{"title":"In Stock SOV","description":"","products":[{"product_id":"hell-on-the-shelf-dvd-release-nov-16-21","title":"Hell On The Shelf (DVD)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 data-mce-fragment=\"1\" itemprop=\"description\"\u003eDeck the halls with DEATH!\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAn antique Christmas Elf doll holds the key to decades of pent up evil and anger from beyond the grave. Three Paranormal investigators are hired by a desperate real estate agent to cleanse a house, or find the reason as to why no tenant stays very long in the ominous structure. Over the course of 3 nights, the team discovers more about the supernatural happenings than they care to uncover. It's a holiday wrapping of horror with no escape!\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eBonus Materials\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eDirector's Commentary\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eSRS Trailers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/fSZe4HhiTm8\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"SRS Cinema","offers":[{"title":"Default Title","offer_id":41066878468296,"sku":"MVD6924D","price":22.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/hellontheshelf.jpg?v=1633290872"},{"product_id":"lost-faith-limited-edition-slipcover-blu-ray","title":"Lost Faith (Limited Edition Slipcover BLU-RAY)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/yi3tNtD1a9E\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCover Art by Robin Bougie!!!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSteve Nekoda (Joel D. Wynkoop) is a good guy having a bad day. After run-ins with both the corrupt local cops and a satanic biker gang, his world is turned upside down when his beautiful, model wife is kidnapped by an evil karate master (David Bardsley) and his nefarious henchmen; who keep a harem of abducted women confined in a jungle prison awaiting their sale into a white slavery ring. Nekoda soon realizes that it will require much more than just his heroic courage and martial arts expertise to defeat his enemies and rescue his wife. He must first reach deep down inside his soul and attempt to regain his Lost Faith!\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLost Faith is a brain melting, SOV martial arts\/action passion project from B-movie luminary (and frequent Tim Ritter collaborator) Joel D. Wynkoop (Creep, Killing Spree), who wrote, produced, directed, edited, starred, and even sang the film's memorable theme song! Shot regionally in and around South Florida, Lost Faith delivers a high octane roundhouse kick of backyard karate hijinks, over the top amateur thespians, and a head-scratching dose of Christian moral overtones that lands somewhere between the bewildering, do-all antics of Champagne and Bullets and a poverty row Chuck Norris epic. Saturn's Core is proud to present Lost Faith in its definitive Blu-Ray edition, newly compiled with a treasure trove of over 8 hours of special features!\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNewly unearthed extended director's cut (86 min.)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIntroduction by director Joel D. Wynkoop\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOriginal VHS cut of Lost Faith (80 min.) with optional audio commentary featuring director \/ star Joel D. Wynkoop \u0026amp; assistant director Sean McCarthy\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\"Stay Hungry: The Making of Lost Faith\" - archival making-of documentary (60 min.)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e90 minutes of rare dailies \u0026amp; behind the scenes footage from the making of Lost Faith!\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eArchival TV news interviews \u0026amp; appearances\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAlternate \"flashback\" opening\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAlternate \"flashback\" ending\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\"The Set Up\" (1979) - early super 8mm film by Joel D. Wynkoop that inspired Lost Faith\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\"Nekoda\" (2018) -sequel short starring Joel D. Wynkoop directed by Marcus Kempton\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eJoel D. Wynkoop at Screamfest 2007\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAudition reel\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTrailer\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTV spot\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eReversible cover art\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eREGION-FREE\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Saturn's Core","offers":[{"title":"Default Title","offer_id":42526919295176,"sku":"SC-019 SLIP","price":54.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/products\/lostfaithslip.jpg?v=1676075933"},{"product_id":"psycho-pauls-film-festival-limited-edition-slipcover-blu-ray","title":"Psycho Paul's Film Festival (Limited Edition Slipcover BLU-RAY)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A bloody, sadistically funny satire of cheap horror exploitation films. Psycho Paul, a sinister, egotistical filmmaker introduces previews and scenes from his films as a tribute to himself. He believes that his films are the greatest and worst films ever made. Paul Van Dan Elzen sharpened his skills on the sets of some of Todd Sheets’ classic SOV films before turning the camera on himself, his brother, and his mom and making one of the most mind-meltingly absurd movies ever released. Trust us, you have never seen another movie like this. VHSHITFEST is so proud to present this mesmerizing outsider art epic for the first time ever on disc complete with hours and hours of extras.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-mce-fragment=\"1\"\u003eA bloody, sadistically funny satire of cheap horror exploitation films. Psycho Paul, a sinister, egotistical filmmaker introduces previews and scenes from his films as a tribute to himself. He believes that his films are the greatest and worst films ever made. Paul Van Dan Elzen sharpened his skills on the sets of some of Todd Sheets’ classic SOV films before turning the camera on himself, his brother, and his mom and making one of the most mind-meltingly absurd movies ever released. Trust us, you have never seen another movie like this. VHSHITFEST is so proud to present this mesmerizing outsider art epic for the first time ever on disc complete with hours and hours of extras.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A bloody, sadistically funny satire of cheap horror exploitation films. Psycho Paul, a sinister, egotistical filmmaker introduces previews and scenes from his films as a tribute to himself. He believes that his films are the greatest and worst films ever made. Paul Van Dan Elzen sharpened his skills on the sets of some of Todd Sheets’ classic SOV films before turning the camera on himself, his brother, and his mom and making one of the most mind-meltingly absurd movies ever released. Trust us, you have never seen another movie like this. VHSHITFEST is so proud to present this mesmerizing outsider art epic for the first time ever on disc complete with hours and hours of extras.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-mce-fragment=\"1\"\u003edirected by: Paul Van Dan Elzen\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A bloody, sadistically funny satire of cheap horror exploitation films. Psycho Paul, a sinister, egotistical filmmaker introduces previews and scenes from his films as a tribute to himself. He believes that his films are the greatest and worst films ever made. Paul Van Dan Elzen sharpened his skills on the sets of some of Todd Sheets’ classic SOV films before turning the camera on himself, his brother, and his mom and making one of the most mind-meltingly absurd movies ever released. Trust us, you have never seen another movie like this. VHSHITFEST is so proud to present this mesmerizing outsider art epic for the first time ever on disc complete with hours and hours of extras.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-mce-fragment=\"1\"\u003estarring: Paul Van Dan Elzen, Mary Van Dan Elzen, William Van Dan Elzen\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A bloody, sadistically funny satire of cheap horror exploitation films. Psycho Paul, a sinister, egotistical filmmaker introduces previews and scenes from his films as a tribute to himself. He believes that his films are the greatest and worst films ever made. Paul Van Dan Elzen sharpened his skills on the sets of some of Todd Sheets’ classic SOV films before turning the camera on himself, his brother, and his mom and making one of the most mind-meltingly absurd movies ever released. Trust us, you have never seen another movie like this. VHSHITFEST is so proud to present this mesmerizing outsider art epic for the first time ever on disc complete with hours and hours of extras.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-mce-fragment=\"1\"\u003e1990 \/ 98 min \/ 1.33:1 \/ English DTS-HD MA 2.0 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A bloody, sadistically funny satire of cheap horror exploitation films. Psycho Paul, a sinister, egotistical filmmaker introduces previews and scenes from his films as a tribute to himself. He believes that his films are the greatest and worst films ever made. Paul Van Dan Elzen sharpened his skills on the sets of some of Todd Sheets’ classic SOV films before turning the camera on himself, his brother, and his mom and making one of the most mind-meltingly absurd movies ever released. Trust us, you have never seen another movie like this. VHSHITFEST is so proud to present this mesmerizing outsider art epic for the first time ever on disc complete with hours and hours of extras.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A bloody, sadistically funny satire of cheap horror exploitation films. Psycho Paul, a sinister, egotistical filmmaker introduces previews and scenes from his films as a tribute to himself. He believes that his films are the greatest and worst films ever made. Paul Van Dan Elzen sharpened his skills on the sets of some of Todd Sheets’ classic SOV films before turning the camera on himself, his brother, and his mom and making one of the most mind-meltingly absurd movies ever released. Trust us, you have never seen another movie like this. VHSHITFEST is so proud to present this mesmerizing outsider art epic for the first time ever on disc complete with hours and hours of extras.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-mce-fragment=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A bloody, sadistically funny satire of cheap horror exploitation films. Psycho Paul, a sinister, egotistical filmmaker introduces previews and scenes from his films as a tribute to himself. He believes that his films are the greatest and worst films ever made. Paul Van Dan Elzen sharpened his skills on the sets of some of Todd Sheets’ classic SOV films before turning the camera on himself, his brother, and his mom and making one of the most mind-meltingly absurd movies ever released. Trust us, you have never seen another movie like this. VHSHITFEST is so proud to present this mesmerizing outsider art epic for the first time ever on disc complete with hours and hours of extras.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-mce-fragment=\"1\"\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A bloody, sadistically funny satire of cheap horror exploitation films. Psycho Paul, a sinister, egotistical filmmaker introduces previews and scenes from his films as a tribute to himself. He believes that his films are the greatest and worst films ever made. Paul Van Dan Elzen sharpened his skills on the sets of some of Todd Sheets’ classic SOV films before turning the camera on himself, his brother, and his mom and making one of the most mind-meltingly absurd movies ever released. Trust us, you have never seen another movie like this. VHSHITFEST is so proud to present this mesmerizing outsider art epic for the first time ever on disc complete with hours and hours of extras.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-mce-fragment=\"1\"\u003eIntroduction by Psycho Paul\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A bloody, sadistically funny satire of cheap horror exploitation films. Psycho Paul, a sinister, egotistical filmmaker introduces previews and scenes from his films as a tribute to himself. He believes that his films are the greatest and worst films ever made. Paul Van Dan Elzen sharpened his skills on the sets of some of Todd Sheets’ classic SOV films before turning the camera on himself, his brother, and his mom and making one of the most mind-meltingly absurd movies ever released. Trust us, you have never seen another movie like this. VHSHITFEST is so proud to present this mesmerizing outsider art epic for the first time ever on disc complete with hours and hours of extras.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-mce-fragment=\"1\"\u003eAudio Commentary with the filmmakers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A bloody, sadistically funny satire of cheap horror exploitation films. Psycho Paul, a sinister, egotistical filmmaker introduces previews and scenes from his films as a tribute to himself. He believes that his films are the greatest and worst films ever made. Paul Van Dan Elzen sharpened his skills on the sets of some of Todd Sheets’ classic SOV films before turning the camera on himself, his brother, and his mom and making one of the most mind-meltingly absurd movies ever released. Trust us, you have never seen another movie like this. VHSHITFEST is so proud to present this mesmerizing outsider art epic for the first time ever on disc complete with hours and hours of extras.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-mce-fragment=\"1\"\u003eArchival Todd Sheets and Paul Van Dan Elzen interview\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A bloody, sadistically funny satire of cheap horror exploitation films. Psycho Paul, a sinister, egotistical filmmaker introduces previews and scenes from his films as a tribute to himself. He believes that his films are the greatest and worst films ever made. Paul Van Dan Elzen sharpened his skills on the sets of some of Todd Sheets’ classic SOV films before turning the camera on himself, his brother, and his mom and making one of the most mind-meltingly absurd movies ever released. Trust us, you have never seen another movie like this. VHSHITFEST is so proud to present this mesmerizing outsider art epic for the first time ever on disc complete with hours and hours of extras.