories behind the scenes of this unique musical genre (dubbed \"Tonfilmlustspiel\" or \"sound film comedies\"), have, unfortunately, become more timely and relevant than ever.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Even more than other genres of German cinema of the Weimar Republic,\" Foerster writes, \"the Tonfilmlustspiel is inextricably linked to the work of Jewish directors, screenwriters, producers, composers, and actors originating from all over Germany as well as, quite often, Austria, who had found the blossoming cultural metropolis Berlin to be a welcoming place during the 1920s. Almost none of them were able to continue working in Germany after Adolf Hitler's rise to power.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSome big screen stars, such as Peter Lorre (whose role in Die Koffer des Herrn O.F. (The Trunks of Mr. O.F.) arrived on the heels of his star making turn in Fritz Lang's M), expatriated from Europe in the ensuing years. Others, like Renate Müller, who leads Die Privatsekretärin (The Private Secretary), were not so lucky, and met with unfortunate ends during the Nazi regime as Hitler ordered all prints of her films destroyed. Once thought partially lost, two 16mm prints of the film were discovered in 2017 at the Library of Congress, allowing for Müller's charismatic leading performance to be experienced today.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhile the films themselves are wholly mirthful, each also includes an informative audio commentary track from a different expert, providing history and context for each, offering viewers the chance to step back in time and feel the expressive, exuberantly artistic era that championed self-expression and creative freedoms, before the extraordinary flame was snuffed out.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTHE FILMS:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003cb\u003eDie Privatsekretärin (The Private Secretary)\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e (1931) - Renate Müller plays the title role in director Wilhelm Thiele's workplace comedy (adapted from the 1905 novel by István Szomaházy) about a young woman who goes to work in a bank office in search of a wealthy husband.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003cb\u003eDer brave Sünder (The Upright Sinner)\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e (1931) - Max Pallenberg stars as Leopold Pichler, a haplessly dedicated banker tasked with transporting money to Vienna, but who is unknowingly part of a larger financial scheme on the part of his boss. Directed by Fritz Kortner, The Upright Sinner is based on Alfred Polgar's play The Embezzlers, in turn based on the novel by Valentin Kataev.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003cb\u003eDie Koffer des Herrn O.F. (The Trunks of Mr. O.F.)\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e (1931) - Directed by Alexis Granowsky and starring Peter Lorre and Hedy Lamarr, The Trunks of Mr. O.F. follows a small German town that turns itself upside down in order to impress an imagined visitor whose extravagant luggage has arrived at the local hotel.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003cb\u003eIch bei Tag und du bei Nacht (I By Day, You By Night)\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e (1932) - Ludwig Berger directs the charming romance between Grete (Käthe von Nagy) and Hans (Willy Fritsch), two boarders who rent the same room, one during the day and the other at night. A likely influence on Billy Wilder's The Apartment, I By Day, You By Night is also infused with an all-singing, all-dancing celebration of the power of cinema.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis deluxe Blu-ray edition is made possible thanks to the dedicated restoration efforts of Filmmuseum München, Beauftragten der Bundesregierung für Kultur und Medien, and Friedrich-Wilhelm-Murnau-Stiftung.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpecial Features and Tehcncial Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFeature Audio Commentaries\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eDie Privatsekretärin (The Private Secretary) by Lukas Foerster, German film critic and programmer\u003c\/li\u003e\n\u003cli\u003eDer brave Sünder (The Upright Sinner) by Nadine Rossol, Senior Lecturer in Modern European History at Essex University, with additional insight by Lukas Foerster\u003c\/li\u003e\n\u003cli\u003eDie Koffer des Herrn O.F. (The Trunks of Mr. O.F.) by Anjeana Hans, Professor of German Studies and affiliated faculty in Cinema and Media Studies at Wellesley College\u003c\/li\u003e\n\u003cli\u003eIch bei Tag und du bei Nacht (I By Day, You By Night) by Christian Rogowski, Professor in Language and Literature in the Department of German at Amherst College\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eSouvenir Booklet - featuring an essay by Lukas Foerster\u003c\/li\u003e\n\u003cli\u003eReversible Cover Artwork\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eREGION-FREE\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Flicker Alley","offers":[{"title":"Default Title","offer_id":44629991850184,"sku":"617311008993","price":99.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/champagnecaviarbd.jpg?v=1747268648"},{"product_id":"male-and-female-us-import-dvd-r","title":"Male and Female (US Import DVD-R)","description":"\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEvincing Cecil B. DeMille's unequaled flair for glamorized decadence and wry social comment, Male and Female is a tongue-in-cheek morality play that playfully examines the codes of conduct of class-conscious Britain when the film was made in 1919. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the role that made her a star, Gloria Swanson stars as Lady Mary Lasenby, complacent in her status and happy when being pampered by handmaids in her luxurious boudoir and bath. Less certain that merit and social rank are equivalent is the admirable Crichton (Thomas Meighan), a selfless butler who serves Mary and her spoiled clan. When the vacationing swells and their hired help are shipwrecked on the shores of a desert island, the follies of class are displaced by matters of survival; Mary and Crichton are mutually attracted and the resourceful servant is soon king. To this already bubbly mix, DeMille adds a lavish Babylonian flashback for no discernible reason except to show a gorgeously plumed and gowned Swanson descending into a den of lions. This sequence pushes an already outrageous film into a stratosphere of visual excess, assuring its place among the glittering landmarks of silent film history. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhile D.W. Griffith's contribution to the development of film technique has been widely recognized, Cecil B. DeMille's equally influential career has been largely ignored by film historians. DeMille's critical reputation is based almost entirely on The Cheat (Lasky-Paramount, 1915) and its early acceptance by French film critics. Among his contemporaries, however, Cecil B. DeMille was widely recognized as a major talent, and other filmmakers were quick to emulate his methods in their own work. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDeMille came from a theatrical family. His father, Henry C. DeMille, was a writer best known for his collaborations with impresario David Belasco, \"the wizard of Broadway.\" Cecil's brother, William C. DeMille, was also a leading Broadway playwright. In his early career Cecil worked as an actor, play broker and theatrical manager. He also collaborated with David Belasco on The Return of Peter Grimm , but his success in the theater was limited. In 1911 Cecil teamed with producer Jesse L. Lasky to write a series of musical playlets for the vaudeville stage, and this association led to a lasting friendship. When Lasky decided to try his hand at the movies in 1913, he enlisted Cecil as Director General of the newly organized Jesse L. Lasky Feature Play Company. Their first picture, The Squaw Man (1914) , was a hit, and DeMille boosted his reputation as a filmmaker with screen adaptations of Belasco-produced plays like The Rose of the Rancho (1914) and The Girl of the Golden West (1914). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn association with art director Wilfred Buckland, cinematographer Alvin Wyckoff and his brother William, Cecil B. DeMille brought a new sophistication to films by insisting on solid narrative technique, more realistic settings, and the use of lighting effects to enhance dramatic mood. By 1915, DeMille had developed a polished style, and his films were considered the best the movies had to offer.\u003c\/span\u003e\u003c\/p\u003e","brand":"Flicker Alley","offers":[{"title":"Default Title","offer_id":44651585437896,"sku":"818522019338","price":39.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/maleandfemaledvd.jpg?v=1748735282"},{"product_id":"chaplins-essanay-comedies-us-import-blu-ray","title":"Chaplin's Essanay Comedies (US Import BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn late 1914, Charlie Chaplin was paid the then-unprecedented salary of $1,250 per week (with a bonus of $10,000) in exchange for signing a one-year contract with the Essanay Film Manufacturing Company. The resulting 14 films he created for Essanay find Chaplin further experimenting with new cinematic techniques, while continuing to add complexities and pathos into his celebrated Little Tramp character, soon to become immortalized as the face, hat, and mustache of modern screen comedy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFlicker Alley and The Blackhawk Films\u003cstrong\u003e®\u003c\/strong\u003e Collection are proud to present \u003cstrong\u003e\u003cem\u003eChaplin’s Essanay Comedies\u003c\/em\u003e\u003c\/strong\u003e, the third and final installment of the Chaplin Project (lead by Lobster Films and Cineteca di Bologna), a massive, twelve year endeavor to restore all of Chaplin’s cinematic output from 1914-1917. This 2-disc blu-ray set features 15 newly restored films—\u003ci\u003eHis New Job\u003c\/i\u003e, \u003ci\u003eA Night Out\u003c\/i\u003e, \u003ci\u003eThe Champion\u003c\/i\u003e, \u003ci\u003eIn the Park\u003c\/i\u003e, \u003ci\u003eA Jitney Elopement, The Tramp, By the Sea, His Regeneration, Work, A Woman, The Bank, Shanghaied, A Night in the Show, Charlie Chaplin’s Burlesque on Carmen, \u003c\/i\u003eand\u003ci\u003e Police\u003c\/i\u003e. All were scanned under the aegis of Association Chaplin at a resolution of 2,000 lines from original 35mm prints gathered from archives all over the world, then digitally assembled and restored, a collaborative effort of Lobster Films and Cineteca di Bologna. These editions feature scores from some of the foremost composers and musicians of silent film accompaniment, including Timothy Brock, Robert Israel, and The Mont Alto Motion Picture Orchestra.