{"title":"In Stock Dekanalog","description":"\u003cp\u003e\u003ca href=\"https:\/\/videomatica.com\/collections\/dekanalog\"\u003e\u003cstrong\u003eClick here for our complete selection of Dekanalog titles\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c!----\u003e","products":[{"product_id":"taking-the-limited-edition-slipcover-blu-ray","title":"Taking, The (Limited Edition Slipcover BLU-RAY)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/uRBTSmuCCgY?si=LDxHi_a69MZw3IpQ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003eThis illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003edirected by: Alexandre O. Philippe\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003estarring: Jennifer Nez Denetdale, Liza Black, Sir Christopher Frayling, Robert M. Bednar, John Bucher\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003e2021 \/ 76 min \/ 1.85:1 \/ English, Italian DTS-HD MA 5.1, 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003eInterview with filmmaker Alexandre O. Philippe\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003eSuper 8 Montage of Monument Valley footage used in the film\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003eThe Spot - short film by Alexandre O. Philippe\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003eBooklet Essay by Scout Tafoya\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dekanalog","offers":[{"title":"Default Title","offer_id":42912286081224,"sku":"DKA012 SLIP","price":46.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/takingbdslipfront.webp?v=1696361114"},{"product_id":"what-we-left-unfinished-us-import-blu-ray","title":"What We Left Unfinished (US Import BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003e\u003ciframe title=\"vimeo-player\" src=\"https:\/\/player.vimeo.com\/video\/576851507?h=f8eb55f89e\" width=\"640\" height=\"360\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn a time when film was more than just entertainment—it was a weapon—WHAT WE LEFT UNFINISHED unearths the incredible true stories behind five unfinished feature films from Afghanistan’s Communist era (1978-1991). Filmmakers who dared to defy the odds, creating stories that both reflected and resisted the shifting political tides, were thrust into a battle where their craft became a matter of life and death.\u003c\/p\u003e\n\u003cp\u003eThrough stunningly restored, newly rediscovered footage from these long-lost films, WHAT WE LEFT UNFINISHED takes you on an unforgettable journey into a world where the line between history and fiction often blurred beyond recognition. Witness the filmmakers’ struggles against scarce resources, relentless threats, and political oppression as they sought to tell stories they believed could change the fate of their country.\u003c\/p\u003e\n\u003cp\u003eWHAT WE LEFT UNFINISHED is not just a chronicle of lost films—it’s a window into the soul of a nation torn apart by war, ideology, and shifting allegiances. You’ll come to understand the cost Afghan filmmakers paid under Communism, the rewards they reaped despite the dangers, and why they still believe that cinema holds the power to heal the wounds that continue to divide Afghanistan today.\u003c\/p\u003e\n\u003cp\u003eThis is a story of resilience, of hope, and of the unbreakable belief in the power of film to shape reality.\u003c\/p\u003e\n\u003cp\u003eJoin us in uncovering a hidden chapter of history. A story that’s unfinished—but still calling for completion.\u003c\/p\u003e\n\u003cp\u003edirected by: Mariam Ghani\u003cbr\u003estarring: Latif Ahmadi, Jawanshir Haidari, Asadollah Aram\u003cbr\u003e2019 \/ 71 min \/ 1.85:1 \/ Dari, English DTS-HD MA 5.1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAdditional info:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eRegion A Blu-ray\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eIntroduction from filmmaker Mariam Ghani\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eExtended interview with filmmaker Latif Ahmadi\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eQ\u0026amp;A with filmmaker Mariam Ghani and Shahrzad Mojab, Director or Women and Gender Studies at the Institute at the University of Toronto\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eDiscussion with composer Qasim Naqvi and Mariam Ghani\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eFollow The Leader (2019) - Short Film\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eTrailer for Dark Days (1974)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eTrailer for Epic of Love (1986)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eTrailer for What We Left Unfinished\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dekanalog","offers":[{"title":"Default Title","offer_id":44578459910344,"sku":"DKA026","price":45.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/WhatWeLeftUnfinishedBD.jpg?v=1744063105"},{"product_id":"legend-of-mexman-the-us-import-limited-edition-slipcover-blu-ray","title":"Legend of MexMan, The (US Import Limited Edition Slipcover BLU-RAY)","description":"\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Jo9tEnFAR4I?si=TRzvjAyRI8HOFIG9\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWorking out of an abandoned hangar at a small regional airport in East Los Angeles, Germán Alonso surrounds himself in a Gilliam-esque fantasy world, expressing his vision the only way he knows how: making phantasmagorical films with help from his friends, family and hundreds of handmade puppets.   \u003c\/p\u003e\n\u003cp\u003eBut when a once-in-a-lifetime opportunity comes along to adapt a feature-length version of his college thesis film, about a Mexican immigrant-turned-cyborg named “MexMan” — Alonso’s own superpowers begin to strain, as creative conflicts emerge with his producers and an old crush reappears.\u003c\/p\u003e\n\u003cp\u003eWelcome to THE LEGEND OF MEXMAN, the (almost) unbelievable outsider-turned-hero tale that Film Threat calls “One of the great stand-up-and-cheer underdog sagas of all time.”