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-mce-fragment=\"1\"\u003eNew Todd Sheets interview\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A bloody, sadistically funny satire of cheap horror exploitation films. Psycho Paul, a sinister, egotistical filmmaker introduces previews and scenes from his films as a tribute to himself. He believes that his films are the greatest and worst films ever made. Paul Van Dan Elzen sharpened his skills on the sets of some of Todd Sheets’ classic SOV films before turning the camera on himself, his brother, and his mom and making one of the most mind-meltingly absurd movies ever released. Trust us, you have never seen another movie like this. VHSHITFEST is so proud to present this mesmerizing outsider art epic for the first time ever on disc complete with hours and hours of extras.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-mce-fragment=\"1\"\u003eRaw Footage\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A bloody, sadistically funny satire of cheap horror exploitation films. Psycho Paul, a sinister, egotistical filmmaker introduces previews and scenes from his films as a tribute to himself. He believes that his films are the greatest and worst films ever made. Paul Van Dan Elzen sharpened his skills on the sets of some of Todd Sheets’ classic SOV films before turning the camera on himself, his brother, and his mom and making one of the most mind-meltingly absurd movies ever released. Trust us, you have never seen another movie like this. VHSHITFEST is so proud to present this mesmerizing outsider art epic for the first time ever on disc complete with hours and hours of extras.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-mce-fragment=\"1\"\u003e“The Cleansing of Psycho Paul” featurette\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A bloody, sadistically funny satire of cheap horror exploitation films. Psycho Paul, a sinister, egotistical filmmaker introduces previews and scenes from his films as a tribute to himself. He believes that his films are the greatest and worst films ever made. Paul Van Dan Elzen sharpened his skills on the sets of some of Todd Sheets’ classic SOV films before turning the camera on himself, his brother, and his mom and making one of the most mind-meltingly absurd movies ever released. Trust us, you have never seen another movie like this. VHSHITFEST is so proud to present this mesmerizing outsider art epic for the first time ever on disc complete with hours and hours of extras.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-mce-fragment=\"1\"\u003e“A Psycho’s Story: The Making of Psycho Paul’s Film Festival”\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A bloody, sadistically funny satire of cheap horror exploitation films. Psycho Paul, a sinister, egotistical filmmaker introduces previews and scenes from his films as a tribute to himself. He believes that his films are the greatest and worst films ever made. Paul Van Dan Elzen sharpened his skills on the sets of some of Todd Sheets’ classic SOV films before turning the camera on himself, his brother, and his mom and making one of the most mind-meltingly absurd movies ever released. Trust us, you have never seen another movie like this. VHSHITFEST is so proud to present this mesmerizing outsider art epic for the first time ever on disc complete with hours and hours of extras.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-mce-fragment=\"1\"\u003eEaster Egg\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A bloody, sadistically funny satire of cheap horror exploitation films. Psycho Paul, a sinister, egotistical filmmaker introduces previews and scenes from his films as a tribute to himself. He believes that his films are the greatest and worst films ever made. Paul Van Dan Elzen sharpened his skills on the sets of some of Todd Sheets’ classic SOV films before turning the camera on himself, his brother, and his mom and making one of the most mind-meltingly absurd movies ever released. Trust us, you have never seen another movie like this. VHSHITFEST is so proud to present this mesmerizing outsider art epic for the first time ever on disc complete with hours and hours of extras.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-mce-fragment=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"VHSHitfest","offers":[{"title":"Default Title","offer_id":42912295813320,"sku":"VHSHitfest-006 SLIP","price":49.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/psychopaulsfilmfestivalbdslipfront.webp?v=1696362798"},{"product_id":"despiser-visual-vengeance-collectors-edition-blu-ray","title":"Despiser (Visual Vengeance Collector's Edition BLU-RAY)","description":"\u003ch3 itemprop=\"description\"\u003eAfter losing his job and wife, Gordon crashes into purgatory, and is recruited by freedom fighters to battle an evil ruler named The Despiser.\u003c\/h3\u003e\n\u003cp\u003eAfter losing his job and his wife, Gordon crashes his car and lands in purgatory, where he's attacked by fanatics and enslaved souls. He's soon saved by a quirky band of freedom fighters from different historical eras, all of whom died in noble sacrifice. Reluctantly joining their cause, Gordon embarks on a wild adventure through surreal, hellish landscapes to battle the Despiser, the malevolent ruler of the realm. Facing shifting realities, monstrous creatures, and intense car chases over lava oceans, their journey leads to the ultimate showdown to save all of humanity. Phillips Cook's eccentric, non-stop menagerie of machine gun battles, early CGI masterwork and endless array of monsters make it one of the most unique direct to video features of the VHS and early DVD era. Cook painstakingly crafts a green screen netherworld steeped in brutal violence, religious mythology and action movie tropes, all filtered through a dream-like, hallucinogenic lens that never once takes its foot off the gas.\u003c\/p\u003e\n\u003ch4\u003eBonus Materials\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eProducer-supervised SD master from original tape source\u003c\/li\u003e\n\u003cli\u003eLimited Edition Slipcase - FIRST PRESSING ONLY\u003c\/li\u003e\n\u003cli\u003eCommentary with director Philip J. Cook and stars Mark Redfield and Gage Sheridan\u003c\/li\u003e\n\u003cli\u003eNew 2023 Interview with director Philip J. Cook and star Mark Hyde\u003c\/li\u003e\n\u003cli\u003eCommentary with Sam Panico of B\u0026amp;S About Movies and Bill Van Ryn of Drive-In Asylum\u003c\/li\u003e\n\u003cli\u003eThe Making of Despiser\u003c\/li\u003e\n\u003cli\u003eDeleted Scenes\u003c\/li\u003e\n\u003cli\u003eBlooper Reel\u003c\/li\u003e\n\u003cli\u003eOuttakes Reel\u003c\/li\u003e\n\u003cli\u003eDespiser: Storyboard To Animation\u003c\/li\u003e\n\u003cli\u003eOriginal DVD Menu Animated Intro\u003c\/li\u003e\n\u003cli\u003eBehind The Scenes Gallery\u003c\/li\u003e\n\u003cli\u003eImage and Art Gallery\u003c\/li\u003e\n\u003cli\u003eDespiser Trailers\u003c\/li\u003e\n\u003cli\u003eVisual Vengeance Trailer\u003c\/li\u003e\n\u003cli\u003eOuterworld Trailer\u003c\/li\u003e\n\u003cli\u003eInvader Trailer\u003c\/li\u003e\n\u003cli\u003eOptional French audio soundtrack\u003c\/li\u003e\n\u003cli\u003eOptional English Subtitles\u003c\/li\u003e\n\u003cli\u003eFolded mini-poster\u003c\/li\u003e\n\u003cli\u003e'Stick your own' VHS sticker sheet\u003c\/li\u003e\n\u003cli\u003e2-Sided Insert\u003c\/li\u003e\n\u003cli\u003eReversible Sleeve With Original VHS Art\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"Visual Vengeance","offers":[{"title":"Default Title","offer_id":44037657231560,"sku":"MVD16751BR","price":28.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/despiserbdpak.jpg?v=1723922611"},{"product_id":"suroh-alien-hitchhiker-us-import-limited-edition-slipcover-blu-ray","title":"Suroh: Alien Hitchhiker (US Import Limited Edition Slipcover BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/52TKvjjqxeU?si=fby0xccYuqtrmHhS\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf the B-52s collaborated with Negativland on an alt-Earth version of STAR TREK, it would feel a lot like SUROH: ALIEN HITCHHIKER—a mixed media hallucination from filmmaker Patrick McGuinn. The story follows Paul (Peter Gingerich), a skeptic who embarks on a spiritual, emotional, and sexual metamorphosis with an extraterrestrial named Suroh. Awash in LSD-tinged visuals and a pulsing acid-house soundtrack, this is a beautiful synthesis of experimental video art and queer exploration.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Closing the gap between dreams and reality, Fabio Salerno's films are the missing link between Dario Argento and George \u0026amp; Mike Kuchar. THE OTHER DIMENSION AND THE FILMS OF FABIO SALERNO is a 2-disc set that presents the late Salerno's complete filmography for the first time in North America. From the accomplished anthology THE OTHER DIMENSION to the fan-favorite short ARPIE, these D.I.Y. arthouse horror films from Italy are true discoveries for adventurous horrorheads.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Shot for $2000 on video in the enchanted forests of Florida, WAY BAD STONE is the unofficial Dungeons \u0026amp; Dragons adaptation that you've been waiting for. The story follows Aladar, a wizard seeking revenge against a gang barbarians—and one demon—who stole a magic stone. Directed by Archie Waugh and co-produced\/written by Jan and Janne Skipper, this bewitching passion project features raucous Ren Faire dialogue, splattery violence, and a powerful dungeon synth soundtrack. It's the perfect complement to your next regularly scheduled LARP campaign.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Patrick McGuinn\u003cbr\u003estarring: various\u003cbr\u003e1996 \/ 74 min \/ 1.33:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Closing the gap between dreams and reality, Fabio Salerno's films are the missing link between Dario Argento and George \u0026amp; Mike Kuchar. THE OTHER DIMENSION AND THE FILMS OF FABIO SALERNO is a 2-disc set that presents the late Salerno's complete filmography for the first time in North America. From the accomplished anthology THE OTHER DIMENSION to the fan-favorite short ARPIE, these D.I.Y. arthouse horror films from Italy are true discoveries for adventurous horrorheads.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Shot for $2000 on video in the enchanted forests of Florida, WAY BAD STONE is the unofficial Dungeons \u0026amp; Dragons adaptation that you've been waiting for. The story follows Aladar, a wizard seeking revenge against a gang barbarians—and one demon—who stole a magic stone. Directed by Archie Waugh and co-produced\/written by Jan and Janne Skipper, this bewitching passion project features raucous Ren Faire dialogue, splattery violence, and a powerful dungeon synth soundtrack. It's the perfect complement to your next regularly scheduled LARP campaign.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003ePreservation from the original S-VHS master\u003c\/li\u003e\n\u003cli\u003eCommentary with director Patrick McGuinn, moderated by Bleeding Skull's Annie Choi\u003c\/li\u003e\n\u003cli\u003eArchival interview with star Peter Gingerich\u003c\/li\u003e\n\u003cli\u003eBonus movie: DESERT SPIRITS (1994), restored from the original 16mm film elements\u003c\/li\u003e\n\u003cli\u003eShort films restored from the original 16mm film elements:\n\u003cul\u003e\n\u003cli\u003eTERRANCE BAUM (1986)\u003c\/li\u003e\n\u003cli\u003eAGNES KEEDAN'S SECRET PLAN (1988)\u003c\/li\u003e\n\u003cli\u003eWHEN THE OWLING HAS COME (1989)\u003c\/li\u003e\n\u003cli\u003eSAY THANK YOU, PLEASE (1990)\u003c\/li\u003e\n\u003cli\u003eSPF 2000 (1997)\u003c\/li\u003e\n\u003cli\u003eSODA POP (2001)\u003c\/li\u003e\n\u003cli\u003eBABY BLUE (2002)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eBooklet reproducing the 1996 press kit\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bleeding Skull","offers":[{"title":"Default Title","offer_id":44655824666824,"sku":"BS-008 SLIP","price":56.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/surohbdslip.webp?v=1748984885"},{"product_id":"criminally-insane-2-us-import-blu-ray","title":"Criminally Insane 2 (US Import BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XthdcmNDCEw?si=sawyYByIxgLXyGUL\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThirteen years after going on a bloody, food-related killing spree, gluttonous Ethel Janowsky is deemed fit to return to society and transferred to a halfway house presided over by the kindly old Hope Bartholomew. Settling in alongside the other oddball residents, it’s not long before Ethel’s homicidal rage is once again triggered when one of the staff taunts her with chocolate bars. After throttling the man to death with a hastily-improvised noose, Ethel sets about hacking and slashing her way through the remainder of the residents - and anyone else unfortunate enough to wander onto the property. \u003c\/p\u003e\n\u003cp\u003eThe notoriously bonkers follow-up to the 1975 proto-slasher classic Criminally Insane, CRIMINALLY INSANE 2 (aka Crazy Fat Ethel II) - once again directed by prolific exploitation merchant Nick Millard (Satan’s Black Wedding) - sees the inimitable Priscilla Alden reprising her role as the deliciously unhinged Ethel Janowsky in this delirious shoestring sequel sure to please fans of shot-on-video shlock. Now newly restored from the best surviving tape master, Degausser Video is delighted to serve up CRIMINALLY INSANE II for the first time on Blu-ray alongside a host of bonus features.\u003c\/p\u003e\n\u003cp\u003edirected by: Nick Millard\u003cbr\u003estarring: Priscilla Alden, Michael Flood, George 'Buck' Flower, Jane Lambert, Robert Copple\u003cbr\u003e1987 \/ 62 min \/ 1.33:1 \/ English Mono\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eRegion Free Blu-ray\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eNewly transferred and restored from the best surviving tape master\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eCommentary track with The Hysteria Continues!