{"product_id":"directed-by-sidney-j-furie-1970-1978-limited-edition-blu-ray","title":"Directed By… Sidney J. Furie (1970 – 1978) (Limited Edition BLU-RAY)","description":"\u003cdiv data-mce-fragment=\"1\" class=\"woocommerce-product-details__short-description\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/V-IeQgIixqc\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAustralian Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eENJOY 5 CLASSIC FILMS FROM THE INFLUENTIAL AUTEUR SIDNEY J. FURIE, BEST KNOWN FOR STRONG VISUAL STYLE AND CLEVER USE OF CINEMATOGRAPHY\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInfluential auteur Sidney J. Furie is best known for his strong visual style and clever use of cinematography.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA BAFTA Award-winner for Best Director, and a Palme d’Or nominee, Furie’s remarkable career spans more than five decades, countless genres, and has seen him helm over 40 feature films.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThese five classic films are accompanied by\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ebrand NEW audio commentaries featuring Sidney J. Furie himself\u003c\/span\u003e, as well as featurettes, interviews, video essays, and a\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ecollectable booklet\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eexploring Furie’s legacy.\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe Lawyer (1970) –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eworldwide first on Blu-ray\u003c\/strong\u003e\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLittle Fauss and Big Halsy (1970)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHit! (1973)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSheila Levine Is Dead and Living In New York (1975) –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eworldwide first on Blu-ray\u003c\/strong\u003e\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe Boys In Company C (1978)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLimited Edition 5-Disc Hardbox. 1500 copies only.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Lawyer (1970) – Imprint Collection #231\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTony Petrocelli, a bright young defense lawyer practicing in the rich cattle town of Baker, becomes embroiled in a high-profile murder case where a prosperous physician is charged with killing his socialite wife.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eWorldwide first on Blu-ray!\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStarring Barry Newman (Vanishing Point, Fear Is The Key), who later reprised his role in the TV series Petrocelli. Also starring Diana Muldaur, Robert Colbert (The Time Tunnel), and Kathleen Crowley in her final on-screen appearance.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSpecial Features \u0026amp; Technical Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1080p High-definition presentation on Blu-ray from a\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNEW\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e4K scan of the original negative\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eNEW\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003eAudio Commentary by film historian\/filmmaker Daniel Kremer and film director Paul Lynch, with archival excerpts from director Sidney J. Furie\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eNEW\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eNewman’s Law\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e– An Anthony J. Petrocelli Deposition with star Barry Newman\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eNEW\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eLawyers’ Wives and Lost Loves\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e–\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003etwo interviews with actress Diana Muldaur\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eNEW\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eClear Lines of Sight: Sidney J. Furie at Paramount\u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e– video essay by Daniel Kremer\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eNEW\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eAngles of Elevation\u003c\/em\u003e\u003c\/strong\u003e– film director Joe Dante’s Appreciation of Sidney J. Furie\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTheatrical Trailer\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAspect Ratio 1.85:1\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAudio English LPCM 2.0 Mono\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOptional English subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLittle Fauss and Big Halsy (1970) – Imprint Collection #232\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA story of two motorcycle racers: the inept, unsuspecting Little Fauss and the opportunistic, womanising Halsey Knox.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeaturing an incredible original soundtrack with songs from Johnny Cash, Bob Dylan, and Carl Perkins – whose title song was nominated for a Golden Globe.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStarring Academy Award winner Robert Redford (Butch Cassidy and the Sundance Kid, All The President’s Men) and Academy Award nominee Michael J. Pollard (Bonnie and Clyde), alongside Lauren Hutton (The Gambler).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSpecial Features \u0026amp; Technical Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1080p high-definition presentation from a 2K scan of the original negative\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eNEW\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003eAudio Commentary by film historian\/filmmaker Daniel Kremer and director Sidney J. Furie\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eNEW\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThat Old Oklahoma Know-How\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e– interview with producer Gray Frederickson (Part 1)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNEW\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eGodfathers and Grand Marshals: An Open Conversation with producer Albert S. Ruddy\u003c\/em\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eNEW\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003ePanning the Furious Scans: A Visual Archaeology of the Man Who Wouldn’t Be Cropped\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e– featurette\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eNEW\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe World Starring Halsy Knox: Sidney J. Furie – The Actor’s Director\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e– video essay by filmmaker\/critic David Cairns\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eTrailers from Hell\u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e– with screenwriter Larry Karaszewski\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDirector’s Guild of Canada Lifetime Achievement Award\u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003espeech by Sidney J. Furie (1995)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTheatrical Trailer\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAspect Ratio 2.35:1\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAudio English LPCM 2.0 Mono\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOptional English subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHit! (1973) – Imprint Collection #233\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eU.S. agent Nick Allen (Billy Dee Williams) has his own idea about how to fight a war on drugs: go to the source… and cut the big-time traffickers down. Embittered over the drug-related death of his teenage daughter, Nick sets out to do just that.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis brutal action-packed epic stars Billy Dee Williams (Star Wars) \u0026amp; Richard Pryor (Superman III).