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This collector’s set gathers six works, from the Philippines (Insiang), Thailand (Mysterious Object at Noon), Soviet Kazakhstan (Revenge), Brazil (Limite), Turkey (Law of the Border), and Taiwan (Taipei Story). Each title is an essential contribution to the art form and a window onto a distinct filmmaking tradition unfamiliar to many.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInsiang\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eJealousy and violence take center stage in this claustrophobic melo­drama, a tautly constructed character study set in the slums of Manila. Lino Brocka crafts an eviscerating portrait of an innocent daughter and her bitter mother as women scorned. Insiang leads a quiet life dominated by household duties, but after she is raped by her mother’s lover and abandoned by the young man who claims to care for her, she exacts vicious revenge. 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While revisiting an unfinished script about a fearless protagonist trying to avenge his brother's murder, Leonor is struck on the head by a falling television set and knocked into a coma. As she lies unconscious in the hospital, fantasy and reality begin to blur when Leonor finds herself awake inside her script, becoming the hero of her own story. 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Capino and John Labella, \\nInterview with Digna Santiago,\\n Interview with Marina Feleo Gonzalez by critic Aaron Hunt\\n New art by Luigi Almuena \\n Optional English Subtitles\"}'\u003eNew art by Luigi Almuena\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12969,\"3\":{\"1\":0},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"2K restoration by ABS-CBN\\nFeaturette on the restoration (9mins, 2023) \\n  Before and After (1min, 2018) \\n Restoration Trailer\\n\\nBooklet with \\nArchival Photographs courtesy of the Mowelfund Library and Audiovisual Archives, \\nnew writing by scholars Jose B. Capino and John Labella, \\nInterview with Digna Santiago,\\n Interview with Marina Feleo Gonzalez by critic Aaron Hunt\\n New art by Luigi Almuena \\n Optional English Subtitles\"}'\u003eOptional English Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"OCN Distribution","offers":[{"title":"Default Title","offer_id":42825173696712,"sku":"VINKANI-013","price":41.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/onceamothbd.jpg?v=1689729084"},{"product_id":"will-your-heart-beat-faster-blu-ray","title":"Will Your Heart Beat Faster? (BLU-RAY)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;WILL YOUR HEART BEAT FASTER? (KAKABAKABA KA BA?)\\nAfter repeatedly failing to smuggle drugs into the Philippines, yakuza soldier Onota (Bobby Garrovillo) slips a laced cassette tape into the pocket of a stranger on the plane: pop singer Johnny (Christopher de Leon). This singular deus ex machina sets the Yakuza, the Filipino-Chinese Triad, and a fake convent of nuns onto Johnny's tail. Determined to figure out why everyone is chasing him and his friends – bandmates Nonong (Jay Ilagan), Nancy (Sandy Andolong) and newfound love interest Melanie (Charo Santos) – the quartet dress up and go undercover. When the lunatics come together, a cartoonish rock opera ensues! \\n\\nConcerned that the audience might mistake the film’s nuns for real ones, Will Your Heart Beat Faster? begins with a disclaimer mandated by the Philippine Board of Censors: this musical farce is a work of fiction. But no disclaimer can dampen the shots fired here by Filipino master writer-director Mike De Leon (Kisapmata, Batch ’81) against Jesuit education; China and Japan’s tendency to meddle in Filipino affairs; and a myriad of other corrupt institutions that would become common targets of his acerbic cinematic critique. A master of various genres, this is Mike De Leon at his most outlandish and comedic!\\n\\nAlso included in this edition: \\n\\nGregorio Fernandez’s salvaged Miss Philippines (1947), which Mike De Leon calls one of the earliest film-within-a-film films, is one of the few surviving films from its era, notable for its self-reflexive tone. A timeless screwball comedy produced by LVN in its heyday, it features cameos of the studio’s biggest stars and directors as themselves, many of whose work is now lost. \\n\\nMike De Leon’s short film Aliwan Paradise (1992, also written by Doy Del Mundo) is set in a semi-futuristic Philippines where unemployment is through the roof. Your best bet? The Ministry of Entertainment. Acts line up around the block for a chance to prove both their competence at their old-world job and that they have that \\\u0026quot;it\\\u0026quot; factor. A natural companion to its black comedy sibling Will Your Heart Beat Faster? originally shot for the omnibus film Southern Winds (1993). \u0026quot;}\" data-mce-fragment=\"1\"\u003eAfter repeatedly failing to smuggle drugs into the Philippines, yakuza soldier Onota (Bobby Garrovillo) slips a laced cassette tape into the pocket of a stranger on the plane: pop singer Johnny (Christopher de Leon). This singular deus ex machina sets the Yakuza, the Filipino-Chinese Triad, and a fake convent of nuns onto Johnny's tail. Determined to figure out why everyone is chasing him and his friends – bandmates Nonong (Jay Ilagan), Nancy (Sandy Andolong) and newfound love interest Melanie (Charo Santos) – the quartet dress up and go undercover. When the lunatics come together, a cartoonish rock opera ensues!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;WILL YOUR HEART BEAT FASTER? (KAKABAKABA KA BA?)\\nAfter repeatedly failing to smuggle drugs into the Philippines, yakuza soldier Onota (Bobby Garrovillo) slips a laced cassette tape into the pocket of a stranger on the plane: pop singer Johnny (Christopher de Leon). This singular deus ex machina sets the Yakuza, the Filipino-Chinese Triad, and a fake convent of nuns onto Johnny's tail. Determined to figure out why everyone is chasing him and his friends – bandmates Nonong (Jay Ilagan), Nancy (Sandy Andolong) and newfound love interest Melanie (Charo Santos) – the quartet dress up and go undercover. When the lunatics come together, a cartoonish rock opera ensues! \\n\\nConcerned that the audience might mistake the film’s nuns for real ones, Will Your Heart Beat Faster? begins with a disclaimer mandated by the Philippine Board of Censors: this musical farce is a work of fiction. But no disclaimer can dampen the shots fired here by Filipino master writer-director Mike De Leon (Kisapmata, Batch ’81) against Jesuit education; China and Japan’s tendency to meddle in Filipino affairs; and a myriad of other corrupt institutions that would become common targets of his acerbic cinematic critique. A master of various genres, this is Mike De Leon at his most outlandish and comedic!\\n\\nAlso included in this edition: \\n\\nGregorio Fernandez’s salvaged Miss Philippines (1947), which Mike De Leon calls one of the earliest film-within-a-film films, is one of the few surviving films from its era, notable for its self-reflexive tone. A timeless screwball comedy produced by LVN in its heyday, it features cameos of the studio’s biggest stars and directors as themselves, many of whose work is now lost. \\n\\nMike De Leon’s short film Aliwan Paradise (1992, also written by Doy Del Mundo) is set in a semi-futuristic Philippines where unemployment is through the roof. Your best bet? The Ministry of Entertainment. Acts line up around the block for a chance to prove both their competence at their old-world job and that they have that \\\u0026quot;it\\\u0026quot; factor. A natural companion to its black comedy sibling Will Your Heart Beat Faster? originally shot for the omnibus film Southern Winds (1993). \u0026quot;}\" data-mce-fragment=\"1\"\u003eConcerned that the audience might mistake the film’s nuns for real ones, Will Your Heart Beat Faster? begins with a disclaimer mandated by the Philippine Board of Censors: this musical farce is a work of fiction. But no disclaimer can dampen the shots fired here by Filipino master writer-director Mike De Leon (Kisapmata, Batch ’81) against Jesuit education; China and Japan’s tendency to meddle in Filipino affairs; and a myriad of other corrupt institutions that would become common targets of his acerbic cinematic critique. A master of various genres, this is Mike De Leon at his most outlandish and comedic!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;WILL YOUR HEART BEAT FASTER? (KAKABAKABA KA BA?)\\nAfter repeatedly failing to smuggle drugs into the Philippines, yakuza soldier Onota (Bobby Garrovillo) slips a laced cassette tape into the pocket of a stranger on the plane: pop singer Johnny (Christopher de Leon). This singular deus ex machina sets the Yakuza, the Filipino-Chinese Triad, and a fake convent of nuns onto Johnny's tail. Determined to figure out why everyone is chasing him and his friends – bandmates Nonong (Jay Ilagan), Nancy (Sandy Andolong) and newfound love interest Melanie (Charo Santos) – the quartet dress up and go undercover. When the lunatics come together, a cartoonish rock opera ensues! \\n\\nConcerned that the audience might mistake the film’s nuns for real ones, Will Your Heart Beat Faster? begins with a disclaimer mandated by the Philippine Board of Censors: this musical farce is a work of fiction. But no disclaimer can dampen the shots fired here by Filipino master writer-director Mike De Leon (Kisapmata, Batch ’81) against Jesuit education; China and Japan’s tendency to meddle in Filipino affairs; and a myriad of other corrupt institutions that would become common targets of his acerbic cinematic critique. A master of various genres, this is Mike De Leon at his most outlandish and comedic!\\n\\nAlso included in this edition: \\n\\nGregorio Fernandez’s salvaged Miss Philippines (1947), which Mike De Leon calls one of the earliest film-within-a-film films, is one of the few surviving films from its era, notable for its self-reflexive tone. A timeless screwball comedy produced by LVN in its heyday, it features cameos of the studio’s biggest stars and directors as themselves, many of whose work is now lost. \\n\\nMike De Leon’s short film Aliwan Paradise (1992, also written by Doy Del Mundo) is set in a semi-futuristic Philippines where unemployment is through the roof. Your best bet? The Ministry of Entertainment. Acts line up around the block for a chance to prove both their competence at their old-world job and that they have that \\\u0026quot;it\\\u0026quot; factor. A natural companion to its black comedy sibling Will Your Heart Beat Faster? originally shot for the omnibus film Southern Winds (1993). \u0026quot;}\" data-mce-fragment=\"1\"\u003eAlso included in this edition:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;WILL YOUR HEART BEAT FASTER? (KAKABAKABA KA BA?)\\nAfter repeatedly failing to smuggle drugs into the Philippines, yakuza soldier Onota (Bobby Garrovillo) slips a laced cassette tape into the pocket of a stranger on the plane: pop singer Johnny (Christopher de Leon). This singular deus ex machina sets the Yakuza, the Filipino-Chinese Triad, and a fake convent of nuns onto Johnny's tail. Determined to figure out why everyone is chasing him and his friends – bandmates Nonong (Jay Ilagan), Nancy (Sandy Andolong) and newfound love interest Melanie (Charo Santos) – the quartet dress up and go undercover. When the lunatics come together, a cartoonish rock opera ensues! \\n\\nConcerned that the audience might mistake the film’s nuns for real ones, Will Your Heart Beat Faster? begins with a disclaimer mandated by the Philippine Board of Censors: this musical farce is a work of fiction. But no disclaimer can dampen the shots fired here by Filipino master writer-director Mike De Leon (Kisapmata, Batch ’81) against Jesuit education; China and Japan’s tendency to meddle in Filipino affairs; and a myriad of other corrupt institutions that would become common targets of his acerbic cinematic critique. A master of various genres, this is Mike De Leon at his most outlandish and comedic!\\n\\nAlso included in this edition: \\n\\nGregorio Fernandez’s salvaged Miss Philippines (1947), which Mike De Leon calls one of the earliest film-within-a-film films, is one of the few surviving films from its era, notable for its self-reflexive tone. A timeless screwball comedy produced by LVN in its heyday, it features cameos of the studio’s biggest stars and directors as themselves, many of whose work is now lost. \\n\\nMike De Leon’s short film Aliwan Paradise (1992, also written by Doy Del Mundo) is set in a semi-futuristic Philippines where unemployment is through the roof. Your best bet? The Ministry of Entertainment. Acts line up around the block for a chance to prove both their competence at their old-world job and that they have that \\\u0026quot;it\\\u0026quot; factor. A natural companion to its black comedy sibling Will Your Heart Beat Faster? originally shot for the omnibus film Southern Winds (1993). \u0026quot;}\" data-mce-fragment=\"1\"\u003eGregorio Fernandez’s salvaged Miss Philippines (1947), which Mike De Leon calls one of the earliest film-within-a-film films, is one of the few surviving films from its era, notable for its self-reflexive tone. A timeless screwball comedy produced by LVN in its heyday, it features cameos of the studio’s biggest stars and directors as themselves, many of whose work is now lost.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;WILL YOUR HEART BEAT FASTER? (KAKABAKABA KA BA?)\\nAfter repeatedly failing to smuggle drugs into the Philippines, yakuza soldier Onota (Bobby Garrovillo) slips a laced cassette tape into the pocket of a stranger on the plane: pop singer Johnny (Christopher de Leon). This singular deus ex machina sets the Yakuza, the Filipino-Chinese Triad, and a fake convent of nuns onto Johnny's tail. Determined to figure out why everyone is chasing him and his friends – bandmates Nonong (Jay Ilagan), Nancy (Sandy Andolong) and newfound love interest Melanie (Charo Santos) – the quartet dress up and go undercover. When the lunatics come together, a cartoonish rock opera ensues! \\n\\nConcerned that the audience might mistake the film’s nuns for real ones, Will Your Heart Beat Faster? begins with a disclaimer mandated by the Philippine Board of Censors: this musical farce is a work of fiction. But no disclaimer can dampen the shots fired here by Filipino master writer-director Mike De Leon (Kisapmata, Batch ’81) against Jesuit education; China and Japan’s tendency to meddle in Filipino affairs; and a myriad of other corrupt institutions that would become common targets of his acerbic cinematic critique. A master of various genres, this is Mike De Leon at his most outlandish and comedic!\\n\\nAlso included in this edition: \\n\\nGregorio Fernandez’s salvaged Miss Philippines (1947), which Mike De Leon calls one of the earliest film-within-a-film films, is one of the few surviving films from its era, notable for its self-reflexive tone. A timeless screwball comedy produced by LVN in its heyday, it features cameos of the studio’s biggest stars and directors as themselves, many of whose work is now lost. \\n\\nMike De Leon’s short film Aliwan Paradise (1992, also written by Doy Del Mundo) is set in a semi-futuristic Philippines where unemployment is through the roof. Your best bet? The Ministry of Entertainment. Acts line up around the block for a chance to prove both their competence at their old-world job and that they have that \\\u0026quot;it\\\u0026quot; factor. A natural companion to its black comedy sibling Will Your Heart Beat Faster? originally shot for the omnibus film Southern Winds (1993). \u0026quot;}\" data-mce-fragment=\"1\"\u003eMike De Leon’s short film Aliwan Paradise (1992, also written by Doy Del Mundo) is set in a semi-futuristic Philippines where unemployment is through the roof. Your best bet? The Ministry of Entertainment. Acts line up around the block for a chance to prove both their competence at their old-world job and that they have that \"it\" factor. A natural companion to its black comedy sibling Will Your Heart Beat Faster? originally shot for the omnibus film Southern Winds (1993).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;-2K restoration by L'Immagine Ritrovata from 35mm print kept at Asian Film Archives (Singapore) with optional English Subtitles \\n-Restored and Revised audio tracks\\n\\n-8mm making-of featurette (Edward Achacoso, 1980, 14 mins)\\n-Short film Aliwan Paradise (Mike De Leon, 1982, 27 mins)\\n-Interview with screenwriter Raquel Villavicencio (2023, 31 mins)\\n\\n-Bonus Feature Miss Philippines (Gregorio Fernandez, 1947, 99mins) digitally enhanced from extant elements in 2023 with optional English and Tagalog subtitles\\n-Miss Philippines: Before and After (2023, 4 mins)\\n-Booklet featuring excerpts from Last Look Back  (Mike De Leon, 2022), new writing from Teddy O. 