\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\"Doctor Bloodbath\" (aka Butcher Knife) - a 57-minute shot-on-video feature film from 1987 directed by Nick Millard\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\"Linebacker\" - a 23-minute shot-on-video TV Pilot from 1991 directed by Nick Millard\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\"Submarine\" - a 25-minute shot-on-video TV Pilot from 1991 directed by Nick Millard\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eInside sleeve artwork\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Degausser Video","offers":[{"title":"Default Title","offer_id":44655893053640,"sku":"DV-019","price":37.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/criminallyinsane2bd.jpg?v=1748993398"},{"product_id":"criminally-insane-2-us-import-limited-edition-slipcover-blu-ray","title":"Criminally Insane 2 (US Import Limited Edition Slipcover BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XthdcmNDCEw?si=sawyYByIxgLXyGUL\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThirteen years after going on a bloody, food-related killing spree, gluttonous Ethel Janowsky is deemed fit to return to society and transferred to a halfway house presided over by the kindly old Hope Bartholomew. Settling in alongside the other oddball residents, it’s not long before Ethel’s homicidal rage is once again triggered when one of the staff taunts her with chocolate bars. After throttling the man to death with a hastily-improvised noose, Ethel sets about hacking and slashing her way through the remainder of the residents - and anyone else unfortunate enough to wander onto the property. \u003c\/p\u003e\n\u003cp\u003eThe notoriously bonkers follow-up to the 1975 proto-slasher classic Criminally Insane, CRIMINALLY INSANE 2 (aka Crazy Fat Ethel II) - once again directed by prolific exploitation merchant Nick Millard (Satan’s Black Wedding) - sees the inimitable Priscilla Alden reprising her role as the deliciously unhinged Ethel Janowsky in this delirious shoestring sequel sure to please fans of shot-on-video shlock. Now newly restored from the best surviving tape master, Degausser Video is delighted to serve up CRIMINALLY INSANE II for the first time on Blu-ray alongside a host of bonus features.\u003c\/p\u003e\n\u003cp\u003edirected by: Nick Millard\u003cbr\u003estarring: Priscilla Alden, Michael Flood, George 'Buck' Flower, Jane Lambert, Robert Copple\u003cbr\u003e1987 \/ 62 min \/ 1.33:1 \/ English Mono\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eRegion Free Blu-ray\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eNewly transferred and restored from the best surviving tape master\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eCommentary track with The Hysteria Continues!\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\"Doctor Bloodbath\" (aka Butcher Knife) - a 57-minute shot-on-video feature film from 1987 directed by Nick Millard\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\"Linebacker\" - a 23-minute shot-on-video TV Pilot from 1991 directed by Nick Millard\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\"Submarine\" - a 25-minute shot-on-video TV Pilot from 1991 directed by Nick Millard\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eInside sleeve artwork\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Degausser Video","offers":[{"title":"Default Title","offer_id":44655900197064,"sku":"DV-019 SLIP","price":45.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/criminallyinsane2bdslip.webp?v=1748993398"},{"product_id":"twisted-issues-us-import-limited-edition-slipcover-blu-ray","title":"Twisted Issues (US Import Limited Edition Slipcover BLU-RAY) \\","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/iOwV1TrVQjI?si=0AaJURZyTfR7G5fx\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAfter innocent, straight edge skater Paul is taunted and murdered by a carload of drunken longhairs, he is crudely resurrected by a mysterious, pot-smoking mad scientist as a masked, sword wielding psychopath with a horrifying facial skin graft and a skateboard bolted directly to his foot. Determined to enact bloodthirsty revenge on his killers and their cohorts, Paul marauds through the parking lots, warehouses, and house parties of Gainesville in a splatter fueled cacophony of homespun gore, psychedelic drugs, ‘80s skate punk culture, abrasive stock footage, and gobs of raspberry soda.\u003c\/p\u003e\n\u003cp\u003eInitially envisioned as a document of the thriving underground music scene in Gainesville, Florida (as well as a cinematic adaptation of his self-published, DIY fanzine Twisted Tissues), Twisted Issues marked the SOV feature debut of visionary writer \/ director Charles Pinion (Red Spirit Lake, We Await) and announced the arrival of a singular and electrifying new voice within the video underground.  A lo-fi explosion of raw creativity and youthful exuberance, Twisted Issues remains one of the quintessential, regional SOV masterpieces of the 1980s; an experimental, cinema verité slasher film like no other that Film Threat magazine notoriously dubbed one of the top “25 underground films you must see”!\u003c\/p\u003e\n\u003cp\u003edirected by: Charles Pinion\u003cbr\u003estarring: Charles Pinion, Paul Soto, Steve Antczak, Sam Gough, Michelle Gould, Lisa Soto\u003cbr\u003e1988 \/ 84 min \/ 1.33:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBrand new restoration of the feature supervised by director Charles Pinion\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eAudio commentary with writer \/ director Charles Pinion moderated by Mike Hunchback\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eCast commentary with actors Charles Pinion, David Peck, Victor Wilkinson, Debra Fetzer, and Lisa Soto\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eScreenwriter commentary with writers Charles Pinion, Steve Antczak, and James Bassett\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e“The Twisted Truth” -an interview with writer \/ director Charles Pinion\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e“Horror is the Punk Rock of Cinema” - Director Charles Pinion in conversation with S.A. Bradley of the Hellbent for Horror podcast\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e“Painting with the Blood of False Gods” - a visual essay by film writer and author Heather Drain\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e“Blood \u0026amp; Laughs” - Behind the scenes footage\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e“Twisted Singles” - 9 unedited live music performances from Twisted Issues\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eFull 1987 live set by Mutley Chix (portions of which are featured in Twisted Issues)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eFull 1987 live set by The Doldrums\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eCharles Pinion trailer vault\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e“From Twisted Tissues to Twisted Issues” - a 28-page booklet edited by Jason Pankoke (Micro-Film) featuring writings by Heather Drain, Vincent Albarano, \u0026amp; Mike Watt with a foreword by director Charles Pinion\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eReversible sleeve\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Saturn's Core","offers":[{"title":"Default Title","offer_id":44702858805448,"sku":"SC-049 SLIP","price":50.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/TwistedIssuesbdslip.webp?v=1751928045"},{"product_id":"violent-new-breed-collectors-edition-blu-ray","title":"Violent New Breed (Collector's Edition BLU-RAY)","description":"\u003cp\u003eA vicious new street drug called Rapture is flooding New York City, and two burned-out cops are sent to trace its source. What they don't know is that the poison was cooked up by an army of demons festering beneath Manhattan--creatures who have also birthed the Antichrist! Now it's a race through sleaze-soaked streets with Satan's spawn in tow, hoping to deliver the hell-baby to the last Pastor in the city (blaxploitation legend Rudy Ray Moore) for a baptism before it unleashes hell on earth. The most ambitious, unpredictable effort from SOV auteur Todd Sheets, Violent New Breed swings for the fences, weaving clashing storylines, a sprawling cast, and Sheets' trademark splatter and monster effects. Featuring drug deals, crooked cops, strip clubs, rituals, possessed kids and slimy births, the film channels the late-80s \"satanic panic\" and mixes it with Sheets' raw camcorder fury and homemade charm, creating a cracked vision of a post-apocalyptic world that plays like a summer blockbuster from another dimension. Available for the first time on Blu-ray with over 12 hours of new and archival bonus content including four versions of the film.\u003c\/p\u003e\n\u003ch4\u003eBonus Materials\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eNew director-approved, remastered SD master version from original tape elements\u003c\/li\u003e\n\u003cli\u003eAlternate original DVD version\u003c\/li\u003e\n\u003cli\u003eAlternate R-rated version as aired on The Movie Channel\u003c\/li\u003e\n\u003cli\u003eAlternate original VHS release version\u003c\/li\u003e\n\u003cli\u003eThree commentary tracks\u003c\/li\u003e\n\u003cli\u003eInterview with actor Jerry Angell and director Todd Sheets\u003c\/li\u003e\n\u003cli\u003eTodd Sheets: Working with Rudy Ray Moore\u003c\/li\u003e\n\u003cli\u003eBehind the scenes documentary\u003c\/li\u003e\n\u003cli\u003eNitehawk Cinema screening Q\u0026amp;A (2023)\u003c\/li\u003e\n\u003cli\u003eBlooper reel\u003c\/li\u003e\n\u003cli\u003eBehind the scenes image gallery\u003c\/li\u003e\n\u003cli\u003eOriginal local Kansas City news coverage\u003c\/li\u003e\n\u003cli\u003eUncut strip club sequence\u003c\/li\u003e\n\u003cli\u003eShort film: Fistful of the Undead\u003c\/li\u003e\n\u003cli\u003eOriginal trailer\u003c\/li\u003e\n\u003cli\u003eVisual Vengeance trailers\u003c\/li\u003e\n\u003cli\u003eBooklet with liner notes by Tony Strauss of Weng’s Chop Magazine\u003c\/li\u003e\n\u003cli\u003eReversible sleeve featuring original VHS art\u003c\/li\u003e\n\u003cli\u003eFolded mini-poster of original Ghana art by Heavy J\u003c\/li\u003e\n\u003cli\u003eOptional English subtitles\u003c\/li\u003e\n\u003cli\u003eLimited Edition Slipcase by Ghana poster legend Heavy J - FIRST PRESSING ONLY\u003c\/li\u003e\n\u003cli\u003eLimited Edition 'Birth Announcement' vintage reproduction - FIRST PRESSING ONLY\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Visual Vengeance","offers":[{"title":"Default Title","offer_id":44832000311496,"sku":"MVD13583BR","price":39.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/violentnewbreedbdpak.jpg?v=1762041228"},{"product_id":"specters-rock-us-import-blu-ray","title":"Specter's Rock (US Import BLU-RAY)","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QezzzoUivEM?si=TukeGI9qRcXDIV35\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003ePlunge headlong into the bizarre happenings of Lamplight County and discover the secrets of Specter’s Rock. Geneva awakens in terror at 4 a.m. to discover her ex-boyfriend Halbert standing in the corner of her bedroom. The following morning, she receives the shocking news that Halbert was murdered at the exact same time as his ominous materialization in her room. Soon after, everyone in town experiences the same simultaneous nightmare involving a strange man called The Lurker. Local philosopher and meditator Travis Martin becomes entangled in the investigation when his initials are found carved near the murder scene. In his obsessive search to find the truth and locate the sequestered Geneva, Travis encounters garish hitmen, a mysterious lotion saleswoman, an escaped face-skinning serial killer, a diminutive interrogator, and a supernatural entity named Minks who haunts the local Sizzler after inexplicably returning from the dead. Enter the world of dreams and the shadow of reality in Specter’s Rock; where murder, mystery, and mustard stains are perpetually par for the course. \u003c\/p\u003e\n\u003cp\u003eNever before distributed on any physical media format and notorious amongst completists for having its trailer hidden as an easter egg on the Season 1 DVD set of Twin Peaks, Specter’s Rock marked the feature debut of visionary writer, director, and Lynch scholar Josh Eisenstadt (\u003cem\u003eSpreading Darkness\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDark Reel\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRed Lightning\u003c\/em\u003e). A 2 1\/2 hour, Twin Peaks \/ Lynch-inspired SOV epic boasting over 40 locations and an extensive cast including Bonnie Aarons (\u003cem\u003eThe Nun\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMulholland Drive\u003c\/em\u003e), Michael J. Anderson (\u003cem\u003eTwin Peaks\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMulholland Drive\u003c\/em\u003e), Robin Ritter (\u003cem\u003eMulholland Drive\u003c\/em\u003e), Jamielyn Lippman (\u003cem\u003eBoogie Nights\u003c\/em\u003e), Anna Carin (\u003cem\u003eThe Fear\u003c\/em\u003e), \u0026amp; Robin Garrels (\u003cem\u003eInsaniac\u003c\/em\u003e),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSpecter’s Rock\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003emakes its long awaited Blu-Ray debut from Saturn’s Core accompanied by hours of extras including commentaries, featurettes, short films, and the debut of Josh Eisenstadt’s brand new, long gap sequel Specter’s Rock 2025!