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEssanay and Mutual were Chaplin’s laboratory and he later would borrow heavily from the films he created there to craft the masterworks \u003ci\u003eThe Kid\u003c\/i\u003e (1921), \u003ci\u003eThe Gold Rush\u003c\/i\u003e (1925), \u003ci\u003eCity Lights\u003c\/i\u003e (1931) and \u003ci\u003eModern Times\u003c\/i\u003e (1936) for which he is best known and for which he always will be remembered.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBONUS MATERIALS INCLUDE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003e\u003ci\u003eTriple Trouble \u003c\/i\u003e(1918) -\u003c\/strong\u003e An unofficial Chaplin film, edited together from outtakes and footage shot by the Essanay Film Manufacturing Company without Chaplin’s approval.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003ci\u003e\u003cstrong\u003eCharlie Butts In -\u003c\/strong\u003e\u003c\/i\u003e A one-reel film widely distributed in the 1920s assembled from alternate takes of the standard, two-reel version of \u003ci\u003eA Night Out.\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eThe two-reel edits of \u003ci\u003eA Night Out \u003c\/i\u003eand \u003c\/strong\u003e\u003ci\u003e\u003cstrong\u003eCharlie Chaplin's Burlesque on Carmen -\u003c\/strong\u003e\u003c\/i\u003e Restored and conforming as nearly as possible to Chaplin’s original intentions for release.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eA never-before-seen restoration of \u003c\/strong\u003e\u003ci\u003e\u003cstrong\u003ePolice -\u003c\/strong\u003e\u003c\/i\u003e Including a newly improved final shot.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eA 28-page booklet -\u003c\/strong\u003e With rare, behind-the-scenes images, and an extensive essay by film historian and author Jeffrey Vance (\u003ci\u003eChaplin: Genius of the Cinema\u003c\/i\u003e).\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cb\u003eReversible Cover Artwork\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Flicker Alley","offers":[{"title":"Default Title","offer_id":44745581330632,"sku":"617311004490","price":99.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/chaplinsessanaycomediesbd.jpg?v=1756081824"},{"product_id":"focus-on-louise-brooks-us-import-blu-ray","title":"Focus on Louise Brooks (US Import BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/8JyWVCIvfh8?si=nyqh6pxesVO7tPkc\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFlicker Alley and San Francisco Film Preserve proudly present \u003c\/span\u003e\u003ci\u003eFocus on Louise Brooks\u003c\/i\u003e\u003cspan\u003e, a Blu-ray compilation of the iconic star's early performances, including \u003c\/span\u003e\u003cb\u003eher debut in Herbert Brenon's\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Street of Forgotten Men.\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eThis 1925 melodrama has been fully restored and is being made available for the very first time, joined by extant materials from three additional early Brooks features: American Venus (1926), Just Another Blonde (1926), and Now We're in the Air (1927).\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Street of Forgotten Men stars Mary Brian as Mary Vanhern, a woman who successfully escapes her difficult upbringing on the streets of New York's Bowery district only to have her past return to threaten her future happiness. Although only onscreen for a brief, uncredited scene, one need only glimpse Brooks to be reminded of the charisma that immediately makes her a screen icon.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRestored from a 35mm nitrate negative preserved at the Library of Congress, the film's missing second reel has been reconstructed using film stills as well as text and dialogue based on a copy of the original script, preserved by the New York Public Library. It features a musical score by Stephen Horne.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlthough most of Paramount Pictures' beauty contest comedy American Venus no longer survives, all extant material (including trailers, test footage, and a Technicolor fragment) have been gathered. Brooks' first substantial role places her opposite Ford Sterling, Lawrence Gray, real 1925 Miss America Fay Elinora Lanphier and, in one of his earlier performances, Douglas Fairbanks Jr.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBrooks plays against type in director Alfred Santell's Coney Island rom-com Just Another Blonde, starring as bookish Diana O'Sullivan opposite Dorothy Mackaill in the title role. The surviving footage includes segments from five of the original six reels.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFinally, director Frank R. Strayer's high flying World War I comedy Now We're in the Air delivers a double dose of Lulu, setting her as twin sisters Griselle and Grisette opposite hapless aviators played by Wallace Beery and Raymond Hatton. Sadly, only Grisette's role still exists today in the film's surviving 22 minute sequence.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFocus on Louise Brooks represents the first entry in a new Flicker Fusion series that will explore newly restored films, some lost and\/or fragmentary, ripe for rediscovery, and featuring some of early cinema's biggest names.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRestoration Demo - A look at the painstaking process that went into preserving the films included in this set\u003c\/li\u003e\n\u003cli\u003eAudio Commentaries - Informative audio tracks are included with film scholars Pamela Hutchinson on The Street of Forgotten Men, with author and film historians Thomas Gladysz and Kathy Rose O'Regan on Just Another Blonde, and with Gladysz and Robert Byrne on American Venus and Now We're in the Air.