{"title":"In Stock Film Noir","description":"\u003ca href=\"https:\/\/videomatica.com\/collections\/film-noir\" title=\"Film Noir\"\u003e\u003cstrong\u003eClick here for our Complete Catalogue of Film Noirs\u003c\/strong\u003e\u003c\/a\u003e\u003cbr\u003e","products":[{"product_id":"film-noir-the-dark-side-of-cinema-v-because-of-you-outside-the-law-the-midnight-story-blu-ray-release-december-2021","title":"Film Noir: The Dark Side of Cinema V (Because of You \/ Outside the Law \/ The Midnight Story) (BLU-RAY)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"This collection features three film noir classics. BECAUSE OF YOU (1952) – Loretta Young (The Stranger, The Farmer’s Daughter) and Jeff Chandler (Red Ball Express, Man in the Shadow) star in the noir romance Because of You. Blonde bombshell Christine Carroll (Young) finds out too late that her fiancé Mike Monroe (Alex Nicol, The Sleeping City) is a gangster—and she’s his unwitting accessory. Emerging from prison with dark hair and an interest in nursing, she becomes a nurse’s aide in a war hospital and soon marries a battle-fatigued patient, Steve Kimberly (Chandler). The happy couple have a daughter, Kim, but Christine’s secret past threatens to tear her family apart when Mike reappears, forcing Christine to help him escape across the Mexican border. Joseph Pevney, the director of Six Bridges to Cross and Female on the Beach, helmed this saga of love and sacrifice, shot by the great cinematographer Russell Metty (Touch of Evil). The title song was Tony Bennett’s first number-one hit and became one of his many signature songs. OUTSIDE THE LAW (1956) – Ray Danton (The Night Runner), Leigh Snowden (The Square Jungle) and Grant Williams (The Incredible Shrinking Man) star in the riveting film noir Outside the Law. Ex-con Johnny Salvo (Danton) is given the chance to redeem himself, and revenge the murder of an old Army buddy, by going undercover and helping the authorities break up a ring of international counterfeiters who will stop at nothing, including murder, to protect their operation. But first, Johnny must earn the respect of his Treasury-man father (Onslow Stevens, O.S.S.) and the trust of his buddy’s widow (Snowden). Prolific filmmaker Jack Arnold, the director of It Came from Outer Space, Creature from the Black Lagoon, Man in the Shadow, No Name on the Bullet and The Mouse That Roared, helmed this action-packed crime drama that features cinematography by noir specialist Irving Glassberg (Larceny, The Price of Fear). THE MIDNIGHT STORY (1957) – Screen great Tony Curtis (The Vikings, The Great Impostor) gives a powerful performance in the superb ’50s film noir The Midnight Story. When beloved priest Father Tomasino is murdered in a San Francisco alleyway, traffic cop Joe Martini (Curtis) vows to catch the killer. Ordered off the case by homicide detective Kilrain (Ted de Corsia, The Killing), Martini turns in his badge and investigates alone. He follows a hunch that Italian restaurant owner Sylvio (Gilbert Roland, Thunder Bay) could be involved and decides to hide his previous life as a cop in order to become friendly with his suspect’s family. But as Martini starts to unravel the truth behind Father Tomasino’s murder, he falls in love with the suspect’s cousin (Marisa Pavan, The Rose Tattoo), and his world is torn apart by old and new loyalties. Joseph Pevney, the director of The Strange Door and Foxfire, helmed this compelling psychological crime drama that boasts gorgeous CinemaScope cinematography by the great Russell Metty (Spartacus).\"}' data-sheets-userformat='{\"2\":10241,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"16\":12}' data-mce-fragment=\"1\"\u003eThis collection features three film noir classics. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"This collection features three film noir classics. BECAUSE OF YOU (1952) – Loretta Young (The Stranger, The Farmer’s Daughter) and Jeff Chandler (Red Ball Express, Man in the Shadow) star in the noir romance Because of You. Blonde bombshell Christine Carroll (Young) finds out too late that her fiancé Mike Monroe (Alex Nicol, The Sleeping City) is a gangster—and she’s his unwitting accessory. Emerging from prison with dark hair and an interest in nursing, she becomes a nurse’s aide in a war hospital and soon marries a battle-fatigued patient, Steve Kimberly (Chandler). The happy couple have a daughter, Kim, but Christine’s secret past threatens to tear her family apart when Mike reappears, forcing Christine to help him escape across the Mexican border. Joseph Pevney, the director of Six Bridges to Cross and Female on the Beach, helmed this saga of love and sacrifice, shot by the great cinematographer Russell Metty (Touch of Evil). The title song was Tony Bennett’s first number-one hit and became one of his many signature songs. OUTSIDE THE LAW (1956) – Ray Danton (The Night Runner), Leigh Snowden (The Square Jungle) and Grant Williams (The Incredible Shrinking Man) star in the riveting film noir Outside the Law. Ex-con Johnny Salvo (Danton) is given the chance to redeem himself, and revenge the murder of an old Army buddy, by going undercover and helping the authorities break up a ring of international counterfeiters who will stop at nothing, including murder, to protect their operation. But first, Johnny must earn the respect of his Treasury-man father (Onslow Stevens, O.S.S.) and the trust of his buddy’s widow (Snowden). Prolific filmmaker Jack Arnold, the director of It Came from Outer Space, Creature from the Black Lagoon, Man in the Shadow, No Name on the Bullet and The Mouse That Roared, helmed this action-packed crime drama that features cinematography by noir specialist Irving Glassberg (Larceny, The Price of Fear). THE MIDNIGHT STORY (1957) – Screen great Tony Curtis (The Vikings, The Great Impostor) gives a powerful performance in the superb ’50s film noir The Midnight Story. When beloved priest Father Tomasino is murdered in a San Francisco alleyway, traffic cop Joe Martini (Curtis) vows to catch the killer. Ordered off the case by homicide detective Kilrain (Ted de Corsia, The Killing), Martini turns in his badge and investigates alone. He follows a hunch that Italian restaurant owner Sylvio (Gilbert Roland, Thunder Bay) could be involved and decides to hide his previous life as a cop in order to become friendly with his suspect’s family. But as Martini starts to unravel the truth behind Father Tomasino’s murder, he falls in love with the suspect’s cousin (Marisa Pavan, The Rose Tattoo), and his world is torn apart by old and new loyalties. Joseph Pevney, the director of The Strange Door and Foxfire, helmed this compelling psychological crime drama that boasts gorgeous CinemaScope cinematography by the great Russell Metty (Spartacus).\"}' data-sheets-userformat='{\"2\":10241,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"16\":12}' data-mce-fragment=\"1\"\u003eBECAUSE OF YOU (1952) – Loretta Young (The Stranger, The Farmer’s Daughter) and Jeff Chandler (Red Ball Express, Man in the Shadow) star in the noir romance Because of You. Blonde bombshell Christine Carroll (Young) finds out too late that her fiancé Mike Monroe (Alex Nicol, The Sleeping City) is a gangster—and she’s his unwitting accessory. Emerging from prison with dark hair and an interest in nursing, she becomes a nurse’s aide in a war hospital and soon marries a battle-fatigued patient, Steve Kimberly (Chandler). The happy couple have a daughter, Kim, but Christine’s secret past threatens to tear her family apart when Mike reappears, forcing Christine to help him escape across the Mexican border. Joseph Pevney, the director of Six Bridges to Cross and Female on the Beach, helmed this saga of love and sacrifice, shot by the great cinematographer Russell Metty (Touch of Evil). The title song was Tony Bennett’s first number-one hit and became one of his many signature songs. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"This collection features three film noir classics. BECAUSE OF YOU (1952) – Loretta Young (The Stranger, The Farmer’s Daughter) and Jeff Chandler (Red Ball Express, Man in the Shadow) star in the noir romance Because of You. Blonde bombshell Christine Carroll (Young) finds out too late that her fiancé Mike Monroe (Alex Nicol, The Sleeping City) is a gangster—and she’s his unwitting accessory. Emerging from prison with dark hair and an interest in nursing, she becomes a nurse’s aide in a war hospital and soon marries a battle-fatigued patient, Steve Kimberly (Chandler). The happy couple have a daughter, Kim, but Christine’s secret past threatens to tear her family apart when Mike reappears, forcing Christine to help him escape across the Mexican border. Joseph Pevney, the director of Six Bridges to Cross and Female on the Beach, helmed this saga of love and sacrifice, shot by the great cinematographer Russell Metty (Touch of Evil). The title song was Tony Bennett’s first number-one hit and became one of his many signature songs. OUTSIDE THE LAW (1956) – Ray Danton (The Night Runner), Leigh Snowden (The Square Jungle) and Grant Williams (The Incredible Shrinking Man) star in the riveting film noir Outside the Law. Ex-con Johnny Salvo (Danton) is given the chance to redeem himself, and revenge the murder of an old Army buddy, by going undercover and helping the authorities break up a ring of international counterfeiters who will stop at nothing, including murder, to protect their operation. But first, Johnny must earn the respect of his Treasury-man father (Onslow Stevens, O.S.S.) and the trust of his buddy’s widow (Snowden). Prolific filmmaker Jack Arnold, the director of It Came from Outer Space, Creature from the Black Lagoon, Man in the Shadow, No Name on the Bullet and The Mouse That Roared, helmed this action-packed crime drama that features cinematography by noir specialist Irving Glassberg (Larceny, The Price of Fear). THE MIDNIGHT STORY (1957) – Screen great Tony Curtis (The Vikings, The Great Impostor) gives a powerful performance in the superb ’50s film noir The Midnight Story. When beloved priest Father Tomasino is murdered in a San Francisco alleyway, traffic cop Joe Martini (Curtis) vows to catch the killer. Ordered off the case by homicide detective Kilrain (Ted de Corsia, The Killing), Martini turns in his badge and investigates alone. He follows a hunch that Italian restaurant owner Sylvio (Gilbert Roland, Thunder Bay) could be involved and decides to hide his previous life as a cop in order to become friendly with his suspect’s family. But as Martini starts to unravel the truth behind Father Tomasino’s murder, he falls in love with the suspect’s cousin (Marisa Pavan, The Rose Tattoo), and his world is torn apart by old and new loyalties. Joseph Pevney, the director of The Strange Door and Foxfire, helmed this compelling psychological crime drama that boasts gorgeous CinemaScope cinematography by the great Russell Metty (Spartacus).\"}' data-sheets-userformat='{\"2\":10241,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"16\":12}' data-mce-fragment=\"1\"\u003eOUTSIDE THE LAW (1956) – Ray Danton (The Night Runner), Leigh Snowden (The Square Jungle) and Grant Williams (The Incredible Shrinking Man) star in the riveting film noir Outside the Law. Ex-con Johnny Salvo (Danton) is given the chance to redeem himself, and revenge the murder of an old Army buddy, by going undercover and helping the authorities break up a ring of international counterfeiters who will stop at nothing, including murder, to protect their operation. But first, Johnny must earn the respect of his Treasury-man father (Onslow Stevens, O.S.S.) and the trust of his buddy’s widow (Snowden). Prolific filmmaker Jack Arnold, the director of It Came from Outer Space, Creature from the Black Lagoon, Man in the Shadow, No Name on the Bullet and The Mouse That Roared, helmed this action-packed crime drama that features cinematography by noir specialist Irving Glassberg (Larceny, The Price of Fear). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"This collection features three film noir classics. BECAUSE OF YOU (1952) – Loretta Young (The Stranger, The Farmer’s Daughter) and Jeff Chandler (Red Ball Express, Man in the Shadow) star in the noir romance Because of You. Blonde bombshell Christine Carroll (Young) finds out too late that her fiancé Mike Monroe (Alex Nicol, The Sleeping City) is a gangster—and she’s his unwitting accessory. Emerging from prison with dark hair and an interest in nursing, she becomes a nurse’s aide in a war hospital and soon marries a battle-fatigued patient, Steve Kimberly (Chandler). The happy couple have a daughter, Kim, but Christine’s secret past threatens to tear her family apart when Mike reappears, forcing Christine to help him escape across the Mexican border. Joseph Pevney, the director of Six Bridges to Cross and Female on the Beach, helmed this saga of love and sacrifice, shot by the great cinematographer Russell Metty (Touch of Evil). The title song was Tony Bennett’s first number-one hit and became one of his many signature songs. OUTSIDE THE LAW (1956) – Ray Danton (The Night Runner), Leigh Snowden (The Square Jungle) and Grant Williams (The Incredible Shrinking Man) star in the riveting film noir Outside the Law. Ex-con Johnny Salvo (Danton) is given the chance to redeem himself, and revenge the murder of an old Army buddy, by going undercover and helping the authorities break up a ring of international counterfeiters who will stop at nothing, including murder, to protect their operation. But first, Johnny must earn the respect of his Treasury-man father (Onslow Stevens, O.S.S.) and the trust of his buddy’s widow (Snowden). Prolific filmmaker Jack Arnold, the director of It Came from Outer Space, Creature from the Black Lagoon, Man in the Shadow, No Name on the Bullet and The Mouse That Roared, helmed this action-packed crime drama that features cinematography by noir specialist Irving Glassberg (Larceny, The Price of Fear). THE MIDNIGHT STORY (1957) – Screen great Tony Curtis (The Vikings, The Great Impostor) gives a powerful performance in the superb ’50s film noir The Midnight Story. When beloved priest Father Tomasino is murdered in a San Francisco alleyway, traffic cop Joe Martini (Curtis) vows to catch the killer. Ordered off the case by homicide detective Kilrain (Ted de Corsia, The Killing), Martini turns in his badge and investigates alone. He follows a hunch that Italian restaurant owner Sylvio (Gilbert Roland, Thunder Bay) could be involved and decides to hide his previous life as a cop in order to become friendly with his suspect’s family. But as Martini starts to unravel the truth behind Father Tomasino’s murder, he falls in love with the suspect’s cousin (Marisa Pavan, The Rose Tattoo), and his world is torn apart by old and new loyalties. Joseph Pevney, the director of The Strange Door and Foxfire, helmed this compelling psychological crime drama that boasts gorgeous CinemaScope cinematography by the great Russell Metty (Spartacus).\"}' data-sheets-userformat='{\"2\":10241,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"16\":12}' data-mce-fragment=\"1\"\u003eTHE MIDNIGHT STORY (1957) – Screen great Tony Curtis (The Vikings, The Great Impostor) gives a powerful performance in the superb ’50s film noir The Midnight Story. When beloved priest Father Tomasino is murdered in a San Francisco alleyway, traffic cop Joe Martini (Curtis) vows to catch the killer. Ordered off the case by homicide detective Kilrain (Ted de Corsia, The Killing), Martini turns in his badge and investigates alone. He follows a hunch that Italian restaurant owner Sylvio (Gilbert Roland, Thunder Bay) could be involved and decides to hide his previous life as a cop in order to become friendly with his suspect’s family. But as Martini starts to unravel the truth behind Father Tomasino’s murder, he falls in love with the suspect’s cousin (Marisa Pavan, The Rose Tattoo), and his world is torn apart by old and new loyalties. Joseph Pevney, the director of The Strange Door and Foxfire, helmed this compelling psychological crime drama that boasts gorgeous CinemaScope cinematography by the great Russell Metty\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(Spartacus).