{"product_id":"taking-the-limited-edition-slipcover-blu-ray","title":"Taking, The (Limited Edition Slipcover BLU-RAY)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/uRBTSmuCCgY?si=LDxHi_a69MZw3IpQ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003eThis illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003edirected by: Alexandre O. Philippe\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003estarring: Jennifer Nez Denetdale, Liza Black, Sir Christopher Frayling, Robert M. Bednar, John Bucher\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003e2021 \/ 76 min \/ 1.85:1 \/ English, Italian DTS-HD MA 5.1, 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003eInterview with filmmaker Alexandre O. Philippe\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003eSuper 8 Montage of Monument Valley footage used in the film\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003eThe Spot - short film by Alexandre O. Philippe\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003eBooklet Essay by Scout Tafoya\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dekanalog","offers":[{"title":"Default Title","offer_id":42912286081224,"sku":"DKA012 SLIP","price":46.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/takingbdslipfront.webp?v=1696361114","url":"https:\/\/videomatica.com\/es\/products\/taking-the-limited-edition-slipcover-blu-ray","provider":"Videomatica Ltd (since 1983)","version":"1.0","type":"link"}