\u003c\/p\u003e\n\u003cp\u003edirected by: Josh Eisenstadt\u003cbr\u003estarring: Renair Milstein, Ash Winfield, Robin Ritter, Michael J. Anderson, Bonnie Aarons, Jamielyn Lippman\u003cbr\u003e2002 \/ 152 min \/ 1.33:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNew transfer from the original DigiBeta master tapes with optional introduction by writer \/ director Josh Eisenstadt\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eAudio commentary with writer \/ director Josh Eisenstadt and actress Jamielyn Lippman\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eDeleted scenes with optional director’s commentary\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eElectronic Press kit featuring archival interviews and footage from the premiere\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e“Transmissions from the Rock” - an interview with actress, collaborator, \u0026amp; filmmaker Robin Garrels\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBehind the scenes photo gallery\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBONUS MOVIE: SPECTER’S ROCK 2025:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNew 2025 sequel featuring Sabrina S. Sutherland (\u003cem\u003eTwin Peaks\u003c\/em\u003e), John Blyth Barrymore (\u003cem\u003eHybrid\u003c\/em\u003e), and Olivia Barash (\u003cem\u003eRepo Man\u003c\/em\u003e) with optional audio commentary from writer \/ director Josh Eisenstadt and producer \/ actor Jesse Pate\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eSpecter’s Rock 2025 deleted scenes with optional director’s audio commentary\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e“Inner Balance” - 2005 Josh Eisenstadt short film starring Dana Ashbrook (Twin Peaks) and David Schroeder (Mulholland Drive) with optional director’s commentary\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e“Fresh Start” - 2021 short film directed by Josh Eisenstadt with optional director’s commentary\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eJosh Eisenstadt trailer vault\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eReversible Sleeve\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Saturn's Core","offers":[{"title":"Default Title","offer_id":44873895018696,"sku":"SC-054","price":47.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/SpectersRockbd.jpg?v=1765495267"},{"product_id":"specters-rock-us-import-limited-edition-slipcover-blu-ray","title":"Specter's Rock (US Import Limited Edition Slipcover BLU-RAY)","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QezzzoUivEM?si=TukeGI9qRcXDIV35\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003ePlunge headlong into the bizarre happenings of Lamplight County and discover the secrets of Specter’s Rock. Geneva awakens in terror at 4 a.m. to discover her ex-boyfriend Halbert standing in the corner of her bedroom. The following morning, she receives the shocking news that Halbert was murdered at the exact same time as his ominous materialization in her room. Soon after, everyone in town experiences the same simultaneous nightmare involving a strange man called The Lurker. Local philosopher and meditator Travis Martin becomes entangled in the investigation when his initials are found carved near the murder scene. In his obsessive search to find the truth and locate the sequestered Geneva, Travis encounters garish hitmen, a mysterious lotion saleswoman, an escaped face-skinning serial killer, a diminutive interrogator, and a supernatural entity named Minks who haunts the local Sizzler after inexplicably returning from the dead. Enter the world of dreams and the shadow of reality in Specter’s Rock; where murder, mystery, and mustard stains are perpetually par for the course. \u003c\/p\u003e\n\u003cp\u003eNever before distributed on any physical media format and notorious amongst completists for having its trailer hidden as an easter egg on the Season 1 DVD set of Twin Peaks, Specter’s Rock marked the feature debut of visionary writer, director, and Lynch scholar Josh Eisenstadt (\u003cem\u003eSpreading Darkness\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDark Reel\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRed Lightning\u003c\/em\u003e). A 2 1\/2 hour, Twin Peaks \/ Lynch-inspired SOV epic boasting over 40 locations and an extensive cast including Bonnie Aarons (\u003cem\u003eThe Nun\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMulholland Drive\u003c\/em\u003e), Michael J. Anderson (\u003cem\u003eTwin Peaks\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMulholland Drive\u003c\/em\u003e), Robin Ritter (\u003cem\u003eMulholland Drive\u003c\/em\u003e), Jamielyn Lippman (\u003cem\u003eBoogie Nights\u003c\/em\u003e), Anna Carin (\u003cem\u003eThe Fear\u003c\/em\u003e), \u0026amp; Robin Garrels (\u003cem\u003eInsaniac\u003c\/em\u003e),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSpecter’s Rock\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003emakes its long awaited Blu-Ray debut from Saturn’s Core accompanied by hours of extras including commentaries, featurettes, short films, and the debut of Josh Eisenstadt’s brand new, long gap sequel Specter’s Rock 2025!\u003c\/p\u003e\n\u003cp\u003edirected by: Josh Eisenstadt\u003cbr\u003estarring: Renair Milstein, Ash Winfield, Robin Ritter, Michael J. Anderson, Bonnie Aarons, Jamielyn Lippman\u003cbr\u003e2002 \/ 152 min \/ 1.33:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNew transfer from the original DigiBeta master tapes with optional introduction by writer \/ director Josh Eisenstadt\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eAudio commentary with writer \/ director Josh Eisenstadt and actress Jamielyn Lippman\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eDeleted scenes with optional director’s commentary\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eElectronic Press kit featuring archival interviews and footage from the premiere\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e“Transmissions from the Rock” - an interview with actress, collaborator, \u0026amp; filmmaker Robin Garrels\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBehind the scenes photo gallery\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBONUS MOVIE: SPECTER’S ROCK 2025:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNew 2025 sequel featuring Sabrina S. Sutherland (\u003cem\u003eTwin Peaks\u003c\/em\u003e), John Blyth Barrymore (\u003cem\u003eHybrid\u003c\/em\u003e), and Olivia Barash (\u003cem\u003eRepo Man\u003c\/em\u003e) with optional audio commentary from writer \/ director Josh Eisenstadt and producer \/ actor Jesse Pate\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eSpecter’s Rock 2025 deleted scenes with optional director’s audio commentary\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e“Inner Balance” - 2005 Josh Eisenstadt short film starring Dana Ashbrook (Twin Peaks) and David Schroeder (Mulholland Drive) with optional director’s commentary\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e“Fresh Start” - 2021 short film directed by Josh Eisenstadt with optional director’s commentary\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eJosh Eisenstadt trailer vault\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eReversible Sleeve\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Saturn's Core","offers":[{"title":"Default Title","offer_id":44873895444680,"sku":"SC-054 SLIP","price":54.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/spectorsrockbdslip.webp?v=1765495267"},{"product_id":"your-life-is-on-the-line-a-joe-christ-anthology-vol-1-us-import-limited-edition-slipcover-blu-ray","title":"Your Life is on the Line!: A Joe Christ Anthology Vol. 1 (US Import Limited Edition Slipcover BLU-RAY)","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/fLEgEdbT9Fg?si=DcG9lHBjxTChp-hK\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eOutrageous…Revolting…Abrasive…Tasteless…These are just a few of the adjectives that define the polarizing work of punk musician turned transgressive filmmaker Joe Christ. Combining the gross-out provocations of early John Waters with the penurious, confrontational shock aesthetics of Nick Zedd, Christ utilized video as his primary medium to rail  against the cinematic boundaries of general decency and good taste. Saturn’s Core is proud to present the first volume in the complete filmography of Joe Christ, which conjures up a disturbing worldview populated solely by victims and their potential assailants; an unsettling portrait of early ‘90s American white trash culture teetering on the brink of psychosis. \u003c\/p\u003e\n\u003cp\u003eCommunion in Room 410 (1988) presents a cinema vérité variation on the Last Supper replete with nudity, self-mutilation, and blood drinking. Speed Freaks with Guns (1991) chronicles the murderous home movies of a raving, paranoid amphetamine addict. In Crippled (1992), a bed-ridden, disabled woman is repeatedly abused by her amoral caretakers. Acid Is Groovy Kill the Pigs (1993) follows Christ on a homicidal, acid-fueled road “trip” that’s loosely inspired by the real life, Jeffrey MacDonald \/ Fatal Vision murders. Sex, Blood \u0026amp; Mutilation (1995) unfolds as a shocking, Mondo-style video freakshow featuring appearances by David Aaron Clark (We Await), Tattoo Mike Wilson (War is Menstrual Envy), and industrial pioneer Genesis P-Orridge (Throbbing Gristle, Psychic TV).\u003c\/p\u003e\n\u003cp\u003edirected by: Joe Christ\u003cbr\u003estarring: Joe Christ, Mary Leohr, Dana Wisdom, Susan Ferris, Genesis P-Orridge, David Aaron Clark, Tattoo Mike Wilson\u003cbr\u003e1988-1995 \/ 128 min (combined) \/ 1.33:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eArchival audio commentary on all five films by director Joe Christ\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e“Mondo Christ: Underground Cinema’s Punk Rock Ciazarn” - a visual essay on the Joe Christ filmography by film writer and author Heather Drain\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e“Lysergic Deathtripping” - a visual essay on Acid Is Groovy Kill the Pigs by film writer and author Heather Drain\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e“Sex, Blood, \u0026amp; Mutilation 2” - Footage from the uncompleted sequel\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e“Bigger Than God” - a 28-page booklet edited by Jason Pankoke (Micro-Film) featuring writings by Will Sloan (Important Cinema Club), Vincent Albarano (Aesthetic Deviations), \u0026amp; musician \/ SOV expert James Kelly\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eTrailers \u0026amp; TV spots\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Saturn's Core","offers":[{"title":"Default Title","offer_id":44898867052744,"sku":"SC-055 SLIP","price":52.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/YourLifeisonthelineJoeChristVol1bdslip.webp?v=1768082818"},{"product_id":"highway-to-hell-collectors-edition-blu-ray","title":"Highway to Hell (Collector's Edition BLU-RAY)","description":"\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/WjYLZ6_ubCU?si=GypKFHruU-OtVBXN\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eConvicted mass-murderer Toby Gilmore has escaped from prison, and the open desert becomes his playground for sadism and destruction. Determined to stop him after failing to execute him years earlier, officer Earl Dent (Richard Harrison) sets out on a relentless pursuit that turns into a deadly game of cat and mouse. But Gilmore has taken a hostage--Fran Tucker, a young woman caught in the wrong place at the worst possible time. As the chase hurtles across backroads and wastelands, Dent closes in, each mile bringing he and Gilmore closer to an explosive reckoning on the highway to hell.\u003c\/p\u003e\n\u003cp\u003eShot in rural Texas,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eHighway to Hell\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003estands as a prime example of the regional, low-budget filmmaking that fueled America's video boom of the 1980s and '90s. Originally released on VHS via Rae Don Home Video, the film showcases director Bret McCormick (The Abomination, Repligator), a key figure in the Texas exploitation underground, whose raw energy and ingenuity turn poverty row resources into a fast-paced, sun-baked thriller that captures the true spirit and grit of independent genre cinema.\u003c\/p\u003e\n\u003cp\u003eFirst time ever on Blu-ray and includes bonus SOV feature film, Redneck County Fever (1992).\u003c\/p\u003e\n\u003ch4\u003eBonus Materials\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eSD master from original tape elements\u003c\/li\u003e\n\u003cli\u003eCommentary with director Bret McCormick\u003c\/li\u003e\n\u003cli\u003eDirector Bret McCormick interview\u003c\/li\u003e\n\u003cli\u003eRed Hot Asphalt: actor Richard Harrison interview\u003c\/li\u003e\n\u003cli\u003eRoad Trip: actress Blue Thompson interview\u003c\/li\u003e\n\u003cli\u003eWriting A Road Map to Hell: screenwriter Gary Kennamer interview\u003c\/li\u003e\n\u003cli\u003eActor Tom Fegan interview\u003c\/li\u003e\n\u003cli\u003eImage Gallery\u003c\/li\u003e\n\u003cli\u003eBonus Movie: Redneck County Fever (1992), directed by Gary Kennamer\u003c\/li\u003e\n\u003cli\u003eRedneck County Fever – Commentary track with Bret McCormick and Gary Kennamer\u003c\/li\u003e\n\u003cli\u003eRedneck County Fever – Bret McCormick interview\u003c\/li\u003e\n\u003cli\u003eRedneck County Fever – Gary Kennamer interview\u003c\/li\u003e\n\u003cli\u003eVisual Vengeance trailers\u003c\/li\u003e\n\u003cli\u003e‘Stick Your Own’ VHS sticker set\u003c\/li\u003e\n\u003cli\u003eReversible sleeve featuring original VHS art\u003c\/li\u003e\n\u003cli\u003eFolded Redneck County Fever mini-poster\u003c\/li\u003e\n\u003cli\u003eOptional English subtitles\u003c\/li\u003e\n\u003cli\u003eLimited Edition O-CARD featuring original poster art - FIRST PRESSING ONLY\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Visual Vengeance","offers":[{"title":"Default Title","offer_id":44903130136776,"sku":"MVD19431BR","price":34.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/highwaytohellbdpak1.jpg?v=1768526093"},{"product_id":"saurians-collectors-edition-blu-ray","title":"Saurians (Collector's Edition BLU-RAY)","description":"\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Sg30h3uVleg?si=5xLaDsKcouzJecUA\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWhen a routine construction blast shakes their sleepy town, a group of locals discover that the explosion has awakened two dinosaurs from a centuries-long slumber, who soon run amok in the local woods on a rampage of terror. The Super 8 classic from Mark Polonia, director of Splatter Farm and Feeders, and includes bonus SOV feature film\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eThe Dinosaur Chronicles\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(2004).