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One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/DbWqxRMWN6M?si=vbBgccHNThYXQJXR\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAt a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Glenn Barit\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003estarring: Ianna Taguinod, Leomar Balora, Julian Narag, Carlo Meji, Gianne Rivera\u003cbr data-mce-fragment=\"1\"\u003eCharisse Mabbonag, Allan Gannaban, Andrei Marquez\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e2021 \/ 78 min \/ 1.78:1 \/ Tagalog DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAudio Commentary with Director Glenn Barit\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eNewly Commissioned Short Film, Yung Huling Swimming Reunion Before Life Happens (Glenn Barit, 2023, 20 minutes)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eShort film, Luzonensis Osteoporosis (Glenn Barit, 2022, 20 minutes)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eShort film, Endless Oven (Glenn Barit, 2021, 10 minutes)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eShort film, Judy Free (Che Tagymon, 2019, 20 minutes)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eShort film, Nangungupahan (Glenn Barit, 2018, 12 minutes)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eShort film, Aliens Ata (Glenn Barit, 2017, 7 minutes)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eInitial and Secondary Proof of Concept\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eBehind-the-Scene Videos\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eFestival Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eDomestic Release Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eOptional English, Tagalog, Spanish, and Portuguese subtitles for feature film\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eEnglish subtitles for shorts and bonus material\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eBooklet with new writing by Richard Bolisay and Benj Gabun Sumabat.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eNew Artwork by Electromilk (@electromilk)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"OCN Distribution","offers":[{"title":"Default Title","offer_id":43098924941512,"sku":"KANI-016","price":49.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/Cleanersbd.jpg?v=1704149579"},{"product_id":"cleaners-limited-edition-slipcover-blu-ray","title":"Cleaners (Limited Edition Slipcover BLU-RAY)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/DbWqxRMWN6M?si=vbBgccHNThYXQJXR\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAt a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Glenn Barit\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003estarring: Ianna Taguinod, Leomar Balora, Julian Narag, Carlo Meji, Gianne Rivera\u003cbr data-mce-fragment=\"1\"\u003eCharisse Mabbonag, Allan Gannaban, Andrei Marquez\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e2021 \/ 78 min \/ 1.78:1 \/ Tagalog DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAudio Commentary with Director Glenn Barit\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eNewly Commissioned Short Film, Yung Huling Swimming Reunion Before Life Happens (Glenn Barit, 2023, 20 minutes)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eShort film, Luzonensis Osteoporosis (Glenn Barit, 2022, 20 minutes)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eShort film, Endless Oven (Glenn Barit, 2021, 10 minutes)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eShort film, Judy Free (Che Tagymon, 2019, 20 minutes)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eShort film, Nangungupahan (Glenn Barit, 2018, 12 minutes)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eShort film, Aliens Ata (Glenn Barit, 2017, 7 minutes)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eInitial and Secondary Proof of Concept\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eBehind-the-Scene Videos\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. One-of-a-kind visuals, plus earnest tracks by Filipino emo band Typecast and a swelling score composed by Barit himself, compel us to feel the fullest extent of Cleaners’ all at once loud, soft, funny, and sweet teenage antics and affections. \"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eFestival Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"At a catholic high school in the Filipino city of Tuguegarao, a rambunctious batch of students rebel against all expectations to be good and clean: a germaphobe is tested by a bout of uncontrollable diarrhea; a trio of emos are forced to perform tinikling (a traditional Philippine folk dance) with a normie; an uncircumcised boy attempts to ask an ostracized pregnant girl to prom; and the mayor’s son is tempted by his father’s corrupt example while running for youth council chairman. \\n\\nEvery frame of filmmaker Glenn Barit’s Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts. 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A series of earthquakes leading up to Mt. Pinatubo's historic volcanic eruption has been causing blackouts across the country, preventing the kids from playing their usual escape: video games. After roaming the streets and getting beaten up the three boys decide on traditional circumcision as the ultimate answer to their problems while Mimaw pines for Paolo who is in love with a popular girl. Raya Martin's debut feature is a colorful tapestry of adolescent angst and retro yearnings that is a true delight.\u003cbr\u003e\u003cbr\u003eSpecial Features and Technical Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTheatrical trailer\u003c\/li\u003e\n\u003cli\u003eOther Trailers\u003c\/li\u003e\n\u003cli\u003eSubtitles: English \u0026amp; Tagalog\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eREGION-A \"LOCKED\"\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"MVD","offers":[{"title":"Default Title","offer_id":43586235957448,"sku":"AI-35B","price":28.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/deathofnintendobd.jpg?v=1714002884"},{"product_id":"all-the-haunts-be-ours-a-compendium-of-folk-horror-volume-two","title":"All The Haunts Be Ours: A Compendium Of Folk Horror Volume Two (BLU-RAY)","description":"\u003cp style=\"text-align: left;\" class=\"p6\"\u003e\u003cb\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/j5NLJOVVmVc?si=YLiwYHi5amrW8FR6\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" class=\"p6\"\u003e\u003cb\u003e13 DISCS\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e24 INTERNATIONAL FOLK HORROR CLASSICS \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e55+ COMBINED HOURS OF SPECIAL FEATURES\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e252 PAGE HARDCOVER BOOK\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e…AND MORE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p9\"\u003eUnquiet spirits have gathered once again:\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eALL THE HAUNTS BE OURS – VOLUME TWO\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ebrings together\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e24 films representing 18 countries\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efor more of the best-loved, rarely seen, thought-lost and brand-new classics of folk horror, most making their International and\/or North American disc debuts including the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eWorldwide Premieres\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eof the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eSeverin Films\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eproductions\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eTO FIRE YOU COME AT LAST\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003edirected by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eSean Hogan\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eand the documentary\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eSUZZANNA: THE QUEEN OF BLACK MAGIC\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003edirected by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eDavid Gregory\u003c\/b\u003e;\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e55+ combined hours of new and archival Special Features\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eincluding trailers, interviews, audio commentaries, short films, video essays, historical analyses and bonus feature-length films; a\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e252-page hardcover of newly commissioned folk horror fiction\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eby luminaries that include\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eRamsey Campbell\u003c\/b\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eCassandra Khaw\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eEden\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eRoyce\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ewith illustrations by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eDrazen Kozjan\u003c\/b\u003e; and much more, all curated and produced by WOODLANDS DARK AND DAYS BEWITCHED creator\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eKier-La Janisse.\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p9\"\u003eBoxed set design by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eLuke Insect\u003c\/b\u003e.\u003c\/p\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 1:\u003cbr\u003eTO FIRE YOU COME AT LAST (Sean Hogan, UK\/USA, 2023)\u003cbr\u003ePSYCHOMANIA (Don Sharp, UK, 1973)\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For TO FIRE YOU COME AT LAST\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Director Sean Hogan And Co-Producers Paul Goodwin And Nicholas Harwood\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eOn The Lych Way\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Corpse Road Chronicler Dr. Stuart Dunn Discusses The Pathways Of The Dead\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eWE ALWAYS FIND OURSELVES IN THE SEA\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary For WE ALWAYS FIND OURSELVES IN THE SEA With Director Sean Hogan And Co-Producers Paul Goodwin And Nicholas Harwood\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eEPK For WE ALWAYS FIND OURSELVES IN THE SEA\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eOUR SELVES UNKNOWN\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For TO FIRE YOU COME AT LAST\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 45 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.9:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For PSYCHOMANIA\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Film Historian Chris Alexander\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Maria J. Pérez Cuervo, Founding Editor Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHellebore Magazine\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eStone Warnings\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Dr. Diane A. Rodgers On Stone Circles And Standing Stones In Film And Television\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eReturn Of The Living Dead\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interviews With Actors Nicky Henson, Mary Larkin, Denis Gilmore, Roy Holder And Rocky Taylor\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Sound Of PSYCHOMANIA\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Soundtrack Composer John Cameron\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eRiding Free\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With \"Riding Free\" Singer Harvey Andrews\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTheatrical Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For PSYCHOMANIA\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 91 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.66:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 2:\u003cbr\u003eTHE ENCHANTED (Carter Lord, USA, 1984)\u003cbr\u003eWHO FEARS THE DEVIL (John Newland, USA, 1972)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE ENCHANTED\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Director Carter Lord And Camera Assistant Richard Grange, Moderated By Filmmaker\/Author Kier-La Janisse\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Chesya Burke, Author Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLet's Play White\u003c\/i\u003e, And Sheree Renée Thomas, Author Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eNine Bar Blues\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eA Magical Place\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Composer Phil Sawyer\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eHole In The Wall\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Character Notes By Screenwriter Charné Porter\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSWIMMER\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE ENCHANTED\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 90 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For WHO FEARS THE DEVIL\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE LEGEND OF HILLBILLY JOHN Alternate Opening Introduced By Actor Severn Darden\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Television Historian Amanda Reyes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eCrumble Will The Feet Of Clay\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Producer Barney Rosenzweig\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eSilver Strings\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Actor\/Musician Hedges Capers\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eManly Of The Mountains\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Author David Drake Remembers Manly Wade Wellman\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eOccult Appalachia\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Occult Historian Mitch Horowitz On The Arcane Texts Of Wellman's\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eJohn The Balladeer\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eStories\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTheatrical Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For WHO FEARS THE DEVIL\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 98 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 3:\u003cbr\u003eTHE WHITE REINDEER (Erik Blomberg, Finland, 1952)\u003cbr\u003eEDGE OF THE KNIFE (Gwaai Edenshaw \u0026amp;amp; Helen Haig-Brown, Canada, 2018)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE WHITE REINDEER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Projection Booth\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eEpisode On THE WHITE REINDEER Hosted By Mike White And Featuring Kat Ellinger, Author of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eDaughters Of Darkness\u003c\/i\u003e, And\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTalk Without Rhythm\u003c\/i\u003e's El Goro\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eA WITCH DRUM\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE NIGHTSIDE OF THE SKY\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eWITH THE REINDEER\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE WHITE REINDEER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 68 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.33:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Finnish Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For EDGE OF THE KNIFE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Directors Gwaai Edenshaw And Helen Haig-Brown\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRETAKE – Making The World's First Haida-Language Feature Film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eHAIDA CARVER\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eNALUJUK NIGHT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For EDGE OF THE KNIFE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 101 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Haida 5.1, Haida Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 4:\u003cbr\u003eBORN OF FIRE (Jamil Dehlavi, UK, 1987)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For BORN OF FIRE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eIgniting The Fire\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Director Jamil Dehlavi\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Silent One Speaks\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Archival Interview With Actor Nabil Shaban\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eBetween The Sacred And The Profane\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Archival Lecture On The Cinematic World Of Jamil Dehlavi By Dr. Ali Nobil Ahmad\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Djinn Revisited\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Director Dalia Al Kury Examines The Role Of The Djinn In Contemporary Arab Culture\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eBORN OF FIRE And The Roots Of Pakistani Horror\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Scholar Syeda Momina Masood\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTOWERS OF SILENCE\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eQÂF\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For BORN OF FIRE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 84 