\u003c\/li\u003e\n\u003cli\u003eLooking at Lulu - Explore the fascinating behind the scenes life of Louise Brooks with an extended featurette hosted by historian Pamela Hutchinson\u003c\/li\u003e\n\u003cli\u003eImage Galleries - Featuring production stills and promotional material\u003c\/li\u003e\n\u003cli\u003eBooklet Insert - With an essay by film historian Thomas Gladysz and restoration notes by Rob Byrne\u003c\/li\u003e\n\u003cli\u003eEnglish closed captioning for the deaf and hard of hearing, as well as subtitle tracks in English, Spanish, French, and German\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eREGION-FREE\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Flicker Alley","offers":[{"title":"Default Title","offer_id":44921464029384,"sku":"617311600890","price":59.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/focusonlouisebrooksbd.jpg?v=1769586789"},{"product_id":"garden-of-eden-us-import-blu-ray","title":"Garden of Eden (US Import BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/KJXC7BhZWq4?si=zgJW_QSnIsQeREQK\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFlicker Alley and San Francisco Film Preserve proudly announce the return of The Garden of Eden, director Lewis Milestone's 1928 romantic comedy, joining the Flicker Fusion series in a new deluxe Blu-ray edition that showcases the new restoration alongside substantial newly produced bonus features.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNearly a century after its big screen debut, director Lewis Milestone's romantic comedy has been fully restored by the San Francisco Film Preserve, in collaboration with the George Eastman Museum, and the Library of Congress, and arrives with a brilliant new score composed and performed by Stephen Horne and Frank Bockius.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCorinne Griffith, with her husband, Walter Morosco, producing, headlines as aspiring opera singer Toni LeBrun, who leaves her family's humble bakery to follow fame and fortune in Budapest. Instead, however, she finds herself a cabaret chorus girl working for the delightfully menacing Madame Bauer (Maude George) and dodging advances from the likes of Baron Henri D'Avril (Lowell Sherman). Soon, Toni is off to Monte Carlo with the cabaret's seamstress, Rosa (Louise Dresser), and soon winds up in a complicated love triangle between charming suitor Richard Dupont (Charles Ray) and his determined uncle, Colonel Dupont (Edward Martindel).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBoasting gorgeous production design by William Cameron Menzies, The Garden of Eden was originally released with an early Technicolor dream sequence that, unfortunately, no longer exists in any form. This new release includes a reconstruction of that three-minute sequence utilizing rare still photographs. Viewers have two bonus feature options of watching the color reconstruction, with explanatory notes, on its own, or in a version with it re-inserted back into where it originally appeared in the film.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eNEW RESTORATION OF THE FILM\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003eAudio Commentary - Harlow Robinson, author of Lewis Milestone: Life and Films, offers an in-depth behind the scenes look at the production of The Garden of Eden and the incredible life of Milestone.\u003c\/li\u003e\n\u003cli\u003e5.1 Surround \u0026amp; 2.0 Stereo DTS-HD Master Audio Options - On the new score composed and performed by Stephen Horne and Frank Bockius\u003c\/li\u003e\n\u003cli\u003eRestored Color Sequence - Comprised of rare still images, this dream sequence can be viewed on its own or placed within the larger feature via seamless branching.\u003c\/li\u003e\n\u003cli\u003eSyncopating Sue (1926) - A restored fragment of director Richard Wallaces' lost romantic comedy, starring Corinne Griffith. This new restoration arrives courtesy of the San Francisco Film Preserve, in collaboration with the National Film Archive - Audiovisual Institute, Warsaw. Poland.\u003c\/li\u003e\n\u003cli\u003eThe Inimitable Corinne Griffith: The Orchid Lady of the Screen - A visual essay from historian David Pierce, narrated by Claire Lockhart, that explores the life of The Garden of Eden's beguiling star.\u003c\/li\u003e\n\u003cli\u003eRestoration Demo - A short look at the painstaking process of scanning and preserving the available elements, including two surviving 35mm nitrate reels.\u003c\/li\u003e\n\u003cli\u003eImage Gallery - Featuring production stills and promotional material\u003c\/li\u003e\n\u003cli\u003eBooklet Insert - Featuring a new essay by Harlow Robinson, exploring the making of The Garden of Eden\u003c\/li\u003e\n\u003cli\u003eOptional Language Tracks - English language intertitles with optional subtitles on the main feature in Dutch, French, German, Irish, Italian, and Spanish\u003c\/li\u003e\n\u003cli\u003eOptional Double-Sided Slipcover - Available either as a standard release or, exclusively from www.flickeralley.com, special limited edition double-sided slipcover that showcases exclusive artwork\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eREGION-FREE\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Flicker Alley","offers":[{"title":"Default Title","offer_id":45040170270920,"sku":"617311601095","price":59.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/gardenofedenbd.jpg?v=1774814050"}],"url":"https:\/\/videomatica.com\/es\/collections\/flicker-alley.oembed","provider":"Videomatica Ltd (since 1983)","version":"1.0","type":"link"}