\u003c\/p\u003e\n\u003cp\u003eMark Polonia's grassroots Super 8 mini-epic serves as the ultimate blue-collar counterpoint to Steven Spielberg's $63 million dinosaur blockbuster from the previous year. Brimming with wobbly effects, puppetry, and endearing stop-motion, it distills dinosaur fantasy cinema down to its most unpolished, childlike and heartfelt essence. Assembled with the help of family and friends,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eSaurians\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis a true homespun indie gem-- ultimately radiating more guts and grit than any CGI-laden spectacle.\u003c\/p\u003e\n\u003ch4\u003eBonus Materials\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eNew director-approved SD master from original tape elements\u003c\/li\u003e\n\u003cli\u003eCommentary with director Mark Polonia, moderated by the Visual Vengeance crew\u003c\/li\u003e\n\u003cli\u003eThe Making of Saurians\u003c\/li\u003e\n\u003cli\u003eSaurians Locations Visit\u003c\/li\u003e\n\u003cli\u003eActor Todd Carpenter Interview\u003c\/li\u003e\n\u003cli\u003eKevin Lindenmuth Interview\u003c\/li\u003e\n\u003cli\u003eSaurians Stop Motion Outtakes\u003c\/li\u003e\n\u003cli\u003eSaurians Super 8 Raw Footage\u003c\/li\u003e\n\u003cli\u003eAlternate, never released Rae Don Home Video version of Saurians\u003c\/li\u003e\n\u003cli\u003eCommentary track for Rae Don version with director Mark Polonia, and the Visual Vengeance crew\u003c\/li\u003e\n\u003cli\u003eBonus Feature Film: The Dinosaur Chronicles (2004)\u003c\/li\u003e\n\u003cli\u003eCommentary track for The Dinosaur Chronicles with director Mark Polonia and the Visual Vengeance crew\u003c\/li\u003e\n\u003cli\u003eThe Making of The Dinosaur Chronicles\u003c\/li\u003e\n\u003cli\u003eSaurians Visual Vengeance Trailer\u003c\/li\u003e\n\u003cli\u003eThe Dinosaur Chronicles Visual Vengeance Trailer\u003c\/li\u003e\n\u003cli\u003eSaurians 2 Trailer\u003c\/li\u003e\n\u003cli\u003eVisual Vengeance trailers\u003c\/li\u003e\n\u003cli\u003e‘Stick Your Own’ VHS sticker set - FIRST PRESSING ONLY\u003c\/li\u003e\n\u003cli\u003eReversible sleeve featuring original Saurians VHS art\u003c\/li\u003e\n\u003cli\u003eFolded mini-poster with alternate vintage promotional art\u003c\/li\u003e\n\u003cli\u003eOptional English subtitles\u003c\/li\u003e\n\u003cli\u003eLimited Edition O-Card - FIRST PRESSING ONLY\u003c\/li\u003e\n\u003cli\u003eLimited Edition rare, original piece of Super-8 film from the movie - FIRST PRESSING ONLY\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Visual Vengeance","offers":[{"title":"Default Title","offer_id":44933086773448,"sku":"MVD12812BR","price":39.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/sauriansbdpak1.jpg?v=1770166509"},{"product_id":"folies-meurtrieres-and-the-films-of-antoine-pellissier-us-import-blu-ray","title":"Folies Meurtrières and the Films of Antoine Pellissier (US Import BLU-RAY)","description":"\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/wOicI6gYlYc?si=kEUNc3L1-FumnShS\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eA window to the spectral world, the work of Antoine Pellissier—a physician by day and horror maestro by night—is the underground answer to Jean Rollin. FOLIES MEURTRIERES AND THE FILMS OF ANTOINE PELLISSIER is a 2-disc set that presents Pellissier's complete filmography for the first time on home video. From dreamlike slasher FOLIES MEURTRIERES to gore-soaked epic MALEFICIA, these handcrafted art-horrors from France are heavenly discoveries for discerning horrorheads. This set also includes the long-lost, uncut version of LES PROIES DU MAL (Pellissier's first feature) and DR. GORE, a feature-length documentary from Pauline Pallier.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Closing the gap between dreams and reality, Fabio Salerno's films are the missing link between Dario Argento and George \u0026amp; Mike Kuchar. THE OTHER DIMENSION AND THE FILMS OF FABIO SALERNO is a 2-disc set that presents the late Salerno's complete filmography for the first time in North America. From the accomplished anthology THE OTHER DIMENSION to the fan-favorite short ARPIE, these D.I.Y. arthouse horror films from Italy are true discoveries for adventurous horrorheads.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Shot for $2000 on video in the enchanted forests of Florida, WAY BAD STONE is the unofficial Dungeons \u0026amp; Dragons adaptation that you've been waiting for. The story follows Aladar, a wizard seeking revenge against a gang barbarians—and one demon—who stole a magic stone. Directed by Archie Waugh and co-produced\/written by Jan and Janne Skipper, this bewitching passion project features raucous Ren Faire dialogue, splattery violence, and a powerful dungeon synth soundtrack. It's the perfect complement to your next regularly scheduled LARP campaign.\u0026quot;}\" data-sheets-root=\"1\"\u003edirected by: Antoine Pellissier\u003cbr\u003estarring: Magali Bernard, Elisabeth Carou, Carole Chapus, Mireille Duruisseaud\u003cbr\u003e1977-2021 \/ 592 min (combined) \/ 1.33:1 \/ French DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Closing the gap between dreams and reality, Fabio Salerno's films are the missing link between Dario Argento and George \u0026amp; Mike Kuchar. THE OTHER DIMENSION AND THE FILMS OF FABIO SALERNO is a 2-disc set that presents the late Salerno's complete filmography for the first time in North America. From the accomplished anthology THE OTHER DIMENSION to the fan-favorite short ARPIE, these D.I.Y. arthouse horror films from Italy are true discoveries for adventurous horrorheads.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Shot for $2000 on video in the enchanted forests of Florida, WAY BAD STONE is the unofficial Dungeons \u0026amp; Dragons adaptation that you've been waiting for. The story follows Aladar, a wizard seeking revenge against a gang barbarians—and one demon—who stole a magic stone. Directed by Archie Waugh and co-produced\/written by Jan and Janne Skipper, this bewitching passion project features raucous Ren Faire dialogue, splattery violence, and a powerful dungeon synth soundtrack. It's the perfect complement to your next regularly scheduled LARP campaign.\u0026quot;}\" data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2-Disc Region Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDisc 1: FOLIES MEURTRIERES \u0026amp; Early Films\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRestored from original Super 8 film elements\u003c\/li\u003e\n\u003cli\u003eIn French with optional English subtitles\u003c\/li\u003e\n\u003cli\u003eFOLIES MEURTRIERES (1984, 48 mins)\u003c\/li\u003e\n\u003cli\u003eELUE DES ENFERS (1985, 35 mins)\u003c\/li\u003e\n\u003cli\u003eLES PROIES DU MAL (1982, 147 mins)\u003c\/li\u003e\n\u003cli\u003eDU SANG SUR LA NEIGE (1981, 8 mins)\u003c\/li\u003e\n\u003cli\u003eLE VAMPIRE CONTRE ATTAQUE (1980, 16 mins)\u003c\/li\u003e\n\u003cli\u003eAU COMBLE DE L'HORREUR (1978, 16 mins)\u003c\/li\u003e\n\u003cli\u003eLE REFUGE DES MANDITS (1977, 35 mins)\u003c\/li\u003e\n\u003cli\u003eVideo introduction by Pellissier\u003c\/li\u003e\n\u003cli\u003eTHE DOCTOR IN SPITE OF HIMSELF: Archival featurette\u003c\/li\u003e\n\u003cli\u003ePhoto gallery\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDisc 2: MALEFICIA \u0026amp; HORRIFICIA\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePreserved from original tape masters\u003c\/li\u003e\n\u003cli\u003eIn French with optional English subtitles\u003c\/li\u003e\n\u003cli\u003eMALEFICIA (1998, 102 mins)\u003c\/li\u003e\n\u003cli\u003eHORRIFICIA (2021, 110 mins)\u003c\/li\u003e\n\u003cli\u003eDR. GORE (2009, Dir. Pauline Pallier)\u003c\/li\u003e\n\u003cli\u003eMALEFICIA: Teaser trailer\u003c\/li\u003e\n\u003cli\u003eHORRIFICIA: Behind the scenes \u0026amp; bloopers\u003c\/li\u003e\n\u003cli\u003eBLAIR WITCH KAUFMAN: Archival featurette\u003c\/li\u003e\n\u003cli\u003ePhoto gallery\u003c\/li\u003e\n\u003cli\u003e'Zine with Pellissier interview by Bleeding Skull's Joseph A. Ziemba\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bleeding Skull","offers":[{"title":"Default Title","offer_id":44933278499016,"sku":"BS-012","price":56.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/FoliesMeurtriereBD.jpg?v=1770176985"},{"product_id":"fungicide-collectors-edition-blu-ray","title":"Fungicide (Collector's Edition BLU-RAY)","description":"\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/TN-Lfbn1lNw?si=4mFUk_ejrbK_9mTB\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDeep within a tranquil forest, five strangers meet at a secluded bed and breakfast. But one of these guests happens to be a mad scientist, who uses his vacation to accidentally create an army of killer mushrooms. Now unleashed on the other guests, and with the body count quickly piling up, it's up to the survivors to arm themselves and fight back against these slaughtering shrooms in hopes of stopping them from world domination!\u003c\/p\u003e\n\u003cp\u003eFrom Dave Wascavage, the writer\/ director of Rifftrax and Red Letter Media favorite\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eSuburban Sasquatch\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ecomes a film that somehow manages to outdo and out-WTF that movie in almost every department, with jaw-dropping mushroom samurai fighting, puppet karate decapitations and near interdimensional level CGI alchemy that will have viewers believing they have actually ingested mushrooms, the good kind.\u003c\/p\u003e\n\u003ch4\u003eBonus Materials\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eDirector-approved SD master from original tape elements\u003c\/li\u003e\n\u003cli\u003eNew commentary from director Dave Wascavage and co-writer \/ co-prodcuer Mary Wascavage\u003c\/li\u003e\n\u003cli\u003eArchival commentary with Dave Wascavage, Mary Wascavage and David Weldon\u003c\/li\u003e\n\u003cli\u003eCommentary from Sam Panico of B\u0026amp;S About Movies and Bill Van Ryn of Drive-In Asylum\u003c\/li\u003e\n\u003cli\u003eCommentary from Schlock And Awe Films\u003c\/li\u003e\n\u003cli\u003eThe full RIFFTRAX version of Fungicide\u003c\/li\u003e\n\u003cli\u003eAlternate opening credits\u003c\/li\u003e\n\u003cli\u003eDeleted Scene\u003c\/li\u003e\n\u003cli\u003eOuttakes\u003c\/li\u003e\n\u003cli\u003eImage Gallery\u003c\/li\u003e\n\u003cli\u003eTroubled Moon Trailer Reel\u003c\/li\u003e\n\u003cli\u003eFungicide - Producer Trailer\u003c\/li\u003e\n\u003cli\u003eFungicide - Visual Vengeance Trailer\u003c\/li\u003e\n\u003cli\u003eVisual Vengeance Trailers\u003c\/li\u003e\n\u003cli\u003eReversible sleeve featuring original home video art\u003c\/li\u003e\n\u003cli\u003eFolded mini-poster\u003c\/li\u003e\n\u003cli\u003e‘Stick Your Own’ VHS sticker set - FIRST PRESSING ONLY\u003c\/li\u003e\n\u003cli\u003eLimited Edition O-Card - FIRST PRESSING ONLY\u003c\/li\u003e\n\u003cli\u003eLimited Edition 'Grow Your Own Killer Mushroom' seed packet - FIRST PRESSING ONLY\u003c\/li\u003e\n\u003cli\u003eOptional English subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Visual Vengeance","offers":[{"title":"Default Title","offer_id":45047294918856,"sku":"MVD20782BR","price":29.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/fungicidebdpak1.jpg?v=1775520324"},{"product_id":"screaming-the-collectors-edition-blu-ray-cd-combo","title":"Screaming, The (Collector's Edition BLU-RAY\/CD Combo)","description":"\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4IlTqykLPbE?si=jvPO27RnuA4y-2mc\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eCollege student Bob Martin rents a room from the alluring Crystal Traum, who introduces him to her New Age religion, Crystalnetics. Soon, Bob's health and mindset dramatically improve. But when a detective reveals a string of mysterious deaths tied to the cult, Bob uncovers the chilling truth - and must face a slew of cloaked assassins, monsters and the cults' charismatic alien leader.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIncludes the film's original score by Jay Woelfel on CD\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eFrom veteran indie auteur Jeff Leroy (\u003cb\u003eCreepies\u003c\/b\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eRat Scratch Fever\u003c\/b\u003e) comes a razor-sharp, unapologetically bizarre takedown of a certain star-studded New Age religion. This twisted tale brims with a sense of doom, draped in shadowy femme fatales and is dripping with grotesque, gooey stop-motion creature chaos. Leroy doesn't pull any punches, layering the film with satirical bite and underground spirit, ultimately shaping a surreal fever dream that pays homage to pulp horror while taking aim at the power and absurdity of cult celebrity.\u003c\/p\u003e\n\u003ch4\u003eBonus Materials\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eIncludes CD soundtrack of the original score by Jay Woelfel\u003c\/li\u003e\n\u003cli\u003eDirector supervised master from existing tape masters\u003c\/li\u003e\n\u003cli\u003eCommentary with Tony Strauss of Weng’s Chop Magazine\u003c\/li\u003e\n\u003cli\u003eScreaming and Screaming Again: The Making of The Screaming\u003c\/li\u003e\n\u003cli\u003eComposing a Cult Classic: Music Composer Jay Woelfel\u003c\/li\u003e\n\u003cli\u003eBonus feature: The Screaming: Reborm - director remastered alternate verison of film\u003c\/li\u003e\n\u003cli\u003eThe Screaming Reborn commentary with director Jeff Leroy, producer Dave Sterling and star Vinnie Bilancio\u003c\/li\u003e\n\u003cli\u003eImage Gallery\u003c\/li\u003e\n\u003cli\u003eOriginal Trailer\u003c\/li\u003e\n\u003cli\u003eThe Screaming: Reborn Trailer\u003c\/li\u003e\n\u003cli\u003eVisual Vengeance Trailer\u003c\/li\u003e\n\u003cli\u003eOptional English subtitles\u003c\/li\u003e\n\u003cli\u003eVisual Vengeance Trailers\u003c\/li\u003e\n\u003cli\u003eFolded mini-poster\u003c\/li\u003e\n\u003cli\u003e‘Stick Your Own’ VHS sticker set - FIRST PRESSING ONLY\u003c\/li\u003e\n\u003cli\u003eReversible sleeve featuring original VHS art\u003c\/li\u003e\n\u003cli\u003eLimited Edition O-Card - FIRST PRESSING ONLY\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Visual Vengeance","offers":[{"title":"Default Title","offer_id":45047296491720,"sku":"MVD20780BR","price":34.