\u003c\/p\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eBlu-ray Extras Include:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"NEW Audio Commentary for BECAUSE OF YOU by Film Historian Samm Deighan | NEW Audio Commentary for OUTSIDE THE LAW by Film Historian Richard Harland Smith | NEW Audio Commentary for THE MIDNIGHT STORY by Professor and Film Scholar Jason A. Ney | Theatrical Trailers for All Three Features\"}' data-sheets-userformat='{\"2\":10369,\"3\":{\"1\":0,\"3\":1},\"10\":1,\"14\":{\"1\":2,\"2\":275199},\"16\":12}' data-mce-fragment=\"1\"\u003eNEW Audio Commentary for BECAUSE OF YOU by Film Historian Samm Deighan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"NEW Audio Commentary for BECAUSE OF YOU by Film Historian Samm Deighan | NEW Audio Commentary for OUTSIDE THE LAW by Film Historian Richard Harland Smith | NEW Audio Commentary for THE MIDNIGHT STORY by Professor and Film Scholar Jason A. Ney | Theatrical Trailers for All Three Features\"}' data-sheets-userformat='{\"2\":10369,\"3\":{\"1\":0,\"3\":1},\"10\":1,\"14\":{\"1\":2,\"2\":275199},\"16\":12}' data-mce-fragment=\"1\"\u003eNEW Audio Commentary for OUTSIDE THE LAW by Film Historian Richard Harland Smith\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"NEW Audio Commentary for BECAUSE OF YOU by Film Historian Samm Deighan | NEW Audio Commentary for OUTSIDE THE LAW by Film Historian Richard Harland Smith | NEW Audio Commentary for THE MIDNIGHT STORY by Professor and Film Scholar Jason A. Ney | Theatrical Trailers for All Three Features\"}' data-sheets-userformat='{\"2\":10369,\"3\":{\"1\":0,\"3\":1},\"10\":1,\"14\":{\"1\":2,\"2\":275199},\"16\":12}' data-mce-fragment=\"1\"\u003eNEW Audio Commentary for THE MIDNIGHT STORY by Professor and Film Scholar Jason A. Ney\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"NEW Audio Commentary for BECAUSE OF YOU by Film Historian Samm Deighan | NEW Audio Commentary for OUTSIDE THE LAW by Film Historian Richard Harland Smith | NEW Audio Commentary for THE MIDNIGHT STORY by Professor and Film Scholar Jason A. Ney | Theatrical Trailers for All Three Features\"}' data-sheets-userformat='{\"2\":10369,\"3\":{\"1\":0,\"3\":1},\"10\":1,\"14\":{\"1\":2,\"2\":275199},\"16\":12}' data-mce-fragment=\"1\"\u003eTheatrical Trailers for All Three Features\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kino Lorber","offers":[{"title":"Default Title","offer_id":41153361510600,"sku":"KIN25694","price":49.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/filmnoir.jpg?v=1634946689"},{"product_id":"franco-noir-blu-ray","title":"Franco Noir (BLU-RAY)","description":"\u003ch3 data-mce-fragment=\"1\" itemprop=\"description\"\u003eA DOUBLE FEATURE OF NOIR FILMS FROM THE MASTER JESÚS FRANCO (aka \"Jess Franco\")\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eTHE AMERICAN PREMIERE OF JESS FRANCO'S TWO LONG-UNSEEN FILM NOIRS Following his international breakthrough with THE AWFUL DR. ORLOFF, director Jess Franco delivered a startling pair of crime thrillers that pistol-whipped European notions of film noir while lighting the fuse on Uncle Jess' own insane aesthetic. Set in New Orleans and based on a novel by the authors of VERTIGO, DEATH WHISTLES THE BLUES is a hard-boiled tale of betrayal, violence and revenge featuring smoky jazz compositions by Franco himself. Jean Servais of RIFIFI fame stars in RIFIFI IN THE CITY, a nihilistic trip through a pulp underworld of thugs, snitches, nightclub dames and black-gloved giallo-style murders. Both films - which led an impressed Orson Welles to hire Franco as his assistant on CHIMES AT MIDNIGHT - now feature HD scans from the original negatives for the first time ever.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eBonus Materials\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eFranco Noir — Interview With Stephen Thrower, Author Of “Murderous Passions: The Delirious Cinema Of Jesús Franco”\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":41171078316232,"sku":"SEV7594BR","price":39.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/FRANCONOIR.jpg?v=1635286826"},{"product_id":"aba-blu-step_b004-88392","title":"Step By Step (US Import BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e The stars of 1945’s Dillinger are reunited in this fast-paced espionage thriller from director Phil Rosen. Lawrence Tierney (Born to Kill, Reservoir Dogs) stars as Marine veteran Johnny Christopher, who meets and is immediately drawn to the beautiful Evelyn Smith (Anne Jeffreys; Riffraff, Trail Street). Evelyn’s new job as secretary to a U.S. senator in California soon brings unexpected intrigue and trouble for her and Johnny. The machinations of a sinister group of Nazi spies lead to mysteries and mistaken identities, and the two soon find themselves framed for murder!\u003c\/p\u003e","brand":"Warner Archive","offers":[{"title":"Default Title","offer_id":41280986284232,"sku":"883929775873","price":34.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/51ryqVaK3HS.jpg?v=1651964126"},{"product_id":"key-largo-blu-ray","title":"Key Largo (US Import BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e A hurricane swells outside, but it's nothing compared to the storm within the hotel at Key Largo. There, sadistic mobster Johnny Rocco (Edward G. Robinson) holes up - and holds at gunpoint hotel owner Nora Temple (Lauren Bacall), her invalid father-in-law (Lionel Barrymore) and ex-GI Frank McCloud (Humphrey Bogart).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMcCloud's the one man capable of standing up against the belligerent Rocco. But the postwar world's realities may have taken all the fight out of him. John Huston co-wrote and compellingly directs this film of Maxwell Anderson's 1939 play with a searing Academy Award-winning performance by Claire Trevor as Rocco's gold-hearted, boozy moll. In Huston's hands, it becomes a powerful, sweltering classic.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOriginal Theatrical Trailer\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOptional English, French, Spanish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warner Archive","offers":[{"title":"Default Title","offer_id":41283927998664,"sku":"888574379445","price":36.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/KEYLARGO.jpg?v=1637714526"},{"product_id":"jigsaw-blu-ray","title":"Jigsaw (BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/7dlBXG0V1ao\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJack Warner, Ronald Lewis and Yolande Donlan star in this drama written, produced and directed by Val Guest. When a woman is found murdered in Brighton it is left to two local detectives, Sergeant Wilks (Lewis) and Inspector Fellows (Warner), to piece together the clues, solve the crime and catch the killer.\u003c\/span\u003e\u003c\/p\u003e","brand":"KRK","offers":[{"title":"Default Title","offer_id":41810302435528,"sku":"738329258269","price":40.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/jigsaw.jpg?v=1650594503"},{"product_id":"devil-in-a-blue-dress-4k-uhd-blu-ray-combo","title":"Devil In A Blue Dress (4K UHD\/BLU-RAY Combo)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe bone-deep disillusionment of postwar film noir becomes a powerful vehicle to explore America’s racial injustices in Carl Franklin’s richly atmospheric \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eDevil in a Blue Dress,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003ean adaptation of the hard-boiled novel by Walter Mosley. Denzel Washington has charisma to burn as the jobless ex-GI Easy Rawlins, who sees a chance to make some quick cash when he’s recruited to find the missing lover (Jennifer Beals) of a wealthy mayoral candidate in late-1940s Los Angeles—only to find himself embroiled in murder, political intrigue, and a scandal that crosses the treacherous color lines of a segregated society. Featuring breakout work by Don Cheadle as Rawlins’s cheerfully trigger-happy sidekick, this stylish mystery both channels and subverts classic noir tropes as it exposes the bitter racial realities underlying the American dream.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\"\u003eDIRECTOR-APPROVED SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\"\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K digital restoration, approved by director Carl Franklin, with 5.1 surround DTS-HD Master Audio soundtrack\u003c\/li\u003e\n\u003cli\u003eIn the 4K UHD edition: One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features\u003c\/li\u003e\n\u003cli\u003eAudio commentary featuring Franklin\u003c\/li\u003e\n\u003cli\u003eNew conversation between Franklin and actor Don Cheadle\u003c\/li\u003e\n\u003cli\u003eNew conversation between Walter Mosley, author of the novel on which the film is based, and novelist and screenwriter Attica Locke\u003c\/li\u003e\n\u003cli\u003eOn-stage conversation between Franklin and film historian Eddie Muller, recorded at the 2018 Noir City Film Festival in Chicago\u003c\/li\u003e\n\u003cli\u003eScreen test for Cheadle\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles for the deaf and hard of hearing\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by critic Julian Kimble\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNew cover by James Ransome\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Criterion Collection","offers":[{"title":"Default Title","offer_id":41847091790024,"sku":"CC3379UHDBD","price":66.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/devilinabluedressbd_728864ec-d6c8-4b23-a3cf-217515758459.jpg?v=1651789387"},{"product_id":"sunset-boulevard-blu-ray","title":"Sunset Boulevard (BLU-RAY)","description":"\u003cp\u003eIntense, enthralling, and unforgettable, \u003cem\u003eSunset Boulevard\u003c\/em\u003e stars Gloria Swanson as Norma Desmond, a faded silent-movie star, and William Holden as Joe Gillis, a down-on-his-luck screenwriter whom she enlists to help her make her triumphant \"return to the screen.\" Directed and co-written by acclaimed filmmaker Billy Wilder, this mesmerizing Hollywood classic won three Academy Awards.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNever-Before-Released Deleted Scene - The Paramount Don't Want Me Blues\u003c\/li\u003e\n\u003cli\u003eSunset Boulevard: The Beginning\u003c\/li\u003e\n\u003cli\u003eSunset Boulevard: A Look Back\u003c\/li\u003e\n\u003cli\u003eThe Noir Side of Sunset Boulevard\u003c\/li\u003e\n\u003cli\u003eSunset Boulevard Becomes a Classic\u003c\/li\u003e\n\u003cli\u003eGalleries\u003c\/li\u003e\n\u003cli\u003eTheatrical trailer\u003c\/li\u003e\n\u003cli\u003eAnd Much Much More!\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Paramount","offers":[{"title":"Default Title","offer_id":41862999802056,"sku":"032429260574","price":22.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/sunsetboulevardbd.jpg?v=1652298148"},{"product_id":"guilty-the-high-tide-blu-ray-dvd-combo","title":"Guilty, The \/ High Tide (US Import BLU-RAY\/DVD Combo)","description":"\u003cp\u003e\u003cstrong\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003c\/i\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Guilty\u003c\/b\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1947), released by Monogram Pictures, is a triumph of resourcefulness for its nomadic Viennese director, John Reinhardt. Based on a short story by legendary suspense writer Cornell Woolrich, this little-seen B movie centers on war veterans Mike Carr (Don Castle) and Johnny Dixon (Wally Cassell), roommates in a low-rent tenement. They are romantically entangled with twin sisters Estelle and Linda Mitchell (Bonita Granville, in a dual role). When one sister turns up dead, the boys are hounded by a suspicious police inspector (Regis Toomey)—although there's no shortage of suspects. Working on only three sets, with a shoestring budget, Reinhardt and director of photography Henry Sharp evoke the dreadful, dead-of-night ambiance that was the domain of the era's most prolific noir scribe, Cornell Woolrich.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThanks to the dedication of the Film Noir Foundation, The Guilty has been restored from a 35mm nitrate composite fine-grain master by UCLA Film \u0026amp; Television Archive.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eHigh Tide\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1947) forgotten noir, set in a spectacularly corrupt Los Angeles, is a crackling crime thriller rescued thanks to the combined efforts of the Film Noir Foundation, UCLA Film \u0026amp; Television Archive, and the British Film Institute.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn flashback, we learn that Slade was brought in by muckraking editor Fresney as protection against a mobster (Anthony Warde) his paper is investigating. Things quickly get complicated as Fresney's boss has a wife (Julia Bishop) eager to resume a smoldering romance with Slade. When a main character gets iced early, everybody becomes a suspect, and the double-crosses start multiplying at a breakneck pace.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHigh Tide was the second of two crime thrillers independently produced in 1947 by Texas oil tycoon Jack Wrather. It carries over from The Guilty the same screenwriter and cameraman, the same protagonist in actor Don Castle, and the same director, John Reinhardt, whose playful inventiveness enlivened several post-WW II films noir.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRestoration funding was provided by the Film Noir Foundation in conjunction with the Packard Humanities Institute. The action gets rolling with one of the greatest framing gimmicks in noir: a speeding car crashes onto a rocky shoreline and its occupants, newspaper editor Hugh Fresney (Lee Tracy) and private eye Tim Slade (Don Castle) recount the plot as the rising tide threatens to drown them.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eNEW RESTORATIONS OF BOTH FILMS BY THE FILM NOIR FOUNDATION\u003c\/b\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eA Special Kind of Partnership: Jack Wrather, Bonita Granville, and Don Castle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\"Welcome to My Nightmare\" – a short documentary exploring the life and work of Cornell Woolrich\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eJohn Reinhardt: The Viennese Auteur of Poverty Row – A documentary featuring interviews\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAudio Commentary - The Guilty – by prize-winning noir author \u0026amp; film studies instructor Jake Hinkson\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAudio Commentary - High Tide – by film historian and biographer Alan K. Rode\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSouvenir Booklet – containing an essay by Eddie Muller and a wealth of fabulous ephemera\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOptional English subtitles\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eREGION-FREE\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Flicker Alley","offers":[{"title":"Default Title","offer_id":41987355345096,"sku":"617311687990","price":71.