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 5:\u003cbr\u003eIO ISLAND (Kim Ki-young, South Korea, 1977)\u003cbr\u003eSCALES (Shahad Ameen, Saudi Arabia, 2019)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For IO ISLAND\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Archivist And Korean Film Historian Ariel Schudson\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eShaman's Eyes\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Dr. Hyunseon Lee On Shamanism In Korean Visual Culture\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE PRESENT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For IO ISLAND\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 112 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Korean Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For SCALES\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eTelling Our Stories\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– A Conversation With Director Shahad Ameen And Producer Rula Nasser, Moderated By Filmmaker\/Author Kier-La Janisse\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eKINDIL\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For SCALES\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 76 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Arabic 5.1 Surround\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 6:\u003cbr\u003eBAKENEKO: A VENGEFUL SPIRIT (Yoshihiro Ishikawa, Japan, 1968)\u003cbr\u003eNANG NAK (Nonzee Nimibutr, Thailand, 1999)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For BAKENEKO: A VENGEFUL SPIRIT\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Jasper Sharp, Author Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eBehind the Pink Curtain: The Complete History Of Japanese Sex Cinema\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eScratched\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e– A History Of The Japanese Ghost Cat\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Vampire Cat\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– The Classic Folk Tale Read By Tomoko Komura With Original Music By Timothy Fife\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eMAN-EATER MOUNTAIN\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For BAKENEKO: A VENGEFUL SPIRIT\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 87 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Japanese Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For NANG NAK\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Mattie Do, Director Of THE LONG WALK, And Asian Gothic Scholar Katarzyna Ancuta\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eLove And Impermanence: NANG NAK And The Rebirth Of Thai Cinema\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Director Nonzee Nimibutr\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For NANG NAK\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 101 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Thai 5.1, Thai Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 7:\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3\u003eSUNDELBOLONG (Sisworo Gautama Putra, Indonesia, 1981)\u003cbr\u003eSUZZANNA: THE QUEEN OF BLACK MAGIC Blu-ray (David Gregory, USA, 2024)\u003cb\u003e\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For SUNDELBOLONG\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eHantu Retribution\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Female Ghosts Of The Malay Archipelago\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eWHITE SONG\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For SUNDELBOLONG\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 106 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Indonesian Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For SUZZANNA: THE QUEEN OF BLACK MAGIC\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eA Conversation With Director\/Co-Producer David Gregory And Co-Producer Ekky Imanjaya\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For SUZZANNA: THE QUEEN OF BLACK MAGIC\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 88 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Indonesian Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 8:\u003cbr\u003eBEAUTY AND THE BEAST (Juraj Herz, Czechoslovakia, 1978)\u003cbr\u003eTHE NINTH HEART (Juraj Herz, Czechoslovakia, 1979)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For BEAUTY AND THE BEAST\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Michael Brooke\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Interviews With Director Juraj Herz And Actors Vlastimil Harapes And Zdena Studenková\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eFRANTIŠEK HRUBÍN\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For BEAUTY AND THE BEAST\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 91 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.37:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Czech Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE NINTH HEART\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Kat Ellinger, Author Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eDaughters Of Darkness\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Uncanny Valley Of The Dolls\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– The History And Liminality Of Dolls, Puppets And Mannequins\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Curious Case Of Juraj Herz And The Švankmajers\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Video Essay By Czech Film Programmer Cerise Howard\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE NINTH HEART\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 92 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.33:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Czech Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 9:\u003cbr\u003eDEMON (Marcin Wrona, Poland, 2015)\u003cbr\u003eNOVEMBER (Rainer Sarnet, Estonia\/Poland\/Netherlands, 2017)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For DEMON\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Slavic Horror Scholar Dr. Agnieszka Jeżyk\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Daniel Bird And Film Critic\/Actress Manuela Lazić\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eIn The Shadow Of The Dybbuk\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Video Essay By Peter Bebergal, Author Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eStrange Frequencies: The Extraordinary Story Of The Technological Quest For The Supernatural\u003c\/i\u003e, And Filmmaker Stephen Broomer\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eDIBBUK\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For DEMON\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 94 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Polish 5.1 Surround, Polish Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For NOVEMBER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Supernatural Lore Of NOVEMBER\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Archival Video Essay With Film Critic John DeFore\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eKratt Test Footage\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTheatrical Trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eBOUNDARY\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eJOURNEY THROUGH SETOMAA\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eMIDVINTERBLOT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For NOVEMBER\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 115 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Estonian, German And Italian 5.1 Surround\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p10\"\u003eEstonian, German And Italian Stereo\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 10:\u003cbr\u003eLITAN (Jean-Pierre Mocky, France, 1982)\u003cbr\u003eBLOOD TEA AND RED STRING (Christiane Cegavske, USA, 2006)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For LITAN\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historian Frank Lafond\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eUn Tournage LITAN\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Archival Making-Of Made For Antenne 2\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eJean-Pierre Mocky, Un Drôle D'Oiseau\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– 1982 Episode Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTemps X\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For LITAN\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 88 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.66:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: French Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For BLOOD TEA AND RED STRING\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Director Christiane Cegavske\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e2021 Indie Scream Online Film Festival Q\u0026amp;A With Christiane Cegavske\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eProduction Stills And Concept Illustrations\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer For SEED IN THE SAND, Cegavske’s Work-In-Progress\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For BLOOD TEA AND RED STRING\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 70 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.33:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Stereo\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 11:\u003cbr\u003eNAZARENO CRUZ AND THE WOLF (Leonardo Favio, Argentina, 1975)\u003cbr\u003eAKELARRE (Pedro Olea, Spain, 1984)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For NAZARENO CRUZ AND THE WOLF\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Adrian Garcia Bogliano, Director Of HERE COMES THE DEVIL, And Nicanor Loreti, Director Of PUNTO ROJO\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Film\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eLOVE FROM MOTHER ONLY\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary For LOVE FROM MOTHER ONLY With Director Dennison Ramalho\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For NAZARENO CRUZ AND THE WOLF\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 88 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.78:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Spanish Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For AKELARRE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Realistic Inquisition\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Director Pedro Olea\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eEmpowered Woman\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Actress Silvia Munt\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003ePlaying The Villain\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Actor Iñaki Miramón\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eInvoking The Akelarre\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Dr. Antonio Lázaro-Reboll, Author Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSpanish Horror Film\u003c\/i\u003e, On The Basque Witch Trials\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For AKELARRE\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 97 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.66:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Spanish Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 12:\u003cbr\u003eFROM THE OLD EARTH (Wil Aaron, Wales, 1981)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For FROM THE OLD EARTH Blu-ray\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction To FROM THE OLD EARTH By Musician Gruff Rhys\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eGetting A Head In North Wales\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Director Wil Aaron\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eFROM THE OLD EARTH By The Book\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Welsh Folklore And O'R DDAEAR HEN\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eA Sword In The Battle Of Language\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Welsh Film Scholar Dr. Kate Woodward On The Welsh Film Board\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p9\"\u003e\u003cspan class=\"s2\"\u003eShort Films\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction To BLOOD ON THE STARS By Gruff Rhys\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eBLOOD ON THE STARS\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eReunion Hotel\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– BLOOD ON THE STARS Cast Reunion From\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGwesty Aduniad\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE WYRM OF BWLCH PEN BARRAS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For FROM THE OLD EARTH Blu-ray\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 46 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.33:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Welsh Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\u003cb\u003eDisc 13:\u003cbr\u003eTHE CITY OF THE DEAD (John Llewellyn Moxey, UK, 1960)\u003cbr\u003eTHE RITES OF MAY (Mike De Leon, Philippines, 1976)\u003cbr\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE CITY OF THE DEAD\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eIntroduction By Kay Lynch, Director Of The Salem Horror Fest\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Film Historians Kim Newman And Barry Forshaw\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Audio Commentary With Film Historian Jonathan Rigby\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Audio Commentary With Actor Christopher Lee\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Audio Commentary With Director John Llewellyn Moxey\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSir Christopher Lee Remembers THE CITY OF THE DEAD\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Interview With John Llewellyn Moxey\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eArchival Interview With Actress Venetia Stevenson\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eBurn Witch, Burn! A Tribute To John Llewellyn Moxey\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Video Essay By TV Historian Amanda Reyes And Filmmaker Chris O'Neill\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE CITY OF THE DEAD\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 78 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.66:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: English Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eClosed Captions: English SDH\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eSpecial Features For THE RITES OF MAY\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Filipino Film Historian Andrew Leavold\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eITIM: AN EXPLORATION IN CINEMA – Archival Documentary\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003ePortrayal Of Guilt\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Filipino Film Scholar Anne Frances N. Sangil On The Darkness Of THE RITES OF MAY\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"p9\"\u003e\n\u003cspan class=\"s2\"\u003e\u003cb\u003eFeature Specs For THE RITES OF MAY\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRuntime: 107 Minutes\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAspect Ratio: 1.85:1\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio: Tagalog Mono\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eRegion: A\/B\/C\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":44142579056840,"sku":"SEV16428BR","price":334.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/allthehauntsvol2.jpg?v=1727734678"},{"product_id":"karnal-blu-ray","title":"Karnal (BLU-RAY)","description":"\u003cp class=\"p1\"\u003eA fork in the road brings Narcing (Phillip Salvador) back to his hometown of Mulawin, rumored to be located not so far from Hell. Freshly married, he arrives from Manila in the hopes of introducing his wife Puring (Cecille Castillo) to his relatives. Gusting (Vic Silayan), the family’s domineering patriarch, does not welcome the couple kindly. Still scarred by the suicide of wife, Gusting immediately resents his son for what he perceives as a betrayal: the loss of land-owning heritage to the vulgarity of city women. Spite mingles with jealousy, turning to something altogether more sinister when Narcing’s behavior begins mirroring that of his father who, in turn, begins noticing Puring’s uncanny resemblance to his wife.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFollowing Brutal (1980) and Moral (1982), Marilou Diaz-Abaya closes her informal feminist trilogy with Karnal, a striking example of Filipino Gothic set in the 1930s. Inspired by a sordid true crime story, what begins as archetypal Filipino melodrama soon turns to horror: a Village of the Damned-inspired study of the places that turn people into monsters and of the cruel, feudalistic patriarchy that continues to have deadly repercussions for Philippines politics today. The latter is embodied brilliantly by Vic Silayan, on the heels of a similar, monstrous turn as a tyrannical father in Kisapmata (1981).