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/screamingbdpak.jpg?v=1775522010"},{"product_id":"born-a-ninja-commando-the-ninja-double-feature-collectors-edition-blu-ray","title":"Born A Ninja\/ Commando The Ninja Double Feature (Collector's Edition BLU-RAY)","description":"\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/VrPjlz7q-ro?si=XndwJXsLdn8r7vq8\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThis shot-on-video martial-arts double feature from Joesph Lai and IFD Films unleashes pure 1980s ninja chaos as two unlikely heroes are dragged into a war over stolen germ-warfare secrets. Featuring disappearing ninja assassins, endless waves of thugs, criminal masterminds, insane effects and the mysterious 'Hocus Pocus' magic fighting style - It's full-tilt SOV insanity, delivering cult ninja action at maximum volume.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBorn a Ninja\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis a wild SOV martial-arts action romp where espionage, absurdity, and vanishing ninjas collide. When unlikely heroes Larry and David stumble onto a long-lost WWII germ formula created by the mysterious scientist Tanaka, they're pulled into a deadly web of shadow warfare and secret assassins. On their trail is Simon, a merciless ninja enforcer working for the cold-blooded mastermind Martin, whose scheme threatens global catastrophe. Outnumbered and outmatched, Larry and David rely on nerve, instinct, and their own unconventional fighting discipline - Hocus Pocus, a martial art as unpredictable as it is lethal.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCommando the Ninja (a.k.a. American Commando Ninja, a\/k\/a Silent Killers)\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ecranks the chaos up even higher, continuing the covert war over germ-warfare secrets more dangerous than ninja blades. Once again caught in a storm of espionage, double-crosses, and stolen science, Larry and David find themselves facing more ruthless power brokers and endless waves of attackers. As the battle escalates, two fearless allies - Becky and Brenda - join the fight, driving the action toward an outrageous finale of acrobatics, ambushes, and full-blown ninja madness.\u003c\/p\u003e\n\u003ch4\u003eBonus Materials\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eSD masters from original tape elements\u003c\/li\u003e\n\u003cli\u003eCommando the Ninja commentary with Justin Decloux and Will Sloane of The Important Cinema Club\u003c\/li\u003e\n\u003cli\u003eBorn A Ninja with commentary by Justin Decloux of The Important Cinema Club\u003c\/li\u003e\n\u003cli\u003eThe Essential Godfrey Ho - Video Essay\u003c\/li\u003e\n\u003cli\u003eThe Law Chi Touch - Video Essay\u003c\/li\u003e\n\u003cli\u003eActor Kwan Chung interview\u003c\/li\u003e\n\u003cli\u003eImage Gallery\u003c\/li\u003e\n\u003cli\u003eOriginal Trailers\u003c\/li\u003e\n\u003cli\u003eVisual Vengeance Trailers\u003c\/li\u003e\n\u003cli\u003eOptional English subtitles\u003c\/li\u003e\n\u003cli\u003eTwo folded mini-posters with original VHS art\u003c\/li\u003e\n\u003cli\u003eReversible sleeve featuring original VHS art\u003c\/li\u003e\n\u003cli\u003e‘Stick Your Own’ VHS sticker set - FIRST PRESSING ONLY\u003c\/li\u003e\n\u003cli\u003eLimited Edition O-Card by Uncle Frank - FIRST PRESSING ONLY\u003c\/li\u003e\n\u003cli\u003eBooklet with essay by ninja movie expert C.J. Lines\u003c\/li\u003e\n\u003cli\u003eBlu-ray sleeve featuring art by The Dude\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Visual Vengeance","offers":[{"title":"Default Title","offer_id":45047298588872,"sku":"MVD20781BR","price":34.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/bornaninjacommandaninjabdpak1.jpg?v=1775522402"},{"product_id":"mike-diana-film-collection-the-us-import-limited-edition-slipcover-blu-ray","title":"Mike Diana Film Collection, The (US Import Limited Edition Slipcover BLU-RAY)","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003eInfamous for his arrest trial and conviction in the 1990's for his self-published comix, artist Mike Diana also made a string of homemade films. Starting with 8mm in the early '80s and graduating to video, Diana enlisted his own family and neighborhood kids in an array of bizarre, gross, and hilarious movies, to varied levels of completion. The 1989 feature Blood Brothers is Dianas demented update on the slasher trend. Quite literally a \"backyard movie,\" it mostly stars children, and what it lacks in its zero-dollar budget it makes up for with unhinged charm. Illicit substances, coat-hanger abortions, mutilation and decapitation have never been so fun.\u003c\/p\u003e\n\u003cp\u003e1990's Baked Baby Jesus is a loud, unapologetic shot-on-video revolt against the downfall of American society. As if it was designed to be seen by Diana's enemies instead of his peers, the shorts marry together real abortion rally footage, a necrophiliac love story, and perhaps the most infamous sequence of all, a tour of the infant-only cemetery Babyland. \u003c\/p\u003e\n\u003cp\u003eBoth films were originally traded through the mail, and have only been available directly through Mike Diana himself. Factory 25 has gone back to the original video sources and provided higher quality than ever before possible (previous versions had primitive sound dubbing and editing) and has overseen the reconstruction of several otherwise lost short films, some completed here for the first time.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Go Down Death is a wry, sinister realization of a strange new universe, a cross-episodic melange of macabre folktales supposedly penned by the fictitious writer Jonathan Mallory Sinus. An abandoned factory in Brooklyn stands in for a decrepit village haunted by ghosts, superstition and disease, while threatening to buckle under rumblings of the apocalypse. Soldiers are lost and found in endless woods, a child gravedigger is menaced by a shapeshifting physician, a syphilitic john bares all to a young prostitute and a disfigured outcast yearns for the affections of a tone-deaf cabaret singer.\\nHighlighted by offbeat narrative construction, stunning black-and-white 16mm cinematography and immaculately detailed production design, Go Down Death is a distinctively original film informed by American Gothic, folk culture and outsider art.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"On the eve of his third marriage, Caveh Zahedi tells the story of how his attraction to prostitutes and his compulsive honesty combined to destroy each of his past relationships. The genre-bending mix of camera address, re-enactment, and home movie footage make for a strikingly funny and original film.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Mike Diana\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Go Down Death is a wry, sinister realization of a strange new universe, a cross-episodic melange of macabre folktales supposedly penned by the fictitious writer Jonathan Mallory Sinus. An abandoned factory in Brooklyn stands in for a decrepit village haunted by ghosts, superstition and disease, while threatening to buckle under rumblings of the apocalypse. Soldiers are lost and found in endless woods, a child gravedigger is menaced by a shapeshifting physician, a syphilitic john bares all to a young prostitute and a disfigured outcast yearns for the affections of a tone-deaf cabaret singer.\\nHighlighted by offbeat narrative construction, stunning black-and-white 16mm cinematography and immaculately detailed production design, Go Down Death is a distinctively original film informed by American Gothic, folk culture and outsider art.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"On the eve of his third marriage, Caveh Zahedi tells the story of how his attraction to prostitutes and his compulsive honesty combined to destroy each of his past relationships. The genre-bending mix of camera address, re-enactment, and home movie footage make for a strikingly funny and original film.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003estarring: Matt Diana, Jerred Assonio, Brian Bartlet, Paul Piazza, Michelle Zito, Tammara Diana, Debbie Kreamers, Nick Zito, Pheobe Zito, Matt Kreamers, Patricia Piazza\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Go Down Death is a wry, sinister realization of a strange new universe, a cross-episodic melange of macabre folktales supposedly penned by the fictitious writer Jonathan Mallory Sinus. An abandoned factory in Brooklyn stands in for a decrepit village haunted by ghosts, superstition and disease, while threatening to buckle under rumblings of the apocalypse. Soldiers are lost and found in endless woods, a child gravedigger is menaced by a shapeshifting physician, a syphilitic john bares all to a young prostitute and a disfigured outcast yearns for the affections of a tone-deaf cabaret singer.\\nHighlighted by offbeat narrative construction, stunning black-and-white 16mm cinematography and immaculately detailed production design, Go Down Death is a distinctively original film informed by American Gothic, folk culture and outsider art.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"On the eve of his third marriage, Caveh Zahedi tells the story of how his attraction to prostitutes and his compulsive honesty combined to destroy each of his past relationships. The genre-bending mix of camera address, re-enactment, and home movie footage make for a strikingly funny and original film.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e1987-1990 \/ 209 min (combined) \/ 1.33:1 \/ English\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Go Down Death is a wry, sinister realization of a strange new universe, a cross-episodic melange of macabre folktales supposedly penned by the fictitious writer Jonathan Mallory Sinus. An abandoned factory in Brooklyn stands in for a decrepit village haunted by ghosts, superstition and disease, while threatening to buckle under rumblings of the apocalypse. Soldiers are lost and found in endless woods, a child gravedigger is menaced by a shapeshifting physician, a syphilitic john bares all to a young prostitute and a disfigured outcast yearns for the affections of a tone-deaf cabaret singer.\\nHighlighted by offbeat narrative construction, stunning black-and-white 16mm cinematography and immaculately detailed production design, Go Down Death is a distinctively original film informed by American Gothic, folk culture and outsider art.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"On the eve of his third marriage, Caveh Zahedi tells the story of how his attraction to prostitutes and his compulsive honesty combined to destroy each of his past relationships. The genre-bending mix of camera address, re-enactment, and home movie footage make for a strikingly funny and original film.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\"\u003eDolby Digital 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Go Down Death is a wry, sinister realization of a strange new universe, a cross-episodic melange of macabre folktales supposedly penned by the fictitious writer Jonathan Mallory Sinus. An abandoned factory in Brooklyn stands in for a decrepit village haunted by ghosts, superstition and disease, while threatening to buckle under rumblings of the apocalypse. Soldiers are lost and found in endless woods, a child gravedigger is menaced by a shapeshifting physician, a syphilitic john bares all to a young prostitute and a disfigured outcast yearns for the affections of a tone-deaf cabaret singer.\\nHighlighted by offbeat narrative construction, stunning black-and-white 16mm cinematography and immaculately detailed production design, Go Down Death is a distinctively original film informed by American Gothic, folk culture and outsider art.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"On the eve of his third marriage, Caveh Zahedi tells the story of how his attraction to prostitutes and his compulsive honesty combined to destroy each of his past relationships. The genre-bending mix of camera address, re-enactment, and home movie footage make for a strikingly funny and original film.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Go Down Death is a wry, sinister realization of a strange new universe, a cross-episodic melange of macabre folktales supposedly penned by the fictitious writer Jonathan Mallory Sinus. An abandoned factory in Brooklyn stands in for a decrepit village haunted by ghosts, superstition and disease, while threatening to buckle under rumblings of the apocalypse. Soldiers are lost and found in endless woods, a child gravedigger is menaced by a shapeshifting physician, a syphilitic john bares all to a young prostitute and a disfigured outcast yearns for the affections of a tone-deaf cabaret singer.\\nHighlighted by offbeat narrative construction, stunning black-and-white 16mm cinematography and immaculately detailed production design, Go Down Death is a distinctively original film informed by American Gothic, folk culture and outsider art.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"On the eve of his third marriage, Caveh Zahedi tells the story of how his attraction to prostitutes and his compulsive honesty combined to destroy each of his past relationships. The genre-bending mix of camera address, re-enactment, and home movie footage make for a strikingly funny and original film.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Tripping With Caveh (Short film with Will Oldham)\\n-Deleted Scenes\\n-Animated Short Film: Unmaking of I Am A Sex Addict\\n-Zahedi’s acceptance speech at the Gotham Awards\\n-32 page booklet with essays from Caveh Zahedi, Kathy Joyce and conversations with Caveh and Andrew Bujalski, and Caveh and Lily Lady\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Go Down Death is a wry, sinister realization of a strange new universe, a cross-episodic melange of macabre folktales supposedly penned by the fictitious writer Jonathan Mallory Sinus. An abandoned factory in Brooklyn stands in for a decrepit village haunted by ghosts, superstition and disease, while threatening to buckle under rumblings of the apocalypse. Soldiers are lost and found in endless woods, a child gravedigger is menaced by a shapeshifting physician, a syphilitic john bares all to a young prostitute and a disfigured outcast yearns for the affections of a tone-deaf cabaret singer.\\nHighlighted by offbeat narrative construction, stunning black-and-white 16mm cinematography and immaculately detailed production design, Go Down Death is a distinctively original film informed by American Gothic, folk culture and outsider art.