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/guiltyhightide.jpg?v=1655423922"},{"product_id":"film-noir-dark-side-of-cinema-x-flesh-fury-square-jungle-world-in-my-corner-blu-ray","title":"Film Noir: Dark Side of Cinema X (Flesh \u0026 Fury \/ Square Jungle \/ World in My Corner) (BLU-RAY)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"This collection features three pugilistic film noir classics. FLESH AND FURY (1952) – Screen legend Tony Curtis (Some Like It Hot) sizzles in the knock-out boxing film noir Flesh and Fury from director Joseph Pevney (The Midnight Story). Gold-digging blonde Sonya Bartow (Jan Sterling, Ace in the Hole) and retired fight manager Pop Richardson (Wallace Ford, He Ran All the Way) take deaf-mute boxer Paul Callan (Curtis) under their wing. Now Paul is all but unstoppable…until reporter Ann Hollis (Mona Freeman, Angel Face) appears and falls for the handsome prizefighter. With a three-way bout under way for influence over Paul, he takes matters into his own hands, but learns the hard way that getting what he wants isn’t necessarily a happy ending. Flesh and Fury features rousing boxing sequences, gripping drama and an exceptional cast: Curtis excels in one of his first starring roles, and Sterling is sensational as the money-hungry bombshell. Featuring Harry Guardino (Madigan) as Lou Callan, Paul’s brother. THE SQUARE JUNGLE (1955) – Tony Curtis (The Vikings) stars as a grocery clerk turned prizefighter in the riveting film noir The Square Jungle. Eddie Quaid (Curtis), in danger of losing his father to alcoholism and his girl Julie (Pat Crowley, There’s Always Tomorrow) through lack of career prospects, goes into boxing. His cop friend McBride (Paul Kelly, Crossfire) finances him; ex-con Bernie Browne (Ernest Borgnine, Marty) trains him. Three years later, he’s a challenger for the championship, and Julie re-enters his life. Can she win him back from a predatory blonde? And why does the prospect of Eddie’s winning worry Bernie more than his losing? Directed by Jerry Hopper (Naked Alibi) and featuring a fine supporting cast that includes Jim Backus (Bright Victory), David Janssen (Macho Callahan), John Marley (I Want to Live!), Leigh Snowden (Outside the Law) and real-life heavyweight champ Joe Louis. WORLD IN MY CORNER (1956) – Screen great Audie Murphy (To Hell and Back) is a scrappy young fighter named Tommy Shea—“born in a dump, educated in an alley”—in the electrifying film noir World in My Corner. The up-and-coming boxer catches the eye of the wealthy Robert Mallinson (Jeff Morrow, Captain Lightfoot), who allows him to train at his Long Island estate. Shea soon falls for Mallinson’s daughter, Dorothy (Barbara Rush, Magnificent Obsession), but fears he doesn’t have the money to support her in proper style. To get this money, he decides to work for crooked promoter Harry Cram (Howard St. John, Strange Bedfellows), even though this means dropping his honest manager, Dave Bernstein (John McIntire, Johnny Stool Pigeon). As the big fight approaches, however, he begins to have second thoughts. Directed by Jesse Hibbs (Ride a Crooked Trail), World in My Corner is a bang-up drama with a hard-hitting performance by Murphy.\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-mce-fragment=\"1\"\u003eThis collection features three pugilistic film noir classics. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"This collection features three pugilistic film noir classics. FLESH AND FURY (1952) – Screen legend Tony Curtis (Some Like It Hot) sizzles in the knock-out boxing film noir Flesh and Fury from director Joseph Pevney (The Midnight Story). Gold-digging blonde Sonya Bartow (Jan Sterling, Ace in the Hole) and retired fight manager Pop Richardson (Wallace Ford, He Ran All the Way) take deaf-mute boxer Paul Callan (Curtis) under their wing. Now Paul is all but unstoppable…until reporter Ann Hollis (Mona Freeman, Angel Face) appears and falls for the handsome prizefighter. With a three-way bout under way for influence over Paul, he takes matters into his own hands, but learns the hard way that getting what he wants isn’t necessarily a happy ending. Flesh and Fury features rousing boxing sequences, gripping drama and an exceptional cast: Curtis excels in one of his first starring roles, and Sterling is sensational as the money-hungry bombshell. Featuring Harry Guardino (Madigan) as Lou Callan, Paul’s brother. THE SQUARE JUNGLE (1955) – Tony Curtis (The Vikings) stars as a grocery clerk turned prizefighter in the riveting film noir The Square Jungle. Eddie Quaid (Curtis), in danger of losing his father to alcoholism and his girl Julie (Pat Crowley, There’s Always Tomorrow) through lack of career prospects, goes into boxing. His cop friend McBride (Paul Kelly, Crossfire) finances him; ex-con Bernie Browne (Ernest Borgnine, Marty) trains him. Three years later, he’s a challenger for the championship, and Julie re-enters his life. Can she win him back from a predatory blonde? And why does the prospect of Eddie’s winning worry Bernie more than his losing? Directed by Jerry Hopper (Naked Alibi) and featuring a fine supporting cast that includes Jim Backus (Bright Victory), David Janssen (Macho Callahan), John Marley (I Want to Live!), Leigh Snowden (Outside the Law) and real-life heavyweight champ Joe Louis. WORLD IN MY CORNER (1956) – Screen great Audie Murphy (To Hell and Back) is a scrappy young fighter named Tommy Shea—“born in a dump, educated in an alley”—in the electrifying film noir World in My Corner. The up-and-coming boxer catches the eye of the wealthy Robert Mallinson (Jeff Morrow, Captain Lightfoot), who allows him to train at his Long Island estate. Shea soon falls for Mallinson’s daughter, Dorothy (Barbara Rush, Magnificent Obsession), but fears he doesn’t have the money to support her in proper style. To get this money, he decides to work for crooked promoter Harry Cram (Howard St. John, Strange Bedfellows), even though this means dropping his honest manager, Dave Bernstein (John McIntire, Johnny Stool Pigeon). As the big fight approaches, however, he begins to have second thoughts. Directed by Jesse Hibbs (Ride a Crooked Trail), World in My Corner is a bang-up drama with a hard-hitting performance by Murphy.\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-mce-fragment=\"1\"\u003eFLESH AND FURY (1952) – Screen legend Tony Curtis (Some Like It Hot) sizzles in the knock-out boxing film noir Flesh and Fury from director Joseph Pevney (The Midnight Story). Gold-digging blonde Sonya Bartow (Jan Sterling, Ace in the Hole) and retired fight manager Pop Richardson (Wallace Ford, He Ran All the Way) take deaf-mute boxer Paul Callan (Curtis) under their wing. Now Paul is all but unstoppable…until reporter Ann Hollis (Mona Freeman, Angel Face) appears and falls for the handsome prizefighter. With a three-way bout under way for influence over Paul, he takes matters into his own hands, but learns the hard way that getting what he wants isn’t necessarily a happy ending. Flesh and Fury features rousing boxing sequences, gripping drama and an exceptional cast: Curtis excels in one of his first starring roles, and Sterling is sensational as the money-hungry bombshell. Featuring Harry Guardino (Madigan) as Lou Callan, Paul’s brother. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"This collection features three pugilistic film noir classics. FLESH AND FURY (1952) – Screen legend Tony Curtis (Some Like It Hot) sizzles in the knock-out boxing film noir Flesh and Fury from director Joseph Pevney (The Midnight Story). Gold-digging blonde Sonya Bartow (Jan Sterling, Ace in the Hole) and retired fight manager Pop Richardson (Wallace Ford, He Ran All the Way) take deaf-mute boxer Paul Callan (Curtis) under their wing. Now Paul is all but unstoppable…until reporter Ann Hollis (Mona Freeman, Angel Face) appears and falls for the handsome prizefighter. With a three-way bout under way for influence over Paul, he takes matters into his own hands, but learns the hard way that getting what he wants isn’t necessarily a happy ending. Flesh and Fury features rousing boxing sequences, gripping drama and an exceptional cast: Curtis excels in one of his first starring roles, and Sterling is sensational as the money-hungry bombshell. Featuring Harry Guardino (Madigan) as Lou Callan, Paul’s brother. THE SQUARE JUNGLE (1955) – Tony Curtis (The Vikings) stars as a grocery clerk turned prizefighter in the riveting film noir The Square Jungle. Eddie Quaid (Curtis), in danger of losing his father to alcoholism and his girl Julie (Pat Crowley, There’s Always Tomorrow) through lack of career prospects, goes into boxing. His cop friend McBride (Paul Kelly, Crossfire) finances him; ex-con Bernie Browne (Ernest Borgnine, Marty) trains him. Three years later, he’s a challenger for the championship, and Julie re-enters his life. Can she win him back from a predatory blonde? And why does the prospect of Eddie’s winning worry Bernie more than his losing? Directed by Jerry Hopper (Naked Alibi) and featuring a fine supporting cast that includes Jim Backus (Bright Victory), David Janssen (Macho Callahan), John Marley (I Want to Live!), Leigh Snowden (Outside the Law) and real-life heavyweight champ Joe Louis. WORLD IN MY CORNER (1956) – Screen great Audie Murphy (To Hell and Back) is a scrappy young fighter named Tommy Shea—“born in a dump, educated in an alley”—in the electrifying film noir World in My Corner. The up-and-coming boxer catches the eye of the wealthy Robert Mallinson (Jeff Morrow, Captain Lightfoot), who allows him to train at his Long Island estate. Shea soon falls for Mallinson’s daughter, Dorothy (Barbara Rush, Magnificent Obsession), but fears he doesn’t have the money to support her in proper style. To get this money, he decides to work for crooked promoter Harry Cram (Howard St. John, Strange Bedfellows), even though this means dropping his honest manager, Dave Bernstein (John McIntire, Johnny Stool Pigeon). As the big fight approaches, however, he begins to have second thoughts. Directed by Jesse Hibbs (Ride a Crooked Trail), World in My Corner is a bang-up drama with a hard-hitting performance by Murphy.\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-mce-fragment=\"1\"\u003eTHE SQUARE JUNGLE (1955) – Tony Curtis (The Vikings) stars as a grocery clerk turned prizefighter in the riveting film noir The Square Jungle. Eddie Quaid (Curtis), in danger of losing his father to alcoholism and his girl Julie (Pat Crowley, There’s Always Tomorrow) through lack of career prospects, goes into boxing. His cop friend McBride (Paul Kelly, Crossfire) finances him; ex-con Bernie Browne (Ernest Borgnine, Marty) trains him. Three years later, he’s a challenger for the championship, and Julie re-enters his life. Can she win him back from a predatory blonde? And why does the prospect of Eddie’s winning worry Bernie more than his losing? Directed by Jerry Hopper (Naked Alibi) and featuring a fine supporting cast that includes Jim Backus (Bright Victory), David Janssen (Macho Callahan), John Marley (I Want to Live!), Leigh Snowden (Outside the Law) and real-life heavyweight champ Joe Louis. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"This collection features three pugilistic film noir classics. FLESH AND FURY (1952) – Screen legend Tony Curtis (Some Like It Hot) sizzles in the knock-out boxing film noir Flesh and Fury from director Joseph Pevney (The Midnight Story). Gold-digging blonde Sonya Bartow (Jan Sterling, Ace in the Hole) and retired fight manager Pop Richardson (Wallace Ford, He Ran All the Way) take deaf-mute boxer Paul Callan (Curtis) under their wing. Now Paul is all but unstoppable…until reporter Ann Hollis (Mona Freeman, Angel Face) appears and falls for the handsome prizefighter. With a three-way bout under way for influence over Paul, he takes matters into his own hands, but learns the hard way that getting what he wants isn’t necessarily a happy ending. Flesh and Fury features rousing boxing sequences, gripping drama and an exceptional cast: Curtis excels in one of his first starring roles, and Sterling is sensational as the money-hungry bombshell. Featuring Harry Guardino (Madigan) as Lou Callan, Paul’s brother. THE SQUARE JUNGLE (1955) – Tony Curtis (The Vikings) stars as a grocery clerk turned prizefighter in the riveting film noir The Square Jungle. Eddie Quaid (Curtis), in danger of losing his father to alcoholism and his girl Julie (Pat Crowley, There’s Always Tomorrow) through lack of career prospects, goes into boxing. His cop friend McBride (Paul Kelly, Crossfire) finances him; ex-con Bernie Browne (Ernest Borgnine, Marty) trains him. Three years later, he’s a challenger for the championship, and Julie re-enters his life. Can she win him back from a predatory blonde? And why does the prospect of Eddie’s winning worry Bernie more than his losing? Directed by Jerry Hopper (Naked Alibi) and featuring a fine supporting cast that includes Jim Backus (Bright Victory), David Janssen (Macho Callahan), John Marley (I Want to Live!), Leigh Snowden (Outside the Law) and real-life heavyweight champ Joe Louis. WORLD IN MY CORNER (1956) – Screen great Audie Murphy (To Hell and Back) is a scrappy young fighter named Tommy Shea—“born in a dump, educated in an alley”—in the electrifying film noir World in My Corner. The up-and-coming boxer catches the eye of the wealthy Robert Mallinson (Jeff Morrow, Captain Lightfoot), who allows him to train at his Long Island estate. Shea soon falls for Mallinson’s daughter, Dorothy (Barbara Rush, Magnificent Obsession), but fears he doesn’t have the money to support her in proper style. To get this money, he decides to work for crooked promoter Harry Cram (Howard St. John, Strange Bedfellows), even though this means dropping his honest manager, Dave Bernstein (John McIntire, Johnny Stool Pigeon). As the big fight approaches, however, he begins to have second thoughts. Directed by Jesse Hibbs (Ride a Crooked Trail), World in My Corner is a bang-up drama with a hard-hitting performance by Murphy.\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-mce-fragment=\"1\"\u003eWORLD IN MY CORNER (1956) – Screen great Audie Murphy (To Hell and Back) is a scrappy young fighter named Tommy Shea—“born in a dump, educated in an alley”—in the electrifying film noir World in My Corner. The up-and-coming boxer catches the eye of the wealthy Robert Mallinson (Jeff Morrow, Captain Lightfoot), who allows him to train at his Long Island estate. Shea soon falls for Mallinson’s daughter, Dorothy (Barbara Rush, Magnificent Obsession), but fears he doesn’t have the money to support her in proper style. To get this money, he decides to work for crooked promoter Harry Cram (Howard St. John, Strange Bedfellows), even though this means dropping his honest manager, Dave Bernstein (John McIntire, Johnny Stool Pigeon). As the big fight approaches, however, he begins to have second thoughts. Directed by Jesse Hibbs (Ride a Crooked Trail), World in My Corner is a bang-up drama with a hard-hitting performance by Murphy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eBlu-ray Extras Include:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Brand New 2K Masters | NEW Audio Commentary for FLESH AND FURY by Film Historian\/Filmmaker Daniel Kremer | NEW Audio Commentaries for THE SQUARE JUNGLE and WORLD IN MY CORNER by Film Historian Eddy Von Mueller | Theatrical Trailer (World in My Corner) | Optional English Subtitles\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-mce-fragment=\"1\"\u003eBrand New 2K Masters\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Brand New 2K Masters | NEW Audio Commentary for FLESH AND FURY by Film Historian\/Filmmaker Daniel Kremer | NEW Audio Commentaries for THE SQUARE JUNGLE and WORLD IN MY CORNER by Film Historian Eddy Von Mueller | Theatrical Trailer (World in My Corner) | Optional English Subtitles\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-mce-fragment=\"1\"\u003eNEW Audio Commentary for FLESH AND FURY by Film Historian\/Filmmaker Daniel Kremer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Brand New 2K Masters | NEW Audio Commentary for FLESH AND FURY by Film Historian\/Filmmaker Daniel Kremer | NEW Audio Commentaries for THE SQUARE JUNGLE and WORLD IN MY CORNER by Film Historian Eddy Von Mueller | Theatrical Trailer (World in My Corner) | Optional English Subtitles\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-mce-fragment=\"1\"\u003eNEW Audio Commentaries for THE SQUARE JUNGLE and WORLD IN MY CORNER by Film Historian Eddy Von Mueller\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Brand New 2K Masters | NEW Audio Commentary for FLESH AND FURY by Film Historian\/Filmmaker Daniel Kremer | NEW Audio Commentaries for THE SQUARE JUNGLE and WORLD IN MY CORNER by Film Historian Eddy Von Mueller | Theatrical Trailer (World in My Corner) | Optional English Subtitles\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-mce-fragment=\"1\"\u003eTheatrical Trailer (World in My Corner)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Brand New 2K Masters | NEW Audio Commentary for FLESH AND FURY by Film Historian\/Filmmaker Daniel Kremer | NEW Audio Commentaries for THE SQUARE JUNGLE and WORLD IN MY CORNER by Film Historian Eddy Von Mueller | Theatrical Trailer (World in My Corner) | Optional English Subtitles\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-mce-fragment=\"1\"\u003eOptional English Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kino Lorber","offers":[{"title":"Default Title","offer_id":42271609618632,"sku":"KIN26023","price":49.