\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Marilou Diaz-Abaya\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003estarring: Charito Solis, Phillip Salvador, Vic Silayan, Cecille Castillo, Joel Torre\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003e\u003cbr\u003e1983 \/ 112 min \/ 1.77:1 \/ Tagalog DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. 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When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e2K restoration\u003c\/li\u003e\n\u003cli\u003eInterview with Joel Torre\u003c\/li\u003e\n\u003cli\u003eInterview with Ricky Lee\u003c\/li\u003e\n\u003cli\u003eBooklet with new writing by Jason Tan Liwag\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kani Releasing","offers":[{"title":"Default Title","offer_id":44145097310408,"sku":"KANI-021","price":49.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/Karnalbd.jpg?v=1727819960"},{"product_id":"karnal-limited-edition-slipcover-blu-ray","title":"Karnal (Limited Edition Slipcover BLU-RAY)","description":"\u003cp class=\"p1\"\u003eA fork in the road brings Narcing (Phillip Salvador) back to his hometown of Mulawin, rumored to be located not so far from Hell. Freshly married, he arrives from Manila in the hopes of introducing his wife Puring (Cecille Castillo) to his relatives. Gusting (Vic Silayan), the family’s domineering patriarch, does not welcome the couple kindly. Still scarred by the suicide of wife, Gusting immediately resents his son for what he perceives as a betrayal: the loss of land-owning heritage to the vulgarity of city women. Spite mingles with jealousy, turning to something altogether more sinister when Narcing’s behavior begins mirroring that of his father who, in turn, begins noticing Puring’s uncanny resemblance to his wife.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFollowing Brutal (1980) and Moral (1982), Marilou Diaz-Abaya closes her informal feminist trilogy with Karnal, a striking example of Filipino Gothic set in the 1930s. Inspired by a sordid true crime story, what begins as archetypal Filipino melodrama soon turns to horror: a Village of the Damned-inspired study of the places that turn people into monsters and of the cruel, feudalistic patriarchy that continues to have deadly repercussions for Philippines politics today. The latter is embodied brilliantly by Vic Silayan, on the heels of a similar, monstrous turn as a tyrannical father in Kisapmata (1981).\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Marilou Diaz-Abaya\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003estarring: Charito Solis, Phillip Salvador, Vic Silayan, Cecille Castillo, Joel Torre\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003e\u003cbr\u003e1983 \/ 112 min \/ 1.77:1 \/ Tagalog DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. 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When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e2K restoration\u003c\/li\u003e\n\u003cli\u003eInterview with Joel Torre\u003c\/li\u003e\n\u003cli\u003eInterview with Ricky Lee\u003c\/li\u003e\n\u003cli\u003eBooklet with new writing by Jason Tan Liwag\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kani Releasing","offers":[{"title":"Default Title","offer_id":44145106911432,"sku":"KANI-021 SLIP","price":59.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/Karnalbdslip.webp?v=1727820459"},{"product_id":"moral-blu-ray","title":"Moral (BLU-RAY)","description":"\u003cp\u003eFour best friends are graduating from the University of the Philippines Diliman, their paths diverging in significant, if inevitable ways. Joey (Lorna Tolentino) bounces from lover to lover, couch to couch. Kathy (Gina Alajar), a mediocre singer, is intent on making it at all costs. Sylvia (Sandy Andolong) separates from her husband, while he sets up house with another man. Maritess (Anna Marin) gets married and sees her life reduced to the role of mother and housewife. Over the course of three years, the life of four friends intersects at the vanguard of wider societal changes.\u003c\/p\u003e\n\u003cp\u003eUnhurried, rich with character development, and unlike any ensemble in international cinema, Moral, the midpoint film in Marilou Diaz-Abaya’s landmark feminist trilogy, is often considered one of the best Filipino films ever made. Miraculously restored from near-unsalvageable elements in 2017, it remains an essential film for its bold structure and epic portrait of womanhood in the time of Martial Law. From anti-Marcos resistance to American culture creeping to new values being put in practice, Moral is a novelistic examination of an evolving Philippines society heading into the 80s with updated definitions.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003edirected by: Marilou Diaz-Abaya\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003e\u003cbr\u003estarring: Lorna Tolentino, Gina Alajar, Sandy Andolong, Anna Marin, Juan Rodrigo\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003e\u003cbr\u003e1982 \/ 157 min \/ 1.85:1 \/ Tagalog DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e2K restoration\u003c\/li\u003e\n\u003cli\u003eInterview with Ricky Lee\u003c\/li\u003e\n\u003cli\u003eInterview with Laurice Guillen\u003c\/li\u003e\n\u003cli\u003eFeaturette about the restoration\u003c\/li\u003e\n\u003cli\u003eBooklet with new writing by Jason Tan Liwag\u003c\/li\u003e\n\u003cli\u003eNew cover artwork by Louis-Alexandre Beauregard\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kani Releasing","offers":[{"title":"Default Title","offer_id":44272362488008,"sku":"KANI-022","price":50.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/KANI-022_Moral_cover.jpg?v=1733368955"},{"product_id":"moral-limited-edition-slipcover-blu-ray","title":"Moral (Limited Edition Slipcover BLU-RAY)","description":"\u003cp\u003eFour best friends are graduating from the University of the Philippines Diliman, their paths diverging in significant, if inevitable ways. Joey (Lorna Tolentino) bounces from lover to lover, couch to couch. Kathy (Gina Alajar), a mediocre singer, is intent on making it at all costs. Sylvia (Sandy Andolong) separates from her husband, while he sets up house with another man. Maritess (Anna Marin) gets married and sees her life reduced to the role of mother and housewife. Over the course of three years, the life of four friends intersects at the vanguard of wider societal changes.\u003c\/p\u003e\n\u003cp\u003eUnhurried, rich with character development, and unlike any ensemble in international cinema, Moral, the midpoint film in Marilou Diaz-Abaya’s landmark feminist trilogy, is often considered one of the best Filipino films ever made. Miraculously restored from near-unsalvageable elements in 2017, it remains an essential film for its bold structure and epic portrait of womanhood in the time of Martial Law. From anti-Marcos resistance to American culture creeping to new values being put in practice, Moral is a novelistic examination of an evolving Philippines society heading into the 80s with updated definitions.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003edirected by: Marilou Diaz-Abaya\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003e\u003cbr\u003estarring: Lorna Tolentino, Gina Alajar, Sandy Andolong, Anna Marin, Juan Rodrigo\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003e\u003cbr\u003e1982 \/ 157 min \/ 1.85:1 \/ Tagalog DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e2K restoration\u003c\/li\u003e\n\u003cli\u003eInterview with Ricky Lee\u003c\/li\u003e\n\u003cli\u003eInterview with Laurice Guillen\u003c\/li\u003e\n\u003cli\u003eFeaturette about the restoration\u003c\/li\u003e\n\u003cli\u003eBooklet with new writing by Jason Tan Liwag\u003c\/li\u003e\n\u003cli\u003eNew cover artwork by Louis-Alexandre Beauregard\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kani Releasing","offers":[{"title":"Default Title","offer_id":44272363569352,"sku":"KANI-022 SLIP","price":61.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/moral_slip_front_2400x_fee17d6e-0a6e-4848-8555-096be83f3386.webp?v=1733369516"},{"product_id":"fear-in-the-philippines-the-complete-blood-island-films-blu-ray","title":"Fear In The Philippines: The Complete Blood Island Films (BLU-RAY)","description":"\u003cp class=\"p1\"\u003e\u003cb\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/UUnQHbZ6jVo?si=qLkV-gl-jHFTfzUb\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: center;\"\u003e\u003cb\u003eFOUR FEATURES ON TWO DISCS\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eRESTORED WITH IMPROVED COLOR \u0026amp; AUDIO\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBetween 1959 and 1971, Filipino filmmakers\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eEddie Romero\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eGerry de Leon\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e– along with Hemisphere Pictures marketing consultant\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eSamuel M. Sherman\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e– unleashed this monsters-and-mayhem quartet that remains among the most deliriously schlocky horror classics of all time: The series launched with\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eTERROR IS A MAN\u003c\/b\u003e, a “quite terrifying” (\u003ci\u003eThe New York Times\u003c\/i\u003e) take on\u003ci\u003e\u003cspan\u003e \u003c\/span\u003eIsland Of Dr. Moreau\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003estarring\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eFrancis Lederer\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(THE RETURN OF DRACULA).\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBRIDES OF BLOOD\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003estars\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJohn Ashley\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(THE TWILIGHT PEOPLE) and\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBeverly Powers\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(SPEEDWAY) in a taboo-smashing orgy of violence, nudity and depraved nuptials. Ashley and\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAngelique Pettyjohn\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(THE CURIOUS FEMALE) star in\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMAD DOCTOR OF BLOOD ISLAND\u003c\/b\u003e, “one of the greatest, nastiest, goriest films of the 1960s” (\u003ci\u003eDangerous Minds\u003c\/i\u003e).\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBEAST OF BLOOD\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003estars Ashley and\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eCeleste Yarnall\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(THE VELVET VAMPIRE) in “the most exciting and aggressive of all the BLOOD ISLAND movies” (\u003ci\u003e1000 Misspent Hours\u003c\/i\u003e), newly scanned from a 35mm print by the Library of Congress. All four films have been\u003cspan\u003e \u003c\/span\u003e\u003cb\u003escanned uncut in 4K with improved color and audio\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eand include over 8 combined hours of Special Features.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eDisc 1: \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eTERROR IS A MAN\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eMan Becomes Creature\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Hemisphere Marketing Consultant Samuel M. Sherman\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eDawn Of Blood Island\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Co-Director Eddie Romero\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eTerror Creature\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Pete Tombs, Co-Author Of\u003ci\u003e\u003cspan\u003e \u003c\/span\u003eImmoral Tales\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eWhen The Bell Rings\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Critic Mark Holcomb\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTrailer\u003c\/li\u003e\n\u003cli class=\"p1\"\u003ePoster And Still Gallery\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eBRIDES OF BLOOD\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Hemisphere Marketing Consultant Samuel M. Sherman\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eJungle Fury\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Co-Director Eddie Romero\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eHere Comes The Bride\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Hemisphere Marketing Consultant Samuel M. Sherman\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eBeverly Hills On Blood Island\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Actress Beverly Powers\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eAlternate BRIDES OF BLOOD ISLAND Title Sequence And JUNGLE FURY Title Card\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTeaser\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTrailer\u003c\/li\u003e\n\u003cli class=\"p1\"\u003ePoster And Still Gallery\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDisc 2: \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eMAD DOCTOR OF BLOOD ISLAND\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Horror Film Historians Nathaniel Thompson And Howard S. Berger\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Hemisphere Marketing Consultant Samuel M. Sherman\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eTombs Of The Living Dead\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview with Pete Tombs, Co-Author Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eImmoral Tales\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eA Taste Of Blood\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Critic Mark Holcomb\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eThe Mad Director Of Blood Island\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Co-Director Eddie Romero\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTrailer\u003c\/li\u003e\n\u003cli class=\"p1\"\u003ePoster And Still Gallery\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eBEAST OF BLOOD\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eAudio Commentary With Hemisphere Marketing Consultant Samuel M. Sherman\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eCeleste And The Beast\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Actress Celeste Yarnall\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003ci\u003eDr. Lorca's Blood Devils\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Actor Eddie Garcia\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eSuper 8 Digest Version\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eTrailer\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eRadio Spot\u003c\/li\u003e\n\u003cli class=\"p1\"\u003ePoster And Still Gallery\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAspect ratio: 1.33:1\u003c\/li\u003e\n\u003cli\u003eAudio: English Mono\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eClosed Captions\u003c\/li\u003e\n\u003cli\u003eRegion Free\u003c\/li\u003e\n\u003cli\u003eRun time: 368 mins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003eSlipcase and wrap keyart designed by Matt Needle\u003c\/p\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":44424150745288,"sku":"SEV17506BR","price":45.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/fearinthephilipponesbd.jpg?v=1738726576"},{"product_id":"curse-of-the-vampires-blu-ray","title":"Curse Of The Vampires (BLU-RAY)","description":"\u003cp\u003e\u003cspan\u003eIn this pseudo-sequel to his masterpiece \u003c\/span\u003e\u003cb\u003eTHE BLOOD DRINKERS\u003c\/b\u003e\u003cspan\u003e, director \u003c\/span\u003e\u003cb\u003eGerry de Leon\u003c\/b\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cb\u003eTERROR IS A MAN, BRIDES OF BLOOD\u003c\/b\u003e\u003cspan\u003e) delves even deeper into themes of lust, guilt, faith and redemption within an aristocratic family cursed by vampirism. But this time, he adds rich gothic dollops of torture, incest, carnal depravity and blackface that “oozes sexual menace, brims with potent cultural metaphors and makes for unusually hypnotic viewing” (\u003c\/span\u003e\u003ci\u003e\u003cspan\u003eSenses Of Cinema\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e). \u003c\/span\u003e\u003cb\u003eAmalia Fuentes\u003c\/b\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cb\u003eTHE BLOOD DRINKERS\u003c\/b\u003e\u003cspan\u003e) and \u003c\/span\u003e\u003cb\u003eEddie Garcia\u003c\/b\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cb\u003eBEAST OF BLOOD\u003c\/b\u003e\u003cspan\u003e) star in this “artfully executed vampire chiller” (\u003c\/span\u003e\u003ci\u003e\u003cspan\u003eBlu-ray.com\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e) – a\u003c\/span\u003e\u003cspan\u003elso released as \u003c\/span\u003e\u003cb\u003eWHISPER TO THE WIND\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eBLOOD OF THE VAMPIRES\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eCREATURES OF EVIL\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e– from\u003c\/span\u003e\u003cspan\u003e “The Father of Philippine Horror” (\u003c\/span\u003e\u003ci\u003e\u003cspan\u003eDVD Drive-In\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e) and \u003c\/span\u003e\u003cb\u003enow\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003escanned in 2k from the only surviving film elements.