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"On the eve of his third marriage, Caveh Zahedi tells the story of how his attraction to prostitutes and his compulsive honesty combined to destroy each of his past relationships. The genre-bending mix of camera address, re-enactment, and home movie footage make for a strikingly funny and original film.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Tripping With Caveh (Short film with Will Oldham)\\n-Deleted Scenes\\n-Animated Short Film: Unmaking of I Am A Sex Addict\\n-Zahedi’s acceptance speech at the Gotham Awards\\n-32 page booklet with essays from Caveh Zahedi, Kathy Joyce and conversations with Caveh and Andrew Bujalski, and Caveh and Lily Lady\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eFEATURE FILMS:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Go Down Death is a wry, sinister realization of a strange new universe, a cross-episodic melange of macabre folktales supposedly penned by the fictitious writer Jonathan Mallory Sinus. An abandoned factory in Brooklyn stands in for a decrepit village haunted by ghosts, superstition and disease, while threatening to buckle under rumblings of the apocalypse. Soldiers are lost and found in endless woods, a child gravedigger is menaced by a shapeshifting physician, a syphilitic john bares all to a young prostitute and a disfigured outcast yearns for the affections of a tone-deaf cabaret singer.\\nHighlighted by offbeat narrative construction, stunning black-and-white 16mm cinematography and immaculately detailed production design, Go Down Death is a distinctively original film informed by American Gothic, folk culture and outsider art.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"On the eve of his third marriage, Caveh Zahedi tells the story of how his attraction to prostitutes and his compulsive honesty combined to destroy each of his past relationships. The genre-bending mix of camera address, re-enactment, and home movie footage make for a strikingly funny and original film.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Tripping With Caveh (Short film with Will Oldham)\\n-Deleted Scenes\\n-Animated Short Film: Unmaking of I Am A Sex Addict\\n-Zahedi’s acceptance speech at the Gotham Awards\\n-32 page booklet with essays from Caveh Zahedi, Kathy Joyce and conversations with Caveh and Andrew Bujalski, and Caveh and Lily Lady\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBlood Brothers 2025 Remaster\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Go Down Death is a wry, sinister realization of a strange new universe, a cross-episodic melange of macabre folktales supposedly penned by the fictitious writer Jonathan Mallory Sinus. An abandoned factory in Brooklyn stands in for a decrepit village haunted by ghosts, superstition and disease, while threatening to buckle under rumblings of the apocalypse. Soldiers are lost and found in endless woods, a child gravedigger is menaced by a shapeshifting physician, a syphilitic john bares all to a young prostitute and a disfigured outcast yearns for the affections of a tone-deaf cabaret singer.\\nHighlighted by offbeat narrative construction, stunning black-and-white 16mm cinematography and immaculately detailed production design, Go Down Death is a distinctively original film informed by American Gothic, folk culture and outsider art.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"On the eve of his third marriage, Caveh Zahedi tells the story of how his attraction to prostitutes and his compulsive honesty combined to destroy each of his past relationships. The genre-bending mix of camera address, re-enactment, and home movie footage make for a strikingly funny and original film.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Tripping With Caveh (Short film with Will Oldham)\\n-Deleted Scenes\\n-Animated Short Film: Unmaking of I Am A Sex Addict\\n-Zahedi’s acceptance speech at the Gotham Awards\\n-32 page booklet with essays from Caveh Zahedi, Kathy Joyce and conversations with Caveh and Andrew Bujalski, and Caveh and Lily Lady\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBaked Baby Jesus 2025 Extended Remaster\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Go Down Death is a wry, sinister realization of a strange new universe, a cross-episodic melange of macabre folktales supposedly penned by the fictitious writer Jonathan Mallory Sinus. An abandoned factory in Brooklyn stands in for a decrepit village haunted by ghosts, superstition and disease, while threatening to buckle under rumblings of the apocalypse. Soldiers are lost and found in endless woods, a child gravedigger is menaced by a shapeshifting physician, a syphilitic john bares all to a young prostitute and a disfigured outcast yearns for the affections of a tone-deaf cabaret singer.\\nHighlighted by offbeat narrative construction, stunning black-and-white 16mm cinematography and immaculately detailed production design, Go Down Death is a distinctively original film informed by American Gothic, folk culture and outsider art.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"On the eve of his third marriage, Caveh Zahedi tells the story of how his attraction to prostitutes and his compulsive honesty combined to destroy each of his past relationships. The genre-bending mix of camera address, re-enactment, and home movie footage make for a strikingly funny and original film.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Tripping With Caveh (Short film with Will Oldham)\\n-Deleted Scenes\\n-Animated Short Film: Unmaking of I Am A Sex Addict\\n-Zahedi’s acceptance speech at the Gotham Awards\\n-32 page booklet with essays from Caveh Zahedi, Kathy Joyce and conversations with Caveh and Andrew Bujalski, and Caveh and Lily Lady\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eSHORT FILMS WITH NEW INTROS:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Go Down Death is a wry, sinister realization of a strange new universe, a cross-episodic melange of macabre folktales supposedly penned by the fictitious writer Jonathan Mallory Sinus. An abandoned factory in Brooklyn stands in for a decrepit village haunted by ghosts, superstition and disease, while threatening to buckle under rumblings of the apocalypse. Soldiers are lost and found in endless woods, a child gravedigger is menaced by a shapeshifting physician, a syphilitic john bares all to a young prostitute and a disfigured outcast yearns for the affections of a tone-deaf cabaret singer.\\nHighlighted by offbeat narrative construction, stunning black-and-white 16mm cinematography and immaculately detailed production design, Go Down Death is a distinctively original film informed by American Gothic, folk culture and outsider art.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"On the eve of his third marriage, Caveh Zahedi tells the story of how his attraction to prostitutes and his compulsive honesty combined to destroy each of his past relationships. The genre-bending mix of camera address, re-enactment, and home movie footage make for a strikingly funny and original film.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Tripping With Caveh (Short film with Will Oldham)\\n-Deleted Scenes\\n-Animated Short Film: Unmaking of I Am A Sex Addict\\n-Zahedi’s acceptance speech at the Gotham Awards\\n-32 page booklet with essays from Caveh Zahedi, Kathy Joyce and conversations with Caveh and Andrew Bujalski, and Caveh and Lily Lady\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eThe Shed 2 (1987), Deadly Punk (1987), Toolbox Massacre (1988), Fetus On Toast (1990)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Go Down Death is a wry, sinister realization of a strange new universe, a cross-episodic melange of macabre folktales supposedly penned by the fictitious writer Jonathan Mallory Sinus. An abandoned factory in Brooklyn stands in for a decrepit village haunted by ghosts, superstition and disease, while threatening to buckle under rumblings of the apocalypse. Soldiers are lost and found in endless woods, a child gravedigger is menaced by a shapeshifting physician, a syphilitic john bares all to a young prostitute and a disfigured outcast yearns for the affections of a tone-deaf cabaret singer.\\nHighlighted by offbeat narrative construction, stunning black-and-white 16mm cinematography and immaculately detailed production design, Go Down Death is a distinctively original film informed by American Gothic, folk culture and outsider art.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"On the eve of his third marriage, Caveh Zahedi tells the story of how his attraction to prostitutes and his compulsive honesty combined to destroy each of his past relationships. The genre-bending mix of camera address, re-enactment, and home movie footage make for a strikingly funny and original film.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Tripping With Caveh (Short film with Will Oldham)\\n-Deleted Scenes\\n-Animated Short Film: Unmaking of I Am A Sex Addict\\n-Zahedi’s acceptance speech at the Gotham Awards\\n-32 page booklet with essays from Caveh Zahedi, Kathy Joyce and conversations with Caveh and Andrew Bujalski, and Caveh and Lily Lady\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eCompilation reel of 1980s 8mm films featuring The Shed, Nuclear Energy, and other unfinished shorts\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Go Down Death is a wry, sinister realization of a strange new universe, a cross-episodic melange of macabre folktales supposedly penned by the fictitious writer Jonathan Mallory Sinus. An abandoned factory in Brooklyn stands in for a decrepit village haunted by ghosts, superstition and disease, while threatening to buckle under rumblings of the apocalypse. Soldiers are lost and found in endless woods, a child gravedigger is menaced by a shapeshifting physician, a syphilitic john bares all to a young prostitute and a disfigured outcast yearns for the affections of a tone-deaf cabaret singer.\\nHighlighted by offbeat narrative construction, stunning black-and-white 16mm cinematography and immaculately detailed production design, Go Down Death is a distinctively original film informed by American Gothic, folk culture and outsider art.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"On the eve of his third marriage, Caveh Zahedi tells the story of how his attraction to prostitutes and his compulsive honesty combined to destroy each of his past relationships. The genre-bending mix of camera address, re-enactment, and home movie footage make for a strikingly funny and original film.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Tripping With Caveh (Short film with Will Oldham)\\n-Deleted Scenes\\n-Animated Short Film: Unmaking of I Am A Sex Addict\\n-Zahedi’s acceptance speech at the Gotham Awards\\n-32 page booklet with essays from Caveh Zahedi, Kathy Joyce and conversations with Caveh and Andrew Bujalski, and Caveh and Lily Lady\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBLU-RAY FEATURES:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Go Down Death is a wry, sinister realization of a strange new universe, a cross-episodic melange of macabre folktales supposedly penned by the fictitious writer Jonathan Mallory Sinus. An abandoned factory in Brooklyn stands in for a decrepit village haunted by ghosts, superstition and disease, while threatening to buckle under rumblings of the apocalypse. Soldiers are lost and found in endless woods, a child gravedigger is menaced by a shapeshifting physician, a syphilitic john bares all to a young prostitute and a disfigured outcast yearns for the affections of a tone-deaf cabaret singer.\\nHighlighted by offbeat narrative construction, stunning black-and-white 16mm cinematography and immaculately detailed production design, Go Down Death is a distinctively original film informed by American Gothic, folk culture and outsider art.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"On the eve of his third marriage, Caveh Zahedi tells the story of how his attraction to prostitutes and his compulsive honesty combined to destroy each of his past relationships. The genre-bending mix of camera address, re-enactment, and home movie footage make for a strikingly funny and original film.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Tripping With Caveh (Short film with Will Oldham)\\n-Deleted Scenes\\n-Animated Short Film: Unmaking of I Am A Sex Addict\\n-Zahedi’s acceptance speech at the Gotham Awards\\n-32 page booklet with essays from Caveh Zahedi, Kathy Joyce and conversations with Caveh and Andrew Bujalski, and Caveh and Lily Lady\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eOuttakes reel\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Go Down Death is a wry, sinister realization of a strange new universe, a cross-episodic melange of macabre folktales supposedly penned by the fictitious writer Jonathan Mallory Sinus. An abandoned factory in Brooklyn stands in for a decrepit village haunted by ghosts, superstition and disease, while threatening to buckle under rumblings of the apocalypse. Soldiers are lost and found in endless woods, a child gravedigger is menaced by a shapeshifting physician, a syphilitic john bares all to a young prostitute and a disfigured outcast yearns for the affections of a tone-deaf cabaret singer.\\nHighlighted by offbeat narrative construction, stunning black-and-white 16mm cinematography and immaculately detailed production design, Go Down Death is a distinctively original film informed by American Gothic, folk culture and outsider art.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"On the eve of his third marriage, Caveh Zahedi tells the story of how his attraction to prostitutes and his compulsive honesty combined to destroy each of his past relationships. The genre-bending mix of camera address, re-enactment, and home movie footage make for a strikingly funny and original film.