{"product_id":"you-are-alone-us-import-limited-edition-slipcover-blu-ray","title":"You Are Alone (US Import Limited Edition Slipcover BLU-RAY)","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/vQCxwyMbr9U?si=den96EOuBD8YTuO9\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUS Import\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYou Are Alone presents a haunting exploration into just how far a man and woman will go to escape loneliness, if only for an hour. Daphne (Jessica Bohl), a Yale-bound high school senior whose depression has blurred her sense of reality, works as an escort advertising her services online. In a fateful bit of happenstance, her next door neighbor Buddy (Richard Brundage) discovers her as the “entertainment” at his nephew’s bachelor party. With her hidden life precariously hanging in the balance, Daphne agrees to spend one hour with Buddy alone in a hotel room. Initially confrontational, Daphne and Buddy slowly begin to shed their bitter layers of personal disappointment and general cynicism by talking about sex. But behind this teenager's jaded fantasies hides the very essence of heartbreak, acceptance, need, and desire; ironically paralleled by a broken man's desperate attempts to test the limits of her advertised promise to to do anything and everything.\u003c\/p\u003e\n\u003cp\u003eAfter a decade long sabbatical writing novels, legendary Connecticut based cult director Gorman Bechard (Psychos in Love, Disconnected, Galactic Giglio) returned to filmmaking with You Are Alone; a stripped down, micro-budget MiniDV lensed knockout that utilized an insular cast and a single filming location (New Haven’s storied Duncan Hotel). Lauded by critics as a “Last Tango in New Haven” and featuring a staggering, award-winning performance by lead actress Jessica Bohl (which took the Best Actress award at both the Brooklyn International Film Festival and Indiefest Chicago in 2005), You Are Alone remains a stunning testament to the possibilities of uncompromised, micro-budget video filmmaking as well as an essential cinematic puzzle piece in the oeuvre of one of the nations most captivating and original regional auteurs.\u003c\/p\u003e\n\u003cp\u003edirected by: Gorman Bechard\u003cbr\u003estarring: Jessica Bohl, Richard Brundage, Keith Herron, Eric Deskin, Tate Ellington\u003cbr\u003e2005 \/ 84 min \/ 1.33:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eNew 2025 audio commentary with writer \/ director Gorman Bechard moderated by Faith Marek\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eArchival 2006 audio commentary with writer \/ director Gorman Bechard\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eOriginal 97 minute rough cut\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003e“Color Me Depressed” -a new 2025 career spanning interview with writer \/ director Gorman Bechard\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eDeleted scenes with optional audio commentary with writer \/ director Gorman Bechard\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eBehind the scenes footage\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eGorman Bechard short films:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eThe Only Take (1983)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eThe Pretty Girl (2000)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eIn Her Eyes (2000)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eThis Used to Be My Home (2001)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eBlack Dog Can’t Jump (2001)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eLive Nude Bears (2002)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eObjects in the Mirror Are Further Than They Appear (2003)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eTrailers\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eReversible sleeve featuring newly commissioned artwork by Elizabeth Yoo\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003e“Cars and History” - Strays Don’t Sleep music video\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-root=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Saturn's Core","offers":[{"title":"Default Title","offer_id":44654192918728,"sku":"SC-047 SLIP","price":51.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/8486\/3688\/files\/youarealonebdslip.webp?v=1748903553","url":"https:\/\/videomatica.com\/es\/products\/you-are-alone-us-import-limited-edition-slipcover-blu-ray","provider":"Videomatica Ltd (since 1983)","version":"1.0","type":"link"}