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan\u003eCursed Vampire\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e: Interview With Actor \u003cstrong\u003eEddie Garcia\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cspan\u003eThe Market Of Hemisphere\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e: Interview With Marketing Consultant \u003cstrong\u003eSamuel M. Sherman\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAudio Commentary With Philippine Genre Documentarian \u003cstrong\u003eAndrew Leavold\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePartial Audio Commentary with \u003cstrong\u003eSam Sherman\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeleted Scenes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTrailer 1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTrailer 2\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBeast of Blood\/Curse of the Vampires radio spot\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Severin Films","offers":[{"title":"Default Title","offer_id":44444018835656,"sku":"SEV92803","price":28.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/curseofthevampirebd3d.jpg?v=1739316249"},{"product_id":"kisapmata-us-import-blu-ray","title":"Kisapmata (US Import BLU-RAY)","description":"\u003cp\u003eOne Sunday in November, Mila (Charo Santos) announces to her father Dadang (Vic Silayan), a retired police officer, that she is pregnant, asking for permission to marry her co-worker Noel (Jay Ilangan). The noose further tightens as Dadong's unreasonable expectations for a dowry are not met and he exhibits an increasingly authoritarian streak. The couple marries and soon, Mila's father begins a game of exclusion and manipulation in the hopes of reasserting control over his kin.\u003c\/p\u003e\n\u003cp\u003eBased on the true crime reportage \"The House on Zapote Street\" penned by Nick Joaquin, Mike De Leon's Kisapmata, beautifully restored in 4K by L'Immagine Ritrovata, is a stunning example of psychological horror; a film that meticulously tighten the noose around its characters' neck until the outcome feels inevitable — culminating in a brutal, unflinching portrait of the horrors of patriarchy at its most pathological. Voted the 3rd Best Filipino Film Of All Time by the Pinoy Rebyu (SFFR), it stands as one of Mike De Leon's most unsettling and politically resonant films.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Mike De Leon\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003estarring: Charo Santos, Jay Ilagan, Vic Silayan, Charito Solis\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e1981 \/ 99 min \/ 1.85:1 \/ Tagalog DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e4K Restoration\u003c\/li\u003e\n\u003cli\u003eIntroduction \u0026amp; Selected Scenes Commentary by director Isabel Sandoval\u003c\/li\u003e\n\u003cli\u003eIntroduction by director Raymond Red\u003c\/li\u003e\n\u003cli\u003eInterview with actor \u0026amp; line producer Charo Santos\u003c\/li\u003e\n\u003cli\u003eInterview with screenwriter Raquel Villavicencio\u003c\/li\u003e\n\u003cli\u003eInterview with screewriter Clodualdo \"Doy\" Del Mundo Jr.\u003c\/li\u003e\n\u003cli\u003eVic Silayan: An Actor Remembers (Manny Reyes, 1985)\u003c\/li\u003e\n\u003cli\u003e8mm behind-the-scenes footage\u003c\/li\u003e\n\u003cli\u003eBooklet with archival set photographs \u0026amp; writing\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kani Releasing","offers":[{"title":"Default Title","offer_id":44503032430792,"sku":"KANI-025","price":52.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/Kisapmatabdtemp.webp?v=1741042165"},{"product_id":"kisapmata-us-import-limited-edition-slipcover-blu-ray","title":"Kisapmata (US Import Limited Edition Slipcover BLU-RAY)","description":"\u003cp\u003eOne Sunday in November, Mila (Charo Santos) announces to her father Dadang (Vic Silayan), a retired police officer, that she is pregnant, asking for permission to marry her co-worker Noel (Jay Ilangan). The noose further tightens as Dadong's unreasonable expectations for a dowry are not met and he exhibits an increasingly authoritarian streak. The couple marries and soon, Mila's father begins a game of exclusion and manipulation in the hopes of reasserting control over his kin.\u003c\/p\u003e\n\u003cp\u003eBased on the true crime reportage \"The House on Zapote Street\" penned by Nick Joaquin, Mike De Leon's Kisapmata, beautifully restored in 4K by L'Immagine Ritrovata, is a stunning example of psychological horror; a film that meticulously tighten the noose around its characters' neck until the outcome feels inevitable — culminating in a brutal, unflinching portrait of the horrors of patriarchy at its most pathological. Voted the 3rd Best Filipino Film Of All Time by the Pinoy Rebyu (SFFR), it stands as one of Mike De Leon's most unsettling and politically resonant films.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Mike De Leon\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. 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A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e1981 \/ 99 min \/ 1.85:1 \/ Tagalog DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. 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A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. 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Talking to the boy’s mother, remarried to an American; to his grandfather, an ex-soldier as well as to his American-born girlfriend, bigger questions emerge: what dark history has pushed so many Filipinos to migrate this wintry land? Why are these the conditions of their children? Out of what past does this detective emerge?\u003c\/p\u003e\n\u003cp\u003eShot on 16mm under duress at the freezing turn of the millennium by a young, fearless Lav Diaz (Norte, The End of History), Batang West Side remains a timeless epic about Filipino immigration over generations. Diaz’s sole film shot in the United States, and the longest film to be made by a Southeast Asia director at the time, Diaz does not shy away from the power of cumulative answers, revealed intricately over the course of the kind epic runtime and Dostoyevskian themes that would become hallmarks in the oeuvre of the Filipino master.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. 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A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Lav Diaz\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003estarring: Yul Servo, Joel Torre, Gloria Diaz, Priscilla Almeda, Art Acuña\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. 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A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e2001 \/ 301 min (combined) \/ 1.85:1 \/ Tagalog, English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. 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When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e2K Restoration\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eInterview with director Lav Diaz (13mins, 2024)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eInterview with actor Joel Torre (20mins, 2024)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eInterview with actor Gloria Diaz (10mins, 2024)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eInterview with actor Art Acuña (15mins, 2024)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eInterview with actor Priscilla Viduya (8mins, 2024)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBooklet with archival writing by critic Alexis Tioseco and writer Gil Quito with archival photographs by Cesar Hernando\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNew art by Tom Estrera III\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kani Releasing","offers":[{"title":"Default Title","offer_id":44654205534408,"sku":"KANI-026","price":56.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/BatangWestSideBD.jpg?v=1748905882"},{"product_id":"batang-west-side-us-import-limited-edition-slipcover-blu-ray","title":"Batang West Side (US Import Limited Edition Slipcover BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/zyCYFUvU-k8?si=63Hs5HGBJcZF2DsE\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInvestigating the murder of the young Hanzel (Yul Servo), shot dead one winter night on West Side Ave, police detective Juan Mijares (Joel Torres) plumbs the depths of the Filipino youth gangs of Jersey city who trade in shabu – crystal meth. Talking to the boy’s mother, remarried to an American; to his grandfather, an ex-soldier as well as to his American-born girlfriend, bigger questions emerge: what dark history has pushed so many Filipinos to migrate this wintry land? Why are these the conditions of their children? Out of what past does this detective emerge?\u003c\/p\u003e\n\u003cp\u003eShot on 16mm under duress at the freezing turn of the millennium by a young, fearless Lav Diaz (Norte, The End of History), Batang West Side remains a timeless epic about Filipino immigration over generations. Diaz’s sole film shot in the United States, and the longest film to be made by a Southeast Asia director at the time, Diaz does not shy away from the power of cumulative answers, revealed intricately over the course of the kind epic runtime and Dostoyevskian themes that would become hallmarks in the oeuvre of the Filipino master.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Lav Diaz\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003estarring: Yul Servo, Joel Torre, Gloria Diaz, Priscilla Almeda, Art Acuña\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e2001 \/ 301 min (combined) \/ 1.85:1 \/ Tagalog, English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e2-disc Region A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e2K Restoration\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eInterview with director Lav Diaz (13mins, 2024)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eInterview with actor Joel Torre (20mins, 2024)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eInterview with actor Gloria Diaz (10mins, 2024)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eInterview with actor Art Acuña (15mins, 2024)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"2K restoration \\nInterview with Chigumi Obayashi \\nTheatrical Trailer \u0026amp; Teaser\\nOptional English subtitles\\nBooklet with new writing by Aaron Gerow\\nNew art by Qiu Jiongjiong of A New Old Play (Kani 010)\\nLogo design by Leo Mak\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eInterview with actor Priscilla Viduya (8mins, 2024)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. 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When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. 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When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. 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When she decides to drop out of school to follow the object of her infatuation, her furious father casts her out and Bona moves in with the actor in the Manila slums. At first delighted to play house, the young woman soon finds herself not the wife, but rather the maid — at the mercy of Gardo’s every whim and desire, yet intent on enduring his unending parade of conquests, in the hopes of finally being seen.\u003c\/p\u003e\n\u003cp\u003eProduced by its iconic superstar Nora Aunor as a subversion of her own fame at the time, and brought to life through Lino Brocka’s (Cain and Abel) trademark blend of high stakes melodrama and keenly observed social realism, Bona is a masterpiece of Filipino cinema. It unfolds as a troubling character study at the intersection of fandom, sexuality and martyrdom, in a country where fanaticism, both political, pop cultural and religious, remain driving societal forces. After premiering at the 1981 Directors’ Fortnight at the Cannes Film Festival and long thought lost thereafter, Bona makes its triumphant return in a new 4K restoration.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. 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A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Lino Brocka\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003estarring: Nora Aunor, Philip Salvador, Marissa Delgado, Raquel Monteza, Nanding Josef\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. As Shunzo’s generosity sneaks up on him and strains his family’s welfare, he confronts his role as surrogate father to his newfound Chinese friends.\\n\\n\\nShot between May - July of 1989 and addressing the historically charged notion of a Sino-Japanese friendship, this lesser-seen masterpiece from director Nobuhiko Obayashi (House) chronicles the end of a decade marked by the Japanese economic bubble and the brutal close of possibility in China. A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e1980 \/ 86 min \/ 1.37:1 \/ Tagalog DTS-HD MA 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. 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A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003estarring: Nora Aunor, Philip Salvador, Marissa Delgado, Raquel Monteza, Nanding Josef\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Shunzo (Bengal) and his wife Michi (Masako Motai) run a beloved greengrocer on the outskirts of Tokyo. When Lee, a struggling exchange student from China, visits the shop but is unable to afford the produce, an uneasy relationship sprouts. Begrudgingly, Shunzo agrees to lower his prices. Soon, Lee’s classmates begin frequenting the shop. 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A delicate elegy to the Chinese students of its time, Beijing Watermelon finds Obayashi at his most modern, channeling the style of Yasujiro Ozu, while his experimental flourishes provide the perfect disruption, inviting viewers to fill in the blanks of history.\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2-disc Set: 4K Ultra HD \/ Region A Blu-ray\u003c\/li\u003e\n\u003cli\u003eDual disc set including one 4K UHD disc with the feature in HDR Dolby Vision and one 1080p Blu-ray disc with feature and extras\u003c\/li\u003e\n\u003cli\u003eNew interview with assistant director Jeric Soriano (2025)\u003c\/li\u003e\n\u003cli\u003eNew interview with actor Nanding Josef (2024)\u003c\/li\u003e\n\u003cli\u003eQ\u0026amp;A with Allan Brocka at the Academy Museum of Motion Pictures (2024)\u003c\/li\u003e\n\u003cli\u003eBonus short film: Superfan (Clodualdo \"Doy\" Del Mundo Jr., 2009)\u003c\/li\u003e\n\u003cli\u003eNew trailer (2024)\u003c\/li\u003e\n\u003cli\u003eEnglish, French subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kani Releasing","offers":[{"title":"Default Title","offer_id":44725776744648,"sku":"KANI-030 SLIP","price":66.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/Bona4kslip.webp?v=1754346131"},{"product_id":"raging-grace-us-import-blu-ray","title":"Raging Grace (US Import BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/j8agbvCHnHE?si=4c1cNYgCw8xdVNel\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn undocumented immigrant begins working as a care-taker for a terminal old man, uncovering a terrible secret haunting the lavish home.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Trapped in a toxic relationship with his infantile father, twenty year old Dmitri dreams of escape from the blistering reality of homelessness in rural Pennsylvania. 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Enlisting the aid of her invalid father and clairvoyant co-worker, they must use their unique abilities to stay one step ahead of a maniac whose unspeakable acts in the present are nothing compared to his past and future.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"NUTS! recounts the unbelievable true story of John Romulus Brinkley, a Kansas doctor who in 1917 discovered that he could cure impotence by transplanting goat testicles into men. From there, the story only gets more bizarre. \\n\\nMixing hand-drawn animated reenactments, interviews, and archival footage, NUTS! traces Brinkley’s rise from poverty and obscurity to the heights of celebrity, wealth, and influence. \\n\\nFilmmaker Penny Lane (HAIL SATAN?) has skillfully borrowed a page from her subject - charming viewers into believing the unbelievable, building their trust and excitement, until the final chapter bares the painful truth and reveals the doctor for what he truly was…\"}' data-sheets-root=\"1\"\u003edirected by: Paris Zarcilla\u003cbr\u003estarring: Max Eigenmann, Jaeden Paige Boadilla, Leanne Best, David Hayman\u003cbr\u003e2023 \/ 99 min \/ 1.44:1 \/ English, Tagalog DTS-HD MA 5.1\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Trapped in a toxic relationship with his infantile father, twenty year old Dmitri dreams of escape from the blistering reality of homelessness in rural Pennsylvania. When Benny, an old childhood friend, returns home for Christmas break with his new and affluent girlfriend Jess, Dmitri’s dreams of escape shift into something more attainable as he forces himself deeper and deeper into their relationship, in an attempt to leave this world of cut throat survival behind him.