\u003c\/p\u003e\n\u003cp\u003edirected by: Josh Polon\u003cbr\u003estarring: Germán Alonso, Tyler Soper, Ben Soper, Jonathan Sims, Moctesuma Esparza and José Manuel Alonso\u003cbr\u003e2023 \/ 89 min \/ 1.78:1 \/ English DTS-HD MA 5.1, 2.0\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAdditional info:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eRegion Free Blu-ray\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eAudio commentary with Director Josh Polon and Germán Alonso moderated by Dekanalog’s Elijah Drenner\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eDeleted Scenes\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eA Selection of Short Films by Germán Alonso\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eAnimation Tests\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e2018 Slamdance Q\u0026amp;A\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eTheatrical Trailer\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eEssay by Alex Lei\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dekanalog","offers":[{"title":"Default Title","offer_id":44874149134536,"sku":"DKA031 SLIP","price":48.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/legendofmexmanbdslip.webp?v=1765507308"},{"product_id":"blue-sun-palace-us-import-blu-ray","title":"Blue Sun Palace (US Import BLU-RAY)","description":"\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/wExS12Q9Pw8?si=h24LcFniJKADcKa3\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWinner of the French Touch prize in the Critics’ Week lineup of the 2024 Cannes Film Festival, Constance Tsang’s intimate, sensitively observed drama stars frequent Tsai Ming-Liang collaborator Lee Kang-sheng (\u003cem\u003eRebels Of the Neon God\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eStray Dogs\u003c\/em\u003e), alongside Wu Ke-xi (Nina Wu) and Xu Haixpeng as three Chinese immigrants living in Flushing, Queens — he’s a construction worker, they’re employees of a massage parlor they dream of being able to leave — whose routine lives and relationships are changed forever following a tragic Lunar New Year incident. A tender study of social isolation and messy emotional entanglement, infused with melancholic atmosphere by the standout work of DP Norm Li (\u003cem\u003eKuso\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBeyond The Black Rainbow\u003c\/em\u003e), shooting on film.\u003c\/p\u003e\n\u003cp\u003edirected by: Constance Tsang\u003cbr\u003estarring: Lee Kang-sheng, Wu Ke-Xi, Haipeng Xu\u003cbr\u003e2024 \/ 116 min \/ 1.85:1 \/ Mandarin, English DTS-HD MA 5.1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAdditional info:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eRegion A Blu-ray\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eInterview with filmmaker Constance Tsang\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eInterview with actor Lee Kang-sheng\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eInterview with actress Wu Ke-xi\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eTheatrical Trailer\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eConstance Tsang's short film - Beau\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eBooklet Essay by film critic Marya E. Gates\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dekanalog","offers":[{"title":"Default Title","offer_id":44874154934472,"sku":"DKA032","price":47.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/BlueSunPalaceBD.jpg?v=1765507468"},{"product_id":"snowy-bing-bongs-us-import-limited-edition-slipcover-blu-ray","title":"Snowy Bing Bongs (US Import Limited Edition Slipcover BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/RZHjH-9ZhHk?si=cXJCeGhLSy97o3u-\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWelcome to the special edition Blu-ray of... SNOWY BING BONGS ACROSS THE NORTH STAR COMBAT ZONE. This blissfully bonkers whatzit from unclassifiable dance-comedy trio Cocoon Central Dance Team - Sunita Mani (GLOW, MR. ROBOT), Tallie Medel (EVERYTHING EVERYWHERE ALL AT ONCE), and Eleanore Pienta (A DIFFERENT MAN) - is part psychotropic performance art spectacle, part absurdist sketch show. The three Bing Bongs lounge about, fight beachballs, and periodically break into wondrously strange dance routines, with outer space interludes, a serious consideration of doctor boners, and a 90s-style girl group meltdown along the way. It all plays like a live action cartoon piped in from a cotton-candy-colored alternate universe. Produced by the Academy Award-winning Daniels (EVERYTHING EVERYWHERE ALL AT ONCE). Featuring Kate Berlant (WOULD IT KILL YOU TO LAUGH?), Joe Pera (JOE PERA TALKS WITH YOU), Keith Poulson (I BLAME SOCIETY), and Reggie Watts (COMEDY BANG BANG). 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Including:\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eAudio Commentary by Sunita Mani, Eleanore Pienta, Tallie Medel, Rachel Wolther \u0026amp; Alex H Fischer\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e4 Deleted and Extended Scenes\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eCocoon Central Dance Team Shorts\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eSelect Cocoon Central Dance Team Live Performances\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eBest Of Cocoon Central Dance Team Rehearsal Series\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eBooklet including: Exclusive Interview with John Early (2025), Vulture Piece by Emily Yoshida (2017), and Behind The Scenes Photos\u003c\/li\u003e\n\u003cli class=\"li1\"\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dekanalog","offers":[{"title":"Default Title","offer_id":45054868193480,"sku":"DKA033 SLIP","price":54.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/SnowyBingBongsbdslip.webp?v=1776134311"}],"url":"https:\/\/videomatica.com\/es\/collections\/in-stock-dekanalog.oembed","provider":"Videomatica Ltd (since 1983)","version":"1.0","type":"link"}