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/filmnoirdarksidexbd.jpg?v=1661973766"},{"product_id":"film-noir-the-dark-side-of-cinema-xi-a-womans-vengeance-i-was-a-shoplifter-behind-the-high-wall-blu-ray","title":"Film Noir: The Dark Side Of Cinema XI (A Woman's Vengeance \/ I Was A Shoplifter \/ Behind The High Wall] (BLU-RAY)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"This collection features three film noir classics. A WOMAN’S VENGEANCE (1948) – Charles Boyer (When Tomorrow Comes), Ann Blyth (Thunder on the Hill) and Jessica Tandy (The Birds) star in A Woman’s Vengeance, a gripping noir mystery from acclaimed director Zoltán Korda (The Four Feathers). When his invalid wife Emily (Rachel Kempson, The Captive Heart) dies of a heart attack, it frees Henry Maurier (Boyer) to marry his young mistress (Blyth). Confiding her suspicions that Henry murdered her patient, Emily’s nurse (Mildred Natwick, Against All Flags) is encouraged by a neighbor (Tandy) to tell the police. Suddenly Henry finds himself wrongly convicted and awaiting his fate while the family doctor (Sir Cedric Hardwicke, The Lodger) races against time to find the real killer and save his life. Visionary author Aldous Huxley (Brave New World) adapted the screenplay from his own short story, “The Gioconda Smile.” I WAS A SHOPLIFTER (1950) – Mona Freeman (Flesh and Fury) stars as the titular kleptomaniac in the sensational crime story, I Was a Shoplifter. Cop Jeff Andrews (Scott Brady, Undertow) agrees to go undercover to shadow the sticky-fingered Faye Burton (Freeman), a judge’s daughter who has been coerced into working for a professional shoplifting ring run by ruthless pawnbroker Ina Perdue (Andrea King, The World in His Arms). Jeff finds himself falling in love with Faye while working to crack the gang of thieves. Directed by Charles Lamont (Abbott and Costello Meet the Invisible Man), shot by Irving Glassberg (Larceny) and featuring Tony Curtis (The Square Jungle), Charles Drake (Deported) and Rock Hudson (The Tarnished Angels), I Was a Shoplifter is a fast-paced film noir treat. BEHIND THE HIGH WALL (1956) – Tom Tully (The Turning Point) and Sylvia Sidney (Sabotage) star in the riveting prison-break noir, Behind the High Wall. A group of convicts escape from the big house, killing a guard, kidnapping the warden, Frank Carmichael (Tully), and forcing a reluctant inmate, Johnny Hutchins (John Gavin, Midnight Lace), to accompany them. However, when a car crash kills everyone except for Frank and Johnny, the wicked warden steals $100,000 of the escapees’ loot, then accuses the innocent Johnny of the guard’s murder in order to cover up his own crime. Directed by Abner Biberman (The Price of Fear), Behind the High Wall is a crackerjack thriller that plays out to a harrowing conclusion, with fine supporting turns by Betty Lynn (TV’s The Andy Griffith Show), John Larch (Play Misty for Me) and Barney Phillips (Ruby Gentry).\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-mce-fragment=\"1\"\u003eThis collection features three film noir classics. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"This collection features three film noir classics. A WOMAN’S VENGEANCE (1948) – Charles Boyer (When Tomorrow Comes), Ann Blyth (Thunder on the Hill) and Jessica Tandy (The Birds) star in A Woman’s Vengeance, a gripping noir mystery from acclaimed director Zoltán Korda (The Four Feathers). When his invalid wife Emily (Rachel Kempson, The Captive Heart) dies of a heart attack, it frees Henry Maurier (Boyer) to marry his young mistress (Blyth). Confiding her suspicions that Henry murdered her patient, Emily’s nurse (Mildred Natwick, Against All Flags) is encouraged by a neighbor (Tandy) to tell the police. Suddenly Henry finds himself wrongly convicted and awaiting his fate while the family doctor (Sir Cedric Hardwicke, The Lodger) races against time to find the real killer and save his life. Visionary author Aldous Huxley (Brave New World) adapted the screenplay from his own short story, “The Gioconda Smile.” I WAS A SHOPLIFTER (1950) – Mona Freeman (Flesh and Fury) stars as the titular kleptomaniac in the sensational crime story, I Was a Shoplifter. Cop Jeff Andrews (Scott Brady, Undertow) agrees to go undercover to shadow the sticky-fingered Faye Burton (Freeman), a judge’s daughter who has been coerced into working for a professional shoplifting ring run by ruthless pawnbroker Ina Perdue (Andrea King, The World in His Arms). Jeff finds himself falling in love with Faye while working to crack the gang of thieves. Directed by Charles Lamont (Abbott and Costello Meet the Invisible Man), shot by Irving Glassberg (Larceny) and featuring Tony Curtis (The Square Jungle), Charles Drake (Deported) and Rock Hudson (The Tarnished Angels), I Was a Shoplifter is a fast-paced film noir treat. BEHIND THE HIGH WALL (1956) – Tom Tully (The Turning Point) and Sylvia Sidney (Sabotage) star in the riveting prison-break noir, Behind the High Wall. A group of convicts escape from the big house, killing a guard, kidnapping the warden, Frank Carmichael (Tully), and forcing a reluctant inmate, Johnny Hutchins (John Gavin, Midnight Lace), to accompany them. However, when a car crash kills everyone except for Frank and Johnny, the wicked warden steals $100,000 of the escapees’ loot, then accuses the innocent Johnny of the guard’s murder in order to cover up his own crime. Directed by Abner Biberman (The Price of Fear), Behind the High Wall is a crackerjack thriller that plays out to a harrowing conclusion, with fine supporting turns by Betty Lynn (TV’s The Andy Griffith Show), John Larch (Play Misty for Me) and Barney Phillips (Ruby Gentry).\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-mce-fragment=\"1\"\u003eA WOMAN’S VENGEANCE (1948) – Charles Boyer (When Tomorrow Comes), Ann Blyth (Thunder on the Hill) and Jessica Tandy (The Birds) star in A Woman’s Vengeance, a gripping noir mystery from acclaimed director Zoltán Korda (The Four Feathers). When his invalid wife Emily (Rachel Kempson, The Captive Heart) dies of a heart attack, it frees Henry Maurier (Boyer) to marry his young mistress (Blyth). Confiding her suspicions that Henry murdered her patient, Emily’s nurse (Mildred Natwick, Against All Flags) is encouraged by a neighbor (Tandy) to tell the police. Suddenly Henry finds himself wrongly convicted and awaiting his fate while the family doctor (Sir Cedric Hardwicke, The Lodger) races against time to find the real killer and save his life. Visionary author Aldous Huxley (Brave New World) adapted the screenplay from his own short story, “The Gioconda Smile.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"This collection features three film noir classics. A WOMAN’S VENGEANCE (1948) – Charles Boyer (When Tomorrow Comes), Ann Blyth (Thunder on the Hill) and Jessica Tandy (The Birds) star in A Woman’s Vengeance, a gripping noir mystery from acclaimed director Zoltán Korda (The Four Feathers). When his invalid wife Emily (Rachel Kempson, The Captive Heart) dies of a heart attack, it frees Henry Maurier (Boyer) to marry his young mistress (Blyth). Confiding her suspicions that Henry murdered her patient, Emily’s nurse (Mildred Natwick, Against All Flags) is encouraged by a neighbor (Tandy) to tell the police. Suddenly Henry finds himself wrongly convicted and awaiting his fate while the family doctor (Sir Cedric Hardwicke, The Lodger) races against time to find the real killer and save his life. Visionary author Aldous Huxley (Brave New World) adapted the screenplay from his own short story, “The Gioconda Smile.” I WAS A SHOPLIFTER (1950) – Mona Freeman (Flesh and Fury) stars as the titular kleptomaniac in the sensational crime story, I Was a Shoplifter. Cop Jeff Andrews (Scott Brady, Undertow) agrees to go undercover to shadow the sticky-fingered Faye Burton (Freeman), a judge’s daughter who has been coerced into working for a professional shoplifting ring run by ruthless pawnbroker Ina Perdue (Andrea King, The World in His Arms). Jeff finds himself falling in love with Faye while working to crack the gang of thieves. Directed by Charles Lamont (Abbott and Costello Meet the Invisible Man), shot by Irving Glassberg (Larceny) and featuring Tony Curtis (The Square Jungle), Charles Drake (Deported) and Rock Hudson (The Tarnished Angels), I Was a Shoplifter is a fast-paced film noir treat. BEHIND THE HIGH WALL (1956) – Tom Tully (The Turning Point) and Sylvia Sidney (Sabotage) star in the riveting prison-break noir, Behind the High Wall. A group of convicts escape from the big house, killing a guard, kidnapping the warden, Frank Carmichael (Tully), and forcing a reluctant inmate, Johnny Hutchins (John Gavin, Midnight Lace), to accompany them. However, when a car crash kills everyone except for Frank and Johnny, the wicked warden steals $100,000 of the escapees’ loot, then accuses the innocent Johnny of the guard’s murder in order to cover up his own crime. Directed by Abner Biberman (The Price of Fear), Behind the High Wall is a crackerjack thriller that plays out to a harrowing conclusion, with fine supporting turns by Betty Lynn (TV’s The Andy Griffith Show), John Larch (Play Misty for Me) and Barney Phillips (Ruby Gentry).\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-mce-fragment=\"1\"\u003eI WAS A SHOPLIFTER (1950) – Mona Freeman (Flesh and Fury) stars as the titular kleptomaniac in the sensational crime story, I Was a Shoplifter. Cop Jeff Andrews (Scott Brady, Undertow) agrees to go undercover to shadow the sticky-fingered Faye Burton (Freeman), a judge’s daughter who has been coerced into working for a professional shoplifting ring run by ruthless pawnbroker Ina Perdue (Andrea King, The World in His Arms). Jeff finds himself falling in love with Faye while working to crack the gang of thieves. Directed by Charles Lamont (Abbott and Costello Meet the Invisible Man), shot by Irving Glassberg (Larceny) and featuring Tony Curtis (The Square Jungle), Charles Drake (Deported) and Rock Hudson (The Tarnished Angels), I Was a Shoplifter is a fast-paced film noir treat. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"This collection features three film noir classics. A WOMAN’S VENGEANCE (1948) – Charles Boyer (When Tomorrow Comes), Ann Blyth (Thunder on the Hill) and Jessica Tandy (The Birds) star in A Woman’s Vengeance, a gripping noir mystery from acclaimed director Zoltán Korda (The Four Feathers). When his invalid wife Emily (Rachel Kempson, The Captive Heart) dies of a heart attack, it frees Henry Maurier (Boyer) to marry his young mistress (Blyth). Confiding her suspicions that Henry murdered her patient, Emily’s nurse (Mildred Natwick, Against All Flags) is encouraged by a neighbor (Tandy) to tell the police. Suddenly Henry finds himself wrongly convicted and awaiting his fate while the family doctor (Sir Cedric Hardwicke, The Lodger) races against time to find the real killer and save his life. Visionary author Aldous Huxley (Brave New World) adapted the screenplay from his own short story, “The Gioconda Smile.” I WAS A SHOPLIFTER (1950) – Mona Freeman (Flesh and Fury) stars as the titular kleptomaniac in the sensational crime story, I Was a Shoplifter. Cop Jeff Andrews (Scott Brady, Undertow) agrees to go undercover to shadow the sticky-fingered Faye Burton (Freeman), a judge’s daughter who has been coerced into working for a professional shoplifting ring run by ruthless pawnbroker Ina Perdue (Andrea King, The World in His Arms). Jeff finds himself falling in love with Faye while working to crack the gang of thieves. Directed by Charles Lamont (Abbott and Costello Meet the Invisible Man), shot by Irving Glassberg (Larceny) and featuring Tony Curtis (The Square Jungle), Charles Drake (Deported) and Rock Hudson (The Tarnished Angels), I Was a Shoplifter is a fast-paced film noir treat. BEHIND THE HIGH WALL (1956) – Tom Tully (The Turning Point) and Sylvia Sidney (Sabotage) star in the riveting prison-break noir, Behind the High Wall. A group of convicts escape from the big house, killing a guard, kidnapping the warden, Frank Carmichael (Tully), and forcing a reluctant inmate, Johnny Hutchins (John Gavin, Midnight Lace), to accompany them. However, when a car crash kills everyone except for Frank and Johnny, the wicked warden steals $100,000 of the escapees’ loot, then accuses the innocent Johnny of the guard’s murder in order to cover up his own crime. Directed by Abner Biberman (The Price of Fear), Behind the High Wall is a crackerjack thriller that plays out to a harrowing conclusion, with fine supporting turns by Betty Lynn (TV’s The Andy Griffith Show), John Larch (Play Misty for Me) and Barney Phillips (Ruby Gentry).\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-mce-fragment=\"1\"\u003eBEHIND THE HIGH WALL (1956) – Tom Tully (The Turning Point) and Sylvia Sidney (Sabotage) star in the riveting prison-break noir, Behind the High Wall. A group of convicts escape from the big house, killing a guard, kidnapping the warden, Frank Carmichael (Tully), and forcing a reluctant inmate, Johnny Hutchins (John Gavin, Midnight Lace), to accompany them. However, when a car crash kills everyone except for Frank and Johnny, the wicked warden steals $100,000 of the escapees’ loot, then accuses the innocent Johnny of the guard’s murder in order to cover up his own crime. Directed by Abner Biberman (The Price of Fear), Behind the High Wall is a crackerjack thriller that plays out to a harrowing conclusion, with fine supporting turns by Betty Lynn (TV’s The Andy Griffith Show), John Larch (Play Misty for Me) and Barney Phillips (Ruby Gentry).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBlu-ray Extras Include:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Brand New 2K \u0026amp; 4K Masters | NEW Audio Commentary for A WOMAN'S VENGEANCE by Professor and Film Scholar Jason A. Ney | NEW Audio Commentary for I WAS A SHOPLIFTER by Film Historian Kelly Robinson | Theatrical Trailers (A WOMAN'S VENGEANCE \u0026amp; BEHIND THE HIGH WALL) | Optional English Subtitles\u0026quot;}\" data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-mce-fragment=\"1\"\u003eBrand New 2K \u0026amp; 4K Masters\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Brand New 2K \u0026amp; 4K Masters | NEW Audio Commentary for A WOMAN'S VENGEANCE by Professor and Film Scholar Jason A. Ney | NEW Audio Commentary for I WAS A SHOPLIFTER by Film Historian Kelly Robinson | Theatrical Trailers (A WOMAN'S VENGEANCE \u0026amp; BEHIND THE HIGH WALL) | Optional English Subtitles\u0026quot;}\" data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-mce-fragment=\"1\"\u003eNEW Audio Commentary for A WOMAN'S VENGEANCE by Professor and Film Scholar Jason A. Ney\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Brand New 2K \u0026amp; 4K Masters | NEW Audio Commentary for A WOMAN'S VENGEANCE by Professor and Film Scholar Jason A. Ney | NEW Audio Commentary for I WAS A SHOPLIFTER by Film Historian Kelly Robinson | Theatrical Trailers (A WOMAN'S VENGEANCE \u0026amp; BEHIND THE HIGH WALL) | Optional English Subtitles\u0026quot;}\" data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-mce-fragment=\"1\"\u003eTheatrical Trailers (A WOMAN'S VENGEANCE \u0026amp; BEHIND THE HIGH WALL)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Brand New 2K \u0026amp; 4K Masters | NEW Audio Commentary for A WOMAN'S VENGEANCE by Professor and Film Scholar Jason A. Ney | NEW Audio Commentary for I WAS A SHOPLIFTER by Film Historian Kelly Robinson | Theatrical Trailers (A WOMAN'S VENGEANCE \u0026amp; BEHIND THE HIGH WALL) | Optional English Subtitles\u0026quot;}\" data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-mce-fragment=\"1\"\u003eOptional English Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kino Lorber","offers":[{"title":"Default Title","offer_id":42346163142856,"sku":"KIN26076","price":49.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/filmnoirxibd.jpg?v=1664410009"},{"product_id":"maltese-falcon-the-4k-uhd-blu-ray-combo","title":"Maltese Falcon, The (4K UHD\/BLU-RAY Combo)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Yv-BPuqhW9U\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eA gallery of high-living lowlifes will stop at nothing to get their sweaty hands on a jewel-encrusted falcon. Detective Sam Spade (Humphrey Bogart) wants to find out why - and who'll take the fall for his pertner's murder. An all-star cast (including Sydney Greenstreet, Mary Astor, Peter Lorre and Elisha Cook Jr.) joins Bogart in this crackling mystery masterwork written for the screen (from Dashiell Hammett's novel) and directed by John Huston. This nominee for 3 Academy Awards Best Picture, Supporting Actor (Greenstreet) and Screenplay (Huston) - catapulted Bogart to stardom and launched Huston's directorial career. 