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Telephone psychic Clementine Carter is pulled into a complex web of mystery when she receives a call from a serial killer. Predicting his murders before he commits them puts her into a terrifying game of cat and mouse. Enlisting the aid of her invalid father and clairvoyant co-worker, they must use their unique abilities to stay one step ahead of a maniac whose unspeakable acts in the present are nothing compared to his past and future.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"NUTS! recounts the unbelievable true story of John Romulus Brinkley, a Kansas doctor who in 1917 discovered that he could cure impotence by transplanting goat testicles into men. From there, the story only gets more bizarre. \\n\\nMixing hand-drawn animated reenactments, interviews, and archival footage, NUTS! traces Brinkley’s rise from poverty and obscurity to the heights of celebrity, wealth, and influence. \\n\\nFilmmaker Penny Lane (HAIL SATAN?) has skillfully borrowed a page from her subject - charming viewers into believing the unbelievable, building their trust and excitement, until the final chapter bares the painful truth and reveals the doctor for what he truly was…\"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Trapped in a toxic relationship with his infantile father, twenty year old Dmitri dreams of escape from the blistering reality of homelessness in rural Pennsylvania. When Benny, an old childhood friend, returns home for Christmas break with his new and affluent girlfriend Jess, Dmitri’s dreams of escape shift into something more attainable as he forces himself deeper and deeper into their relationship, in an attempt to leave this world of cut throat survival behind him.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Telephone psychic Clementine Carter is pulled into a complex web of mystery when she receives a call from a serial killer. Predicting his murders before he commits them puts her into a terrifying game of cat and mouse. Enlisting the aid of her invalid father and clairvoyant co-worker, they must use their unique abilities to stay one step ahead of a maniac whose unspeakable acts in the present are nothing compared to his past and future.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"NUTS! recounts the unbelievable true story of John Romulus Brinkley, a Kansas doctor who in 1917 discovered that he could cure impotence by transplanting goat testicles into men. 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When Benny, an old childhood friend, returns home for Christmas break with his new and affluent girlfriend Jess, Dmitri’s dreams of escape shift into something more attainable as he forces himself deeper and deeper into their relationship, in an attempt to leave this world of cut throat survival behind him.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Telephone psychic Clementine Carter is pulled into a complex web of mystery when she receives a call from a serial killer. Predicting his murders before he commits them puts her into a terrifying game of cat and mouse. Enlisting the aid of her invalid father and clairvoyant co-worker, they must use their unique abilities to stay one step ahead of a maniac whose unspeakable acts in the present are nothing compared to his past and future.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"NUTS! recounts the unbelievable true story of John Romulus Brinkley, a Kansas doctor who in 1917 discovered that he could cure impotence by transplanting goat testicles into men. From there, the story only gets more bizarre. \\n\\nMixing hand-drawn animated reenactments, interviews, and archival footage, NUTS! traces Brinkley’s rise from poverty and obscurity to the heights of celebrity, wealth, and influence. \\n\\nFilmmaker Penny Lane (HAIL SATAN?) has skillfully borrowed a page from her subject - charming viewers into believing the unbelievable, building their trust and excitement, until the final chapter bares the painful truth and reveals the doctor for what he truly was…\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Trailer\\nThe Brinkly Archive: \\n    Address To Patients\\n    Making A Record\\n    Rejuvenation Through Gland Transplanting\\n    Brinkley Family Home Movies\"}' data-sheets-root=\"1\"\u003eAudio commentary with director Paris Zarcilla\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Trapped in a toxic relationship with his infantile father, twenty year old Dmitri dreams of escape from the blistering reality of homelessness in rural Pennsylvania. When Benny, an old childhood friend, returns home for Christmas break with his new and affluent girlfriend Jess, Dmitri’s dreams of escape shift into something more attainable as he forces himself deeper and deeper into their relationship, in an attempt to leave this world of cut throat survival behind him.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Telephone psychic Clementine Carter is pulled into a complex web of mystery when she receives a call from a serial killer. Predicting his murders before he commits them puts her into a terrifying game of cat and mouse. Enlisting the aid of her invalid father and clairvoyant co-worker, they must use their unique abilities to stay one step ahead of a maniac whose unspeakable acts in the present are nothing compared to his past and future.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"NUTS! recounts the unbelievable true story of John Romulus Brinkley, a Kansas doctor who in 1917 discovered that he could cure impotence by transplanting goat testicles into men. From there, the story only gets more bizarre. \\n\\nMixing hand-drawn animated reenactments, interviews, and archival footage, NUTS! traces Brinkley’s rise from poverty and obscurity to the heights of celebrity, wealth, and influence. \\n\\nFilmmaker Penny Lane (HAIL SATAN?) has skillfully borrowed a page from her subject - charming viewers into believing the unbelievable, building their trust and excitement, until the final chapter bares the painful truth and reveals the doctor for what he truly was…\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Trailer\\nThe Brinkly Archive: \\n    Address To Patients\\n    Making A Record\\n    Rejuvenation Through Gland Transplanting\\n    Brinkley Family Home Movies\"}' data-sheets-root=\"1\"\u003eVideo conference with director Paris Zarcilla and Lulu Wang, director of The Farewell\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Trapped in a toxic relationship with his infantile father, twenty year old Dmitri dreams of escape from the blistering reality of homelessness in rural Pennsylvania. When Benny, an old childhood friend, returns home for Christmas break with his new and affluent girlfriend Jess, Dmitri’s dreams of escape shift into something more attainable as he forces himself deeper and deeper into their relationship, in an attempt to leave this world of cut throat survival behind him.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Telephone psychic Clementine Carter is pulled into a complex web of mystery when she receives a call from a serial killer. Predicting his murders before he commits them puts her into a terrifying game of cat and mouse. Enlisting the aid of her invalid father and clairvoyant co-worker, they must use their unique abilities to stay one step ahead of a maniac whose unspeakable acts in the present are nothing compared to his past and future.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"NUTS! recounts the unbelievable true story of John Romulus Brinkley, a Kansas doctor who in 1917 discovered that he could cure impotence by transplanting goat testicles into men. From there, the story only gets more bizarre. \\n\\nMixing hand-drawn animated reenactments, interviews, and archival footage, NUTS! traces Brinkley’s rise from poverty and obscurity to the heights of celebrity, wealth, and influence. \\n\\nFilmmaker Penny Lane (HAIL SATAN?) has skillfully borrowed a page from her subject - charming viewers into believing the unbelievable, building their trust and excitement, until the final chapter bares the painful truth and reveals the doctor for what he truly was…\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Trailer\\nThe Brinkly Archive: \\n    Address To Patients\\n    Making A Record\\n    Rejuvenation Through Gland Transplanting\\n    Brinkley Family Home Movies\"}' data-sheets-root=\"1\"\u003eBehind the Scenes Footage\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Trapped in a toxic relationship with his infantile father, twenty year old Dmitri dreams of escape from the blistering reality of homelessness in rural Pennsylvania. When Benny, an old childhood friend, returns home for Christmas break with his new and affluent girlfriend Jess, Dmitri’s dreams of escape shift into something more attainable as he forces himself deeper and deeper into their relationship, in an attempt to leave this world of cut throat survival behind him.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Telephone psychic Clementine Carter is pulled into a complex web of mystery when she receives a call from a serial killer. Predicting his murders before he commits them puts her into a terrifying game of cat and mouse. Enlisting the aid of her invalid father and clairvoyant co-worker, they must use their unique abilities to stay one step ahead of a maniac whose unspeakable acts in the present are nothing compared to his past and future.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"NUTS! recounts the unbelievable true story of John Romulus Brinkley, a Kansas doctor who in 1917 discovered that he could cure impotence by transplanting goat testicles into men. From there, the story only gets more bizarre. \\n\\nMixing hand-drawn animated reenactments, interviews, and archival footage, NUTS! traces Brinkley’s rise from poverty and obscurity to the heights of celebrity, wealth, and influence. \\n\\nFilmmaker Penny Lane (HAIL SATAN?) has skillfully borrowed a page from her subject - charming viewers into believing the unbelievable, building their trust and excitement, until the final chapter bares the painful truth and reveals the doctor for what he truly was…\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Trailer\\nThe Brinkly Archive: \\n    Address To Patients\\n    Making A Record\\n    Rejuvenation Through Gland Transplanting\\n    Brinkley Family Home Movies\"}' data-sheets-root=\"1\"\u003eStoryboards stills gallery\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Trapped in a toxic relationship with his infantile father, twenty year old Dmitri dreams of escape from the blistering reality of homelessness in rural Pennsylvania. When Benny, an old childhood friend, returns home for Christmas break with his new and affluent girlfriend Jess, Dmitri’s dreams of escape shift into something more attainable as he forces himself deeper and deeper into their relationship, in an attempt to leave this world of cut throat survival behind him.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Telephone psychic Clementine Carter is pulled into a complex web of mystery when she receives a call from a serial killer. Predicting his murders before he commits them puts her into a terrifying game of cat and mouse. Enlisting the aid of her invalid father and clairvoyant co-worker, they must use their unique abilities to stay one step ahead of a maniac whose unspeakable acts in the present are nothing compared to his past and future.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"NUTS! recounts the unbelievable true story of John Romulus Brinkley, a Kansas doctor who in 1917 discovered that he could cure impotence by transplanting goat testicles into men. From there, the story only gets more bizarre. \\n\\nMixing hand-drawn animated reenactments, interviews, and archival footage, NUTS! traces Brinkley’s rise from poverty and obscurity to the heights of celebrity, wealth, and influence. \\n\\nFilmmaker Penny Lane (HAIL SATAN?) has skillfully borrowed a page from her subject - charming viewers into believing the unbelievable, building their trust and excitement, until the final chapter bares the painful truth and reveals the doctor for what he truly was…\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Trailer\\nThe Brinkly Archive: \\n    Address To Patients\\n    Making A Record\\n    Rejuvenation Through Gland Transplanting\\n    Brinkley Family Home Movies\"}' data-sheets-root=\"1\"\u003eBooklet with an essay by film critic Walter Chaw\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Trapped in a toxic relationship with his infantile father, twenty year old Dmitri dreams of escape from the blistering reality of homelessness in rural Pennsylvania. When Benny, an old childhood friend, returns home for Christmas break with his new and affluent girlfriend Jess, Dmitri’s dreams of escape shift into something more attainable as he forces himself deeper and deeper into their relationship, in an attempt to leave this world of cut throat survival behind him.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Telephone psychic Clementine Carter is pulled into a complex web of mystery when she receives a call from a serial killer. Predicting his murders before he commits them puts her into a terrifying game of cat and mouse. Enlisting the aid of her invalid father and clairvoyant co-worker, they must use their unique abilities to stay one step ahead of a maniac whose unspeakable acts in the present are nothing compared to his past and future.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"NUTS! recounts the unbelievable true story of John Romulus Brinkley, a Kansas doctor who in 1917 discovered that he could cure impotence by transplanting goat testicles into men. From there, the story only gets more bizarre. \\n\\nMixing hand-drawn animated reenactments, interviews, and archival footage, NUTS! traces Brinkley’s rise from poverty and obscurity to the heights of celebrity, wealth, and influence. \\n\\nFilmmaker Penny Lane (HAIL SATAN?) has skillfully borrowed a page from her subject - charming viewers into believing the unbelievable, building their trust and excitement, until the final chapter bares the painful truth and reveals the doctor for what he truly was…\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Trailer\\nThe Brinkly Archive: \\n    Address To Patients\\n    Making A Record\\n    Rejuvenation Through Gland Transplanting\\n    Brinkley Family Home Movies\"}' data-sheets-root=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Brainstorm Media","offers":[{"title":"Default Title","offer_id":44725824618696,"sku":"BST-007","price":46.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/RagingGraceBD.jpg?v=1754352983"},{"product_id":"raging-grace-us-import-limited-edition-slipcover-blu-ray","title":"Raging Grace (US Import Limited Edition Slipcover BLU-RAY)","description":"\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/j8agbvCHnHE?si=4c1cNYgCw8xdVNel\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn undocumented immigrant begins working as a care-taker for a terminal old man, uncovering a terrible secret haunting the lavish home.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Trapped in a toxic relationship with his infantile father, twenty year old Dmitri dreams of escape from the blistering reality of homelessness in rural Pennsylvania. When Benny, an old childhood friend, returns home for Christmas break with his new and affluent girlfriend Jess, Dmitri’s dreams of escape shift into something more attainable as he forces himself deeper and deeper into their relationship, in an attempt to leave this world of cut throat survival behind him.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Telephone psychic Clementine Carter is pulled into a complex web of mystery when she receives a call from a serial killer. Predicting his murders before he commits them puts her into a terrifying game of cat and mouse. Enlisting the aid of her invalid father and clairvoyant co-worker, they must use their unique abilities to stay one step ahead of a maniac whose unspeakable acts in the present are nothing compared to his past and future.