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Tripping With Caveh (Short film with Will Oldham)\\n-Deleted Scenes\\n-Animated Short Film: Unmaking of I Am A Sex Addict\\n-Zahedi’s acceptance speech at the Gotham Awards\\n-32 page booklet with essays from Caveh Zahedi, Kathy Joyce and conversations with Caveh and Andrew Bujalski, and Caveh and Lily Lady\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\"Blood Family Diary\" featuring Mike Diana and his mother, brother, sister, and nephew, discussing the making of his films\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Go Down Death is a wry, sinister realization of a strange new universe, a cross-episodic melange of macabre folktales supposedly penned by the fictitious writer Jonathan Mallory Sinus. An abandoned factory in Brooklyn stands in for a decrepit village haunted by ghosts, superstition and disease, while threatening to buckle under rumblings of the apocalypse. Soldiers are lost and found in endless woods, a child gravedigger is menaced by a shapeshifting physician, a syphilitic john bares all to a young prostitute and a disfigured outcast yearns for the affections of a tone-deaf cabaret singer.\\nHighlighted by offbeat narrative construction, stunning black-and-white 16mm cinematography and immaculately detailed production design, Go Down Death is a distinctively original film informed by American Gothic, folk culture and outsider art.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"On the eve of his third marriage, Caveh Zahedi tells the story of how his attraction to prostitutes and his compulsive honesty combined to destroy each of his past relationships. The genre-bending mix of camera address, re-enactment, and home movie footage make for a strikingly funny and original film.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Tripping With Caveh (Short film with Will Oldham)\\n-Deleted Scenes\\n-Animated Short Film: Unmaking of I Am A Sex Addict\\n-Zahedi’s acceptance speech at the Gotham Awards\\n-32 page booklet with essays from Caveh Zahedi, Kathy Joyce and conversations with Caveh and Andrew Bujalski, and Caveh and Lily Lady\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\"Moving to Florida\" a discussion between Mike Diana and Dead Formats Convention organizer Noelle Huffman\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Go Down Death is a wry, sinister realization of a strange new universe, a cross-episodic melange of macabre folktales supposedly penned by the fictitious writer Jonathan Mallory Sinus. An abandoned factory in Brooklyn stands in for a decrepit village haunted by ghosts, superstition and disease, while threatening to buckle under rumblings of the apocalypse. Soldiers are lost and found in endless woods, a child gravedigger is menaced by a shapeshifting physician, a syphilitic john bares all to a young prostitute and a disfigured outcast yearns for the affections of a tone-deaf cabaret singer.\\nHighlighted by offbeat narrative construction, stunning black-and-white 16mm cinematography and immaculately detailed production design, Go Down Death is a distinctively original film informed by American Gothic, folk culture and outsider art.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"On the eve of his third marriage, Caveh Zahedi tells the story of how his attraction to prostitutes and his compulsive honesty combined to destroy each of his past relationships. The genre-bending mix of camera address, re-enactment, and home movie footage make for a strikingly funny and original film.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Tripping With Caveh (Short film with Will Oldham)\\n-Deleted Scenes\\n-Animated Short Film: Unmaking of I Am A Sex Addict\\n-Zahedi’s acceptance speech at the Gotham Awards\\n-32 page booklet with essays from Caveh Zahedi, Kathy Joyce and conversations with Caveh and Andrew Bujalski, and Caveh and Lily Lady\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\"One Man Crew\" a discussion between Mike Diana and filmmaker Victor Bonacore\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Go Down Death is a wry, sinister realization of a strange new universe, a cross-episodic melange of macabre folktales supposedly penned by the fictitious writer Jonathan Mallory Sinus. An abandoned factory in Brooklyn stands in for a decrepit village haunted by ghosts, superstition and disease, while threatening to buckle under rumblings of the apocalypse. Soldiers are lost and found in endless woods, a child gravedigger is menaced by a shapeshifting physician, a syphilitic john bares all to a young prostitute and a disfigured outcast yearns for the affections of a tone-deaf cabaret singer.\\nHighlighted by offbeat narrative construction, stunning black-and-white 16mm cinematography and immaculately detailed production design, Go Down Death is a distinctively original film informed by American Gothic, folk culture and outsider art.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"On the eve of his third marriage, Caveh Zahedi tells the story of how his attraction to prostitutes and his compulsive honesty combined to destroy each of his past relationships. The genre-bending mix of camera address, re-enactment, and home movie footage make for a strikingly funny and original film.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Tripping With Caveh (Short film with Will Oldham)\\n-Deleted Scenes\\n-Animated Short Film: Unmaking of I Am A Sex Addict\\n-Zahedi’s acceptance speech at the Gotham Awards\\n-32 page booklet with essays from Caveh Zahedi, Kathy Joyce and conversations with Caveh and Andrew Bujalski, and Caveh and Lily Lady\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\"The Horror Host Generation\" a discussion between Mike Diana and artist\/filmmaker John Michael McCarthy\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Go Down Death is a wry, sinister realization of a strange new universe, a cross-episodic melange of macabre folktales supposedly penned by the fictitious writer Jonathan Mallory Sinus. An abandoned factory in Brooklyn stands in for a decrepit village haunted by ghosts, superstition and disease, while threatening to buckle under rumblings of the apocalypse. Soldiers are lost and found in endless woods, a child gravedigger is menaced by a shapeshifting physician, a syphilitic john bares all to a young prostitute and a disfigured outcast yearns for the affections of a tone-deaf cabaret singer.\\nHighlighted by offbeat narrative construction, stunning black-and-white 16mm cinematography and immaculately detailed production design, Go Down Death is a distinctively original film informed by American Gothic, folk culture and outsider art.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"On the eve of his third marriage, Caveh Zahedi tells the story of how his attraction to prostitutes and his compulsive honesty combined to destroy each of his past relationships. The genre-bending mix of camera address, re-enactment, and home movie footage make for a strikingly funny and original film.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Tripping With Caveh (Short film with Will Oldham)\\n-Deleted Scenes\\n-Animated Short Film: Unmaking of I Am A Sex Addict\\n-Zahedi’s acceptance speech at the Gotham Awards\\n-32 page booklet with essays from Caveh Zahedi, Kathy Joyce and conversations with Caveh and Andrew Bujalski, and Caveh and Lily Lady\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\"The Nasty '90s\" a video essay by Mike Hunchback\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Go Down Death is a wry, sinister realization of a strange new universe, a cross-episodic melange of macabre folktales supposedly penned by the fictitious writer Jonathan Mallory Sinus. An abandoned factory in Brooklyn stands in for a decrepit village haunted by ghosts, superstition and disease, while threatening to buckle under rumblings of the apocalypse. Soldiers are lost and found in endless woods, a child gravedigger is menaced by a shapeshifting physician, a syphilitic john bares all to a young prostitute and a disfigured outcast yearns for the affections of a tone-deaf cabaret singer.\\nHighlighted by offbeat narrative construction, stunning black-and-white 16mm cinematography and immaculately detailed production design, Go Down Death is a distinctively original film informed by American Gothic, folk culture and outsider art.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"On the eve of his third marriage, Caveh Zahedi tells the story of how his attraction to prostitutes and his compulsive honesty combined to destroy each of his past relationships. The genre-bending mix of camera address, re-enactment, and home movie footage make for a strikingly funny and original film.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Tripping With Caveh (Short film with Will Oldham)\\n-Deleted Scenes\\n-Animated Short Film: Unmaking of I Am A Sex Addict\\n-Zahedi’s acceptance speech at the Gotham Awards\\n-32 page booklet with essays from Caveh Zahedi, Kathy Joyce and conversations with Caveh and Andrew Bujalski, and Caveh and Lily Lady\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eUnsung Horrors Podcast with Erica Shultz and Lance Schibi on Blood Brothers\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Go Down Death is a wry, sinister realization of a strange new universe, a cross-episodic melange of macabre folktales supposedly penned by the fictitious writer Jonathan Mallory Sinus. An abandoned factory in Brooklyn stands in for a decrepit village haunted by ghosts, superstition and disease, while threatening to buckle under rumblings of the apocalypse. Soldiers are lost and found in endless woods, a child gravedigger is menaced by a shapeshifting physician, a syphilitic john bares all to a young prostitute and a disfigured outcast yearns for the affections of a tone-deaf cabaret singer.\\nHighlighted by offbeat narrative construction, stunning black-and-white 16mm cinematography and immaculately detailed production design, Go Down Death is a distinctively original film informed by American Gothic, folk culture and outsider art.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"On the eve of his third marriage, Caveh Zahedi tells the story of how his attraction to prostitutes and his compulsive honesty combined to destroy each of his past relationships. The genre-bending mix of camera address, re-enactment, and home movie footage make for a strikingly funny and original film.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Tripping With Caveh (Short film with Will Oldham)\\n-Deleted Scenes\\n-Animated Short Film: Unmaking of I Am A Sex Addict\\n-Zahedi’s acceptance speech at the Gotham Awards\\n-32 page booklet with essays from Caveh Zahedi, Kathy Joyce and conversations with Caveh and Andrew Bujalski, and Caveh and Lily Lady\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eAudio commentary on Blood Brothers and Baked Baby Jesus by Mike Diana, Noelle Huffman, and Mike Hunchback\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Go Down Death is a wry, sinister realization of a strange new universe, a cross-episodic melange of macabre folktales supposedly penned by the fictitious writer Jonathan Mallory Sinus. An abandoned factory in Brooklyn stands in for a decrepit village haunted by ghosts, superstition and disease, while threatening to buckle under rumblings of the apocalypse. Soldiers are lost and found in endless woods, a child gravedigger is menaced by a shapeshifting physician, a syphilitic john bares all to a young prostitute and a disfigured outcast yearns for the affections of a tone-deaf cabaret singer.\\nHighlighted by offbeat narrative construction, stunning black-and-white 16mm cinematography and immaculately detailed production design, Go Down Death is a distinctively original film informed by American Gothic, folk culture and outsider art.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"On the eve of his third marriage, Caveh Zahedi tells the story of how his attraction to prostitutes and his compulsive honesty combined to destroy each of his past relationships. The genre-bending mix of camera address, re-enactment, and home movie footage make for a strikingly funny and original film.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Tripping With Caveh (Short film with Will Oldham)\\n-Deleted Scenes\\n-Animated Short Film: Unmaking of I Am A Sex Addict\\n-Zahedi’s acceptance speech at the Gotham Awards\\n-32 page booklet with essays from Caveh Zahedi, Kathy Joyce and conversations with Caveh and Andrew Bujalski, and Caveh and Lily Lady\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e32 page booklet by Mike Diana with artifacts and comix\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Go Down Death is a wry, sinister realization of a strange new universe, a cross-episodic melange of macabre folktales supposedly penned by the fictitious writer Jonathan Mallory Sinus. An abandoned factory in Brooklyn stands in for a decrepit village haunted by ghosts, superstition and disease, while threatening to buckle under rumblings of the apocalypse. Soldiers are lost and found in endless woods, a child gravedigger is menaced by a shapeshifting physician, a syphilitic john bares all to a young prostitute and a disfigured outcast yearns for the affections of a tone-deaf cabaret singer.\\nHighlighted by offbeat narrative construction, stunning black-and-white 16mm cinematography and immaculately detailed production design, Go Down Death is a distinctively original film informed by American Gothic, folk culture and outsider art.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"On the eve of his third marriage, Caveh Zahedi tells the story of how his attraction to prostitutes and his compulsive honesty combined to destroy each of his past relationships. The genre-bending mix of camera address, re-enactment, and home movie footage make for a strikingly funny and original film.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Tripping With Caveh (Short film with Will Oldham)\\n-Deleted Scenes\\n-Animated Short Film: Unmaking of I Am A Sex Addict\\n-Zahedi’s acceptance speech at the Gotham Awards\\n-32 page booklet with essays from Caveh Zahedi, Kathy Joyce and conversations with Caveh and Andrew Bujalski, and Caveh and Lily Lady\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Factory 25","offers":[{"title":"Default Title","offer_id":45118289674440,"sku":"FTF-170 VARIANT-SLIP","price":49.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/mikedianacollbdslip.webp?v=1781653011"}],"url":"https:\/\/videomatica.com\/es\/collections\/in-stock-sov.oembed","provider":"Videomatica Ltd (since 1983)","version":"1.0","type":"link"}