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Scott Brady (I Was a Shoplifter) stars as Tony Reagan, a gambler just out of wartime military service. No longer interested in wagers and speculations, Reagan wants only to open up a mountain vacation lodge. Before this can take place, however, he is framed for murder and forced to go on the run from both the police and the unknown killers. Dorothy Hart (Larceny) and Peggy Dow (Shakedown) play the love interests in this serpentine tale of mob-and-moll double-crosses, with John Russell (Yellow Sky), Bruce Bennett (Mildred Pierce) and future star Rock Hudson (The Tarnished Angels) in his second film appearance. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOUTSIDE THE WALL (1950) – Richard Basehart (He Walked by Night) stars as Larry Nelson, paroled from prison after serving nearly half of his thirty-year sentence. Larry is determined to not fall into the clutches of the law again and takes a quiet job at a country sanitarium. There he meets and falls for a gold-digging nurse, Charlotte Maynard (Marilyn Maxwell, Race Street), and he knows the only way to enter her web is to make a lot of fast money. So when Larry learns that the sanitarium is a front for a robbery syndicate, he soon finds himself a clay pigeon for the gang. Meanwhile, sweet-and-wholesome nurse Ann Taylor (Dorothy Hart, Undertow) does her best to help Larry out of the unpleasant situation. Also starring Swedish sensation Signe Hasso (The House on 92nd Street), Outside the Wall is a classic noir story of an ex-con’s struggle to go straight. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHOLD BACK TOMORROW (1955) – What Strange Law Answered His Last Request...to Bring THIS Beautiful Woman to His Cell? Hollywood great John Agar (Sands of Iwo Jima, Shield for Murder) stars as Joe, a death row inmate with one final request before his impending hanging: to spend the night with a woman. The police bring him a down-on-her-luck former “waitress” named Dora, played by femme fatale extraordinaire Cleo Moore (On Dangerous Ground, The Other Woman). At first these two tormented souls meet with disdain, but soon gain each other’s respect. After a night of raw and unexpected passion, Joe informs Dora that, with her love, he will not be afraid to die. 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McBride later receives a tip from an acquaintance that a photo of him was placed prominently in the window of a photography studio in a town called Lyncastle, so Johnny immediately leaves for the burg in the hopes that something there will jog his memory.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eArriving in Lyncastle, Johnny learns to his regret that the photo in question was taken from a wanted poster and that he's the prime suspect in the murder of the town's district attorney—after he allegedly stole $250,000 from the bank at which he was employed. In order to solve the mystery of his identity and the crimes, McBride sets out to find old flame Vera West whom he believes can prove his innocence. As the clues start piling up, Johnny encounters resistance from several townspeople, most notably from mob boss Servo (Gene Evans), who rules Lyncastle with an iron fist.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMickey Spillane is best known for his many Mike Hammer mystery novels, but in 1951 he published the non-Hammer The Long Wait, which soon became the subject of a motion picture from the same company who brought Spillane's I, the Jury (1953) and Kiss Me, Deadly (1955) to the silver screen. On the cusp of stardom, two-time Academy Award winner Anthony Quinn headlines a strong cast along with Oscar-winning actor Charles Coburn (The More the Merrier), Gene Evans (The Steel Helmet) and Peggie Castle (I, The Jury).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDirected by Victor Saville (Tonight and Every Night) and photographed by Franz Planer (Champion, Criss Cross), The Long Wait cast also features Mary Ellen Kay, Jay Adler, Shirley Patterson, Barry Kelley, Dolores Donlon, James Millican, Bruno VeSota, Frank Marlowe and Lawrence Dobkin.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eBRAND NEW 4K RESTORATION OF THE FILM\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNEW\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eAudio commentary by Mike Hammer continuation writer Max Allan Collins (Road to Perdition), co-author of Spillane - King of Pulp Fiction (with James L. 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His gambit: to put the screws to the gangster with the same extortion plot that got Gagin's buddy killed.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis time things have to end differently, right? In Outside the Law (1956), Johnny Salvo, (Ray Danton, The Longest Day), a convict paroled into military service, is called back stateside on a mission that could clear his record: get inside the counterfeiting racket that killed his army buddy. Not only is the assignment dangerous, but Salvo's got to work for the cop who put him behind bars - his own estranged father. Finally, in The Female Animal (1958), a glamorous movie star (Hedy Lamarr, Samson and Delilah) and her alcoholic daughter (Jane Powell, Seven Brides for Seven Brothers) vie for the affections of a handsome young movie extra (George Nader, Robot Monster) who has entered their lives. When the older woman generously opens her lifestyle to the young man, his insecurities feed his ambivalence. 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City of Shadows (1955) – Their Business Was “Legitimate”—Because the Law Couldn’t Touch Them! Iconic screen tough Victor McLaglen (The Informer, Klondike Annie) is Big Tim Channing, a small-time racketeer who makes a living supplying old, out-of-date slot machines to businesses. He strikes up a prosperous partnership with newsboy Dan Mason when the precocious kid shows him how to corner the slot-machine racket and, at the same time, put his crooked competitors out of the running. But when Dan grows up and graduates from law school, it thrusts old Tim into a compromising position. From William Witney, director of the legendary serials Daredevils of the Red Circle and Adventures of Captain Marvel, and co-starring John Baer (We’re No Angels), Kathleen Crowley (Curse of the Undead) and Anthony Caruso (Never Steal Anything Small). Crashout (1955) – It Blasts the Screen with Violence! Six ruthless convicts break out of prison and frantically try to avoid an extensive manhunt. Arthur Kennedy (Bright Victory) co-stars with a legendary lineup of Hollywood heavies: William Bendix (The Web), Luther Adler (D.O.A.), William Talman (Big House, U.S.A.), Gene Evans (Fixed Bayonets!) and Marshall Thompson (It! The Terror from Beyond Space). Once the coast is clear, they set out on a long and dangerous journey by foot, train and car to retrieve bank loot. After barely surviving two deadly incidents, the gang seeks refuge in a farmhouse as the action reaches a fever pitch. Ironically, the men start to realize that it’s not the law that they need to worry about. A hardboiled, edge-of-your-seat noir produced by Ida Lupino’s Filmakers Releasing Organization for director Lewis R. Foster (Those Redheads from Seattle). Cinematography by the masterly Russell Metty (Touch of Evil). Finger Man (1955) – I Put the Finger on Public Enemy Number One! Frank Lovejoy (The Hitch-Hiker, House of Wax) stars as ex-con Casey Martin, who is caught red-handed while heisting a truck shipment. When he discovers that his sister has now become a desperate drug addict after working for gruff bootlegger Dutch Becker (Forrest Tucker, Sands of Iwo Jima), Martin accepts the deal that the T-men offer him and goes to work undercover to nail Dutch and his gang. Peggy Castle (99 River Street) plays Gladys Baker, the gangster’s associate who falls for the finger man. Timothy Carey (The Killing) plays Lou Terpe, the finger man’s former cellmate and a particularly sadistic member of Dutch’s crew. A crime-busting noir yarn spun by director Harold D. Schuster (Loophole).\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-mce-fragment=\"1\"\u003eThis collection features three film noir classics. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"This collection features three film noir classics. City of Shadows (1955) – Their Business Was “Legitimate”—Because the Law Couldn’t Touch Them! Iconic screen tough Victor McLaglen (The Informer, Klondike Annie) is Big Tim Channing, a small-time racketeer who makes a living supplying old, out-of-date slot machines to businesses. He strikes up a prosperous partnership with newsboy Dan Mason when the precocious kid shows him how to corner the slot-machine racket and, at the same time, put his crooked competitors out of the running. But when Dan grows up and graduates from law school, it thrusts old Tim into a compromising position. From William Witney, director of the legendary serials Daredevils of the Red Circle and Adventures of Captain Marvel, and co-starring John Baer (We’re No Angels), Kathleen Crowley (Curse of the Undead) and Anthony Caruso (Never Steal Anything Small). Crashout (1955) – It Blasts the Screen with Violence! Six ruthless convicts break out of prison and frantically try to avoid an extensive manhunt. Arthur Kennedy (Bright Victory) co-stars with a legendary lineup of Hollywood heavies: William Bendix (The Web), Luther Adler (D.O.A.), William Talman (Big House, U.S.A.), Gene Evans (Fixed Bayonets!) and Marshall Thompson (It! The Terror from Beyond Space). Once the coast is clear, they set out on a long and dangerous journey by foot, train and car to retrieve bank loot. After barely surviving two deadly incidents, the gang seeks refuge in a farmhouse as the action reaches a fever pitch. Ironically, the men start to realize that it’s not the law that they need to worry about. A hardboiled, edge-of-your-seat noir produced by Ida Lupino’s Filmakers Releasing Organization for director Lewis R. Foster (Those Redheads from Seattle). Cinematography by the masterly Russell Metty (Touch of Evil). Finger Man (1955) – I Put the Finger on Public Enemy Number One! Frank Lovejoy (The Hitch-Hiker, House of Wax) stars as ex-con Casey Martin, who is caught red-handed while heisting a truck shipment. When he discovers that his sister has now become a desperate drug addict after working for gruff bootlegger Dutch Becker (Forrest Tucker, Sands of Iwo Jima), Martin accepts the deal that the T-men offer him and goes to work undercover to nail Dutch and his gang. Peggy Castle (99 River Street) plays Gladys Baker, the gangster’s associate who falls for the finger man. Timothy Carey (The Killing) plays Lou Terpe, the finger man’s former cellmate and a particularly sadistic member of Dutch’s crew. A crime-busting noir yarn spun by director Harold D. Schuster (Loophole).\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-mce-fragment=\"1\"\u003eCity of Shadows (1955) – Their Business Was “Legitimate”—Because the Law Couldn’t Touch Them! Iconic screen tough Victor McLaglen (The Informer, Klondike Annie) is Big Tim Channing, a small-time racketeer who makes a living supplying old, out-of-date slot machines to businesses. He strikes up a prosperous partnership with newsboy Dan Mason when the precocious kid shows him how to corner the slot-machine racket and, at the same time, put his crooked competitors out of the running. But when Dan grows up and graduates from law school, it thrusts old Tim into a compromising position. From William Witney, director of the legendary serials Daredevils of the Red Circle and Adventures of Captain Marvel, and co-starring John Baer (We’re No Angels), Kathleen Crowley (Curse of the Undead) and Anthony Caruso (Never Steal Anything Small). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"This collection features three film noir classics. City of Shadows (1955) – Their Business Was “Legitimate”—Because the Law Couldn’t Touch Them! Iconic screen tough Victor McLaglen (The Informer, Klondike Annie) is Big Tim Channing, a small-time racketeer who makes a living supplying old, out-of-date slot machines to businesses. He strikes up a prosperous partnership with newsboy Dan Mason when the precocious kid shows him how to corner the slot-machine racket and, at the same time, put his crooked competitors out of the running. But when Dan grows up and graduates from law school, it thrusts old Tim into a compromising position. From William Witney, director of the legendary serials Daredevils of the Red Circle and Adventures of Captain Marvel, and co-starring John Baer (We’re No Angels), Kathleen Crowley (Curse of the Undead) and Anthony Caruso (Never Steal Anything Small). Crashout (1955) – It Blasts the Screen with Violence! Six ruthless convicts break out of prison and frantically try to avoid an extensive manhunt. Arthur Kennedy (Bright Victory) co-stars with a legendary lineup of Hollywood heavies: William Bendix (The Web), Luther Adler (D.O.A.), William Talman (Big House, U.S.A.), Gene Evans (Fixed Bayonets!) and Marshall Thompson (It! The Terror from Beyond Space). Once the coast is clear, they set out on a long and dangerous journey by foot, train and car to retrieve bank loot. After barely surviving two deadly incidents, the gang seeks refuge in a farmhouse as the action reaches a fever pitch. Ironically, the men start to realize that it’s not the law that they need to worry about. A hardboiled, edge-of-your-seat noir produced by Ida Lupino’s Filmakers Releasing Organization for director Lewis R. Foster (Those Redheads from Seattle). Cinematography by the masterly Russell Metty (Touch of Evil). Finger Man (1955) – I Put the Finger on Public Enemy Number One! Frank Lovejoy (The Hitch-Hiker, House of Wax) stars as ex-con Casey Martin, who is caught red-handed while heisting a truck shipment. When he discovers that his sister has now become a desperate drug addict after working for gruff bootlegger Dutch Becker (Forrest Tucker, Sands of Iwo Jima), Martin accepts the deal that the T-men offer him and goes to work undercover to nail Dutch and his gang. Peggy Castle (99 River Street) plays Gladys Baker, the gangster’s associate who falls for the finger man. Timothy Carey (The Killing) plays Lou Terpe, the finger man’s former cellmate and a particularly sadistic member of Dutch’s crew. A crime-busting noir yarn spun by director Harold D. Schuster (Loophole).\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-mce-fragment=\"1\"\u003eCrashout (1955) – It Blasts the Screen with Violence! Six ruthless convicts break out of prison and frantically try to avoid an extensive manhunt. Arthur Kennedy (Bright Victory) co-stars with a legendary lineup of Hollywood heavies: William Bendix (The Web), Luther Adler (D.O.A.), William Talman (Big House, U.S.A.), Gene Evans (Fixed Bayonets!) and Marshall Thompson (It! The Terror from Beyond Space). Once the coast is clear, they set out on a long and dangerous journey by foot, train and car to retrieve bank loot. After barely surviving two deadly incidents, the gang seeks refuge in a farmhouse as the action reaches a fever pitch. Ironically, the men start to realize that it’s not the law that they need to worry about. A hardboiled, edge-of-your-seat noir produced by Ida Lupino’s Filmakers Releasing Organization for director Lewis R. Foster (Those Redheads from Seattle). Cinematography by the masterly Russell Metty (Touch of Evil). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"This collection features three film noir classics. City of Shadows (1955) – Their Business Was “Legitimate”—Because the Law Couldn’t Touch Them! Iconic screen tough Victor McLaglen (The Informer, Klondike Annie) is Big Tim Channing, a small-time racketeer who makes a living supplying old, out-of-date slot machines to businesses. He strikes up a prosperous partnership with newsboy Dan Mason when the precocious kid shows him how to corner the slot-machine racket and, at the same time, put his crooked competitors out of the running. But when Dan grows up and graduates from law school, it thrusts old Tim into a compromising position. From William Witney, director of the legendary serials Daredevils of the Red Circle and Adventures of Captain Marvel, and co-starring John Baer (We’re No Angels), Kathleen Crowley (Curse of the Undead) and Anthony Caruso (Never Steal Anything Small). Crashout (1955) – It Blasts the Screen with Violence! Six ruthless convicts break out of prison and frantically try to avoid an extensive manhunt. Arthur Kennedy (Bright Victory) co-stars with a legendary lineup of Hollywood heavies: William Bendix (The Web), Luther Adler (D.O.A.), William Talman (Big House, U.S.A.), Gene Evans (Fixed Bayonets!) and Marshall Thompson (It! The Terror from Beyond Space). Once the coast is clear, they set out on a long and dangerous journey by foot, train and car to retrieve bank loot. After barely surviving two deadly incidents, the gang seeks refuge in a farmhouse as the action reaches a fever pitch. Ironically, the men start to realize that it’s not the law that they need to worry about. A hardboiled, edge-of-your-seat noir produced by Ida Lupino’s Filmakers Releasing Organization for director Lewis R. Foster (Those Redheads from Seattle). Cinematography by the masterly Russell Metty (Touch of Evil). Finger Man (1955) – I Put the Finger on Public Enemy Number One! Frank Lovejoy (The Hitch-Hiker, House of Wax) stars as ex-con Casey Martin, who is caught red-handed while heisting a truck shipment. When he discovers that his sister has now become a desperate drug addict after working for gruff bootlegger Dutch Becker (Forrest Tucker, Sands of Iwo Jima), Martin accepts the deal that the T-men offer him and goes to work undercover to nail Dutch and his gang. Peggy Castle (99 River Street) plays Gladys Baker, the gangster’s associate who falls for the finger man. Timothy Carey (The Killing) plays Lou Terpe, the finger man’s former cellmate and a particularly sadistic member of Dutch’s crew. A crime-busting noir yarn spun by director Harold D. Schuster (Loophole).\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-mce-fragment=\"1\"\u003eFinger Man (1955) – I Put the Finger on Public Enemy Number One! Frank Lovejoy (The Hitch-Hiker, House of Wax) stars as ex-con Casey Martin, who is caught red-handed while heisting a truck shipment. When he discovers that his sister has now become a desperate drug addict after working for gruff bootlegger Dutch Becker (Forrest Tucker, Sands of Iwo Jima), Martin accepts the deal that the T-men offer him and goes to work undercover to nail Dutch and his gang. Peggy Castle (99 River Street) plays Gladys Baker, the gangster’s associate who falls for the finger man. Timothy Carey (The Killing) plays Lou Terpe, the finger man’s former cellmate and a particularly sadistic member of Dutch’s crew. A crime-busting noir yarn spun by director Harold D. Schuster (Loophole).\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"products__attributes\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eProduct Extras\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e:\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"NEW HD Masters by Paramount Pictures | NEW Audio Commentary for CITY OF SHADOWS by Film Historian\/Screenwriter Gary Gerani | NEW Audio Commentary for CRASHOUT by Author\/Film Historian Alan K. Rode | NEW Audio Commentary for FINGER MAN by Professor and Film Scholar Jason A. Ney | Optional English Subtitles\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-mce-fragment=\"1\"\u003eNEW HD Masters by Paramount Pictures\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"NEW HD Masters by Paramount Pictures | NEW Audio Commentary for CITY OF SHADOWS by Film Historian\/Screenwriter Gary Gerani | NEW Audio Commentary for CRASHOUT by Author\/Film Historian Alan K. Rode | NEW Audio Commentary for FINGER MAN by Professor and Film Scholar Jason A. Ney | Optional English Subtitles\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-mce-fragment=\"1\"\u003eNEW Audio Commentary for CITY OF SHADOWS by Film Historian\/Screenwriter Gary Gerani\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"NEW HD Masters by Paramount Pictures | NEW Audio Commentary for CITY OF SHADOWS by Film Historian\/Screenwriter Gary Gerani | NEW Audio Commentary for CRASHOUT by Author\/Film Historian Alan K. Rode | NEW Audio Commentary for FINGER MAN by Professor and Film Scholar Jason A. Ney | Optional English Subtitles\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-mce-fragment=\"1\"\u003eNEW Audio Commentary for CRASHOUT by Author\/Film Historian Alan K. Rode\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"NEW HD Masters by Paramount Pictures | NEW Audio Commentary for CITY OF SHADOWS by Film Historian\/Screenwriter Gary Gerani | NEW Audio Commentary for CRASHOUT by Author\/Film Historian Alan K. Rode | NEW Audio Commentary for FINGER MAN by Professor and Film Scholar Jason A. Ney | Optional English Subtitles\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-mce-fragment=\"1\"\u003eNEW Audio Commentary for FINGER MAN by Professor and Film Scholar Jason A. Ney\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"NEW HD Masters by Paramount Pictures | NEW Audio Commentary for CITY OF SHADOWS by Film Historian\/Screenwriter Gary Gerani | NEW Audio Commentary for CRASHOUT by Author\/Film Historian Alan K. Rode | NEW Audio Commentary for FINGER MAN by Professor and Film Scholar Jason A. Ney | Optional English Subtitles\"}' data-sheets-userformat='{\"2\":14337,\"3\":{\"1\":0,\"3\":1},\"14\":{\"1\":2,\"2\":275199},\"15\":\"Calibri\",\"16\":12}' data-mce-fragment=\"1\"\u003eOptional English Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kino Lorber","offers":[{"title":"Default Title","offer_id":43200928153800,"sku":"KIN26553","price":49.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/filmnoir18bd.jpg?v=1707179098"},{"product_id":"touch-of-evil-4k-uhd-1","title":"Touch Of Evil (UK Import 4K UHD)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/zD4xL7rA5RA\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUK Import. 4K UHD disc is Region Free and should play on any 4K player. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":26753,\"3\":{\"1\":0,\"3\":1},\"10\":1,\"14\":{\"1\":2,\"2\":6184542},\"16\":12,\"17\":1}' data-sheets-value='{\"1\":2,\"2\":\"Directed by Hollywood legend Orson Welles (Citizen Kane, The Stranger, The Lady from Shanghai), Touch of Evil is a film noir masterpiece whose Hollywood backstory is as unforgettable as the movie itself. Starring Charlton Heston (The Big Country, Ben-Hur), Janet Leigh (The Manchurian Candidate, Psycho) and Welles himself, this dark portrait of corruption and morally compromised obsessions tells the story of a crooked police chief who frames a Mexican youth as part of an intricate criminal plot. With its iconic ticking-bomb opening shot, shadowy cinematography by Russell Metty (Spartacus), evocative score by Henry Mancini (Arabesque) and memorable supporting turns by Akim Tamiroff (The General Died at Dawn) and Marlene Dietrich (Desire), Touch of Evil is a stylistic triumph that stands the test of time. This 3-disc special edition features 4K restorations of three versions of the film: the Theatrical version, the Preview version and the Reconstructed version based on Orson Welles’ original vision.\"}' data-mce-fragment=\"1\"\u003eTouch of Evil begins with one of the most brilliant sequences in the history of cinema; and ends with one of the most brilliant final scenes ever committed to celluloid. In between unfurls a picture whose moral, sexual, racial, and aesthetic attitudes remain so radical as to cross borders established not only in 1958, but in the present age also.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCharlton Heston portrays Mike Vargas, the Mexican chief of narcotics who sets out to uncover the facts surrounding a car bomb that has killed a wealthy American businessman on the US side of the border. As Vargas investigates, his newly-wed wife Susie (Janet Leigh, two years before Hitchcock's Psycho) is kidnapped by a gang out to exact vengeance for the prosecution of the brother of their leader (Akim Tamiroff). Meanwhile, Vargas' inquiries become progressively more obfuscated by the American cop Hank Quinlan (played by Welles himself, in one of the most imposing and unforgettable screen performances of his career), a besotted incarnation of corruption who alternately conspires with Susie's captors and seeks solace in the brothel of the Gypsy madame (Marlene Dietrich) who comforted him in bygone times.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWelles' final studio-system picture has at last become secure in its status as one of the greatest films ever made. It remains a testament to the genius of Welles –– a film of Shakespearean richness, inexhaustible. The Masters of Cinema Series is extremely proud to present Touch of Evil in its UK debut on 4K Blu-ray.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eSPECIAL FEATURES\u003c\/h4\u003e\n\u003cul data-sku=\"EKA70546\" data-display=\"true\"\u003e\n\u003cli\u003e4K (2160p) UHD Blu-ray presentations of all three versions, presented in Dolby Vision HDR: the Theatrical version (95 mins), the Preview version (109 mins), and the 1998 Reconstruction (110 mins), across 2 UHD Discs.\u003c\/li\u003e\n\u003cli\u003eFour audio commentaries, featuring: restoration producer Rick Schmidlin (reconstructed version); actors Charlton Heston \u0026amp; Janet Leigh, with Schmidlin (reconstructed version); critic F. X. Feeney (theatrical version); and Welles scholars James Naremore \u0026amp; Jonathan Rosenbaum (preview version)\u003c\/li\u003e\n\u003cli\u003eVideo interview with critic, broadcaster and cultural historian Matthew Sweet\u003c\/li\u003e\n\u003cli\u003eVideo interview with critic Tim Robey\u003c\/li\u003e\n\u003cli\u003eVideo interview with author and critic Kim Newman\u003c\/li\u003e\n\u003cli\u003eBringing Evil to Life + Evil Lost and Found – two video pieces, featuring interviews with cast and crew, as well as critics and admirers\u003c\/li\u003e\n\u003cli\u003eOriginal theatrical trailer\u003c\/li\u003e\n\u003cli\u003eOptional English SDH subtitles\u003c\/li\u003e\n\u003cli\u003eA collector’s booklet featuring writings by Orson Welles, François Truffaut, André Bazin, and Terry Comito\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Eureka Entertainment (UK)","offers":[{"title":"Default Title","offer_id":43942627475656,"sku":"EKA70546","price":59.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/touchofevil4k_88d53767-5733-4786-86f5-eacd74d82baf.jpg?v=1721000978"},{"product_id":"film-noir-the-dark-side-of-cinema-xxiii-rope-of-sand-kiss-tomorrow-goodbye-never-love-a-stranger-blu-ray","title":"Film Noir: The Dark Side of Cinema XXIII (Rope of Sand \/ Kiss Tomorrow Goodbye \/ Never Love a Stranger) (BLU-RAY)","description":"\u003cdiv class=\"products__description\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eThis collection features three gripping film noir classics. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eRope of Sand (1949) – A Sand-Swept Saga of Savage Greed, Sultry Love and Wild Adventure! Produced by Hal B. Wallis (Casablanca, Desert Fury) and directed by William Dieterle (The Accused), this suspense-noir classic brings the dynamic Burt Lancaster (I Walk Alone) and dazzling Corinne Calvet (Peking Express) together with three great co-stars of Casablanca: Paul Henreid, Claude Rains and Peter Lorre. To claim a cache of diamonds, Mike Davis (Lancaster) returns to the same remote South African city where he was tortured and left for dead at the hands of a sadistic police commandant (Henreid). He recruits the assistance of a mysterious stranger (Lorre) and the doctor who had helped him back to health (Sam Jaffe). But the scheming head of the diamond syndicate (Rains) recruits a femme fatale (Calvet) to seduce and betray Mike as an alternative to brute force. An exotic gem of noir—Rope of Sandboasts striking Charles Lang (A Foreign Affair, Female on the Beach) cinematography and a Franz Waxman (Sunset Boulevard) score. The amazing cast also includes Sam Jaffe (Gunga Din) and legendary noir heavy Mike Mazurki (Murder, My Sweet, Dark City). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eKiss Tomorrow Goodbye (1950) – As Only James Cagney Can Portray It! Screen legend Cagney (The Roaring Twenties, White Heat) in his final great gangster role… Kiss Tomorrow Goodbye offers Cagney at his nastiest! The star plays career criminal Ralph Cotter, a lowlife maniac who doesn’t care about anything except his next kill. After busting out of prison and murdering his partner, the cold-blooded mobster satisfies a pent-up lust for violence in an unstoppable and vicious crime spree. Dirty cops (Ward Bond and Barton MacLane) try to strong-arm the fascinating creep, but he turns the tables and blackmails them with the help of a crooked lawyer (Luther Adler). Upon its theatrical release, Kiss Tomorrow Goodbye was banned in the state of Ohio as “a sordid, sadistic presentation of brutality and an extreme presentation of crime.” Now, it’s hailed as a hardboiled Cagney classic! Stylishly directed by Gordon Douglas (Only the Valiant) and featuring Barbara Payton, Helena Carter, Steve Brodie, Rhys Williams and William Frawley. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eNever Love a Stranger (1958) – Raw and Violent as the Book That Sold 3,000,000 Sizzling Copies! In one of the roles that made him a major star, screen great Steve McQueen (The Great Escape) is out to stop organized crime as special investigator Martin Cabell. The man he’s after: onetime boyhood pal Frank Kane (John Drew Barrymore, While the City Sleeps). These are the red-hot ingredients in Harold Robbins’ (Nevada Smith) screen adaptation of his bestselling debut novel, Never Love a Stranger. Robbins, a master at depicting the steamier, darker side of life, paints a tragic portrait of Frank Kane. Starting out as a “numbers runner,” Kane loses his girlfriend, Julie (Lita Milan, The Left Handed Gun) to mob boss “Silk” Fennelli (Robert Bray, My Gun Is Quick). Climbing up the underworld ladder, Kane reaches the top, where he succeeds in winning Julie back and making a bitter enemy of Fennelli. With Fennelli gunning for him and Cabell looking to put him away, Kane’s days seem to be numbered in this sultry noir of lust, violence and friendship torn apart. Superbly directed by Robert Stevens (TV’s The Twilight Zone and Coronet Blue). Co-starring legendary character actor R.G. Armstrong (White Lightning).\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"products__attributes\"\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eProduct Extras\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e:\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003e2021, 2019 \u0026amp; 2022 HD Masters by Paramount Pictures - From 4K Scans\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eNEW Audio Commentary for ROPE OF SAND by Film Historian\/Screenwriter Gary Gerani\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eNEW Audio Commentary for KISS TOMORROW GOODBYE by Author\/Film Historian Alan K. Rode\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eNEW Audio Commentary for NEVER LOVE A STRANGER by Film Historian\/Writer Julie Kirgo and Writer\/Filmmaker Peter Hankoff\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eTheatrical Trailers (Rope of Sand \/ Kiss Tomorrow Goodbye)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eOptional English Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kino Lorber","offers":[{"title":"Default Title","offer_id":44286617813192,"sku":"KIN26708","price":50.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/filmnoirdarkside23bd.jpg?v=1733973932"},{"product_id":"film-noir-the-dark-side-of-cinema-xxiv-union-station-jennifer-the-crooked-circle-blu-ray","title":"Film Noir: The Dark Side of Cinema XXIV (Union Station \/ Jennifer \/ The Crooked Circle) (BLU-RAY)","description":"\u003cdiv class=\"products__description\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eThis collection features three thrilling film noir classics. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eUNION STATION (1950) – In this tense and gritty crime thriller in the tradition of The Naked City, screen great William Holden (Stalag 17) plays a railroad police chief in a race against time, trying to bring down a gang of kidnappers who are holding a blind heiress for a $100,000 ransom with Chicago’s Union Station terminal as the payoff location. The film crackles with melodrama and danger as the police chase the gang leader (Lyle Bettger, No Man of Her Own) from his hideout to the station’s underground tunnel for a bold and gripping climax. Nancy Olson (Sunset Boulevard), Barry Fitzgerald (The Quiet Man) and Jan Sterling (Appointment with Danger) also star in Union Station, directed by noir ace Rudolph Maté (D.O.A.) and adapted by Sydney Boehm (Black Tuesday) from the novel Nightmare in Manhattan by Thomas Walsh. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eJENNIFER (1953) – Film icon Ida Lupino (Beware, My Lovely) stars as Agnes Langley, who gets a job, through Jim Hollis (Howard Duff, Woman in Hiding), as caretaker of an old and vacated Southern California mansion. The owner’s cousin, Jennifer, was the last occupant and has mysteriously disappeared. Agnes soon begins to believe that Jennifer was murdered and that Jim, with whom she has fallen in love, is responsible. This eerie noir-mystery laced with gothic romance is highlighted by the atmospheric cinematography of James Wong Howe (The Rose Tattoo) and the introduction of the jazz standard “Angel Eyes,” composed and performed by Matt Dennis. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eTHE CROOKED CIRCLE (1957) – In this smashing film noir, young Tommy Kelly (John Smith, Wichita) dives headfirst into the world of prizefighting, much to the chagrin of his ex-boxer brother who is well-aware of the criminal underbelly of the sport. An honest trainer (Robert Armstrong, King Kong) handles the promising Tommy at first, until corrupt forces conspire around him and push him toward betrayal. The young pugilist finds himself being squeezed on all sides to throw a fight until he punches back to expose the thuggish crime racket. Directed in widescreen by Republic Pictures’ jack-of-all-trades Joseph Kane (Dakota) and co-starring Fay Spain, Steve Brodie and Don Kelly.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"products__attributes\"\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eProduct Extras\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e:\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003e2020, 2021 \u0026amp; 2018 HD Masters by Paramount Pictures - From 4K Scans\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eNEW Audio Commentary for UNION STATION by Author\/Film Historian Alan K. Rode\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eNEW Audio Commentary for JENNIFER by Film Historians Kat Ellinger and Martyn Conterio\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eNEW Audio Commentary for THE CROOKED CIRCLE by Film Historian\/Screenwriter Gary Gerani\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eTheatrical Trailers (Union Station \/ The Crooked Circle)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eOptional English Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kino Lorber","offers":[{"title":"Default Title","offer_id":44444538831048,"sku":"KIN26709","price":50.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/filmnoir2dbd.jpg?v=1739330164"},{"product_id":"film-noir-the-dark-side-of-cinema-xxv-the-flame-city-that-never-sleeps-hells-half-acre-blu-ray","title":"Film Noir: The Dark Side of Cinema XXV (The Flame \/ City That Never Sleeps \/ Hell's Half Acre) (BLU-RAY)","description":"\u003cdiv class=\"products__description\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eThis collection features three film noir classics from Republic Pictures and director John H. Auer (A Man Betrayed). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eTHE FLAME (1947) – George MacAllister (John Carroll, Flying Tigers) is the black sheep of a wealthy family who has squandered his share of the family inheritance and lives in constant resentment of his rich, terminally-ill half-brother Barry (Robert Paige, Tangier). So George gets his girlfriend, Carlotta Duval (vivacious Vera Ralston, The Lady and the Monster), a job as Barry’s nurse with the plan that she will eventually marry him for his money and then dispose of him. But the scheme turns complicated when Carlotta finds that she is really in love with Barry. Co-starring Broderick Crawford (Human Desire), Henry Travers (Shadow of a Doubt) and Hattie McDaniel (Gone with the Wind). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eCITY THAT NEVER SLEEPS (1953) – The Creeps, the Hoods, and the Killers Come Out to War with the City! In the vein of William Wyler’s popular Detective Story of two years earlier, this gritty noir gem juggles around five characters through a particularly bad night in a Chicago police precinct: stressed-out cop Johnny Kelly (Gig Young, Wake of the Red Witch); lounge singer Sally “Angel Face” Connors (Mala Powers, Outrage); thug-for-hire Hayes Stewart (William Talman, Crashout); corrupt district attorney Penrod Biddel (Edward Arnold, Johnny Eager); and Sgt. Joe (Chill Wills, Giant), an honest cop trying to keep Johnny on a straight path. Striking urban cinematography by John L. Russell (Psycho) and another great bad-girl performance by noir goddess Marie Windsor (Force of Evil). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eHELL’S HALF ACRE (1954) – City of Sin…Toughest Spot in the Pacific! This Hawaii-set noir tells the twisting tale of ex-racketeer Chet Chester (Wendell Corey, Desert Fury), who is being blackmailed by his former partners-in-crime. When Chester’s gal Sally (Nancy Gates, Suddenly) kills one of his enemies, he assumes that he has enough clout to get a lighter sentence and takes the rap. Meanwhile, a visitor from L.A. (Evelyn Keyes, 99 River Street) comes to believe that Chester is the husband she thought she had lost at Pearl Harbor. Written by Steve Fisher (I Wake Up Screaming) and shot by ace D.P. John L. Russell (Moonrise), this offbeat crime yarn features standout support from Elsa Lanchester (Bride of Frankenstein), Jesse White (Witness to Murder), Leonard Strong (The Naked Jungle), Keye Luke (Gremlins), Philip Ahn (Macao) and the great Marie Windsor (The Killing).\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"products__attributes\"\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eProduct Extras\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e:\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003e2017, 2024 \u0026amp; 2017 HD Masters by Paramount Pictures - From 4K Scans\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eNEW Audio Commentary for THE FLAME by Heath Holland, Host of Cereal at Midnight Podcast\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eAudio Commentary for CITY THAT NEVER SLEEPS by Film Historian Imogen Sara Smith\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eNEW Audio Commentary for HELL'S HALF ACRE by Heath Holland, Host of Cereal at Midnight Podcast\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eOptional English Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kino Lorber","offers":[{"title":"Default Title","offer_id":44472814010568,"sku":"KIN26710","price":50.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/filmnoirdarkside25bd.jpg?v=1740177607"},{"product_id":"big-heat-the-blu-ray","title":"Big Heat, The (BLU-RAY)","description":"\u003cp\u003e\u003cspan\u003eNoir doesn’t get any more hard-boiled than this scorching tale of vice and retribution, a film that finds director Fritz Lang working at the \u003cspan class=\"s1\"\u003epeak of his Hollywood style—stripped to the bone, \u003c\/span\u003esimmering with outrage, and fatalistic to the \u003cspan class=\"s2\"\u003ecore. A tightly wound Glenn Ford stars as a homicide detective whose investigation into a sprawling crime syndicate becomes a shock\u003c\/span\u003eingly personal, hate-fueled quest for revenge. \u003cspan class=\"s2\"\u003eCostarring an iconic Gloria Grahame as the \u003c\/span\u003e\u003cspan class=\"s1\"\u003emink-coated gangster’s moll with her own axe to\u003c\/span\u003e grind, and featuring a supporting cast led by a sensationally sleazy Lee Marvin,\u003cem\u003e The Big Heat\u003c\/em\u003e hits with raw, unstoppable force.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\" data-feature-title-field=\"\"\u003eBLU-RAY SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\" data-special-features-field=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K digital restoration, with uncompressed monaural soundtrack\u003c\/li\u003e\n\u003cli\u003eNew audio commentary by film-noir experts Alain Silver and James Ursini\u003c\/li\u003e\n\u003cli\u003eNew video essay by critic Farran Smith Nehme on the women in the film\u003c\/li\u003e\n\u003cli\u003eAudio interviews with director Fritz Lang, conducted by film historian Gideon Bachmann and filmmaker Peter Bogdanovich\u003c\/li\u003e\n\u003cli\u003eInterviews with filmmakers Michael Mann and Martin Scorsese\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles for the deaf and hard of hearing\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by author Jonathan Lethem\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNew cover by Drusilla Adeline\/Sister Hyde\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Criterion Collection","offers":[{"title":"Default Title","offer_id":44634241630408,"sku":"CC3698BD","price":54.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/bigheatbd4k.jpg?v=1747511020"},{"product_id":"big-heat-the-4k-uhd-blu-ray-combo","title":"Big Heat, The (4K UHD\/BLU-RAY Combo)","description":"\u003cp\u003e\u003cspan\u003eNoir doesn’t get any more hard-boiled than this scorching tale of vice and retribution, a film that finds director Fritz Lang working at the \u003cspan class=\"s1\"\u003epeak of his Hollywood style—stripped to the bone, \u003c\/span\u003esimmering with outrage, and fatalistic to the \u003cspan class=\"s2\"\u003ecore. A tightly wound Glenn Ford stars as a homicide detective whose investigation into a sprawling crime syndicate becomes a shock\u003c\/span\u003eingly personal, hate-fueled quest for revenge. \u003cspan class=\"s2\"\u003eCostarring an iconic Gloria Grahame as the \u003c\/span\u003e\u003cspan class=\"s1\"\u003emink-coated gangster’s moll with her own axe to\u003c\/span\u003e grind, and featuring a supporting cast led by a sensationally sleazy Lee Marvin,\u003cem\u003e The Big Heat\u003c\/em\u003e hits with raw, unstoppable force.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\" data-feature-title-field=\"\"\u003e4K UHD + BLU-RAY SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\" data-special-features-field=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K digital restoration, with uncompressed monaural soundtrack\u003c\/li\u003e\n\u003cli\u003eOne 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features\u003c\/li\u003e\n\u003cli\u003eNew audio commentary by film-noir experts Alain Silver and James Ursini\u003c\/li\u003e\n\u003cli\u003eNew video essay by critic Farran Smith Nehme on the women in the film\u003c\/li\u003e\n\u003cli\u003eAudio interviews with director Fritz Lang, conducted by film historian Gideon Bachmann and filmmaker Peter Bogdanovich\u003c\/li\u003e\n\u003cli\u003eInterviews with filmmakers Michael Mann and Martin Scorsese\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles for the deaf and hard of hearing\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by author Jonathan Lethem\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNew cover by Drusilla Adeline\/Sister Hyde\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Criterion Collection","offers":[{"title":"Default Title","offer_id":44634247463112,"sku":"CC3697UHDBD","price":67.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/bigheatbd4k_6ed1041a-35fc-4dfe-969c-ece89125036c.jpg?v=1747511149"},{"product_id":"third-man-the-uk-import-4k-uhd-region-b-blu-ray-combo","title":"Third Man, The (UK Import 4K UHD)","description":"\u003cp\u003e\u003cstrong\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/gxmT1fjFQuI?si=WliSQR8qiCZlVHbc\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUK Import. 4K UHD disc is Region Free. Should play on any 4K player. Blu-Ray disc is Region B locked, will only play on All Region Blu-Ray players.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003eSTUDIOCANAL are delighted to celebrate the 75th Anniversary of one of the masterpieces of cinema, THE THIRD MAN. Following its September release in cinemas in beautifully restored 4K, the much-loved British classic will be available for the first time ever on 4K Blu-ray as part of Studiocanal's Vintage Classics Collection.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHolly Martins (Joseph Cotten), an American writer of pulp Westerns, arrives in a bombed-out, post-war Vienna at the invitation of his childhood friend Harry Lime (Orson Welles), only to find him recently dead. His suspicions are raised after learning of a 'third man' present at the time of Harry's death, and butting up against interference from British police officer Major Calloway (Trevor Howard) and falling head-over-heels for Harry's grief-stricken lover Anna (Alida Valli).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe atmospheric use of black and white expressionist cinematography and tilted-angled camerawork by Robert Krasker, for which he won an Oscar, combined with the iconic hit theme music by Anton Karas performed on the zither, memorably evoke the noir thriller atmosphere of THE THIRD MAN, voted by the British Film Institute as the greatest British film of all time. 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S. Air Force pilot becomes the logical suspect after his wife is shot and killed. The 36 hours he has to clear himself are filled with twists and turns culminating in an exciting climax.\u003c\/p\u003e\n\u003cp\u003eWINGS OF DANGER: A former pilot suffering from blackouts discovers that a fellow flyer is suspected of being mixed up with a web of smugglers. While searching for his missing buddy, he unwittingly becomes entangled in a morass of suspicion.\u003c\/p\u003e\n\u003ch4\u003eBonus Materials\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e'Terror Street' by Alan K. Rode\u003c\/li\u003e\n\u003cli\u003eDan Duryea by Alan K. Rode\u003c\/li\u003e\n\u003cli\u003eSteve Fisher by Alan K. Rode\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"VCI Entertainment","offers":[{"title":"Default Title","offer_id":44650884661448,"sku":"KPF565","price":15.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/hammerfilmnoirvol4dvd.jpg?v=1748637776"},{"product_id":"blood-orange-uk-import-limited-edition-4k-uhd-blu-ray-combo","title":"Blood Orange (UK Import Limited Edition 4K UHD\/BLU-RAY Combo)","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/-TaPNhQg_NU?si=Ojs-HepeM_m3yi5y\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eUK Import. 4K UHD and BLU-RAY discs are Region Free, should play on any respective player.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHollywood favorite Tom Conway – famed for playing Sherlock Holmes, The Falcon, Bulldog Drummond and Simon Templar – stars in this sharp-edged crime thriller from director Terence Fisher. Co-starring Naomi Chance as a model hiding dangerous secrets and Richard Wattis as a grumbling police inspector,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBlood Orange\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ehas been painstakingly restored by Hammer in 4K from the original film negatives.\u003c\/p\u003e\n\u003cp\u003eEx-FBI agent turned private eye Conway is called in to investigate a jewel robbery at an exclusive London fashion house. But when murder enters the frame, the catwalk becomes a crime scene – and the killer is still at large.\u003c\/p\u003e\n\u003cp\u003eThis limited collector's edition comprises:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBlood Orange and supporting material on two discs in a stylish digipak and rigid box: one UHD and one Blu-ray, with the content duplicated across both formats.\u003c\/li\u003e\n\u003cli\u003eEnglish, French, Italian, Spanish and German subtitles on each version of the film.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe discs feature:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNew commentary with author and critic Kim Newman and Barry Forshaw, author of Brit Noir and The Rough Guide to Crime Fiction.\u003c\/li\u003e\n\u003cli\u003eNew commentary with film historian Lucy Bolton and film critic Phuong Le.\u003c\/li\u003e\n\u003cli\u003eDressed to Kill: Screenwriter and author David Pirie and Wayne Kinsey, writer of numerous books on Hammer, discuss Michael Carreras, his relationships and his work at Hammer in the early 1950s.