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"NUTS! recounts the unbelievable true story of John Romulus Brinkley, a Kansas doctor who in 1917 discovered that he could cure impotence by transplanting goat testicles into men. From there, the story only gets more bizarre. \\n\\nMixing hand-drawn animated reenactments, interviews, and archival footage, NUTS! traces Brinkley’s rise from poverty and obscurity to the heights of celebrity, wealth, and influence. \\n\\nFilmmaker Penny Lane (HAIL SATAN?) has skillfully borrowed a page from her subject - charming viewers into believing the unbelievable, building their trust and excitement, until the final chapter bares the painful truth and reveals the doctor for what he truly was…\"}' data-sheets-root=\"1\"\u003edirected by: Paris Zarcilla\u003cbr\u003estarring: Max Eigenmann, Jaeden Paige Boadilla, Leanne Best, David Hayman\u003cbr\u003e2023 \/ 99 min \/ 1.44:1 \/ English, Tagalog DTS-HD MA 5.1\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Trapped in a toxic relationship with his infantile father, twenty year old Dmitri dreams of escape from the blistering reality of homelessness in rural Pennsylvania. When Benny, an old childhood friend, returns home for Christmas break with his new and affluent girlfriend Jess, Dmitri’s dreams of escape shift into something more attainable as he forces himself deeper and deeper into their relationship, in an attempt to leave this world of cut throat survival behind him.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Telephone psychic Clementine Carter is pulled into a complex web of mystery when she receives a call from a serial killer. Predicting his murders before he commits them puts her into a terrifying game of cat and mouse. Enlisting the aid of her invalid father and clairvoyant co-worker, they must use their unique abilities to stay one step ahead of a maniac whose unspeakable acts in the present are nothing compared to his past and future.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"NUTS! recounts the unbelievable true story of John Romulus Brinkley, a Kansas doctor who in 1917 discovered that he could cure impotence by transplanting goat testicles into men. From there, the story only gets more bizarre. \\n\\nMixing hand-drawn animated reenactments, interviews, and archival footage, NUTS! traces Brinkley’s rise from poverty and obscurity to the heights of celebrity, wealth, and influence. \\n\\nFilmmaker Penny Lane (HAIL SATAN?) has skillfully borrowed a page from her subject - charming viewers into believing the unbelievable, building their trust and excitement, until the final chapter bares the painful truth and reveals the doctor for what he truly was…\"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Trapped in a toxic relationship with his infantile father, twenty year old Dmitri dreams of escape from the blistering reality of homelessness in rural Pennsylvania. When Benny, an old childhood friend, returns home for Christmas break with his new and affluent girlfriend Jess, Dmitri’s dreams of escape shift into something more attainable as he forces himself deeper and deeper into their relationship, in an attempt to leave this world of cut throat survival behind him.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Telephone psychic Clementine Carter is pulled into a complex web of mystery when she receives a call from a serial killer. Predicting his murders before he commits them puts her into a terrifying game of cat and mouse. Enlisting the aid of her invalid father and clairvoyant co-worker, they must use their unique abilities to stay one step ahead of a maniac whose unspeakable acts in the present are nothing compared to his past and future.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"NUTS! recounts the unbelievable true story of John Romulus Brinkley, a Kansas doctor who in 1917 discovered that he could cure impotence by transplanting goat testicles into men. From there, the story only gets more bizarre. \\n\\nMixing hand-drawn animated reenactments, interviews, and archival footage, NUTS! traces Brinkley’s rise from poverty and obscurity to the heights of celebrity, wealth, and influence. \\n\\nFilmmaker Penny Lane (HAIL SATAN?) has skillfully borrowed a page from her subject - charming viewers into believing the unbelievable, building their trust and excitement, until the final chapter bares the painful truth and reveals the doctor for what he truly was…\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Trailer\\nThe Brinkly Archive: \\n    Address To Patients\\n    Making A Record\\n    Rejuvenation Through Gland Transplanting\\n    Brinkley Family Home Movies\"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Trapped in a toxic relationship with his infantile father, twenty year old Dmitri dreams of escape from the blistering reality of homelessness in rural Pennsylvania. When Benny, an old childhood friend, returns home for Christmas break with his new and affluent girlfriend Jess, Dmitri’s dreams of escape shift into something more attainable as he forces himself deeper and deeper into their relationship, in an attempt to leave this world of cut throat survival behind him.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Telephone psychic Clementine Carter is pulled into a complex web of mystery when she receives a call from a serial killer. Predicting his murders before he commits them puts her into a terrifying game of cat and mouse. Enlisting the aid of her invalid father and clairvoyant co-worker, they must use their unique abilities to stay one step ahead of a maniac whose unspeakable acts in the present are nothing compared to his past and future.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"NUTS! recounts the unbelievable true story of John Romulus Brinkley, a Kansas doctor who in 1917 discovered that he could cure impotence by transplanting goat testicles into men. From there, the story only gets more bizarre. \\n\\nMixing hand-drawn animated reenactments, interviews, and archival footage, NUTS! traces Brinkley’s rise from poverty and obscurity to the heights of celebrity, wealth, and influence. \\n\\nFilmmaker Penny Lane (HAIL SATAN?) has skillfully borrowed a page from her subject - charming viewers into believing the unbelievable, building their trust and excitement, until the final chapter bares the painful truth and reveals the doctor for what he truly was…\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Trailer\\nThe Brinkly Archive: \\n    Address To Patients\\n    Making A Record\\n    Rejuvenation Through Gland Transplanting\\n    Brinkley Family Home Movies\"}' data-sheets-root=\"1\"\u003eAudio commentary with director Paris Zarcilla\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Trapped in a toxic relationship with his infantile father, twenty year old Dmitri dreams of escape from the blistering reality of homelessness in rural Pennsylvania. When Benny, an old childhood friend, returns home for Christmas break with his new and affluent girlfriend Jess, Dmitri’s dreams of escape shift into something more attainable as he forces himself deeper and deeper into their relationship, in an attempt to leave this world of cut throat survival behind him.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Telephone psychic Clementine Carter is pulled into a complex web of mystery when she receives a call from a serial killer. Predicting his murders before he commits them puts her into a terrifying game of cat and mouse. Enlisting the aid of her invalid father and clairvoyant co-worker, they must use their unique abilities to stay one step ahead of a maniac whose unspeakable acts in the present are nothing compared to his past and future.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"NUTS! recounts the unbelievable true story of John Romulus Brinkley, a Kansas doctor who in 1917 discovered that he could cure impotence by transplanting goat testicles into men. From there, the story only gets more bizarre. \\n\\nMixing hand-drawn animated reenactments, interviews, and archival footage, NUTS! traces Brinkley’s rise from poverty and obscurity to the heights of celebrity, wealth, and influence. \\n\\nFilmmaker Penny Lane (HAIL SATAN?) has skillfully borrowed a page from her subject - charming viewers into believing the unbelievable, building their trust and excitement, until the final chapter bares the painful truth and reveals the doctor for what he truly was…\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Trailer\\nThe Brinkly Archive: \\n    Address To Patients\\n    Making A Record\\n    Rejuvenation Through Gland Transplanting\\n    Brinkley Family Home Movies\"}' data-sheets-root=\"1\"\u003eVideo conference with director Paris Zarcilla and Lulu Wang, director of The Farewell\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Trapped in a toxic relationship with his infantile father, twenty year old Dmitri dreams of escape from the blistering reality of homelessness in rural Pennsylvania. When Benny, an old childhood friend, returns home for Christmas break with his new and affluent girlfriend Jess, Dmitri’s dreams of escape shift into something more attainable as he forces himself deeper and deeper into their relationship, in an attempt to leave this world of cut throat survival behind him.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Telephone psychic Clementine Carter is pulled into a complex web of mystery when she receives a call from a serial killer. Predicting his murders before he commits them puts her into a terrifying game of cat and mouse. Enlisting the aid of her invalid father and clairvoyant co-worker, they must use their unique abilities to stay one step ahead of a maniac whose unspeakable acts in the present are nothing compared to his past and future.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"NUTS! recounts the unbelievable true story of John Romulus Brinkley, a Kansas doctor who in 1917 discovered that he could cure impotence by transplanting goat testicles into men. From there, the story only gets more bizarre. \\n\\nMixing hand-drawn animated reenactments, interviews, and archival footage, NUTS! traces Brinkley’s rise from poverty and obscurity to the heights of celebrity, wealth, and influence. \\n\\nFilmmaker Penny Lane (HAIL SATAN?) has skillfully borrowed a page from her subject - charming viewers into believing the unbelievable, building their trust and excitement, until the final chapter bares the painful truth and reveals the doctor for what he truly was…\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Trailer\\nThe Brinkly Archive: \\n    Address To Patients\\n    Making A Record\\n    Rejuvenation Through Gland Transplanting\\n    Brinkley Family Home Movies\"}' data-sheets-root=\"1\"\u003eBehind the Scenes Footage\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Trapped in a toxic relationship with his infantile father, twenty year old Dmitri dreams of escape from the blistering reality of homelessness in rural Pennsylvania. When Benny, an old childhood friend, returns home for Christmas break with his new and affluent girlfriend Jess, Dmitri’s dreams of escape shift into something more attainable as he forces himself deeper and deeper into their relationship, in an attempt to leave this world of cut throat survival behind him.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Telephone psychic Clementine Carter is pulled into a complex web of mystery when she receives a call from a serial killer. Predicting his murders before he commits them puts her into a terrifying game of cat and mouse. Enlisting the aid of her invalid father and clairvoyant co-worker, they must use their unique abilities to stay one step ahead of a maniac whose unspeakable acts in the present are nothing compared to his past and future.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"NUTS! recounts the unbelievable true story of John Romulus Brinkley, a Kansas doctor who in 1917 discovered that he could cure impotence by transplanting goat testicles into men. From there, the story only gets more bizarre. \\n\\nMixing hand-drawn animated reenactments, interviews, and archival footage, NUTS! traces Brinkley’s rise from poverty and obscurity to the heights of celebrity, wealth, and influence. \\n\\nFilmmaker Penny Lane (HAIL SATAN?) has skillfully borrowed a page from her subject - charming viewers into believing the unbelievable, building their trust and excitement, until the final chapter bares the painful truth and reveals the doctor for what he truly was…\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Trailer\\nThe Brinkly Archive: \\n    Address To Patients\\n    Making A Record\\n    Rejuvenation Through Gland Transplanting\\n    Brinkley Family Home Movies\"}' data-sheets-root=\"1\"\u003eStoryboards stills gallery\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Trapped in a toxic relationship with his infantile father, twenty year old Dmitri dreams of escape from the blistering reality of homelessness in rural Pennsylvania. When Benny, an old childhood friend, returns home for Christmas break with his new and affluent girlfriend Jess, Dmitri’s dreams of escape shift into something more attainable as he forces himself deeper and deeper into their relationship, in an attempt to leave this world of cut throat survival behind him.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Telephone psychic Clementine Carter is pulled into a complex web of mystery when she receives a call from a serial killer. Predicting his murders before he commits them puts her into a terrifying game of cat and mouse. Enlisting the aid of her invalid father and clairvoyant co-worker, they must use their unique abilities to stay one step ahead of a maniac whose unspeakable acts in the present are nothing compared to his past and future.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"NUTS! recounts the unbelievable true story of John Romulus Brinkley, a Kansas doctor who in 1917 discovered that he could cure impotence by transplanting goat testicles into men. From there, the story only gets more bizarre. \\n\\nMixing hand-drawn animated reenactments, interviews, and archival footage, NUTS! traces Brinkley’s rise from poverty and obscurity to the heights of celebrity, wealth, and influence. \\n\\nFilmmaker Penny Lane (HAIL SATAN?) has skillfully borrowed a page from her subject - charming viewers into believing the unbelievable, building their trust and excitement, until the final chapter bares the painful truth and reveals the doctor for what he truly was…\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Trailer\\nThe Brinkly Archive: \\n    Address To Patients\\n    Making A Record\\n    Rejuvenation Through Gland Transplanting\\n    Brinkley Family Home Movies\"}' data-sheets-root=\"1\"\u003eBooklet with an essay by film critic Walter Chaw\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Trapped in a toxic relationship with his infantile father, twenty year old Dmitri dreams of escape from the blistering reality of homelessness in rural Pennsylvania. When Benny, an old childhood friend, returns home for Christmas break with his new and affluent girlfriend Jess, Dmitri’s dreams of escape shift into something more attainable as he forces himself deeper and deeper into their relationship, in an attempt to leave this world of cut throat survival behind him.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Telephone psychic Clementine Carter is pulled into a complex web of mystery when she receives a call from a serial killer. Predicting his murders before he commits them puts her into a terrifying game of cat and mouse. Enlisting the aid of her invalid father and clairvoyant co-worker, they must use their unique abilities to stay one step ahead of a maniac whose unspeakable acts in the present are nothing compared to his past and future.\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"NUTS! recounts the unbelievable true story of John Romulus Brinkley, a Kansas doctor who in 1917 discovered that he could cure impotence by transplanting goat testicles into men. From there, the story only gets more bizarre. \\n\\nMixing hand-drawn animated reenactments, interviews, and archival footage, NUTS! traces Brinkley’s rise from poverty and obscurity to the heights of celebrity, wealth, and influence. \\n\\nFilmmaker Penny Lane (HAIL SATAN?) has skillfully borrowed a page from her subject - charming viewers into believing the unbelievable, building their trust and excitement, until the final chapter bares the painful truth and reveals the doctor for what he truly was…\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Trailer\\nThe Brinkly Archive: \\n    Address To Patients\\n    Making A Record\\n    Rejuvenation Through Gland Transplanting\\n    Brinkley Family Home Movies\"}' data-sheets-root=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Brainstorm Media","offers":[{"title":"Default Title","offer_id":44725824684232,"sku":"BST-007 SLIP","price":52.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/RagingGraceBDslip.webp?v=1754352934"},{"product_id":"black-panther-of-shaolin-the-the-black-six-us-import-blu-ray","title":"Black Panther of Shaolin, The + The Black Six (US Import BLU-RAY)","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/mNnOGgKZrfo?si=FsJh8VX3QWZebH-A\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA skull-smashing double feature from the AGFA grindhouse! Once lost and never legitimately released on home video, THE BLACK PANTHER OF SHAOLIN (aka BAMBOO TRAP, 1975) is a Filipino knockout that finds martial arts legends Ron Van Clief and Leo Fong locked in mortal combat with a gang of kidnappers. From there, THE BLACK SIX (1974)—directed by Matt Cimber (GLOW: GORGEOUS LADIES OF WRESTLING) and one of the first all-Black biker movies—tells the story of a motorcycle club (led by NFL stars Gene Washington, \"Mean Joe\" Greene, and more) that seeks revenge against white supremacists. But the action doesn't stop there. The second disc of this bone-cracking collection features all three volumes of MARTIAL ARTS MAYHEM—the beloved eye-gouging, gut-kicking VHS trailer compilation series from Something Weird Video.