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“Solid entertainment… should be a box office smash.” – Gene Siskel\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSpecial Features \u0026amp; Technical Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1080p high-definition presentation from a 2K scan of the original negative\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eNEW\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003eAudio Commentary by film historian\/filmmaker Daniel Kremer and director Sidney J. Furie\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eNEW\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eHit Up The Black Gable!\u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e– interview with Billy Dee Williams\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eNEW\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThat Old Oklahoma Know-How\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e– interview with producer Gray Frederickson (Part 2)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eNEW\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Work\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e– actor Paul Hampton on Sidney J. Furie\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eNEW\u003cem data-mce-fragment=\"1\"\u003e“Flesh \u0026amp; Furie: The Space Between Us”\u003c\/em\u003e\u003c\/strong\u003e– video essay by film historian\/filmmaker Howard S. Berger and David Nicholson-Fajardo\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRadio Ad\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTheatrical Trailer\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAspect Ratio 2.35:1\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAudio English LPCM 2.0 Stereo\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOptional English subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSheila Levine is Dead and Living in New York (1975) – Imprint Collection #234\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA sheltered young woman tries to make it in New York City, and finds herself falling for a man who’s not interested in a relationship.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eWorldwide first on Blu-ray!\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA pithy black comedy based on the bestselling novel by Gail Parent, starring Academy Award nominees Roy Scheider (Jaws, The French Connection), and Jeannie Berlin (The Heartbreak Kid, The Fabelmans).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“Jeannie Berlin triumphs!” – Leonard Maltin\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSpecial Features \u0026amp; Technical Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1080p high-definition presentation from a 4K scan of the original negative\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eNEW\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eAudio Commentary by film historian\/filmmaker Daniel Kremer and director Sidney J. Furie\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eNEW\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003eAudio Commentary by film historian Samm Deighan\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eNEW\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Film That Died and Lived\u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e– interview with cinematographer Donald M. Morgan\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eNEW\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eWhy Can’t I Be Doris Day? Sheila Levine from Page to Screen\u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e– video essay by film historian Bill Ackerman\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eNEW\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSidney J. Furie is Alive and Dreaming of New York\u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e– video essay by filmmaker Scout Tafoya\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eNEW\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eA Little Uncomfortable: Furie’s 1970s Politics\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e– video essay by critic\/filmmaker David Cairns\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTheatrical Trailer\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAspect Ratio 2.35:1\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAudio English LPCM 2.0 Mono\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOptional English subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Boys in Company C (1978) – Imprint Collection #235\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Boys in Company C follows the lives of five naive young Marine inductees from their training in boot camp through a tour in Vietnam that quickly devolves into a hellish nightmare. Disheartened by futile combat and constantly endangered by the incompetence of their own company commander, the young men find a possible way out of the war.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis Golden Globe nominated Vietnam War film came before Platoon and Full Metal Jacket, filmed in the Philippines.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStarring Stan Shaw (The Monster Squad), Craig Wasson (Body Double), James Canning (The Fog), and Andrew Stevens (Death Hunt), who was nominated for a Golden Globe for his performance in this film.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSpecial Features \u0026amp; Technical Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1080p high-definition presentation from a 2K scan of the original negative\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eNEW\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eAudio Commentary by screenwriter Rick Natkin and film producer Andre Morgan\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAudio Commentary by actor Andrew Stevens\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eNEW\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eScenefinder General: Sidney J. Furie Remembers The Boys In Company C\u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e– featurette\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eNEW\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eForever Fazio\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e– interview with actor Michael Lembeck\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNEW\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSoldiers, Cowboys and Mavericks: Stan Shaw Pays Tribute to Sidney J. Furie\u003c\/em\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNEW\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eA Song for Private Bisbee: Craig Wasson Remembers the Days in Company C\u003c\/em\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eNEW\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eFull Metal Furie: Stanley Kubrick and The Boys In Company C\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e– video essay by film historian\/filmmaker Daniel Kremer\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cem data-mce-fragment=\"1\"\u003eFire Up The Carousel\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e– Teaser Trailer for the Sidney J. Furie documentary\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTheatrical Trailer\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAspect Ratio 2.35:1\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAudio English LPCM 2.0 Mono\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOptional English subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Imprint Via Vision","offers":[{"title":"Default Title","offer_id":42856939552968,"sku":"9337369034584","price":259.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/sidneyjfuriebd.jpg?v=1691879937","url":"https:\/\/videomatica.com\/es\/products\/directed-by-sidney-j-furie-1970-1978-limited-edition-blu-ray","provider":"Videomatica Ltd (since 1983)","version":"1.0","type":"link"}