\u003c\/li\u003e\n\u003cli\u003eI'm Just a Girl!: award-winning film-maker Alice Lowe discusses Blood Orange and female representation in British cinema.\u003c\/li\u003e\n\u003cli\u003eThe ABC of British B!: Artist and film scholar Cathy Lomax, film historian Richard Hollis and author Gavin Collinson discuss Hammer's run of B movies which formed the company's staple output for the best part of a decade.\u003c\/li\u003e\n\u003cli\u003eThe House of Glamour: author and fashion historian Liz Tregenza gives insight into the fashions and fashion industry portrayed so vividly in Blood Orange.\u003c\/li\u003e\n\u003cli\u003eA short gallery of stills and publicity material alongside tracks from Ivor Slaney’s score.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe booklet features:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNew article by Hammer expert Wayne Kinsey examining the making of Blood Orange.\u003c\/li\u003e\n\u003cli\u003eNew article by Robert JE Simpson on Hammer's \"sister company\" and initial distributor, Exclusive Films.\u003c\/li\u003e\n\u003cli\u003eNew article by Nora Fiore on the \"bad girls\" of Hammer Noir and how they stack up against American femme fatales.\u003c\/li\u003e\n\u003cli\u003eNew article by Wayne Kinsey, who examines a key piece of Bray Studios architecture used to good effect on Blood Orange.\u003c\/li\u003e\n\u003cli\u003eNew article by crime and Noir expert Barry Forshaw on lead actor Tom Conway.\u003c\/li\u003e\n\u003cli\u003eNew article by Gavin Collinson, who takes a look at cinema’s often-jaundiced take on the fashion industry.\u003c\/li\u003e\n\u003cli\u003eArticle by Denis Meikle on James Carreras, whose drive, initiative and inexhaustible energy drove Hammer to global success.\u003c\/li\u003e\n\u003cli\u003eArchive interview with Harry Oakes, focus puller on many Hammer films.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Hammer Films (UK)","offers":[{"title":"Default Title","offer_id":44695423156424,"sku":"H53BO01","price":93.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/bloodorange4kpak.jpg?v=1751248315"},{"product_id":"alfred-hitchcock-the-ultimate-collection-4k-uhd","title":"Alfred Hitchcock: The Ultimate Collection (4K UHD)","description":"\u003cp\u003e\u003cspan\u003eUniversally recognized as the Master of Suspense, the legendary Alfred Hitchcock directed some of cinema's most thrilling and unforgettable classics. Alfred Hitchcock: The Ultimate Collection features 15 iconic films from the acclaimed director's illustrious career including Psycho, The Birds, Rear Window, Vertigo, North by Northwest and many more.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eStarring Hollywood favorites such as James Stewart, Cary Grant, Grace Kelly, Paul Newman, Janet Leigh, Anthony Perkins, Tippi Hedren, Sean Connery and Kim Novak, this definitive collection showcases a true cinematic master at his best. Featuring over 15 hours of insightful bonus features plus an exclusive collectible book, each film has been digitally restored from high resolution film elements for the ultimate Hitchcock experience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBonus Content:\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eDisc 1 - Saboteur:\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003e4x Sharper than Full HD with High Dynamic Range (HDR10)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eSaboteur: A Closer Look\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eStoryboards\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eAlfred Hitchcock's Sketches\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eProduction Photographs\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eDisc 2 - Shadow of a Doubt:\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003e4x Sharper than Full HD with High Dynamic Range (HDR10)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eBeyond Doubt: The Making of Hitchcock's Favorite Film\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eProduction Drawings by Art Director Robert Boyle\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eProduction Photographs\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eDisc 3 - Rope:\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eFeatures High Dynamic Range (HDR10) for Brighter, Deeper, More Lifelike Color\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eRope Unleashed\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eProduction Photographs\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eDisc 4 - Rear Window:\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eFeatures High Dynamic Range (HDR10) for Brighter, Deeper, More Lifelike Color\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eRear Window Ethics: An Original Documentary\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eA Conversation with Screenwriter John Michael Hayes\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003ePure Cinema: Through the Eyes of the Master\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eBreaking Barriers: The Sound of Hitchcock\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eHitchcock\/Truffaut\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eMasters of Cinema\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eProduction Photographs\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eRe-release Trailer Narrated by James Stewart\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eFeature Commentary with John Fawell, Author of Hitchcock's Rear Window: the Well Made Film\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eDisc 5 - The Trouble with Harry:\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eFeatures High Dynamic Range (HDR10) for Brighter, Deeper, More Lifelike Color\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eThe Trouble with Harry Isn't Over\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eProduction Photographs\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eTrailer\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eDisc 6 - The Man Who Knew Too Much:\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eFeatures High Dynamic Range (HDR10) for Brighter, Deeper, More Lifelike Color\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eThe Making of The Man Who Knew Too Much\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eSaving The Man Who Knew Too Much\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eProduction Photographs\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eTrailers\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eIncludes the Original Perspecta Audio Track Unheard Since Its Original Theatrical Run in 1956 (4K only)\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eDisc 7 - Vertigo:\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eFeatures High Dynamic Range (HDR10) for Brighter, Deeper, More Lifelike Color\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eObsessed with Vertigo: New Life of Hitchcock's Masterpiece\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003ePartners in Crime: Hitchcock's Collaborators\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eForeign Censorship Ending\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eHitchcock\/Truffaut\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eFeature Commentary with Film Director William Friedkin\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eRestoration Theatrical Trailer\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003e100 Years of Universal: The Lew Wasserman Era\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eDisc 8 - North by Northwest:\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eNorth by Northwest: Cinematography, Score, and the Art of the Edit\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eDestination Hitchcock: The Making of North by Northwest\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eThe Master's Touch: Hitchcock's Signature Style\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eNorth by Northwest: One for the Ages\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eA Guided Tour with Alfred Hitchcock\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eCommentary by Screenwriter Ernest Lehman\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eDisc 9 - Psycho (1960):\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003e4x Sharper than Full HD with High Dynamic Range (HDR10)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eThe Making of Psycho\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003ePsycho Sound\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eIn The Master's Shadow: Hitchcock's Legacy\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eHitchcock\/Truffaut\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eNewsreel Footage: The Release of Psycho\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eThe Shower Scene: With and Without Music\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eThe Shower Sequence: Storyboards by Saul Bass\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eThe Psycho Archives\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003ePosters and Psycho Ads\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eLobby Cards\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eBehind-the-Scenes Photographs\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eProduction Photographs\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003ePsycho Theatrical Trailers\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003ePsycho Re-release Trailers\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eFeature Commentary with Stephen Rebello, author of \"Alfred Hitchcock and The Making of Psycho\"\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eDisc 10 - The Birds:\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eFeatures High Dynamic Range (HDR10) for Brighter, Deeper, More Lifelike Color\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eThe Birds: Hitchcock's Monster Movie\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eAll About The Birds\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eTippi Hedren's Screen Test\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eDeleted Scenes\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eThe Original Ending\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eHitchcock\/Truffaut\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eThe Birds Is Coming (Universal International Newsreel)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eSuspense Story: National Press Club Hears Hitchcock (Universal International Newsreel)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003e100 Years of Universal: Restoring the Classics\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003e100 Years of Universal: The Lot\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eDisc 11 - Marnie:\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eFeatures High Dynamic Range (HDR10) for Brighter, Deeper, More Lifelike Color\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eThe Trouble with Marnie\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eThe Marnie Archives\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eDisc 12 - Torn Curtain:\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eFeatures High Dynamic Range (HDR10) for Brighter, Deeper, More Lifelike Color\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eTorn Curtain Rising\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eScenes Scored by Bernard Herrmann\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eProduction Photographs\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eDisc 13 - Topaz:\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eFeatures High Dynamic Range (HDR10) for Brighter, Deeper, More Lifelike Color\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eAlternate Endings\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eTopaz: An Appreciation by Film Historian and Critic Leonard Maltin\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eStoryboards: The Mendozas\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eProduction Photographs\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eDisc 14 - Frenzy:\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eFeatures High Dynamic Range (HDR10) for Brighter, Deeper, More Lifelike Color\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eThe Story of Frenzy\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eProduction Photographs\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eDisc 15 - Family Plot:\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eFeatures High Dynamic Range (HDR10) for Brighter, Deeper, More Lifelike Color\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003ePlotting Family Plot\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eStoryboards: The Chase Scene\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eProduction Photographs\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eTheatrical Trailers\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\u003c\/ul\u003e","brand":"Universal","offers":[{"title":"Default Title","offer_id":44736425558216,"sku":"191329277522","price":232.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/alfredhitchcockultcoll4k.jpg?v=1755998169"},{"product_id":"gilda-4k-uhd-blu-ray-combo","title":"Gilda (4K UHD\/BLU-RAY Combo)","description":"\u003cp\u003e\u003cspan\u003e“Gilda, are you decent?” Rita Hayworth (The Lady from Shanghai) tosses her hair back and slyly responds, “Me?” in one of the great star entrances in movie history. Gilda, directed by Charles Vidor (Cover Girl), features a sultry Hayworth in her most iconic role, as the much-lusted-after wife of a criminal kingpin (Paths of Glory's George Macready), as well as the former flame of his bitter henchman (3:10 to Yuma's Glenn Ford), and she drives them both mad with desire and jealousy. An ever-shifting battle of the sexes set on a Buenos Aires casino's glittering floor and in its shadowy back rooms, Gilda is among the most sensual of all Hollywood noirs.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\" data-feature-title-field=\"\"\u003e4K UHD + BLU-RAY SPECIAL EDITION FEATURES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\" data-special-features-field=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K digital restoration, with uncompressed monaural soundtrack\u003c\/li\u003e\n\u003cli\u003eOne 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features\u003c\/li\u003e\n\u003cli\u003eAudio commentary by film critic Richard Schickel\u003c\/li\u003e\n\u003cli\u003eInterview with film-noir historian Eddie Muller\u003c\/li\u003e\n\u003cli\u003eProgram featuring filmmakers Martin Scorsese and Baz Luhrmann discussing their appreciation for\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eGilda\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e“The Odyssey of Rita Hayworth,” a 1964 episode of the television show\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHollywood and the Stars\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles for the deaf and hard of hearing\u003c\/li\u003e\n\u003cli\u003ePlus: An essay by critic Sheila O’Malley\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCover by Jessica Hische and Eric Skillman\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Criterion Collection","offers":[{"title":"Default Title","offer_id":44910326055112,"sku":"CC3798UHDBD","price":67.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/gilda4k.jpg?v=1769138355"},{"product_id":"crack-up-us-import-mod-blu-ray","title":"Crack-Up (US Import MOD BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAfter a train wreck sends art critic George Steele (Pat O'Brien) into a mental tailspin, he's fired from his job at a New York art museum. Seems unjust – until you learn there was no train wreck. This relentless, nervous, gutsy Film Noir explores the sinister world of violence, and the moneyed world of aesthetics as Steele's attempt to reconstruct what really happened leads him to murder, mania, and an international conspiracy that threatens the museum's masterpieces. Herbert Marshall (The Letter) joins the hunt as a mysterious Brit who's chummy with the cops. And Noir great Claire Trevor (Key Largo) plays Steele's sweetheart, a savvy journalist who may know a lot more than she's telling. 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