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Ernesto Ventura, Matt Cimber\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003estarring: Leo Fong, Ron Van Clief, Gene Washington, \"Mean Joe\" Greene\u003cbr\u003e1975, 1974 \/ 466 min (combined) \/ 1.85:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e2-Disc Region Free Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eDISC 1\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTHE BLACK PANTHER OF SHAOLIN aka BAMBOO TRAP (1975, 89 mins): Preserved from the only known 35mm print in existence\u003c\/li\u003e\n\u003cli\u003eCommentary with authors and film historians Chris Poggiali \u0026amp; Andrew Leavold\u003c\/li\u003e\n\u003cli\u003eTHE BLACK SIX (1974, 94 mins): Preserved from a 35mm print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDISC 2\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMARTIAL ARTS MAYHEM VOLUMES 1-3 (282 mins total): Preserved from the original 1990s Something Weird S-VHS tape masters\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AGFA","offers":[{"title":"Default Title","offer_id":44757140996296,"sku":"AGFA-069","price":53.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/BlackPanther-Black6bd.jpg?v=1757204331"},{"product_id":"black-panther-of-shaolin-the-the-black-six-us-import-limited-edition-slipcover-blu-ray","title":"Black Panther of Shaolin, The + The Black Six (US Import Limited Edition Slipcover BLU-RAY)","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/mNnOGgKZrfo?si=FsJh8VX3QWZebH-A\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA skull-smashing double feature from the AGFA grindhouse! Once lost and never legitimately released on home video, THE BLACK PANTHER OF SHAOLIN (aka BAMBOO TRAP, 1975) is a Filipino knockout that finds martial arts legends Ron Van Clief and Leo Fong locked in mortal combat with a gang of kidnappers. From there, THE BLACK SIX (1974)—directed by Matt Cimber (GLOW: GORGEOUS LADIES OF WRESTLING) and one of the first all-Black biker movies—tells the story of a motorcycle club (led by NFL stars Gene Washington, \"Mean Joe\" Greene, and more) that seeks revenge against white supremacists. But the action doesn't stop there. The second disc of this bone-cracking collection features all three volumes of MARTIAL ARTS MAYHEM—the beloved eye-gouging, gut-kicking VHS trailer compilation series from Something Weird Video.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Ernesto Ventura, Matt Cimber\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003estarring: Leo Fong, Ron Van Clief, Gene Washington, \"Mean Joe\" Greene\u003cbr\u003e1975, 1974 \/ 466 min (combined) \/ 1.85:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e2-Disc Region Free Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eDISC 1\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTHE BLACK PANTHER OF SHAOLIN aka BAMBOO TRAP (1975, 89 mins): Preserved from the only known 35mm print in existence\u003c\/li\u003e\n\u003cli\u003eCommentary with authors and film historians Chris Poggiali \u0026amp; Andrew Leavold\u003c\/li\u003e\n\u003cli\u003eTHE BLACK SIX (1974, 94 mins): Preserved from a 35mm print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDISC 2\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMARTIAL ARTS MAYHEM VOLUMES 1-3 (282 mins total): Preserved from the original 1990s Something Weird S-VHS tape masters\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AGFA","offers":[{"title":"Default Title","offer_id":44757141127368,"sku":"AGFA-069 SLIP","price":59.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/BlackPanther-Black6bdslip.webp?v=1757204331"},{"product_id":"prisoner-of-war-dvd","title":"Prisoner of War (DVD)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/pr9BWYlZWlQ?si=xycI7RSQr25RESNo\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStarring martial arts icon Scott Adkins as British SAS officer James Wright, Prisoner of War tells the story of a soldier captured by the Japanese and held in a Philippine POW camp. Before the entire colony embarks upon the Bataan Death March, Wright and his fellow prisoners are forced to compete in brutal death matches for the entertainment of their captors. Adkins puts in a career best performance as the man who may be able to save them all.\u003c\/span\u003e\u003c\/p\u003e","brand":"Well Go Entertainment","offers":[{"title":"Default Title","offer_id":44760823759048,"sku":"810348039422","price":19.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/prisonerofwardvd.jpg?v=1759624153"},{"product_id":"prisoner-of-war-blu-ray","title":"Prisoner of War (BLU-RAY)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/pr9BWYlZWlQ?si=xycI7RSQr25RESNo\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStarring martial arts icon Scott Adkins as British SAS officer James Wright, Prisoner of War tells the story of a soldier captured by the Japanese and held in a Philippine POW camp. Before the entire colony embarks upon the Bataan Death March, Wright and his fellow prisoners are forced to compete in brutal death matches for the entertainment of their captors. Adkins puts in a career best performance as the man who may be able to save them all.\u003c\/span\u003e\u003c\/p\u003e","brand":"Well Go Entertainment","offers":[{"title":"Default Title","offer_id":44760824348872,"sku":"810348039439","price":22.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/prisonerofwarbd.jpg?v=1759624095"},{"product_id":"magellan-dvd","title":"Magellan (DVD)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/8h7rriQD1qc?si=XlxdCscaurgZIsQq\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA hypnotic journey engraved in images of staggering beauty \u003c\/span\u003e\u003cspan class=\"s1\"\u003eand horror, this monumental achievement from Lav Diaz boldly rewrites the imperialist mythmaking of the Age of Discovery. Elegantly minimalist yet overpowering in its scale and impact,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMagellan\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003efollows the sixteenth-century Portuguese explorer Ferdinand Magellan (Gael García Bernal) as he embarks on his epochal quest to cross the Pacific—a voyage that spirals into zealotry and violence when he attempts to impose Christianity upon the people of the Philippines. Abetted by García Bernal’s radically antiheroic portrayal, Diaz composes a stark vision of the brutality at the heart of European conquest and a haunting elegy for a lost precolonial past.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\" data-feature-title-field=\"\"\u003eINCLUDES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\" data-special-features-field=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eMeet the Filmmakers: Lav Diaz,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ea Criterion Channel original interview\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eNotes by critic Beatrice Loayza\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Criterion Premieres","offers":[{"title":"Default Title","offer_id":45062844285128,"sku":"CCJF054DVD","price":35.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/magellandvd_0e94f2a5-c054-4ab9-a2b3-6d77a440e29f.jpg?v=1776911027"},{"product_id":"magellan-blu-ray","title":"Magellan (BLU-RAY)","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/8h7rriQD1qc?si=XlxdCscaurgZIsQq\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA hypnotic journey engraved in images of staggering beauty \u003c\/span\u003e\u003cspan class=\"s1\"\u003eand horror, this monumental achievement from Lav Diaz boldly rewrites the imperialist mythmaking of the Age of Discovery. Elegantly minimalist yet overpowering in its scale and impact,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMagellan\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003efollows the sixteenth-century Portuguese explorer Ferdinand Magellan (Gael García Bernal) as he embarks on his epochal quest to cross the Pacific—a voyage that spirals into zealotry and violence when he attempts to impose Christianity upon the people of the Philippines. Abetted by García Bernal’s radically antiheroic portrayal, Diaz composes a stark vision of the brutality at the heart of European conquest and a haunting elegy for a lost precolonial past.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\" data-feature-title-field=\"\"\u003eINCLUDES\u003c\/h4\u003e\n\u003cdiv class=\"product-features-list\" data-special-features-field=\"\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eMeet the Filmmakers: Lav Diaz,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ea Criterion Channel original interview\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eNotes by critic Beatrice Loayza\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Criterion Premieres","offers":[{"title":"Default Title","offer_id":45062845300936,"sku":"CCJF053BD","price":37.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/magellanbd.jpg?v=1776911283"},{"product_id":"some-nights-i-feel-like-walking-us-import-blu-ray","title":"Some Nights I Feel Like Walking (US Import BLU-RAY) Release Date July 21\/26","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/WbSmK4G4aWw?si=GPs2yAnO7LUl0eQb\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eIn the seedy underbelly of Manilla, teenage runaway Zion links up with a group of queer street hustlers who lead him on a heated journey of self-discovery in the tempting and dangerous nocturnal city. \u003c\/p\u003e\n\u003cp\u003ePetersen Vargas’s propulsive, erotic drama,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSome Nights I Feel Like Walking\u003c\/em\u003e, artfully utilizes a roadtrip structure to disguise what becomes “a beautiful rumination on the significance of chosen family in the queer community, and the lengths we sometimes have to go to to achieve it.” (\u003cem\u003eFrameline\u003c\/em\u003e)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp dir=\"auto\" class=\"p-rich_text_block\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003edirected by: Petersen Vargas\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cbr\u003estarring: Miguel Odron, Jomari Angeles, Argel Saycon, Gold Aceron, Tommy Alejandrino\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cbr\u003e2024 \/ 103 min \/ 1.85:1 \/ Tagalog DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp dir=\"auto\" class=\"p-rich_text_block\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-root=\"1\"\u003eCommentary with director Petersen Vargas\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-root=\"1\"\u003eDeleted scenes\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In his final acting role, legendary auteur Rainer Werner Fassbinder (clad in an iconic leopard skin suit) stars as hardboiled detective Jansen. In a neon-drenched futuristic dystopia ruled by a multimedia conglomerate called The Combine, Jansen is sent on a labyrinthine investigation when their headquarters is threatened with mass destruction by a phantom bomber. This essential cult classic features an hypnotic electronic score by Tangerine Dream's Edward Froese as well as gleefully mind-bending production design. \u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4737,\"3\":{\"1\":0},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Academy Award and Golden Globe nominee, SHANGHAI TRIAD is a thrilling and sumptuously stylized potboiler about the Chinese criminal underworld of the 1930's from legendary director Zhang Yimou (Raise the Red Lantern, House of Flying Daggers). \\n\\nHired to be a servant to pampered nightclub singer and mob moll Xiao Jinbao (Gong Li, Ju Dou, Farewell My Concubine), naive teenager Shuisheng (Wang Xiaoxiao) is thrust into the glamorous and deadly demimonde of Shanghai’s crime syndicates. Over the course of seven days, Shuisheng observes mounting tensions as triad boss Tang begins to suspect traitors amongst his ranks and rivals for Xiao Jinbao’s affections. Zhang’s inventive take on the gangster film is “assured and attention-grabbing” (Variety) and Gong’s central performance, “a portrait of a capricious and indulgent woman who gains depth as we watch her -- is one of her finest” (Chicago Tribune).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Based on the bestselling memoirs of French novelist, playwright, and filmmaker Marcel Pagnol (the acclaimed author of Jean de Florette and Manon of the Spring), MY FATHER’S GLORY and its sequel MY MOTHER’S CASTLE recount the nostalgic memories of Pagnol’s youth growing up in Provence at the turn of the twentieth century. During one idyllic summer, 11-year-old Marcel (Julien Ciamaca) discovers friendship and wonder amid the rocky peaks surrounding his family’s countryside home while learning new respect for his gentle and caring schoolmaster father Joseph (Philippe Caubère). Upon his return to Marseilles, Marcel longs to escape back to his beloved hills and is granted his wish when his adoring mother Augustine (Nathalie Roussel) devises a plan that allows them to visit the cottage more frequently.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In her stunning, semi-autobiographical directorial feature debut, Asia Argento plays Anna Battista, a rising young actress who, despite her popularity and success, experiences despair and degradation at the hands of an abusive industry.  Her harrowing journey towards redemption leads her on a sordid spree of excess across American and Europe while trying to recapture her innocence and find true love.  Newly restored in HD, SCARLET DIVA has been rediscovered by audiences and critics alike in the wake of the \\\u0026quot;Time's Up\\\u0026quot; movement for its \\\u0026quot;full-throated rage against the international filmmaking machine\\\u0026quot; and is credited as \\\u0026quot;perhaps the earliest #MeToo film\\\u0026quot; (San Francisco Chronicle).\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Gabrielle d'Annunzio’s passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an insatiable aristocrat, grows bored with his timid wife Giuliana (Laura Antonelli) and neglects her for his more exciting mistress, the wealthy widow Countess Teresa Raffo (Jennifer O'Neill). After learning that Giuliana is having a torrid affair of her own, he becomes tormented by her infidelity and descends into madness.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Reframing L’Innocente video essay by author Ivo Blom\\nBooklet with a new essay by author Dan Callahan\"}' data-sheets-root=\"1\"\u003eEnglish subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Film Movement (OCN)","offers":[{"title":"Default Title","offer_id":45118229020872,"sku":"FM-044","price":42.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/SomeNightsIFeelLikeWalkingbd.jpg?v=1781648833"},{"product_id":"some-nights-i-feel-like-walking-us-import-limited-edition-slipcover-blu-ray","title":"Some Nights I Feel Like Walking (US Import Limited Edition Slipcover BLU-RAY)","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/WbSmK4G4aWw?si=GPs2yAnO7LUl0eQb\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eIn the seedy underbelly of Manilla, teenage runaway Zion links up with a group of queer street hustlers who lead him on a heated journey of self-discovery in the tempting and dangerous nocturnal city. \u003c\/p\u003e\n\u003cp\u003ePetersen Vargas’s propulsive, erotic drama,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSome Nights I Feel Like Walking\u003c\/em\u003e, artfully utilizes a roadtrip structure to disguise what becomes “a beautiful rumination on the significance of chosen family in the queer community, and the lengths we sometimes have to go to to achieve it.” (\u003cem\u003eFrameline\u003c\/em\u003e)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp dir=\"auto\" class=\"p-rich_text_block\"\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003edirected by: Petersen Vargas\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cbr\u003estarring: Miguel Odron, Jomari Angeles, Argel Saycon, Gold Aceron, Tommy Alejandrino\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cbr\u003e2024 \/ 103 min \/ 1.85:1 \/ Tagalog DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cp dir=\"auto\" class=\"p-rich_text_block\"\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eCommentary with director Petersen Vargas\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eDeleted scenes\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eEnglish subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Film Movement (OCN)","offers":[{"title":"Default Title","offer_id":45118238589128,"sku":"FM-044 SLIP","price":49.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/SomeNightsIFeelLikeWalkingbdslip.webp?v=1781649332"}],"url":"https:\/\/videomatica.com\/es\/collections\/phillippines.oembed?page=2","provider":"Videomatica Ltd (since 1983)","version":"1.0","type":"link"}